Benchmark - Poems
On an Hour-Glass
By: John Hall (1627–1656)
MY life is measur’d by this glass, this glass
By all those little sands that thorough pass.
See how they press, see how they strive, which shall
With greatest speed and greatest quickness fall.
See how they raise a little mount, and then
With their own weight do level it again.
But when th’ have all got thorough, they give o’er
Their nimble sliding down, and move no more.
Just such is man, whose hours still forward run,
Being almost finish’d ere they are begun;
So perfect nothings, such light blasts are we,
That ere we’re aught at all, we cease to be.
Do what we will, our hasty minutes fly,
And while we sleep, what do we else but die?
How transient are our joys, how short their day!
They creep on towards us, but fly away.
How stinging are our sorrows! where they gain
But the least footing, there they will remain.
How groundless are our hopes, how they deceive
Our childish thoughts, and only sorrow leave!
How real are our fears! they blast us still,
Still rend us, still with gnawing passions fill;
How senseless are our wishes, yet how great!
With what toil we pursue them, with what sweat!
Yet most times for our hurts, so small we see,
Like children crying for some Mercury.
This gapes for marriage, yet his fickle head
Knows not what cares wait on a marriage bed:
This vows virginity, yet knows not what
Loneness, grief, discontent, attends that state.
Desires of wealth another’s wishes hold,
And yet how many have been chok’d with gold?
This only hunts for honour, yet who shall
Ascend the higher, shall more wretched fall.
This thirsts for knowledge, yet how is it bought?
With many a sleepless night, and racking thought.
This needs will travel, yet how dangers lay
Most secret ambuscados in the way?
These triumph in their beauty, though it shall
Like a pluck’d rose or fading lily fall.
Another boasts strong arms: ’las! giants have
By silly dwarfs been dragg’d unto their grave.
These ruffle in rich silk: though ne’er so gay,
A well-plum’d peacock is more gay than they.
Poor man! what art? A tennis-ball of error,
A ship of glass toss’d in a sea of terror;
Issuing in blood and sorrow from the womb,
Crawling in tears and mourning to the tomb:
How slippery are thy paths! How sure thy fall!
How art thou nothing, when th’ art most all!
https://en.wikipedia.org/wiki/John_Hall_(poet)
By: John Hall (1627–1656)
MY life is measur’d by this glass, this glass
By all those little sands that thorough pass.
See how they press, see how they strive, which shall
With greatest speed and greatest quickness fall.
See how they raise a little mount, and then
With their own weight do level it again.
But when th’ have all got thorough, they give o’er
Their nimble sliding down, and move no more.
Just such is man, whose hours still forward run,
Being almost finish’d ere they are begun;
So perfect nothings, such light blasts are we,
That ere we’re aught at all, we cease to be.
Do what we will, our hasty minutes fly,
And while we sleep, what do we else but die?
How transient are our joys, how short their day!
They creep on towards us, but fly away.
How stinging are our sorrows! where they gain
But the least footing, there they will remain.
How groundless are our hopes, how they deceive
Our childish thoughts, and only sorrow leave!
How real are our fears! they blast us still,
Still rend us, still with gnawing passions fill;
How senseless are our wishes, yet how great!
With what toil we pursue them, with what sweat!
Yet most times for our hurts, so small we see,
Like children crying for some Mercury.
This gapes for marriage, yet his fickle head
Knows not what cares wait on a marriage bed:
This vows virginity, yet knows not what
Loneness, grief, discontent, attends that state.
Desires of wealth another’s wishes hold,
And yet how many have been chok’d with gold?
This only hunts for honour, yet who shall
Ascend the higher, shall more wretched fall.
This thirsts for knowledge, yet how is it bought?
With many a sleepless night, and racking thought.
This needs will travel, yet how dangers lay
Most secret ambuscados in the way?
These triumph in their beauty, though it shall
Like a pluck’d rose or fading lily fall.
Another boasts strong arms: ’las! giants have
By silly dwarfs been dragg’d unto their grave.
These ruffle in rich silk: though ne’er so gay,
A well-plum’d peacock is more gay than they.
Poor man! what art? A tennis-ball of error,
A ship of glass toss’d in a sea of terror;
Issuing in blood and sorrow from the womb,
Crawling in tears and mourning to the tomb:
How slippery are thy paths! How sure thy fall!
How art thou nothing, when th’ art most all!
https://en.wikipedia.org/wiki/John_Hall_(poet)
Bright is the Ring of Words
By: Robert Louis Stevenson
Bright is the ring of words
When the right man rings them,
Fair the fall of songs
When the singer sings them.
Still they are carolled and said –
On wings they are carried –
After the singer is dead
And the maker is buried.
Low as the singer lies
In the field of heather,
Songs of his fashion bring
The swains together.
And when the west is red
With the sunset embers,
The lover lingers and sings
And the maid remembers.
https://en.wikipedia.org/wiki/Robert_Louis_Stevenson
By: Robert Louis Stevenson
Bright is the ring of words
When the right man rings them,
Fair the fall of songs
When the singer sings them.
Still they are carolled and said –
On wings they are carried –
After the singer is dead
And the maker is buried.
Low as the singer lies
In the field of heather,
Songs of his fashion bring
The swains together.
And when the west is red
With the sunset embers,
The lover lingers and sings
And the maid remembers.
https://en.wikipedia.org/wiki/Robert_Louis_Stevenson
The Soul of Gerontius
By: John Henry Newman
I went to sleep; and now I am refresh’d,
A strange refreshment: for I feel in me
An inexpressive lightness, and a sense
Of freedom, as I were at length myself,
And ne’er had been before. How still it is!
I hear no more the busy beat of time,
No, nor my fluttering breath, nor struggling pulse;
Nor does one moment differ from the next.
I had a dream; yes – some one softly said
“He’s gone”; and then a sigh went round the room.
And then I surely heard a priestly voice
Cry “Subvenite”; and they knelt in prayer.
I seem to hear him still; but thin and low,
And fainter and more faint the accents come,
As at an ever-widening interval.
Ah! whence is this? What is this severance?
This silence pours a solitariness
Into the very essence of my soul;
And the deep rest, so soothing and so sweet,
Hath something too of sternness and of pain.
For it drives back my thoughts upon their spring
By a strange introversion, and perforce
I now begin to feed upon myself,
Because I have nought else to feed upon –
Am I alive or dead? I am not dead,
But in the body still; for I possess
A sort of confidence which clings to me,
That each particular organ holds its place
As heretofore, combining with the rest
Into one symmetry, that wraps me round,
And makes me man; and surely I could move,
Did I but will it, every part of me.
And yet I cannot to my sense bring home
By very trial, that I have the power.
’Tis strange; I cannot stir a hand or foot,
I cannot make my fingers or my lips
By mutual pressure witness each to each,
Nor by the eyelid’s instantaneous stroke
Assure myself I have a body still.
Nor do I know my very attitude,
Nor if I stand, or lie, or sit, or kneel.
So much I know, not knowing how I know,
That the vast universe, where I have dwelt,
Is quitting me, or I am quitting it.
Or I or it is rushing on the wings
Of light or lightning on an onward course,
And we e’en now are million miles apart.
Yet … is this peremptory severance
Wrought out in lengthening measurements of space
Which grow and multiply by speed and time?
Or am I traversing infinity
By endless subdivision, hurrying back
From finite towards infinitesimal,
Thus dying out of the expansive world?
Another marvel: some one has me fast
Within his ample palm; ‘tis not a grasp
Such as they use on earth, but all around
Over the surface of my subtle being,
As though I were a sphere, and capable
To be accosted thus, a uniform
And gentle pressure tells me I am not
Self-moving, but borne forward on my way.
And hark! I hear a singing; yet in sooth
I cannot of that music rightly say
Whether I hear, or touch, or taste the tones.
Oh, what a heart-subduing melody!
https://en.wikipedia.org/wiki/John_Henry_Newman
By: John Henry Newman
I went to sleep; and now I am refresh’d,
A strange refreshment: for I feel in me
An inexpressive lightness, and a sense
Of freedom, as I were at length myself,
And ne’er had been before. How still it is!
I hear no more the busy beat of time,
No, nor my fluttering breath, nor struggling pulse;
Nor does one moment differ from the next.
I had a dream; yes – some one softly said
“He’s gone”; and then a sigh went round the room.
And then I surely heard a priestly voice
Cry “Subvenite”; and they knelt in prayer.
I seem to hear him still; but thin and low,
And fainter and more faint the accents come,
As at an ever-widening interval.
Ah! whence is this? What is this severance?
This silence pours a solitariness
Into the very essence of my soul;
And the deep rest, so soothing and so sweet,
Hath something too of sternness and of pain.
For it drives back my thoughts upon their spring
By a strange introversion, and perforce
I now begin to feed upon myself,
Because I have nought else to feed upon –
Am I alive or dead? I am not dead,
But in the body still; for I possess
A sort of confidence which clings to me,
That each particular organ holds its place
As heretofore, combining with the rest
Into one symmetry, that wraps me round,
And makes me man; and surely I could move,
Did I but will it, every part of me.
And yet I cannot to my sense bring home
By very trial, that I have the power.
’Tis strange; I cannot stir a hand or foot,
I cannot make my fingers or my lips
By mutual pressure witness each to each,
Nor by the eyelid’s instantaneous stroke
Assure myself I have a body still.
Nor do I know my very attitude,
Nor if I stand, or lie, or sit, or kneel.
So much I know, not knowing how I know,
That the vast universe, where I have dwelt,
Is quitting me, or I am quitting it.
Or I or it is rushing on the wings
Of light or lightning on an onward course,
And we e’en now are million miles apart.
Yet … is this peremptory severance
Wrought out in lengthening measurements of space
Which grow and multiply by speed and time?
Or am I traversing infinity
By endless subdivision, hurrying back
From finite towards infinitesimal,
Thus dying out of the expansive world?
Another marvel: some one has me fast
Within his ample palm; ‘tis not a grasp
Such as they use on earth, but all around
Over the surface of my subtle being,
As though I were a sphere, and capable
To be accosted thus, a uniform
And gentle pressure tells me I am not
Self-moving, but borne forward on my way.
And hark! I hear a singing; yet in sooth
I cannot of that music rightly say
Whether I hear, or touch, or taste the tones.
Oh, what a heart-subduing melody!
https://en.wikipedia.org/wiki/John_Henry_Newman
The Lane
By: Edward Thomas
Some day, I think, there will be people enough
In Froxfield to pick all the blackberries
Out of the hedges of Green Lane, the straight
Broad lane where now September hides herself
In bracken and blackberry, harebell and dwarf gorse.
Today, where yesterday a hundred sheep
Were nibbling, halcyon bells shake to the sway
Of waters that no vessel ever sailed ...
It is a kind of spring: the chaffinch tries
His song. For heat it is like summer too.
This might be winter’s quiet. While the glint
Of hollies dark in the swollen hedges lasts—
One mile—and those bells ring, little I know
Or heed if time be still the same, until
The lane ends and once more all is the same.
https://en.wikipedia.org/wiki/Edward_Thomas_(poet)
By: Edward Thomas
Some day, I think, there will be people enough
In Froxfield to pick all the blackberries
Out of the hedges of Green Lane, the straight
Broad lane where now September hides herself
In bracken and blackberry, harebell and dwarf gorse.
Today, where yesterday a hundred sheep
Were nibbling, halcyon bells shake to the sway
Of waters that no vessel ever sailed ...
It is a kind of spring: the chaffinch tries
His song. For heat it is like summer too.
This might be winter’s quiet. While the glint
Of hollies dark in the swollen hedges lasts—
One mile—and those bells ring, little I know
Or heed if time be still the same, until
The lane ends and once more all is the same.
https://en.wikipedia.org/wiki/Edward_Thomas_(poet)
Out there
By: Rev David Conolly
So big, that sea
out there.
So big.
Stopped in your tracks,
silence claims you.
What is it, child of Mary?
Could it be that, in your
sunny spirit of
adventure,
you sense
the sudden passing
of a shadow?
But the dream
of a world
of peace,
healed by love,
could remain
just that
a dream.
Unless
you step,
bravely
and surely,
to where
we’re waiting.
Out there.
By: Rev David Conolly
So big, that sea
out there.
So big.
Stopped in your tracks,
silence claims you.
What is it, child of Mary?
Could it be that, in your
sunny spirit of
adventure,
you sense
the sudden passing
of a shadow?
But the dream
of a world
of peace,
healed by love,
could remain
just that
a dream.
Unless
you step,
bravely
and surely,
to where
we’re waiting.
Out there.
The Jumblies
By: Edward Lear
They went to sea in a Sieve, they did,
In a Sieve they went to sea:
In spite of all their friends could say,
On a winter’s morn, on a stormy day,
In a Sieve they went to sea!
And when the Sieve turned round and round,
And every one cried, ‘You’ll all be drowned!’
They called aloud, ‘Our Sieve ain’t big,
But we don’t care a button! we don’t care a fig!
In a Sieve we’ll go to sea!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
II
They sailed away in a Sieve, they did,
In a Sieve they sailed so fast,
With only a beautiful pea-green veil
Tied with a riband by way of a sail,
To a small tobacco-pipe mast;
And every one said, who saw them go,
‘O won’t they be soon upset, you know!
For the sky is dark, and the voyage is long,
And happen what may, it’s extremely wrong
In a Sieve to sail so fast!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
III
The water it soon came in, it did,
The water it soon came in;
So to keep them dry, they wrapped their feet
In a pinky paper all folded neat,
And they fastened it down with a pin.
And they passed the night in a crockery-jar,
And each of them said, ‘How wise we are!
Though the sky be dark, and the voyage be long,
Yet we never can think we were rash or wrong,
While round in our Sieve we spin!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
IV
And all night long they sailed away;
And when the sun went down,
They whistled and warbled a moony song
To the echoing sound of a coppery gong,
In the shade of the mountains brown.
‘O Timballo! How happy we are,
When we live in a sieve and a crockery-jar,
And all night long in the moonlight pale,
We sail away with a pea-green sail,
In the shade of the mountains brown!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
V
They sailed to the Western Sea, they did,
To a land all covered with trees,
And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry Tart,
And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
And no end of Stilton Cheese.
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
VI
And in twenty years they all came back,
In twenty years or more,
And every one said, ‘How tall they’ve grown!’
For they’ve been to the Lakes, and the Torrible Zone,
And the hills of the Chankly Bore;
And they drank their health, and gave them a feast
Of dumplings made of beautiful yeast;
And everyone said, ‘If we only live,
We too will go to sea in a Sieve,—
To the hills of the Chankly Bore!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
https://en.wikipedia.org/wiki/Edward_Lear
By: Edward Lear
They went to sea in a Sieve, they did,
In a Sieve they went to sea:
In spite of all their friends could say,
On a winter’s morn, on a stormy day,
In a Sieve they went to sea!
And when the Sieve turned round and round,
And every one cried, ‘You’ll all be drowned!’
They called aloud, ‘Our Sieve ain’t big,
But we don’t care a button! we don’t care a fig!
In a Sieve we’ll go to sea!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
II
They sailed away in a Sieve, they did,
In a Sieve they sailed so fast,
With only a beautiful pea-green veil
Tied with a riband by way of a sail,
To a small tobacco-pipe mast;
And every one said, who saw them go,
‘O won’t they be soon upset, you know!
For the sky is dark, and the voyage is long,
And happen what may, it’s extremely wrong
In a Sieve to sail so fast!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
III
The water it soon came in, it did,
The water it soon came in;
So to keep them dry, they wrapped their feet
In a pinky paper all folded neat,
And they fastened it down with a pin.
And they passed the night in a crockery-jar,
And each of them said, ‘How wise we are!
Though the sky be dark, and the voyage be long,
Yet we never can think we were rash or wrong,
While round in our Sieve we spin!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
IV
And all night long they sailed away;
And when the sun went down,
They whistled and warbled a moony song
To the echoing sound of a coppery gong,
In the shade of the mountains brown.
‘O Timballo! How happy we are,
When we live in a sieve and a crockery-jar,
And all night long in the moonlight pale,
We sail away with a pea-green sail,
In the shade of the mountains brown!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
V
They sailed to the Western Sea, they did,
To a land all covered with trees,
And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry Tart,
And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
And no end of Stilton Cheese.
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
VI
And in twenty years they all came back,
In twenty years or more,
And every one said, ‘How tall they’ve grown!’
For they’ve been to the Lakes, and the Torrible Zone,
And the hills of the Chankly Bore;
And they drank their health, and gave them a feast
Of dumplings made of beautiful yeast;
And everyone said, ‘If we only live,
We too will go to sea in a Sieve,—
To the hills of the Chankly Bore!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
https://en.wikipedia.org/wiki/Edward_Lear
April Midnight
By: Arthur Symons
Side by side through the streets at midnight,
Roaming together,
Through the tumultuous night of London,
In the miraculous April weather.
Roaming together under the gaslight,
Day’s work over,
How the Spring calls to us, here in the city,
Calls to the heart from the heart of a lover!
Cool to the wind blows, fresh in our faces,
Cleansing, entrancing,
After the heat and the fumes and the footlights,
Where you dance and I watch your dancing.
Good it is to be here together,
Good to be roaming,
Even in London, even at midnight,
Lover-like in a lover’s gloaming.
You the dancer and I the dreamer,
Children together,
Wandering lost in the night of London,
In the miraculous April weather.
https://en.wikipedia.org/wiki/Arthur_Symons
By: Arthur Symons
Side by side through the streets at midnight,
Roaming together,
Through the tumultuous night of London,
In the miraculous April weather.
Roaming together under the gaslight,
Day’s work over,
How the Spring calls to us, here in the city,
Calls to the heart from the heart of a lover!
Cool to the wind blows, fresh in our faces,
Cleansing, entrancing,
After the heat and the fumes and the footlights,
Where you dance and I watch your dancing.
Good it is to be here together,
Good to be roaming,
Even in London, even at midnight,
Lover-like in a lover’s gloaming.
You the dancer and I the dreamer,
Children together,
Wandering lost in the night of London,
In the miraculous April weather.
https://en.wikipedia.org/wiki/Arthur_Symons
LXXXIII
By: Emily Dickinson
JUST lost when I was saved!
Just felt the world go by!
Just girt me for the onset with eternity,
When breath blew back,
And on the other side
I heard recede the disappointed tide!
Therefore, as one returned, I feel,
Odd secrets of the line to tell!
Some sailor, skirting foreign shores,
Some pale reporter from the awful doors
Before the seal!
Next time, to stay!
Next time, the things to see
By ear unheard,
Unscrutinized by eye.
Next time, to tarry,
While the ages steal,—
Slow tramp the centuries,
And the cycles wheel.
https://en.wikipedia.org/wiki/Emily_Dickinson
By: Emily Dickinson
JUST lost when I was saved!
Just felt the world go by!
Just girt me for the onset with eternity,
When breath blew back,
And on the other side
I heard recede the disappointed tide!
Therefore, as one returned, I feel,
Odd secrets of the line to tell!
Some sailor, skirting foreign shores,
Some pale reporter from the awful doors
Before the seal!
Next time, to stay!
Next time, the things to see
By ear unheard,
Unscrutinized by eye.
Next time, to tarry,
While the ages steal,—
Slow tramp the centuries,
And the cycles wheel.
https://en.wikipedia.org/wiki/Emily_Dickinson
To Flush, My Dog
By: Elizabeth Barrett Browning
LOVING friend, the gift of one,
Who, her own true faith, hath run,
Through thy lower nature ;
Be my benediction said
With my hand upon thy head,
Gentle fellow-creature !
Like a lady's ringlets brown,
Flow thy silken ears adown
Either side demurely,
Of thy silver-suited breast
Shining out from all the rest
Of thy body purely.
Darkly brown thy body is,
Till the sunshine, striking this,
Alchemize its dulness, —
When the sleek curls manifold
Flash all over into gold,
With a burnished fulness.
Underneath my stroking hand,
Startled eyes of hazel bland
Kindling, growing larger, —
Up thou leapest with a spring,
Full of prank and curvetting,
Leaping like a charger.
Leap ! thy broad tail waves a light ;
Leap ! thy slender feet are bright,
Canopied in fringes.
Leap — those tasselled ears of thine
Flicker strangely, fair and fine,
Down their golden inches
Yet, my pretty sportive friend,
Little is 't to such an end
That I praise thy rareness !
Other dogs may be thy peers
Haply in these drooping ears,
And this glossy fairness.
But of thee it shall be said,
This dog watched beside a bed
Day and night unweary, —
Watched within a curtained room,
Where no sunbeam brake the gloom
Round the sick and dreary.
Roses, gathered for a vase,
In that chamber died apace,
Beam and breeze resigning —
This dog only, waited on,
Knowing that when light is gone,
Love remains for shining.
Other dogs in thymy dew
Tracked the hares and followed through
Sunny moor or meadow —
This dog only, crept and crept
Next a languid cheek that slept,
Sharing in the shadow.
Other dogs of loyal cheer
Bounded at the whistle clear,
Up the woodside hieing —
This dog only, watched in reach
Of a faintly uttered speech,
Or a louder sighing.
And if one or two quick tears
Dropped upon his glossy ears,
Or a sigh came double, —
Up he sprang in eager haste,
Fawning, fondling, breathing fast,
In a tender trouble.
And this dog was satisfied,
If a pale thin hand would glide,
Down his dewlaps sloping, —
Which he pushed his nose within,
After, — platforming his chin
On the palm left open.
This dog, if a friendly voice
Call him now to blyther choice
Than such chamber-keeping,
Come out ! ' praying from the door, —
Presseth backward as before,
Up against me leaping.
Therefore to this dog will I,
Tenderly not scornfully,
Render praise and favour !
With my hand upon his head,
Is my benediction said
Therefore, and for ever.
And because he loves me so,
Better than his kind will do
Often, man or woman,
Give I back more love again
Than dogs often take of men, —
Leaning from my Human.
Blessings on thee, dog of mine,
Pretty collars make thee fine,
Sugared milk make fat thee !
Pleasures wag on in thy tail —
Hands of gentle motion fail
Nevermore, to pat thee !
Downy pillow take thy head,
Silken coverlid bestead,
Sunshine help thy sleeping !
No fly 's buzzing wake thee up —
No man break thy purple cup,
Set for drinking deep in.
Whiskered cats arointed flee —
Sturdy stoppers keep from thee
Cologne distillations ;
Nuts lie in thy path for stones,
And thy feast-day macaroons
Turn to daily rations !
Mock I thee, in wishing weal ? —
Tears are in my eyes to feel
Thou art made so straightly,
Blessing needs must straighten too, —
Little canst thou joy or do,
Thou who lovest greatly.
Yet be blessed to the height
Of all good and all delight
Pervious to thy nature, —
Only loved beyond that line,
With a love that answers thine,
Loving fellow-creature !
https://en.wikipedia.org/wiki/Elizabeth_Barrett_Browning
By: Elizabeth Barrett Browning
LOVING friend, the gift of one,
Who, her own true faith, hath run,
Through thy lower nature ;
Be my benediction said
With my hand upon thy head,
Gentle fellow-creature !
Like a lady's ringlets brown,
Flow thy silken ears adown
Either side demurely,
Of thy silver-suited breast
Shining out from all the rest
Of thy body purely.
Darkly brown thy body is,
Till the sunshine, striking this,
Alchemize its dulness, —
When the sleek curls manifold
Flash all over into gold,
With a burnished fulness.
Underneath my stroking hand,
Startled eyes of hazel bland
Kindling, growing larger, —
Up thou leapest with a spring,
Full of prank and curvetting,
Leaping like a charger.
Leap ! thy broad tail waves a light ;
Leap ! thy slender feet are bright,
Canopied in fringes.
Leap — those tasselled ears of thine
Flicker strangely, fair and fine,
Down their golden inches
Yet, my pretty sportive friend,
Little is 't to such an end
That I praise thy rareness !
Other dogs may be thy peers
Haply in these drooping ears,
And this glossy fairness.
But of thee it shall be said,
This dog watched beside a bed
Day and night unweary, —
Watched within a curtained room,
Where no sunbeam brake the gloom
Round the sick and dreary.
Roses, gathered for a vase,
In that chamber died apace,
Beam and breeze resigning —
This dog only, waited on,
Knowing that when light is gone,
Love remains for shining.
Other dogs in thymy dew
Tracked the hares and followed through
Sunny moor or meadow —
This dog only, crept and crept
Next a languid cheek that slept,
Sharing in the shadow.
Other dogs of loyal cheer
Bounded at the whistle clear,
Up the woodside hieing —
This dog only, watched in reach
Of a faintly uttered speech,
Or a louder sighing.
And if one or two quick tears
Dropped upon his glossy ears,
Or a sigh came double, —
Up he sprang in eager haste,
Fawning, fondling, breathing fast,
In a tender trouble.
And this dog was satisfied,
If a pale thin hand would glide,
Down his dewlaps sloping, —
Which he pushed his nose within,
After, — platforming his chin
On the palm left open.
This dog, if a friendly voice
Call him now to blyther choice
Than such chamber-keeping,
Come out ! ' praying from the door, —
Presseth backward as before,
Up against me leaping.
Therefore to this dog will I,
Tenderly not scornfully,
Render praise and favour !
With my hand upon his head,
Is my benediction said
Therefore, and for ever.
And because he loves me so,
Better than his kind will do
Often, man or woman,
Give I back more love again
Than dogs often take of men, —
Leaning from my Human.
Blessings on thee, dog of mine,
Pretty collars make thee fine,
Sugared milk make fat thee !
Pleasures wag on in thy tail —
Hands of gentle motion fail
Nevermore, to pat thee !
Downy pillow take thy head,
Silken coverlid bestead,
Sunshine help thy sleeping !
No fly 's buzzing wake thee up —
No man break thy purple cup,
Set for drinking deep in.
Whiskered cats arointed flee —
Sturdy stoppers keep from thee
Cologne distillations ;
Nuts lie in thy path for stones,
And thy feast-day macaroons
Turn to daily rations !
Mock I thee, in wishing weal ? —
Tears are in my eyes to feel
Thou art made so straightly,
Blessing needs must straighten too, —
Little canst thou joy or do,
Thou who lovest greatly.
Yet be blessed to the height
Of all good and all delight
Pervious to thy nature, —
Only loved beyond that line,
With a love that answers thine,
Loving fellow-creature !
https://en.wikipedia.org/wiki/Elizabeth_Barrett_Browning
From: Lines Written in Kensington Gardens
By: Matthew Arnold
In this lone, open glade I lie,
Screen'd by deep boughs on either hand;
And at its end, to stay the eye,
Those black-crown'd, red-boled pine-trees stand!
Birds here make song, each bird has his,
Across the girdling city's hum.
How green under the boughs it is!
How thick the tremulous sheep-cries come!
Sometimes a child will cross the glade
To take his nurse his broken toy;
Sometimes a thrush flit overhead
Deep in her unknown day's employ.
Here at my feet what wonders pass,
What endless, active life is here!
What blowing daisies, fragrant grass!
An air-stirr'd forest, fresh and clear.
https://en.wikipedia.org/wiki/Matthew_Arnold
By: Matthew Arnold
In this lone, open glade I lie,
Screen'd by deep boughs on either hand;
And at its end, to stay the eye,
Those black-crown'd, red-boled pine-trees stand!
Birds here make song, each bird has his,
Across the girdling city's hum.
How green under the boughs it is!
How thick the tremulous sheep-cries come!
Sometimes a child will cross the glade
To take his nurse his broken toy;
Sometimes a thrush flit overhead
Deep in her unknown day's employ.
Here at my feet what wonders pass,
What endless, active life is here!
What blowing daisies, fragrant grass!
An air-stirr'd forest, fresh and clear.
https://en.wikipedia.org/wiki/Matthew_Arnold
Ode to Psyche
By: John Keats
O Goddess! hear these tuneless numbers, wrung
By sweet enforcement and remembrance dear,
And pardon that thy secrets should be sung
Even into thine own soft-conched ear:
Surely I dreamt to-day, or did I see
The winged Psyche with awaken'd eyes?
I wander'd in a forest thoughtlessly,
And, on the sudden, fainting with surprise,
Saw two fair creatures, couched side by side
In deepest grass, beneath the whisp'ring roof
Of leaves and trembled blossoms, where there ran
A brooklet, scarce espied:
Mid hush'd, cool-rooted flowers, fragrant-eyed,
Blue, silver-white, and budded Tyrian,
They lay calm-breathing, on the bedded grass;
Their arms embraced, and their pinions too;
Their lips touch'd not, but had not bade adieu,
As if disjoined by soft-handed slumber,
And ready still past kisses to outnumber
At tender eye-dawn of aurorean love:
The winged boy I knew;
But who wast thou, O happy, happy dove?
His Psyche true!
O latest born and loveliest vision far
Of all Olympus' faded hierarchy!
Fairer than Phoebe's sapphire-region'd star,
Or Vesper, amorous glow-worm of the sky;
Fairer than these, though temple thou hast none,
Nor altar heap'd with flowers;
Nor virgin-choir to make delicious moan
Upon the midnight hours;
No voice, no lute, no pipe, no incense sweet
From chain-swung censer teeming;
No shrine, no grove, no oracle, no heat
Of pale-mouth'd prophet dreaming.
O brightest! though too late for antique vows,
Too, too late for the fond believing lyre,
When holy were the haunted forest boughs,
Holy the air, the water, and the fire;
Yet even in these days so far retir'd
From happy pieties, thy lucent fans,
Fluttering among the faint Olympians,
I see, and sing, by my own eyes inspir'd.
So let me be thy choir, and make a moan
Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
From swinged censer teeming;
Thy shrine, thy grove, thy oracle, thy heat
Of pale-mouth'd prophet dreaming.
Yes, I will be thy priest, and build a fane
In some untrodden region of my mind,
Where branched thoughts, new grown with pleasant pain,
Instead of pines shall murmur in the wind:
Far, far around shall those dark-cluster'd trees
Fledge the wild-ridged mountains steep by steep;
And there by zephyrs, streams, and birds, and bees,
The moss-lain Dryads shall be lull'd to sleep;
And in the midst of this wide quietness
A rosy sanctuary will I dress
With the wreath'd trellis of a working brain,
With buds, and bells, and stars without a name,
With all the gardener Fancy e'er could feign,
Who breeding flowers, will never breed the same:
And there shall be for thee all soft delight
That shadowy thought can win,
A bright torch, and a casement ope at night,
To let the warm Love in!
https://en.wikipedia.org/wiki/John_Keats
From The Lotos-eaters
By: Alfred, Lord Tennyson
"Courage!" he said, and pointed toward the land,
"This mounting wave will roll us shoreward soon."
In the afternoon they came unto a land
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream
Along the cliff to fall and pause and fall did seem.
A land of streams! some, like a downward smoke,
Slow-dropping veils of thinnest lawn, did go;
And some thro' wavering lights and shadows broke,
Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow
From the inner land: far off, three mountain-tops,
Three silent pinnacles of aged snow,
Stood sunset-flush'd: and, dew'd with showery drops,
Up-clomb the shadowy pine above the woven copse.
The charmed sunset linger'd low adown
In the red West: thro' mountain clefts the dale
Was seen far inland, and the yellow down
Border'd with palm, and many a winding vale
And meadow, set with slender galingale;
A land where all things always seem'd the same!
And round about the keel with faces pale,
Dark faces pale against that rosy flame,
The mild-eyed melancholy Lotos-eaters came.
Branches they bore of that enchanted stem,
Laden with flower and fruit, whereof they gave
To each, but whoso did receive of them,
And taste, to him the gushing of the wave
Far far away did seem to mourn and rave
On alien shores; and if his fellow spake,
His voice was thin, as voices from the grave;
And deep-asleep he seem'd, yet all awake,
And music in his ears his beating heart did make.
https://en.wikipedia.org/wiki/Alfred,_Lord_Tennyson
By: Alfred, Lord Tennyson
"Courage!" he said, and pointed toward the land,
"This mounting wave will roll us shoreward soon."
In the afternoon they came unto a land
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream
Along the cliff to fall and pause and fall did seem.
A land of streams! some, like a downward smoke,
Slow-dropping veils of thinnest lawn, did go;
And some thro' wavering lights and shadows broke,
Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow
From the inner land: far off, three mountain-tops,
Three silent pinnacles of aged snow,
Stood sunset-flush'd: and, dew'd with showery drops,
Up-clomb the shadowy pine above the woven copse.
The charmed sunset linger'd low adown
In the red West: thro' mountain clefts the dale
Was seen far inland, and the yellow down
Border'd with palm, and many a winding vale
And meadow, set with slender galingale;
A land where all things always seem'd the same!
And round about the keel with faces pale,
Dark faces pale against that rosy flame,
The mild-eyed melancholy Lotos-eaters came.
Branches they bore of that enchanted stem,
Laden with flower and fruit, whereof they gave
To each, but whoso did receive of them,
And taste, to him the gushing of the wave
Far far away did seem to mourn and rave
On alien shores; and if his fellow spake,
His voice was thin, as voices from the grave;
And deep-asleep he seem'd, yet all awake,
And music in his ears his beating heart did make.
https://en.wikipedia.org/wiki/Alfred,_Lord_Tennyson
From: The Book of Thel
By: William Blake
THEL'S MOTTO
Does the Eagle know what is in the pit?
Or wilt thou go ask the Mole:
Can Wisdom be put in a silver rod?
Or Love in a golden bowl?
I
The daughters of Mne Seraphim led round their sunny flocks.
All but the youngest; she in paleness sought the secret air.
To fade away like morning beauty from her mortal day:
Down by the river of Adona her soft voice is heard:
And thus her gentle lamentation falls like morning dew.
O life of this our spring! why fades the lotus of the water?
Why fade these children of the spring? born but to smile & fall.
Ah! Thel is like a watry bow. and like a parting cloud.
Like a reflection in a glass. like shadows in the water.
Like dreams of infants. like a smile upon an infants face,
Like the doves voice, like transient day, like music in the air;
Ah! gentle may I lay me down, and gentle rest my head,
And gentle sleep the sleep of death. and gentle hear the voice
Of him that walketh in the garden in the evening time.
The Lilly of the valley breathing in the humble grass
Answer'd the lovely maid and said: I am a watry weed,
And I am very small, and love to dwell in lowly vales;
So weak, the gilded butterfly scarce perches on my head.
Yet I am visited from heaven and he that smiles on all.
Walks in the valley. and each morn over me spreads his hand
Saying, rejoice thou humble grass, thou new-born lilly flower,
Thou gentle maid of silent valleys. and of modest brooks;
For thou shalt be clothed in light, and fed with morning manna:
Till summers heat melts thee beside the fountains and the springs
To flourish in eternal vales: then why should Thel complain,
Why should the mistress of the vales of Har, utter a sigh.
She ceasd & smild in tears, then sat down in her silver shrine.
https://en.wikipedia.org/wiki/William_Blake
By: William Blake
THEL'S MOTTO
Does the Eagle know what is in the pit?
Or wilt thou go ask the Mole:
Can Wisdom be put in a silver rod?
Or Love in a golden bowl?
I
The daughters of Mne Seraphim led round their sunny flocks.
All but the youngest; she in paleness sought the secret air.
To fade away like morning beauty from her mortal day:
Down by the river of Adona her soft voice is heard:
And thus her gentle lamentation falls like morning dew.
O life of this our spring! why fades the lotus of the water?
Why fade these children of the spring? born but to smile & fall.
Ah! Thel is like a watry bow. and like a parting cloud.
Like a reflection in a glass. like shadows in the water.
Like dreams of infants. like a smile upon an infants face,
Like the doves voice, like transient day, like music in the air;
Ah! gentle may I lay me down, and gentle rest my head,
And gentle sleep the sleep of death. and gentle hear the voice
Of him that walketh in the garden in the evening time.
The Lilly of the valley breathing in the humble grass
Answer'd the lovely maid and said: I am a watry weed,
And I am very small, and love to dwell in lowly vales;
So weak, the gilded butterfly scarce perches on my head.
Yet I am visited from heaven and he that smiles on all.
Walks in the valley. and each morn over me spreads his hand
Saying, rejoice thou humble grass, thou new-born lilly flower,
Thou gentle maid of silent valleys. and of modest brooks;
For thou shalt be clothed in light, and fed with morning manna:
Till summers heat melts thee beside the fountains and the springs
To flourish in eternal vales: then why should Thel complain,
Why should the mistress of the vales of Har, utter a sigh.
She ceasd & smild in tears, then sat down in her silver shrine.
https://en.wikipedia.org/wiki/William_Blake
Fairy-Land
BY:EDGAR ALLAN POE
Dim vales—and shadowy floods—
And cloudy-looking woods,
Whose forms we can’t discover
For the tears that drip all over:
Huge moons there wax and wane—
Again—again—again—
Every moment of the night—
Forever changing places—
And they put out the star-light
With the breath from their pale faces.
About twelve by the moon-dial,
One more filmy than the rest
(A kind which, upon trial,
They have found to be the best)
Comes down—still down—and down
With its centre on the crown
Of a mountain’s eminence,
While its wide circumference
In easy drapery falls
Over hamlets, over halls,
Wherever they may be—
O’er the strange woods—o’er the sea—
Over spirits on the wing—
Over every drowsy thing—
And buries them up quite
In a labyrinth of light—
And then, how, deep! —O, deep,
Is the passion of their sleep.
In the morning they arise,
And their moony covering
Is soaring in the skies,
With the tempests as they toss,
Like—almost any thing—
Or a yellow Albatross.
They use that moon no more
For the same end as before,
Videlicet, a tent—
Which I think extravagant:
Its atomies, however,
Into a shower dissever,
Of which those butterflies
Of Earth, who seek the skies,
And so come down again
(Never-contented things!)
Have brought a specimen
Upon their quivering wings.
EDGAR ALLAN POE
BY:EDGAR ALLAN POE
Dim vales—and shadowy floods—
And cloudy-looking woods,
Whose forms we can’t discover
For the tears that drip all over:
Huge moons there wax and wane—
Again—again—again—
Every moment of the night—
Forever changing places—
And they put out the star-light
With the breath from their pale faces.
About twelve by the moon-dial,
One more filmy than the rest
(A kind which, upon trial,
They have found to be the best)
Comes down—still down—and down
With its centre on the crown
Of a mountain’s eminence,
While its wide circumference
In easy drapery falls
Over hamlets, over halls,
Wherever they may be—
O’er the strange woods—o’er the sea—
Over spirits on the wing—
Over every drowsy thing—
And buries them up quite
In a labyrinth of light—
And then, how, deep! —O, deep,
Is the passion of their sleep.
In the morning they arise,
And their moony covering
Is soaring in the skies,
With the tempests as they toss,
Like—almost any thing—
Or a yellow Albatross.
They use that moon no more
For the same end as before,
Videlicet, a tent—
Which I think extravagant:
Its atomies, however,
Into a shower dissever,
Of which those butterflies
Of Earth, who seek the skies,
And so come down again
(Never-contented things!)
Have brought a specimen
Upon their quivering wings.
EDGAR ALLAN POE
From: Mont Blanc
By: Percy Bysshe Shelley
LINES WRITTEN IN THE VALE OF CHAMOUNI
The everlasting universe of things
Flows through the mind, and rolls its rapid waves,
Now dark—now glittering—now reflecting gloom—
Now lending splendour, where from secret springs
The source of human thought its tribute brings
Of waters,—with a sound but half its own,
Such as a feeble brook will oft assume
In the wild woods, among the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.
https://en.wikipedia.org/wiki/Percy_Bysshe_Shelley
By: Percy Bysshe Shelley
LINES WRITTEN IN THE VALE OF CHAMOUNI
The everlasting universe of things
Flows through the mind, and rolls its rapid waves,
Now dark—now glittering—now reflecting gloom—
Now lending splendour, where from secret springs
The source of human thought its tribute brings
Of waters,—with a sound but half its own,
Such as a feeble brook will oft assume
In the wild woods, among the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.
https://en.wikipedia.org/wiki/Percy_Bysshe_Shelley
The
Ruin
By: Walter de la Mare
When the last colours of the day
Have from their burning ebbed away,
About that ruin, cold and lone,
The cricket shrills from stone to stone;
And scattering o'er its darkened green,
Bands of the fairies may be seen,
Chattering like grasshoppers, their feet
Dancing a thistledown dance round it:
While the great gold of the mild moon
Tinges their tiny acorn shoon.
https://en.wikipedia.org/wiki/Walter_de_la_Mare
By: Walter de la Mare
When the last colours of the day
Have from their burning ebbed away,
About that ruin, cold and lone,
The cricket shrills from stone to stone;
And scattering o'er its darkened green,
Bands of the fairies may be seen,
Chattering like grasshoppers, their feet
Dancing a thistledown dance round it:
While the great gold of the mild moon
Tinges their tiny acorn shoon.
https://en.wikipedia.org/wiki/Walter_de_la_Mare
The Brook
By: Lord Alfred Tennyson
I come from haunts of coot and hern,
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.
By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorpes, a little town,
And half a hundred bridges.
Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.
With many a curve my banks I fret
By many a field and fallow,
And many a fairy foreland set
With willow-weed and mallow.
I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
I wind about, and in and out,
With here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling,
And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,
And draw them all along, and flow
To join the brimming river
For men may come and men may go,
But I go on for ever.
I steal by lawns and grassy plots,
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.
I slip, I slide, I gloom, I glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows.
I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;
And out again I curve and flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
https://en.wikipedia.org/wiki/Alfred,_Lord_Tennyson
By: Lord Alfred Tennyson
I come from haunts of coot and hern,
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.
By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorpes, a little town,
And half a hundred bridges.
Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.
With many a curve my banks I fret
By many a field and fallow,
And many a fairy foreland set
With willow-weed and mallow.
I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
I wind about, and in and out,
With here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling,
And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,
And draw them all along, and flow
To join the brimming river
For men may come and men may go,
But I go on for ever.
I steal by lawns and grassy plots,
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.
I slip, I slide, I gloom, I glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows.
I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;
And out again I curve and flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
https://en.wikipedia.org/wiki/Alfred,_Lord_Tennyson
To My Friends
By: Henry Lawson
From: Skyline Riders.
These are the songs of the Friends I neglected -
And the Foes too, in part;
These are songs that were mostly rejected -
And songs from my heart.
https://en.wikipedia.org/wiki/Henry_Lawson - circa 1910
By: Henry Lawson
From: Skyline Riders.
These are the songs of the Friends I neglected -
And the Foes too, in part;
These are songs that were mostly rejected -
And songs from my heart.
https://en.wikipedia.org/wiki/Henry_Lawson - circa 1910
'From Cocoon forth a Butterfly'
By: Emily Dickinson :
From Cocoon forth a Butterfly
As Lady from her Door
Emerged—a Summer Afternoon—
Repairing Everywhere—
Without Design—that I could trace
Except to stray abroad
On Miscellaneous Enterprise
The Clovers—understood—
Her pretty Parasol be seen
Contracting in a Field
Where Men made Hay—
Then struggling hard
With an opposing Cloud—
Where Parties—Phantom as Herself—
To Nowhere—seemed to go
In purposeless Circumference—
As 'twere a Tropic Show—
And notwithstanding Bee—that worked—
And Flower—that zealous blew—
This Audience of Idleness
Disdained them, from the Sky—
Till Sundown crept—a steady Tide—
And Men that made the Hay—
And Afternoon—and Butterfly—
Extinguished—in the Sea—
https://en.wikipedia.org/wiki/Emily_Dickinson
By: Emily Dickinson :
From Cocoon forth a Butterfly
As Lady from her Door
Emerged—a Summer Afternoon—
Repairing Everywhere—
Without Design—that I could trace
Except to stray abroad
On Miscellaneous Enterprise
The Clovers—understood—
Her pretty Parasol be seen
Contracting in a Field
Where Men made Hay—
Then struggling hard
With an opposing Cloud—
Where Parties—Phantom as Herself—
To Nowhere—seemed to go
In purposeless Circumference—
As 'twere a Tropic Show—
And notwithstanding Bee—that worked—
And Flower—that zealous blew—
This Audience of Idleness
Disdained them, from the Sky—
Till Sundown crept—a steady Tide—
And Men that made the Hay—
And Afternoon—and Butterfly—
Extinguished—in the Sea—
https://en.wikipedia.org/wiki/Emily_Dickinson
From: The Hunting of the Snark
By: Lewis Carroll
Fit the Sixth
The Barrister's Dream
They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
But the Barrister, weary of proving in vain
That the Beaver's lace-making was wrong,
Fell asleep, and in dreams saw the creature quite plain
That his fancy had dwelt on so long.
He dreamed that he stood in a shadowy Court,
Where the Snark, with a glass in its eye,
Dressed in gown, bands, and wig, was defending a pig
On the charge of deserting its sty.
The Witnesses proved, without error or flaw,
That the sty was deserted when found:
And the Judge kept explaining the state of the law
In a soft under-current of sound.
The indictment had never been clearly expressed,
And it seemed that the Snark had begun,
And had spoken three hours, before any one guessed
What the pig was supposed to have done.
The Jury had each formed a different view
(Long before the indictment was read),
And they all spoke at once, so that none of them knew
One word that the others had said.
"You must know—" said the Judge: but the Snark exclaimed "Fudge!"
That statute is obsolete quite!
Let me tell you, my friends, the whole question depends
On an ancient manorial right.
"In the matter of Treason the pig would appear
To have aided, but scarcely abetted:
While the charge of Insolvency fails, it is clear,
If you grant the plea 'never indebted.'
"The fact of Desertion I will not dispute;
But its guilt, as I trust, is removed
(So far as relates to the costs of this suit)
By the Alibi which has been proved.
"My poor client's fate now depends on your votes."
Here the speaker sat down in his place,
And directed the Judge to refer to his notes
And briefly to sum up the case.
But the Judge said he never had summed up before;
So the Snark undertook it instead,
And summed it so well that it came to far more
Than the Witnesses ever had said!
When the verdict was called for, the Jury declined,
As the word was so puzzling to spell;
But they ventured to hope that the Snark wouldn't mind
Undertaking that duty as well.
So the Snark found the verdict, although, as it owned,
It was spent with the toils of the day:
When it said the word "GUILTY!" the Jury all groaned,
And some of them fainted away.
Then the Snark pronounced sentence, the Judge being quite
Too nervous to utter a word:
When it rose to its feet, there was silence like night,
And the fall of a pin might be heard.
"Transportation for life" was the sentence it gave,
"And then to be fined forty pound."
The Jury all cheered, though the Judge said he feared
That the phrase was not legally sound.
But their wild exultation was suddenly checked
When the jailer informed them, with tears,
Such a sentence would have not the slightest effect,
As the pig had been dead for some years.
The Judge left the Court, looking deeply disgusted:
But the Snark, though a little aghast,
As the lawyer to whom the defence was intrusted,
Went bellowing on to the last.
Thus the Barrister dreamed, while the bellowing seemed
To grow every moment more clear:
Till he woke to the knell of a furious bell,
Which the Bellman rang close at his ear.
https://en.wikipedia.org/wiki/Lewis_Carroll
On the
Hill-Side
By: Radclyffe Hall
A Memory
You lay so still in the sunshine,
So still in that hot sweet hour—
That the timid things of the forest land
Came close; a butterfly lit on your hand,
Mistaking it for a flower.
You scarcely breathed in your slumber,
So dreamless it was, so deep—
While the warm air stirred in my veins like wine,
The air that had blown through a jasmine vine,
But you slept—and I let you sleep.
https://en.wikipedia.org/wiki/Radclyffe_Hall
By: Radclyffe Hall
A Memory
You lay so still in the sunshine,
So still in that hot sweet hour—
That the timid things of the forest land
Came close; a butterfly lit on your hand,
Mistaking it for a flower.
You scarcely breathed in your slumber,
So dreamless it was, so deep—
While the warm air stirred in my veins like wine,
The air that had blown through a jasmine vine,
But you slept—and I let you sleep.
https://en.wikipedia.org/wiki/Radclyffe_Hall
The Night Is Still
By: Edith Matilda Thomas
The night is still, the moon looks kind,
The dew hangs jewels in the heath,
An ivy climbs across thy blind,
And throws a light and misty wreath.
The dew hangs jewels in the heath,
Buds bloom for which the bee has pined;
I haste along, I quicker breathe,
The night is still, the moon looks kind.
Buds bloom for which the bee has pined,
The primrose slips its jealous sheath,
As up the flower-watched path I wind
And come thy window-ledge beneath.
The primrose slips its jealous sheath,—
Then open wide that churlish blind,
And kiss me through the ivy wreath!
The night is still, the moon looks kind.
https://en.wikipedia.org/wiki/Edith_M._Thomas
By: Edith Matilda Thomas
The night is still, the moon looks kind,
The dew hangs jewels in the heath,
An ivy climbs across thy blind,
And throws a light and misty wreath.
The dew hangs jewels in the heath,
Buds bloom for which the bee has pined;
I haste along, I quicker breathe,
The night is still, the moon looks kind.
Buds bloom for which the bee has pined,
The primrose slips its jealous sheath,
As up the flower-watched path I wind
And come thy window-ledge beneath.
The primrose slips its jealous sheath,—
Then open wide that churlish blind,
And kiss me through the ivy wreath!
The night is still, the moon looks kind.
https://en.wikipedia.org/wiki/Edith_M._Thomas
Down By the Carib Sea (VI: Sunset in the Tropics)
By: James Weldon Johnson
A silver flash from the sinking sun,
Then a shot of crimson across the sky
That, bursting, lets a thousand colors fly
And riot among the clouds; they run,
Deepening in purple, flaming in gold,
Changing, and opening fold after fold,
Then fading through all of the tints of the rose into gray.
Till, taking quick fright at the coming night,
They rush out down the west,
In hurried quest
Of the fleeing day.
Now above where the tardiest color flares a moment yet,
One point of light, now two, now three are set
To form the starry stairs,—
And, in her firefly crown,
Queen Night, on velvet slippered feet, comes softly down.
https://en.wikipedia.org/wiki/James_Weldon_Johnson
By: James Weldon Johnson
A silver flash from the sinking sun,
Then a shot of crimson across the sky
That, bursting, lets a thousand colors fly
And riot among the clouds; they run,
Deepening in purple, flaming in gold,
Changing, and opening fold after fold,
Then fading through all of the tints of the rose into gray.
Till, taking quick fright at the coming night,
They rush out down the west,
In hurried quest
Of the fleeing day.
Now above where the tardiest color flares a moment yet,
One point of light, now two, now three are set
To form the starry stairs,—
And, in her firefly crown,
Queen Night, on velvet slippered feet, comes softly down.
https://en.wikipedia.org/wiki/James_Weldon_Johnson
A Spring Morning
By: John Clare
The Spring comes in with all her hues and smells,
In freshness breathing over hills and dells;
O’er woods where May her gorgeous drapery flings,
And meads washed fragrant by their laughing springs.
Fresh are new opened flowers, untouched and free
From the bold rifling of the amorous bee.
The happy time of singing birds is come,
And Love’s lone pilgrimage now finds a home;
Among the mossy oaks now coos the dove,
And the hoarse crow finds softer notes for love.
The foxes play around their dens, and bark
In joy’s excess, ’mid woodland shadows dark.
The flowers join lips below; the leaves above;
And every sound that meets the ear is Love.
https://en.wikipedia.org/wiki/John_Clare
By: John Clare
The Spring comes in with all her hues and smells,
In freshness breathing over hills and dells;
O’er woods where May her gorgeous drapery flings,
And meads washed fragrant by their laughing springs.
Fresh are new opened flowers, untouched and free
From the bold rifling of the amorous bee.
The happy time of singing birds is come,
And Love’s lone pilgrimage now finds a home;
Among the mossy oaks now coos the dove,
And the hoarse crow finds softer notes for love.
The foxes play around their dens, and bark
In joy’s excess, ’mid woodland shadows dark.
The flowers join lips below; the leaves above;
And every sound that meets the ear is Love.
https://en.wikipedia.org/wiki/John_Clare
The Gardener 85
By: Rabindranath Tagore
Who are you, reader, reading my poems an hundred years hence?
I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds.
Open your doors and look abroad.
From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before.
In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across an hundred years.
https://en.wikipedia.org/wiki/Rabindranath_Tagore
By: Rabindranath Tagore
Who are you, reader, reading my poems an hundred years hence?
I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds.
Open your doors and look abroad.
From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before.
In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across an hundred years.
https://en.wikipedia.org/wiki/Rabindranath_Tagore
It was a hard thing to undo this knot
By: Gerard Manley Hopkins
It was a hard thing to undo this knot.
The rainbow shines, but only in the thought
Of him that looks. Yet not in that alone,
For who makes rainbows by invention?
And many standing round a waterfall
See one bow each, yet not the same to all,
But each a hand's breadth further than the next.
The sun on falling waters writes the text
Which yet is in the eye or in the thought.
It was a hard thing to undo this knot.
https://en.wikipedia.org/wiki/Gerard_Manley_Hopkins
By: Gerard Manley Hopkins
It was a hard thing to undo this knot.
The rainbow shines, but only in the thought
Of him that looks. Yet not in that alone,
For who makes rainbows by invention?
And many standing round a waterfall
See one bow each, yet not the same to all,
But each a hand's breadth further than the next.
The sun on falling waters writes the text
Which yet is in the eye or in the thought.
It was a hard thing to undo this knot.
https://en.wikipedia.org/wiki/Gerard_Manley_Hopkins
A Winter Scene
By: Henry David Thoreau
The rabbit leaps,
The mouse out-creeps,
The flag out-peeps
Beside the brook;
The ferret weeps,
The marmot sleeps,
The owlet keeps
In his snug nook.
The apples thaw,
The ravens caw,
The squirrels gnaw
The frozen fruit.
To their retreat
I track the feet
Of mice that eat
The apple's root.
The snow-dust falls,
The otter crawls,
The partridge calls,
Far in the wood.
The traveller dreams,
The tree-ice gleams,
The blue-jay screams
In angry mood.
The willows droop,
The alders stoop,
The pheasants group
Beneath the snow.
The catkins green
Cast o'er the scene
A summer's sheen,
A genial glow.
https://en.wikipedia.org/wiki/Henry_David_Thoreau
By: Henry David Thoreau
The rabbit leaps,
The mouse out-creeps,
The flag out-peeps
Beside the brook;
The ferret weeps,
The marmot sleeps,
The owlet keeps
In his snug nook.
The apples thaw,
The ravens caw,
The squirrels gnaw
The frozen fruit.
To their retreat
I track the feet
Of mice that eat
The apple's root.
The snow-dust falls,
The otter crawls,
The partridge calls,
Far in the wood.
The traveller dreams,
The tree-ice gleams,
The blue-jay screams
In angry mood.
The willows droop,
The alders stoop,
The pheasants group
Beneath the snow.
The catkins green
Cast o'er the scene
A summer's sheen,
A genial glow.
https://en.wikipedia.org/wiki/Henry_David_Thoreau
Places [III. Winter Sun]
By: Sara Teasdale - 1884-1933
(Lenox)
There was a bush with scarlet berries,
And there were hemlocks heaped with snow,
With a sound like surf on long sea-beaches
They took the wind and let it go.
The hills were shining in their samite,
Fold after fold they flowed away;
"Let come what may," your eyes were saying,
"At least we two have had to-day."
https://en.wikipedia.org/wiki/Sara_Teasdale
By: Sara Teasdale - 1884-1933
(Lenox)
There was a bush with scarlet berries,
And there were hemlocks heaped with snow,
With a sound like surf on long sea-beaches
They took the wind and let it go.
The hills were shining in their samite,
Fold after fold they flowed away;
"Let come what may," your eyes were saying,
"At least we two have had to-day."
https://en.wikipedia.org/wiki/Sara_Teasdale
In the Past
By: Trumbull Stickney
There lies a somnolent lake
Under a noiseless sky,
Where never the mornings break
Nor the evenings die.
Mad flakes of colour
Whirl on its even face
Iridescent and streaked with pallour;
And, warding the silent place,
The rocks rise sheer and gray
From the sedgeless brink to the sky
Dull-lit with the light of pale half-day
Thro’ a void space and dry.
And the hours lag dead in the air
With a sense of coming eternity
To the heart of the lonely boatman there:
That boatman am I,
I, in my lonely boat,
A waif on the somnolent lake,
Watching the colours creep and float
With the sinuous track of a snake.
Now I lean o’er the side
And lazy shades in the water see,
Lapped in the sweep of a sluggish tide
Crawled in from the living sea;
And next I fix mine eyes,
So long that the heart declines,
On the changeless face of the open skies
Where no star shines;
And now to the rocks I turn,
To the rocks, around
That lie like walls of a circling sun
Wherein lie bound
The waters that feel my powerless strength
And meet my homeless oar
Labouring over their ashen length
Never to find a shore.
But the gleam still skims
At times on the somnolent lake,
And a light there is that swims
With the whirl of a snake;
And tho’ dead be the hours i’ the air,
And dayless the sky,
The heart is alive of the boatman there:
That boatman am I.
https://en.wikipedia.org/wiki/Trumbull_Stickney
‘The Opal Sea’
By: Ella Higginson
An inland sea – blue as a sapphire – set
Within a sparkling, emerald mountain chain
Where day and night fir-needles sift like rain
Thro’ the voluptuous air. The soft winds fret
The waves, and beat them wantonly to foam.
The golden distances across the sea
Are shot with rose and purple. Languorously
The silver seabirds in wide circles roam.
The sun drops slowly down the flaming West
And flings its rays across to set aglow
The islands rocking on the cool waves’ crest
And the great glistening domes of snow on snow.
And thro’ the mist the Olympics flash and float
Like opals linked around a beating throat.
https://en.wikipedia.org/wiki/Ella_Rhoads_Higginson
By: Ella Higginson
An inland sea – blue as a sapphire – set
Within a sparkling, emerald mountain chain
Where day and night fir-needles sift like rain
Thro’ the voluptuous air. The soft winds fret
The waves, and beat them wantonly to foam.
The golden distances across the sea
Are shot with rose and purple. Languorously
The silver seabirds in wide circles roam.
The sun drops slowly down the flaming West
And flings its rays across to set aglow
The islands rocking on the cool waves’ crest
And the great glistening domes of snow on snow.
And thro’ the mist the Olympics flash and float
Like opals linked around a beating throat.
https://en.wikipedia.org/wiki/Ella_Rhoads_Higginson
The Snow-Storm
By: Ralph Waldo Emerson
Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farm-house at the garden's end.
The sled and traveller stopped, the courier's feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hidden thorn;
Fills up the farmer's lane from wall to wall,
Maugre the farmer's sighs; and, at the gate,
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.
https://en.wikipedia.org/wiki/Ralph_Waldo_Emerson
By: Ralph Waldo Emerson
Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farm-house at the garden's end.
The sled and traveller stopped, the courier's feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hidden thorn;
Fills up the farmer's lane from wall to wall,
Maugre the farmer's sighs; and, at the gate,
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.
https://en.wikipedia.org/wiki/Ralph_Waldo_Emerson
From 'A Pastoral'
By: George Essex Evans
Nature feels the touch of noon;
Not a rustle stirs the grass;
Not a shadow flecks the sky,
Save the brown hawk hovering nigh;
Not a ripple dims the glass
Of the wide lagoon.
Darkly, like an armed host
Seen afar against the blue,
Rise the hills, and yellow-grey
Sleeps the plain in cove and bay,
Like a shining sea that dreams
Round a silent coast.
https://en.wikipedia.org/wiki/George_Essex_Evans
By: George Essex Evans
Nature feels the touch of noon;
Not a rustle stirs the grass;
Not a shadow flecks the sky,
Save the brown hawk hovering nigh;
Not a ripple dims the glass
Of the wide lagoon.
Darkly, like an armed host
Seen afar against the blue,
Rise the hills, and yellow-grey
Sleeps the plain in cove and bay,
Like a shining sea that dreams
Round a silent coast.
https://en.wikipedia.org/wiki/George_Essex_Evans
To a Locomotive in
Winter
By: Walt Whitman
Thee for my recitative,
Thee in the driving storm even as now, the snow, the winter-day declining,
Thee in thy panoply, thy measur'd dual throbbing and thy beat convulsive,
Thy black cylindric body, golden brass, and silvery steel,
Thy ponderous side-bars, parallel and connecting rods, gyrating, shuttling at thy sides,
Thy metrical, now swelling pant and roar, now tapering in the distance,
Thy great protruding head-light fix’d in front,
Thy long, pale, floating vapor-pennants, tinged with delicate purple,
The dense and murky clouds out-belching from thy smoke-stack,
Thy knitted frame, thy springs and valves, the tremulous twinkle of thy wheels,
Thy train of cars behind, obedient, merrily following,
Through gale or calm, now swift, now slack, yet steadily careering;
Type of the modern—emblem of motion and power—pulse of the continent,
For once come serve the Muse and merge in verse, even as here I see thee,
With storm and buffeting gusts of wind and falling snow,
By day thy warning ringing bell to sound its notes,
By night thy silent signal lamps to swing.
Fierce-throated beauty!
Roll through my chant with all thy lawless music, thy swinging lamps at night,
Thy madly-whistled laughter, echoing, rumbling like an earthquake, rousing all,
Law of thyself complete, thine own track firmly holding,
(No sweetness debonair of tearful harp or glib piano thine,)
Thy trills of shrieks by rocks and hills return’d,
Launch’d o’er the prairies wide, across the lakes,
To the free skies unpent and glad and strong.
https://en.wikipedia.org/wiki/Walt_Whitman
By: Walt Whitman
Thee for my recitative,
Thee in the driving storm even as now, the snow, the winter-day declining,
Thee in thy panoply, thy measur'd dual throbbing and thy beat convulsive,
Thy black cylindric body, golden brass, and silvery steel,
Thy ponderous side-bars, parallel and connecting rods, gyrating, shuttling at thy sides,
Thy metrical, now swelling pant and roar, now tapering in the distance,
Thy great protruding head-light fix’d in front,
Thy long, pale, floating vapor-pennants, tinged with delicate purple,
The dense and murky clouds out-belching from thy smoke-stack,
Thy knitted frame, thy springs and valves, the tremulous twinkle of thy wheels,
Thy train of cars behind, obedient, merrily following,
Through gale or calm, now swift, now slack, yet steadily careering;
Type of the modern—emblem of motion and power—pulse of the continent,
For once come serve the Muse and merge in verse, even as here I see thee,
With storm and buffeting gusts of wind and falling snow,
By day thy warning ringing bell to sound its notes,
By night thy silent signal lamps to swing.
Fierce-throated beauty!
Roll through my chant with all thy lawless music, thy swinging lamps at night,
Thy madly-whistled laughter, echoing, rumbling like an earthquake, rousing all,
Law of thyself complete, thine own track firmly holding,
(No sweetness debonair of tearful harp or glib piano thine,)
Thy trills of shrieks by rocks and hills return’d,
Launch’d o’er the prairies wide, across the lakes,
To the free skies unpent and glad and strong.
https://en.wikipedia.org/wiki/Walt_Whitman
Before Quiet
By: Hazel Hall
I will think of water-lilies
Growing in a darkened pool,
And my breath shall move like water,
And my hands be limp and cool.
It shall be as though I waited
In a wooden place alone;
I will learn the peace of lilies
And will take it for my own.
If a twinge of thought, if yearning
Come like wind into this place,
I will bear it like the shadow
Of a leaf across my face.
https://en.wikipedia.org/wiki/Hazel_Hall
By: Hazel Hall
I will think of water-lilies
Growing in a darkened pool,
And my breath shall move like water,
And my hands be limp and cool.
It shall be as though I waited
In a wooden place alone;
I will learn the peace of lilies
And will take it for my own.
If a twinge of thought, if yearning
Come like wind into this place,
I will bear it like the shadow
Of a leaf across my face.
https://en.wikipedia.org/wiki/Hazel_Hall
The Poet
By: Yone Noguchi
Out of the deep and the dark,
A sparkling mystery, a shape,
Something perfect,
Comes like the stir of the day:
One whose breath is an odour,
Whose eyes show the road to stars,
The breeze in his face,
The glory of Heaven on his back.
He steps like a vision hung in air,
Diffusing the passion of Eternity;
His abode is the sunlight of morn,
The music of eve his speech:
In his sight,
One shall turn from the dust of the grave,
And move upward to the woodland.
https://en.wikipedia.org/wiki/Yone_Noguchi
By: Yone Noguchi
Out of the deep and the dark,
A sparkling mystery, a shape,
Something perfect,
Comes like the stir of the day:
One whose breath is an odour,
Whose eyes show the road to stars,
The breeze in his face,
The glory of Heaven on his back.
He steps like a vision hung in air,
Diffusing the passion of Eternity;
His abode is the sunlight of morn,
The music of eve his speech:
In his sight,
One shall turn from the dust of the grave,
And move upward to the woodland.
https://en.wikipedia.org/wiki/Yone_Noguchi
From The Tempest
By: William Shakespeare
Where the bee sucks, there suck I;
In a cowslip's bell I lie;
There I couch when owls do cry.
On the bat's back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
https://en.wikipedia.org/wiki/William_Shakespeare
By: William Shakespeare
Where the bee sucks, there suck I;
In a cowslip's bell I lie;
There I couch when owls do cry.
On the bat's back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
https://en.wikipedia.org/wiki/William_Shakespeare
Dream-Time
By: Ella Higginson
It is the time when crimson stars
Weary of heaven’s cold delight,
And take, like petals from a rose,
Their soft and hesitating flight
Upon the cool wings of the air
Across the purple night.
It is the time when silver sails
Go drifting down the violet sea,
And every poppy’s crimson mouth
Kisses to sleep a lovesick bee;
The fireweed waves her rosy plumes
On pasture, hill and lea.
It is the time to dream—and feel
The lanquid rocking of a boat,
The pushing ripple round the keel
Where cool, deep-hearted lilies float,
And hear thro’ wild syringas steal
Some songster’s drowsy note.
It is the time, at eve, to lie
And in a hammock faintly sway,
To watch the golds and crimsons die
Across the blue stretch of the bay;
To hear the sweet dusk tiptoe by
In the footsteps of the day.
Ella Higginson
By: Ella Higginson
It is the time when crimson stars
Weary of heaven’s cold delight,
And take, like petals from a rose,
Their soft and hesitating flight
Upon the cool wings of the air
Across the purple night.
It is the time when silver sails
Go drifting down the violet sea,
And every poppy’s crimson mouth
Kisses to sleep a lovesick bee;
The fireweed waves her rosy plumes
On pasture, hill and lea.
It is the time to dream—and feel
The lanquid rocking of a boat,
The pushing ripple round the keel
Where cool, deep-hearted lilies float,
And hear thro’ wild syringas steal
Some songster’s drowsy note.
It is the time, at eve, to lie
And in a hammock faintly sway,
To watch the golds and crimsons die
Across the blue stretch of the bay;
To hear the sweet dusk tiptoe by
In the footsteps of the day.
Ella Higginson
Why I Love Thee?
By: Sadakichi Hartmann
Why I love thee?
Ask why the seawind wanders,
Why the shore is aflush with the tide,
Why the moon through heaven meanders
Like seafaring ships that ride
On a sullen, motionless deep;
Why the seabirds are fluttering the strand
Where the waves sing themselves to sleep
And starshine lives in the curves of the sand!
https://en.wikipedia.org/wiki/Sadakichi_Hartmann
By: Sadakichi Hartmann
Why I love thee?
Ask why the seawind wanders,
Why the shore is aflush with the tide,
Why the moon through heaven meanders
Like seafaring ships that ride
On a sullen, motionless deep;
Why the seabirds are fluttering the strand
Where the waves sing themselves to sleep
And starshine lives in the curves of the sand!
https://en.wikipedia.org/wiki/Sadakichi_Hartmann
From: The Tempest
By: William Shakespeare, 1564 - 1616
Come unto these yellow sands,
And then take hands:
Court’sied when you have, and kiss’d,--
The wild waves whist--
Foot it featly here and there;
And, sweet sprites, the burthen bear.
Hark, hark!
Bow, wow,
The watch-dogs bark:
Bow, wow.
Hark, hark! I hear
The strain of strutting chanticleer
Cry, Cock-a-diddle-dow!
By: William Shakespeare, 1564 - 1616
Come unto these yellow sands,
And then take hands:
Court’sied when you have, and kiss’d,--
The wild waves whist--
Foot it featly here and there;
And, sweet sprites, the burthen bear.
Hark, hark!
Bow, wow,
The watch-dogs bark:
Bow, wow.
Hark, hark! I hear
The strain of strutting chanticleer
Cry, Cock-a-diddle-dow!
The Skaters
By: John Gould Fletcher, 1886 - 1950
Black swallows swooping or gliding
In a flurry of entangled loops and curves;
The skaters skim over the frozen river.
And the grinding click of their skates as they impinge upon the surface,
Is like the brushing together of thin wing-tips of silver.
https://en.wikipedia.org/wiki/John_Gould_Fletcher
By: John Gould Fletcher, 1886 - 1950
Black swallows swooping or gliding
In a flurry of entangled loops and curves;
The skaters skim over the frozen river.
And the grinding click of their skates as they impinge upon the surface,
Is like the brushing together of thin wing-tips of silver.
https://en.wikipedia.org/wiki/John_Gould_Fletcher
A Midsummer Night’s
Dream, Act II, Scene I [Over hill, over dale]
By: William Shakespeare, 1564 - 1616
A wood near Athens. A Fairy speaks.
Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire,
I do wander every where,
Swifter than the moon’s sphere;
And I serve the fairy queen,
To dew her orbs upon the green:
The cowslips tall her pensioners be;
In their gold coats spots you see;
Those be rubies, fairy favours,
In those freckles live their savours:
I must go seek some dew-drops here
And hang a pearl in every cowslip’s ear.
Farewell, thou lob of spirits: I’ll be gone;
Our queen and all her elves come here anon.
https://en.wikipedia.org/wiki/William_Shakespeare
By: William Shakespeare, 1564 - 1616
A wood near Athens. A Fairy speaks.
Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire,
I do wander every where,
Swifter than the moon’s sphere;
And I serve the fairy queen,
To dew her orbs upon the green:
The cowslips tall her pensioners be;
In their gold coats spots you see;
Those be rubies, fairy favours,
In those freckles live their savours:
I must go seek some dew-drops here
And hang a pearl in every cowslip’s ear.
Farewell, thou lob of spirits: I’ll be gone;
Our queen and all her elves come here anon.
https://en.wikipedia.org/wiki/William_Shakespeare
From: Baby Tortoise
By: D. H. Lawrence
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from
the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would
never open
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
https://en.wikipedia.org/wiki/D._H._Lawrence
By: D. H. Lawrence
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from
the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would
never open
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
https://en.wikipedia.org/wiki/D._H._Lawrence
A Winter Blue Jay
By: Sara Teasdale
Crisply the bright snow whispered,
Crunching beneath our feet;
Behind us as we walked along the parkway,
Our shadows danced,
Fantastic shapes in vivid blue.
Across the lake the skaters
Flew to and fro,
With sharp turns weaving
A frail invisible net.
In ecstasy the earth
Drank the silver sunlight;
In ecstasy the skaters
Drank the wine of speed;
In ecstasy we laughed
Drinking the wine of love.
Had not the music of our joy
Sounded its highest note?
But no,
For suddenly, with lifted eyes you said,
“Oh look!”
There, on the black bough of a snow flecked maple,
Fearless and gay as our love,
A bluejay cocked his crest!
Oh who can tell the range of joy
Or set the bounds of beauty?
https://en.wikipedia.org/wiki/Sara_Teasdale
By: Sara Teasdale
Crisply the bright snow whispered,
Crunching beneath our feet;
Behind us as we walked along the parkway,
Our shadows danced,
Fantastic shapes in vivid blue.
Across the lake the skaters
Flew to and fro,
With sharp turns weaving
A frail invisible net.
In ecstasy the earth
Drank the silver sunlight;
In ecstasy the skaters
Drank the wine of speed;
In ecstasy we laughed
Drinking the wine of love.
Had not the music of our joy
Sounded its highest note?
But no,
For suddenly, with lifted eyes you said,
“Oh look!”
There, on the black bough of a snow flecked maple,
Fearless and gay as our love,
A bluejay cocked his crest!
Oh who can tell the range of joy
Or set the bounds of beauty?
https://en.wikipedia.org/wiki/Sara_Teasdale
The Cricket
By: Edwin Markham
The twilight is the morning of his day.
While Sleep drops seaward from the fading shore,
With purpling sail and dip of silver oar,
He cheers the shadowed time with roundelay,
Until the dark east softens into gray.
Now as the noisy hours are coming—hark!
His song dies gently—it is growing dark—
His night, with its one star, is on the way!
Faintly the light breaks over the blowing oats—
Sleep, little brother, sleep: I am astir.
We worship Song, and servants are of her—
I in the bright hours, thou in shadow-time:
Lead thou the starlit night with merry notes,
And I will lead the clamoring day with rhyme.
https://en.wikipedia.org/wiki/Edwin_Markham
By: Edwin Markham
The twilight is the morning of his day.
While Sleep drops seaward from the fading shore,
With purpling sail and dip of silver oar,
He cheers the shadowed time with roundelay,
Until the dark east softens into gray.
Now as the noisy hours are coming—hark!
His song dies gently—it is growing dark—
His night, with its one star, is on the way!
Faintly the light breaks over the blowing oats—
Sleep, little brother, sleep: I am astir.
We worship Song, and servants are of her—
I in the bright hours, thou in shadow-time:
Lead thou the starlit night with merry notes,
And I will lead the clamoring day with rhyme.
https://en.wikipedia.org/wiki/Edwin_Markham
Upon the Mountain’s
Distant Head
By: William Cullen Bryant
Upon the mountain’s distant head,
With trackless snows for ever white,
Where all is still, and cold, and dead,
Late shines the day’s departing light.
But far below those icy rocks,
The vales, in summer bloom arrayed,
Woods full of birds, and fields of flocks,
Are dim with mist and dark with shade.
’Tis thus, from warm and kindly hearts,
And eyes where generous meanings burn,
Earliest the light of life departs,
But lingers with the cold and stern.
https://en.wikipedia.org/wiki/William_Cullen_Bryant
By: William Cullen Bryant
Upon the mountain’s distant head,
With trackless snows for ever white,
Where all is still, and cold, and dead,
Late shines the day’s departing light.
But far below those icy rocks,
The vales, in summer bloom arrayed,
Woods full of birds, and fields of flocks,
Are dim with mist and dark with shade.
’Tis thus, from warm and kindly hearts,
And eyes where generous meanings burn,
Earliest the light of life departs,
But lingers with the cold and stern.
https://en.wikipedia.org/wiki/William_Cullen_Bryant
The White
Rabbit's Evidence
By: Lewis Carroll
https://en.wikipedia.org/wiki/Lewis_Carroll
en.wikipedia.org
Charles Lutwidge Dodgson (/ ˈ l ʌ t w ɪ dʒ ˈ d ɒ dʒ s ən /; 27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English writer of world-famous children's fiction, notably Alice's Adventures in Wonderland and its sequel Through the Looking-Glass.He was noted for his facility at word play, logic and fantasy.The poems Jabberwocky and The Hunting of the ....
By: Lewis Carroll
‘They told me you had been to her,
And mentioned me to him:
She gave me a good character,
But said I could not swim.
He sent them word I had not gone
(We know it to be true):
If she should push the matter on,
What would become of you?
I gave her one, they gave him two,
You gave us three or more;
They all returned from him to you,
Though they were mine before.
If I or she should chance to be
Involved in this affair,
He trusts to you to set them free,
Exactly as we were.
My notion was that you had been
(Before she had this fit)
An obstacle that came between
Him, and ourselves, and it.
Don’t let him know she liked them best,
For this must ever be
A secret, kept from all the rest,
Between yourself and me.’
https://en.wikipedia.org/wiki/Lewis_Carroll
en.wikipedia.org
Charles Lutwidge Dodgson (/ ˈ l ʌ t w ɪ dʒ ˈ d ɒ dʒ s ən /; 27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English writer of world-famous children's fiction, notably Alice's Adventures in Wonderland and its sequel Through the Looking-Glass.He was noted for his facility at word play, logic and fantasy.The poems Jabberwocky and The Hunting of the ....
Two in the Campagna
By: Robert Browning
I
I wonder do you feel to-day
As I have felt since, hand in hand,
We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?
II
For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.
III
Help me to hold it! First it left
The yellowing fennel, run to seed
There, branching from the brickwork's cleft,
Some old tomb's ruin: yonder weed
Took up the floating weft,
IV
Where one small orange cup amassed
Five beetles,—blind and green they grope
Among the honey-meal: and last,
Everywhere on the grassy slope
I traced it. Hold it fast!
V
The champaign with its endless fleece
Of feathery grasses everywhere!
Silence and passion, joy and peace,
An everlasting wash of air—
Rome's ghost since her decease.
VI
Such life here, through such lengths of hours,
Such miracles performed in play,
Such primal naked forms of flowers,
Such letting nature have her way
While heaven looks from its towers!
VII
How say you? Let us, O my dove,
Let us be unashamed of soul,
As earth lies bare to heaven above!
How is it under our control
To love or not to love?
VIII
I would that you were all to me,
You that are just so much, no more.
Nor yours nor mine, nor slave nor free!
Where does the fault lie? What the core
O' the wound, since wound must be?
IX
I would I could adopt your will,
See with your eyes, and set my heart
Beating by yours, and drink my fill
At your soul's springs,—your part my part
In life, for good and ill.
X
No. I yearn upward, touch you close,
Then stand away. I kiss your cheek,
Catch your soul's warmth,—I pluck the rose
And love it more than tongue can speak—
Then the good minute goes.
XI
Already how am I so far
Out of that minute? Must I go
Still like the thistle-ball, no bar,
Onward, whenever light winds blow,
Fixed by no friendly star?
XII
Just when I seemed about to learn!
Where is the thread now? Off again!
The old trick! Only I discern—
Infinite passion, and the pain
Of finite hearts that yearn.
https://en.wikipedia.org/wiki/Robert_Browning
Robert Browning - Wikipedia
en.wikipedia.org
Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose mastery of the dramatic monologue made him one of the foremost Victorian poets.His poems are known for their irony, characterization, dark humour, social commentary, historical settings, and challenging vocabulary and syntax.. Browning's early career began promisingly, but collapsed.
By: Robert Browning
I
I wonder do you feel to-day
As I have felt since, hand in hand,
We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?
II
For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.
III
Help me to hold it! First it left
The yellowing fennel, run to seed
There, branching from the brickwork's cleft,
Some old tomb's ruin: yonder weed
Took up the floating weft,
IV
Where one small orange cup amassed
Five beetles,—blind and green they grope
Among the honey-meal: and last,
Everywhere on the grassy slope
I traced it. Hold it fast!
V
The champaign with its endless fleece
Of feathery grasses everywhere!
Silence and passion, joy and peace,
An everlasting wash of air—
Rome's ghost since her decease.
VI
Such life here, through such lengths of hours,
Such miracles performed in play,
Such primal naked forms of flowers,
Such letting nature have her way
While heaven looks from its towers!
VII
How say you? Let us, O my dove,
Let us be unashamed of soul,
As earth lies bare to heaven above!
How is it under our control
To love or not to love?
VIII
I would that you were all to me,
You that are just so much, no more.
Nor yours nor mine, nor slave nor free!
Where does the fault lie? What the core
O' the wound, since wound must be?
IX
I would I could adopt your will,
See with your eyes, and set my heart
Beating by yours, and drink my fill
At your soul's springs,—your part my part
In life, for good and ill.
X
No. I yearn upward, touch you close,
Then stand away. I kiss your cheek,
Catch your soul's warmth,—I pluck the rose
And love it more than tongue can speak—
Then the good minute goes.
XI
Already how am I so far
Out of that minute? Must I go
Still like the thistle-ball, no bar,
Onward, whenever light winds blow,
Fixed by no friendly star?
XII
Just when I seemed about to learn!
Where is the thread now? Off again!
The old trick! Only I discern—
Infinite passion, and the pain
Of finite hearts that yearn.
https://en.wikipedia.org/wiki/Robert_Browning
Robert Browning - Wikipedia
en.wikipedia.org
Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose mastery of the dramatic monologue made him one of the foremost Victorian poets.His poems are known for their irony, characterization, dark humour, social commentary, historical settings, and challenging vocabulary and syntax.. Browning's early career began promisingly, but collapsed.
Book 6, Epigram 17: In
Sextum.
By:Thomas Bastard
Sextus upon a spleen, did rashly swear,
That no new fashion he would ever wear.
He was forsworn, for see what did ensue,
He wore the old, till the old was the new.
https://en.wikipedia.org/wiki/Thomas_Bastard
By:Thomas Bastard
Sextus upon a spleen, did rashly swear,
That no new fashion he would ever wear.
He was forsworn, for see what did ensue,
He wore the old, till the old was the new.
https://en.wikipedia.org/wiki/Thomas_Bastard
|
en.wikipedia.org The Reverend Thomas Bastard (1565/1566 – April 19, 1618) was an English clergyman famed for his published English language epigrams.. Life. Born in Blandford Forum, Dorset, England, Bastard is best known for seven books of 285 epigrams entitled Chrestoleros published in 1598.. He initially attended Winchester College.Subsequently he began studying at New College, Oxford on 27 August 1586. |
A Sonnet to the Noble
Lady, the Lady Mary Wroth
By: Ben Jonson
I that have been a lover, and could show it,
Though not in these, in rithmes not wholly dumb,
Since I exscribe your sonnets, am become
A better lover, and much better poet.
Nor is my Muse or I ashamed to owe it
To those true numerous graces, whereof some
But charm the senses, others overcome
Both brains and hearts; and mine now best do know it:
For in your verse all Cupid’s armory,
His flames, his shafts, his quiver, and his bow,
His very eyes are yours to overthrow.
But then his mother’s sweets you so apply,
Her joys, her smiles, her loves, as readers take
For Venus’ ceston every line you make.
https://en.wikipedia.org/wiki/Ben_Jonson
By: Ben Jonson
I that have been a lover, and could show it,
Though not in these, in rithmes not wholly dumb,
Since I exscribe your sonnets, am become
A better lover, and much better poet.
Nor is my Muse or I ashamed to owe it
To those true numerous graces, whereof some
But charm the senses, others overcome
Both brains and hearts; and mine now best do know it:
For in your verse all Cupid’s armory,
His flames, his shafts, his quiver, and his bow,
His very eyes are yours to overthrow.
But then his mother’s sweets you so apply,
Her joys, her smiles, her loves, as readers take
For Venus’ ceston every line you make.
https://en.wikipedia.org/wiki/Ben_Jonson
Fishmonger
By: Marsden Hartley
I have taken scales from off
The cheeks of the moon.
I have made fins from bluejays’ wings,
I have made eyes from damsons in the shadow.
I have taken flushes from the peachlips in the sun.
From all these I have made a fish of heaven for you,
Set it swimming on a young October sky.
I sit on the bank of the stream and watch
The grasses in amazement
As they turn to ashy gold.
Are the fishes from the rainbow
Still beautiful to you,
For whom they are made,
For whom I have set them,
Swimming?
https://en.wikipedia.org/wiki/Marsden_Hartley
By: Marsden Hartley
I have taken scales from off
The cheeks of the moon.
I have made fins from bluejays’ wings,
I have made eyes from damsons in the shadow.
I have taken flushes from the peachlips in the sun.
From all these I have made a fish of heaven for you,
Set it swimming on a young October sky.
I sit on the bank of the stream and watch
The grasses in amazement
As they turn to ashy gold.
Are the fishes from the rainbow
Still beautiful to you,
For whom they are made,
For whom I have set them,
Swimming?
https://en.wikipedia.org/wiki/Marsden_Hartley
Kabale und Liebe
By: Sandys Wason
Many a mad magenta minute
Lights the lavender of Life;
Keren-happuch at her spinet,
Psalms the scarlet song of strife.’
Keren-happuch is my wife.
Spinet carving olive stanzas,
Orange fricassèes of sound,
Nicotine extravaganzas,
Like a cheese at evening found,
Sitting primrose on the ground.
Spinet, cast thy chiaroscuro
O’er the omelette of the past;
Drawn from thy enamelled bureau,
Bind thy night-shirt to the mast,
Derelict but not outcast.
With a harsh pea-green “Remember”
From the horoscope of Ruth
Frame the language of December
With the silver-guilt of Truth,
Consecrated to thy youth.
Sandys Wason
By: Sandys Wason
Many a mad magenta minute
Lights the lavender of Life;
Keren-happuch at her spinet,
Psalms the scarlet song of strife.’
Keren-happuch is my wife.
Spinet carving olive stanzas,
Orange fricassèes of sound,
Nicotine extravaganzas,
Like a cheese at evening found,
Sitting primrose on the ground.
Spinet, cast thy chiaroscuro
O’er the omelette of the past;
Drawn from thy enamelled bureau,
Bind thy night-shirt to the mast,
Derelict but not outcast.
With a harsh pea-green “Remember”
From the horoscope of Ruth
Frame the language of December
With the silver-guilt of Truth,
Consecrated to thy youth.
Sandys Wason
To Mrs K____, On Her
Sending Me an English Christmas Plum-Cake at Paris
By: Helen Maria Williams
What crowding thoughts around me wake,
What marvels in a Christmas-cake!
Ah say, what strange enchantment dwells
Enclosed within its odorous cells?
Is there no small magician bound
Encrusted in its snowy round?
For magic surely lurks in this,
A cake that tells of vanished bliss;
A cake that conjures up to view
The early scenes, when life was new;
When memory knew no sorrows past,
And hope believed in joys that last! —
Mysterious cake, whose folds contain
Life’s calendar of bliss and pain;
That speaks of friends for ever fled,
And wakes the tears I love to shed.
Oft shall I breathe her cherished name
From whose fair hand the offering came:
For she recalls the artless smile
Of nymphs that deck my native isle;
Of beauty that we love to trace,
Allied with tender, modest grace;
Of those who, while abroad they roam,
Retain each charm that gladdens home,
And whose dear friendships can impart
A Christmas banquet for the heart!
https://en.wikipedia.org/wiki/Helen_Maria_Williams
Helen Maria Williams (17 June 1759 – 15 December 1827) was a British novelist, poet, and translator of French-language works. A religious dissenter, she was a supporter of abolitionism and of the ideals of the French Revolution; she was imprisoned in Paris during the Reign of Terror, but nonetheless spent much of the rest of her life in France.. A controversial figure in her own time, the ..
By: Helen Maria Williams
What crowding thoughts around me wake,
What marvels in a Christmas-cake!
Ah say, what strange enchantment dwells
Enclosed within its odorous cells?
Is there no small magician bound
Encrusted in its snowy round?
For magic surely lurks in this,
A cake that tells of vanished bliss;
A cake that conjures up to view
The early scenes, when life was new;
When memory knew no sorrows past,
And hope believed in joys that last! —
Mysterious cake, whose folds contain
Life’s calendar of bliss and pain;
That speaks of friends for ever fled,
And wakes the tears I love to shed.
Oft shall I breathe her cherished name
From whose fair hand the offering came:
For she recalls the artless smile
Of nymphs that deck my native isle;
Of beauty that we love to trace,
Allied with tender, modest grace;
Of those who, while abroad they roam,
Retain each charm that gladdens home,
And whose dear friendships can impart
A Christmas banquet for the heart!
https://en.wikipedia.org/wiki/Helen_Maria_Williams
Helen Maria Williams (17 June 1759 – 15 December 1827) was a British novelist, poet, and translator of French-language works. A religious dissenter, she was a supporter of abolitionism and of the ideals of the French Revolution; she was imprisoned in Paris during the Reign of Terror, but nonetheless spent much of the rest of her life in France.. A controversial figure in her own time, the ..
Summer Wind
By: William Cullen Bryant
It is a sultry day; the sun has drunk
The dew that lay upon the morning grass;
There is no rustling in the lofty elm
That canopies my dwelling, and its shade
Scarce cools me. All is silent, save the faint
And interrupted murmur of the bee,
Settling on the sick flowers, and then again
Instantly on the wing. The plants around
Feel the too potent fervors: the tall maize
Rolls up its long green leaves; the clover droops
Its tender foliage, and declines its blooms.
But far in the fierce sunshine tower the hills,
With all their growth of woods, silent and stern,
As if the scorching heat and dazzling light
Were but an element they loved. Bright clouds,
Motionless pillars of the brazen heaven–
Their bases on the mountains–their white tops
Shining in the far ether–fire the air
With a reflected radiance, and make turn
The gazer’s eye away. For me, I lie
Languidly in the shade, where the thick turf,
Yet virgin from the kisses of the sun,
Retains some freshness, and I woo the wind
That still delays his coming. Why so slow,
Gentle and voluble spirit of the air?
Oh, come and breathe upon the fainting earth
Coolness and life! Is it that in his caves
He hears me? See, on yonder woody ridge,
The pine is bending his proud top, and now
Among the nearer groves, chestnut and oak
Are tossing their green boughs about. He comes;
Lo, where the grassy meadow runs in waves!
The deep distressful silence of the scene
Breaks up with mingling of unnumbered sounds
And universal motion. He is come,
Shaking a shower of blossoms from the shrubs,
And bearing on their fragrance; and he brings
Music of birds, and rustling of young boughs,
And sound of swaying branches, and the voice
Of distant waterfalls. All the green herbs
Are stirring in his breath; a thousand flowers,
By the road-side and the borders of the brook,
Nod gayly to each other; glossy leaves
Are twinkling in the sun, as if the dew
Were on them yet, and silver waters break
Into small waves and sparkle as he comes.
https://en.wikipedia.org/wiki/William_Cullen_Bryant
By: William Cullen Bryant
It is a sultry day; the sun has drunk
The dew that lay upon the morning grass;
There is no rustling in the lofty elm
That canopies my dwelling, and its shade
Scarce cools me. All is silent, save the faint
And interrupted murmur of the bee,
Settling on the sick flowers, and then again
Instantly on the wing. The plants around
Feel the too potent fervors: the tall maize
Rolls up its long green leaves; the clover droops
Its tender foliage, and declines its blooms.
But far in the fierce sunshine tower the hills,
With all their growth of woods, silent and stern,
As if the scorching heat and dazzling light
Were but an element they loved. Bright clouds,
Motionless pillars of the brazen heaven–
Their bases on the mountains–their white tops
Shining in the far ether–fire the air
With a reflected radiance, and make turn
The gazer’s eye away. For me, I lie
Languidly in the shade, where the thick turf,
Yet virgin from the kisses of the sun,
Retains some freshness, and I woo the wind
That still delays his coming. Why so slow,
Gentle and voluble spirit of the air?
Oh, come and breathe upon the fainting earth
Coolness and life! Is it that in his caves
He hears me? See, on yonder woody ridge,
The pine is bending his proud top, and now
Among the nearer groves, chestnut and oak
Are tossing their green boughs about. He comes;
Lo, where the grassy meadow runs in waves!
The deep distressful silence of the scene
Breaks up with mingling of unnumbered sounds
And universal motion. He is come,
Shaking a shower of blossoms from the shrubs,
And bearing on their fragrance; and he brings
Music of birds, and rustling of young boughs,
And sound of swaying branches, and the voice
Of distant waterfalls. All the green herbs
Are stirring in his breath; a thousand flowers,
By the road-side and the borders of the brook,
Nod gayly to each other; glossy leaves
Are twinkling in the sun, as if the dew
Were on them yet, and silver waters break
Into small waves and sparkle as he comes.
https://en.wikipedia.org/wiki/William_Cullen_Bryant
Dream On
By: David Conolly
A child in a gallery sits, From another womb
takes paper and pencil, in a faraway age
and starts to draw. another child emerged
The paintings around her with a dream –
disappear. the Great Dream
They have served of a world renewed by
their purpose. peace and justice,
formed in the womb of
They have sparked in her love.
the spirit to create –
the spirit formed in her He said that children
along with bone and blood show us
in the mystic dark of what God is like.
her mother’s womb –
humanity’s sacred site. No wonder
we celebrate
Thus is passed his birth.
from age to age
imagination, No wonder that Dream
wonder, still lives, and passes
dreams. to children yet unborn.
By: David Conolly
A child in a gallery sits, From another womb
takes paper and pencil, in a faraway age
and starts to draw. another child emerged
The paintings around her with a dream –
disappear. the Great Dream
They have served of a world renewed by
their purpose. peace and justice,
formed in the womb of
They have sparked in her love.
the spirit to create –
the spirit formed in her He said that children
along with bone and blood show us
in the mystic dark of what God is like.
her mother’s womb –
humanity’s sacred site. No wonder
we celebrate
Thus is passed his birth.
from age to age
imagination, No wonder that Dream
wonder, still lives, and passes
dreams. to children yet unborn.
Autumn
By: Alexander Posey
In the dreamy silence
Of the afternoon, a
Cloth of gold is woven
Over wood and prairie;
And the jaybird, newly
Fallen from the heaven,
Scatters cordial greetings,
And the air is filled with
Scarlet leaves, that, dropping,
Rise again, as ever,
With a useless sigh for
Rest—and it is Autumn.
https://en.wikipedia.org/wiki/Alexander_Posey
By: Alexander Posey
In the dreamy silence
Of the afternoon, a
Cloth of gold is woven
Over wood and prairie;
And the jaybird, newly
Fallen from the heaven,
Scatters cordial greetings,
And the air is filled with
Scarlet leaves, that, dropping,
Rise again, as ever,
With a useless sigh for
Rest—and it is Autumn.
https://en.wikipedia.org/wiki/Alexander_Posey
The Rainbow
By: Charlotte Richardson
Soft falls the shower, the thunders cease!
And see the messenger of peace
Illumes the eastern skies;
Blest sign of firm unchanging love!
While others seek the cause to prove,
That bids thy beauties rise.
My soul, content with humbler views,
Well pleased admires thy varied hues,
And can with joy behold
Thy beauteous form, and wondering gaze
Enraptured on thy mingled rays
Of purple, green, and gold.
Enough for me to deem divine
The hand that paints each glowing line;
To think that thou art given
A transient gleam of that bright place
Where Beauty owns celestial grace,
A faint display of Heaven!
https://en.wikipedia.org/wiki/Charlotte_Richardson
By: Charlotte Richardson
Soft falls the shower, the thunders cease!
And see the messenger of peace
Illumes the eastern skies;
Blest sign of firm unchanging love!
While others seek the cause to prove,
That bids thy beauties rise.
My soul, content with humbler views,
Well pleased admires thy varied hues,
And can with joy behold
Thy beauteous form, and wondering gaze
Enraptured on thy mingled rays
Of purple, green, and gold.
Enough for me to deem divine
The hand that paints each glowing line;
To think that thou art given
A transient gleam of that bright place
Where Beauty owns celestial grace,
A faint display of Heaven!
https://en.wikipedia.org/wiki/Charlotte_Richardson
Spring, the sweet spring
By: Thomas Nashe
Spring, the sweet spring, is the year’s pleasant king,
Then blooms each thing, then maids dance in a ring,
Cold doth not sting, the pretty birds do sing:
Cuckoo, jug-jug, pu-we, to-witta-woo!
The palm and may make country houses gay,
Lambs frisk and play, the shepherds pipe all day,
And we hear aye birds tune this merry lay:
Cuckoo, jug-jug, pu-we, to-witta-woo!
The fields breathe sweet, the daisies kiss our feet,
Young lovers meet, old wives a-sunning sit,
In every street these tunes our ears do greet:
Cuckoo, jug-jug, pu-we, to witta-woo!
Spring, the sweet spring!
https://en.wikipedia.org/wiki/Thomas_Nashe
Floating Island
By: Dorothy Wordsworth
Harmonious Powers with Nature work
On sky, earth, river, lake, and sea:
Sunshine and storm, whirlwind and breeze
All in one duteous task agree.
Once did I see a slip of earth,
By throbbing waves long undermined,
Loosed from its hold; how no one knew
But all might see it float, obedient to the wind.
Might see it, from the mossy shore
Dissevered float upon the Lake,
Float, with its crest of trees adorned
On which the warbling birds their pastime take.
Food, shelter, safety there they find
There berries ripen, flowerets bloom;
There insects live their lives and die:
A peopled world it is; in size a tiny room.
And thus through many seasons space
This little Island may survive
But Nature, though we mark her not,
Will take away may cease to give.
Perchance when you are wandering forth
Upon some vacant sunny day
Without an object, hope, or fear,
Thither your eyes may turn the Isle is passed away.
Buried beneath the glittering Lake!
Its place no longer to be found,
Yet the lost fragments shall remain,
To fertilize some other ground.
https://en.wikipedia.org/wiki/Dorothy_Wordsworth
By: Dorothy Wordsworth
Harmonious Powers with Nature work
On sky, earth, river, lake, and sea:
Sunshine and storm, whirlwind and breeze
All in one duteous task agree.
Once did I see a slip of earth,
By throbbing waves long undermined,
Loosed from its hold; how no one knew
But all might see it float, obedient to the wind.
Might see it, from the mossy shore
Dissevered float upon the Lake,
Float, with its crest of trees adorned
On which the warbling birds their pastime take.
Food, shelter, safety there they find
There berries ripen, flowerets bloom;
There insects live their lives and die:
A peopled world it is; in size a tiny room.
And thus through many seasons space
This little Island may survive
But Nature, though we mark her not,
Will take away may cease to give.
Perchance when you are wandering forth
Upon some vacant sunny day
Without an object, hope, or fear,
Thither your eyes may turn the Isle is passed away.
Buried beneath the glittering Lake!
Its place no longer to be found,
Yet the lost fragments shall remain,
To fertilize some other ground.
https://en.wikipedia.org/wiki/Dorothy_Wordsworth
From Halloween
By: Robert Burns, 1759 - 1796
Upon that night, when fairies light
On Cassilis Downans dance,
Or owre the lays, in splendid blaze,
On sprightly coursers prance;
Or for Colean the route is taen,
Beneath the moons pale beams;
There, up the cove, to stray and rove,
Among the rocks and streams
To sport that night.
Among the bonny winding banks,
Where Doon rins, wimplin clear,
Where Bruce ance ruled the martial ranks,
And shook his Carrick spear,
Some merry, friendly, country-folks,
Together did convene,
To burn their nits, and pou their stocks,
And haud their Halloween
Fu blithe that night.
The lasses feat, and cleanly neat,
Mair braw than when theyre fine;
Their faces blithe, fu sweetly kythe,
Hearts leal, and warm, and kin;
The lads sae trig, wi wooer-babs,
Weel knotted on their garten,
Some unco blate, and some wi gabs,
Gar lasses hearts gang startin
Whiles fast at night.
Then, first and foremost, through the kail,
Their stocks maun a be sought ance;
They steek their een, and graip and wale,
For muckle anes and straught anes.
Poor havrel Will fell aff the drift,
And wanderd through the bow-kail,
And pout, for want o better shift,
A runt was like a sow-tail,
Sae bowt that night.
Then, staught or crooked, yird or nane,
They roar and cry a throuther;
The very wee things, todlin, rin,
Wi stocks out owre their shouther;
And gif the custocs sweet or sour.
Wi joctelegs they taste them;
Syne cozily, aboon the door,
Wi cannie care, theyve placed them
To lie that night.
https://en.wikipedia.org/wiki/Robert_Burns
By: Robert Burns, 1759 - 1796
Upon that night, when fairies light
On Cassilis Downans dance,
Or owre the lays, in splendid blaze,
On sprightly coursers prance;
Or for Colean the route is taen,
Beneath the moons pale beams;
There, up the cove, to stray and rove,
Among the rocks and streams
To sport that night.
Among the bonny winding banks,
Where Doon rins, wimplin clear,
Where Bruce ance ruled the martial ranks,
And shook his Carrick spear,
Some merry, friendly, country-folks,
Together did convene,
To burn their nits, and pou their stocks,
And haud their Halloween
Fu blithe that night.
The lasses feat, and cleanly neat,
Mair braw than when theyre fine;
Their faces blithe, fu sweetly kythe,
Hearts leal, and warm, and kin;
The lads sae trig, wi wooer-babs,
Weel knotted on their garten,
Some unco blate, and some wi gabs,
Gar lasses hearts gang startin
Whiles fast at night.
Then, first and foremost, through the kail,
Their stocks maun a be sought ance;
They steek their een, and graip and wale,
For muckle anes and straught anes.
Poor havrel Will fell aff the drift,
And wanderd through the bow-kail,
And pout, for want o better shift,
A runt was like a sow-tail,
Sae bowt that night.
Then, staught or crooked, yird or nane,
They roar and cry a throuther;
The very wee things, todlin, rin,
Wi stocks out owre their shouther;
And gif the custocs sweet or sour.
Wi joctelegs they taste them;
Syne cozily, aboon the door,
Wi cannie care, theyve placed them
To lie that night.
https://en.wikipedia.org/wiki/Robert_Burns
Love's Good-Morrow
By: Thomas Heywood
Pack, clouds away! and welcome day!
With night we banish sorrow;
Sweet air, blow soft, mount larks aloft
To give my love good-morrow!
Wings from the wind to please her mind,
Notes from the lark Ill borrow;
Bird, prune thy wing, nightingale, sing,
To give my love good-morrow;
To give my love good-morrow;
Notes from them both Ill borrow.
Wake from thy nest, Robin Redbreast,
Sing birds in every furrow;
And from each hill, let music shrill
Give my fair love good-morrow!
Blackbird and thrush in every bush,
Stare, linnet, and cock-sparrow!
You pretty elves, amongst yourselves,
Sing my fair love good-morrow;
To give my love good-morrow,
Sing birds in every furrow.
https://en.wikipedia.org/wiki/Thomas_Heywood
By: Thomas Heywood
Pack, clouds away! and welcome day!
With night we banish sorrow;
Sweet air, blow soft, mount larks aloft
To give my love good-morrow!
Wings from the wind to please her mind,
Notes from the lark Ill borrow;
Bird, prune thy wing, nightingale, sing,
To give my love good-morrow;
To give my love good-morrow;
Notes from them both Ill borrow.
Wake from thy nest, Robin Redbreast,
Sing birds in every furrow;
And from each hill, let music shrill
Give my fair love good-morrow!
Blackbird and thrush in every bush,
Stare, linnet, and cock-sparrow!
You pretty elves, amongst yourselves,
Sing my fair love good-morrow;
To give my love good-morrow,
Sing birds in every furrow.
https://en.wikipedia.org/wiki/Thomas_Heywood
Sonnet 53
By: William Shakespeare
What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new:
Speak of the spring, and foison of the year,
The one doth shadow of your beauty show,
The other as your bounty doth appear;
And you in every blessed shape we know.
In all external grace you have some part,
But you like none, none you, for constant heart.
https://en.wikipedia.org/wiki/William_Shakespeare
By: William Shakespeare
What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new:
Speak of the spring, and foison of the year,
The one doth shadow of your beauty show,
The other as your bounty doth appear;
And you in every blessed shape we know.
In all external grace you have some part,
But you like none, none you, for constant heart.
https://en.wikipedia.org/wiki/William_Shakespeare
Evening Song
By: Sherwood Anderson
MY song will rest while I rest. I struggle along. Ill get back to the corn and the open fields. Dont fret, love, Ill come out all right.
Back of Chicago the open fields. Were you ever theretrains coming toward you out of the Weststreaks of light on the long gray plains? Many a songaching to sing.
Ive got a gray and ragged brother in my breastthats a fact. Back of Chicago the open fieldslong trains go west tooin the silence. Dont fret, love. Ill come out all right.
https://en.wikipedia.org/wiki/Sherwood_Anderson
By: Sherwood Anderson
MY song will rest while I rest. I struggle along. Ill get back to the corn and the open fields. Dont fret, love, Ill come out all right.
Back of Chicago the open fields. Were you ever theretrains coming toward you out of the Weststreaks of light on the long gray plains? Many a songaching to sing.
Ive got a gray and ragged brother in my breastthats a fact. Back of Chicago the open fieldslong trains go west tooin the silence. Dont fret, love. Ill come out all right.
https://en.wikipedia.org/wiki/Sherwood_Anderson
A Sonnet to the Noble
Lady, the Lady Mary Wroth
By: Ben Jonson
I that have been a lover, and could show it,
Though not in these, in rithmes not wholly dumb,
Since I exscribe your sonnets, am become
A better lover, and much better poet.
Nor is my Muse or I ashamed to owe it
To those true numerous graces, whereof some
But charm the senses, others overcome
Both brains and hearts; and mine now best do know it:
For in your verse all Cupids armory,
His flames, his shafts, his quiver, and his bow,
His very eyes are yours to overthrow.
But then his mothers sweets you so apply,
Her joys, her smiles, her loves, as readers take
For Venus ceston every line you make.
https://en.wikipedia.org/wiki/Ben_Jonson
By: Ben Jonson
I that have been a lover, and could show it,
Though not in these, in rithmes not wholly dumb,
Since I exscribe your sonnets, am become
A better lover, and much better poet.
Nor is my Muse or I ashamed to owe it
To those true numerous graces, whereof some
But charm the senses, others overcome
Both brains and hearts; and mine now best do know it:
For in your verse all Cupids armory,
His flames, his shafts, his quiver, and his bow,
His very eyes are yours to overthrow.
But then his mothers sweets you so apply,
Her joys, her smiles, her loves, as readers take
For Venus ceston every line you make.
https://en.wikipedia.org/wiki/Ben_Jonson
XVIII
By: Emily Dickinson
TWO butterflies went out at noon
And waltzed above a stream,
Then stepped straight through the firmament
And rested on a beam;
And then together bore away
Upon a shining sea,
Though never yet, in any port,
Their coming mentioned be.
If spoken by the distant bird,
If met in ether sea
By frigate or by merchantman,
Report was not to me.
https://en.wikipedia.org/wiki/Emily_Dickinson
By: Emily Dickinson
TWO butterflies went out at noon
And waltzed above a stream,
Then stepped straight through the firmament
And rested on a beam;
And then together bore away
Upon a shining sea,
Though never yet, in any port,
Their coming mentioned be.
If spoken by the distant bird,
If met in ether sea
By frigate or by merchantman,
Report was not to me.
https://en.wikipedia.org/wiki/Emily_Dickinson
Drifting Flowers of the
Sea
By: Sadakichi Hartmann
Sadakichi Hartmann
Across the dunes, in the waning light,
The rising moon pours her amber rays,
Through the slumbrous air of the dim, brown night
The pungent smell of the seaweed strays
From vast and trackless spaces
Where wind and water meet,
White flowers, that rise from the sleepless deep,
Come drifting to my feet.
They flutter the shore in a drowsy tune,
Unfurl their bloom to the lightlorn sky,
Allow a caress to the rising moon,
Then fall to slumber, and fade, and die.
White flowers, a-bloom on the vagrant deep,
Like dreams of love, rising out of sleep,
You are the songs, I dreamt but never sung,
Pale hopes my thoughts alone have known,
Vain words neer uttered, though on the tongue,
That winds to the sibilant seas have blown.
In you, I see the everlasting drift of years
That will endure all sorrows, smiles and tears;
For when the bell of time will ring the doom
To all the follies of the human race,
You still will rise in fugitive bloom
And garland the shores of ruined space.
https://en.wikipedia.org/wiki/Sadakichi_Hartmann
By: Sadakichi Hartmann
Sadakichi Hartmann
Across the dunes, in the waning light,
The rising moon pours her amber rays,
Through the slumbrous air of the dim, brown night
The pungent smell of the seaweed strays
From vast and trackless spaces
Where wind and water meet,
White flowers, that rise from the sleepless deep,
Come drifting to my feet.
They flutter the shore in a drowsy tune,
Unfurl their bloom to the lightlorn sky,
Allow a caress to the rising moon,
Then fall to slumber, and fade, and die.
White flowers, a-bloom on the vagrant deep,
Like dreams of love, rising out of sleep,
You are the songs, I dreamt but never sung,
Pale hopes my thoughts alone have known,
Vain words neer uttered, though on the tongue,
That winds to the sibilant seas have blown.
In you, I see the everlasting drift of years
That will endure all sorrows, smiles and tears;
For when the bell of time will ring the doom
To all the follies of the human race,
You still will rise in fugitive bloom
And garland the shores of ruined space.
https://en.wikipedia.org/wiki/Sadakichi_Hartmann
The Crocuses
By: Frances Ellen Watkins Harper
They heard the South wind sighing
A murmur of the rain;
And they knew that Earth was longing
To see them all again.
While the snow-drops still were sleeping
Beneath the silent sod;
They felt their new life pulsing
Within the dark, cold clod.
Not a daffodil nor daisy
Had dared to raise its head;
Not a fairhaired dandelion
Peeped timid from its bed;
Though a tremor of the winter
Did shivering through them run;
Yet they lifted up their foreheads
To greet the vernal sun.
And the sunbeams gave them welcome,
As did the morning air
And scattered oer their simple robes
Rich tints of beauty rare.
Soon a host of lovely flowers
From vales and woodland burst;
But in all that fair procession
The crocuses were first.
First to weave for Earth a chaplet
To crown her dear old head;
And to beauty the pathway
Where winter still did tread.
And their loved and white haired mother
Smiled sweetly neath the touch,
When she knew her faithful children
Were loving her so much.
https://en.wikipedia.org/wiki/Frances_Harper
By: Frances Ellen Watkins Harper
They heard the South wind sighing
A murmur of the rain;
And they knew that Earth was longing
To see them all again.
While the snow-drops still were sleeping
Beneath the silent sod;
They felt their new life pulsing
Within the dark, cold clod.
Not a daffodil nor daisy
Had dared to raise its head;
Not a fairhaired dandelion
Peeped timid from its bed;
Though a tremor of the winter
Did shivering through them run;
Yet they lifted up their foreheads
To greet the vernal sun.
And the sunbeams gave them welcome,
As did the morning air
And scattered oer their simple robes
Rich tints of beauty rare.
Soon a host of lovely flowers
From vales and woodland burst;
But in all that fair procession
The crocuses were first.
First to weave for Earth a chaplet
To crown her dear old head;
And to beauty the pathway
Where winter still did tread.
And their loved and white haired mother
Smiled sweetly neath the touch,
When she knew her faithful children
Were loving her so much.
https://en.wikipedia.org/wiki/Frances_Harper
To a Louse,
On Seeing one on a Ladys Bonnet at Church
By: Robert Burns
Ha! whare ye gaun, ye crowlan ferlie!
Your impudence protects you sairly:
I canna say but ye strunt rarely,
Owre gawze and lace;
Tho faith, I fear ye dine but sparely,
On sic a place.
Ye ugly, creepan, blastet wonner,
Detested, shunnd, by saunt an sinner,
How daur ye set your fit upon her,
Sae fine a Lady!
Gae somewhere else and seek your dinner,
On some poor body.
Swith, in some beggars haffet squattle;
There ye may creep, and sprawl, and sprattle,
Wi ither kindred, jumping cattle,
In shoals and nations;
Whare horn nor bane neer daur unsettle,
Your thick plantations.
Now haud you there, yere out o sight,
Below the fattrels, snug and tight,
Na faith ye yet! yell no be right,
Till yeve got on it,
The vera topmost, towrin height
O Misss bonnet.
My sooth! right bauld ye set your nose out,
As plump an gray as onie grozet:
O for some rank, mercurial rozet,
Or fell, red smeddum,
Id gie you sic a hearty dose ot,
Wad dress your droddum!
I wad na been surprizd to spy
You on an auld wifes flainen toy;
Or aiblins some bit duddie boy,
On s wylecoat;
But Misss fine Lunardi, fye!
How daur ye do t?
O Jenny dinna toss your head,
An set your beauties a abread!
Ye little ken what cursed speed
The blasties makin!
Thae winks and finger-ends, I dread,
Are notice takin!
O wad some Powr the giftie gie us
To see oursels as others see us!
It wad frae monie a blunder free us
An foolish notion:
What airs in dress an gait wad leae us,
And evn Devotion!
https://en.wikipedia.org/wiki/Robert_Burns
By: Robert Burns
Ha! whare ye gaun, ye crowlan ferlie!
Your impudence protects you sairly:
I canna say but ye strunt rarely,
Owre gawze and lace;
Tho faith, I fear ye dine but sparely,
On sic a place.
Ye ugly, creepan, blastet wonner,
Detested, shunnd, by saunt an sinner,
How daur ye set your fit upon her,
Sae fine a Lady!
Gae somewhere else and seek your dinner,
On some poor body.
Swith, in some beggars haffet squattle;
There ye may creep, and sprawl, and sprattle,
Wi ither kindred, jumping cattle,
In shoals and nations;
Whare horn nor bane neer daur unsettle,
Your thick plantations.
Now haud you there, yere out o sight,
Below the fattrels, snug and tight,
Na faith ye yet! yell no be right,
Till yeve got on it,
The vera topmost, towrin height
O Misss bonnet.
My sooth! right bauld ye set your nose out,
As plump an gray as onie grozet:
O for some rank, mercurial rozet,
Or fell, red smeddum,
Id gie you sic a hearty dose ot,
Wad dress your droddum!
I wad na been surprizd to spy
You on an auld wifes flainen toy;
Or aiblins some bit duddie boy,
On s wylecoat;
But Misss fine Lunardi, fye!
How daur ye do t?
O Jenny dinna toss your head,
An set your beauties a abread!
Ye little ken what cursed speed
The blasties makin!
Thae winks and finger-ends, I dread,
Are notice takin!
O wad some Powr the giftie gie us
To see oursels as others see us!
It wad frae monie a blunder free us
An foolish notion:
What airs in dress an gait wad leae us,
And evn Devotion!
https://en.wikipedia.org/wiki/Robert_Burns
Haymaking
By: John Clare
Tis haytime and the red-complexioned sun
Was scarcely up ere blackbirds had begun
Along the meadow hedges here and there
To sing loud songs to the sweet-smelling air
Where breath of flowers and grass and happy cow
Fling oer ones senses streams of fragrance now
while in some pleasant nook the swain and maid
Lean oer their rakes and loiter in the shade
Or bend a minute oer the bridge and throw
Crumbs in their leisure to the fish below
Hark at that happy shoutand song between
Tis pleasures birthday in her meadow scene.
What joy seems half so rich from pleasure won
As the loud laugh of maidens in the sun?
https://en.wikipedia.org/wiki/John_Clare
By: John Clare
Tis haytime and the red-complexioned sun
Was scarcely up ere blackbirds had begun
Along the meadow hedges here and there
To sing loud songs to the sweet-smelling air
Where breath of flowers and grass and happy cow
Fling oer ones senses streams of fragrance now
while in some pleasant nook the swain and maid
Lean oer their rakes and loiter in the shade
Or bend a minute oer the bridge and throw
Crumbs in their leisure to the fish below
Hark at that happy shoutand song between
Tis pleasures birthday in her meadow scene.
What joy seems half so rich from pleasure won
As the loud laugh of maidens in the sun?
https://en.wikipedia.org/wiki/John_Clare
The Complaint of Lisa
By: Algernon Charles Swinburne
There is no woman living that draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.
Toward whom I look as looks the sunflower
All day with all his whole soul toward the sun;
While in the sun's sight I make moan all day,
And all night on my sleepless maiden bed
Weep and call out on death, O Love, and thee,
That thou or he would take me to the dead,
And know not what thing evil I have done
That life should lay such heavy hand on me.
Alas, Love, what is this thou wouldst with me?
What honour shalt thou have to quench my breath,
Or what shall my heart broken profit thee?
O Love, O great god Love, what have I done,
That thou shouldst hunger so after my death?
My heart is harmless as my life's first day:
Seek out some false fair woman, and plague her
Till her tears even as my tears fill her bed:
I am the least flower in thy flowery way,
But till my time be come that I be dead
Let me live out my flower-time in the sun
Though my leaves shut before the sunflower.
O Love, Love, Love, the kingly sunflower!
Shall he the sun hath looked on look on me,
That live down here in shade, out of the sun,
Here living in the sorrow and shadow of death?
Shall he that feeds his heart full of the day
Care to give mine eyes light, or my lips breath?
Because she loves him shall my lord love her
Who is as a worm in my lord's kingly way?
I shall not see him or know him alive or dead;
But thou, I know thee, O Love, and pray to thee
That in brief while my brief life-days be done,
And the worm quickly make my marriage-bed.
For underground there is no sleepless bed:
But here since I beheld my sunflower
These eyes have slept not, seeing all night and day
His sunlike eyes, and face fronting the sun.
Wherefore if anywhere be any death,
I would fain find and fold him fast to me,
That I may sleep with the world's eldest dead,
With her that died seven centuries since, and her
That went last night down the night-wandering way.
For this is sleep indeed, when labour is done,
Without love, without dreams, and without breath,
And without thought, O name unnamed! of thee.
Ah, but, forgetting all things, shall I thee?
Wilt thou not be as now about my bed
There underground as here before the sun?
Shall not thy vision vex me alive and dead,
Thy moving vision without form or breath?
I read long since the bitter tale of her
Who read the tale of Launcelot on a day,
And died, and had no quiet after death,
But was moved ever along a weary way,
Lost with her love in the underworld; ah me,
O my king, O my lordly sunflower,
Would God to me too such a thing were done!
But if such sweet and bitter things be done,
Then, flying from life, I shall not fly from thee.
For in that living world without a sun
Thy vision will lay hold upon me dead,
And meet and mock me, and mar my peace in death.
Yet if being wroth God had such pity on her,
Who was a sinner and foolish in her day,
That even in hell they twain should breathe one breath,
Why should he not in some wise pity me?
So if I sleep not in my soft strait bed
I may look up and see my sunflower
As he the sun, in some divine strange way.
O poor my heart, well knowest thou in what way
This sore sweet evil unto us was done.
For on a holy and a heavy day
I was arisen out of my still small bed
To see the knights tilt, and one said to me
"The king," and seeing him, somewhat stopped my breath,
And if the girl spake more, I heard not her,
For only I saw what I shall see when dead,
A kingly flower of knights, a sunflower,
That shone against the sunlight like the sun,
And like a fire, O heart, consuming thee,
The fire of love that lights the pyre of death.
Howbeit I shall not die an evil death
Who have loved in such a sad and sinless way,
That this my love, lord, was no shame to thee.
So when mine eyes are shut against the sun,
O my soul's sun, O the world's sunflower,
Thou nor no man will quite despise me dead.
And dying I pray with all my low last breath
That thy whole life may be as was that day,
That feast-day that made trothplight death and me,
Giving the world light of thy great deeds done;
And that fair face brightening thy bridal bed,
That God be good as God hath been to her.
That all things goodly and glad remain with her,
All things that make glad life and goodly death;
That as a bee sucks from a sunflower
Honey, when summer draws delighted breath,
Her soul may drink of thy soul in like way,
And love make life a fruitful marriage-bed
Where day may bring forth fruits of joy to day
And night to night till days and nights be dead.
And as she gives light of her love to thee,
Give thou to her the old glory of days long done;
And either give some heat of light to me,
To warm me where I sleep without the sun.
O sunflower made drunken with the sun,
O knight whose lady's heart draws thine to her,
Great king, glad lover, I have a word to thee.
There is a weed lives out of the sun's way,
Hid from the heat deep in the meadow's bed,
That swoons and whitens at the wind's least breath,
A flower star-shaped, that all a summer day
Will gaze her soul out on the sunflower
For very love till twilight finds her dead.
But the great sunflower heeds not her poor death,
Knows not when all her loving life is done;
And so much knows my lord the king of me.
Aye, all day long he has no eye for me;
With golden eye following the golden sun
From rose-coloured to purple-pillowed bed,
From birthplace to the flame-lit place of death,
From eastern end to western of his way.
So mine eye follows thee, my sunflower,
So the white star-flower turns and yearns to thee,
The sick weak weed, not well alive or dead,
Trod underfoot if any pass by her,
Pale, without colour of summer or summer breath
In the shrunk shuddering petals, that have done
No work but love, and die before the day.
But thou, to-day, to-morrow, and every day,
Be glad and great, O love whose love slays me.
Thy fervent flower made fruitful from the sun
Shall drop its golden seed in the world's way,
That all men thereof nourished shall praise thee
For grain and flower and fruit of works well done;
Till thy shed seed, O shining sunflower,
Bring forth such growth of the world's garden-bed
As like the sun shall outlive age and death.
And yet I would thine heart had heed of her
Who loves thee alive; but not till she be dead.
Come, Love, then, quickly, and take her utmost breath.
Song, speak for me who am dumb as are the dead;
From my sad bed of tears I send forth thee,
To fly all day from sun's birth to sun's death
Down the sun's way after the flying sun,
For love of her that gave thee wings and breath,
Ere day be done, to seek the sunflower.
https://en.wikipedia.org/wiki/Algernon_Charles_Swinburne
Algernon Charles Swinburne (5 April 1837 10 April 1909) was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopdia Britannica
By: Algernon Charles Swinburne
There is no woman living that draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.
Toward whom I look as looks the sunflower
All day with all his whole soul toward the sun;
While in the sun's sight I make moan all day,
And all night on my sleepless maiden bed
Weep and call out on death, O Love, and thee,
That thou or he would take me to the dead,
And know not what thing evil I have done
That life should lay such heavy hand on me.
Alas, Love, what is this thou wouldst with me?
What honour shalt thou have to quench my breath,
Or what shall my heart broken profit thee?
O Love, O great god Love, what have I done,
That thou shouldst hunger so after my death?
My heart is harmless as my life's first day:
Seek out some false fair woman, and plague her
Till her tears even as my tears fill her bed:
I am the least flower in thy flowery way,
But till my time be come that I be dead
Let me live out my flower-time in the sun
Though my leaves shut before the sunflower.
O Love, Love, Love, the kingly sunflower!
Shall he the sun hath looked on look on me,
That live down here in shade, out of the sun,
Here living in the sorrow and shadow of death?
Shall he that feeds his heart full of the day
Care to give mine eyes light, or my lips breath?
Because she loves him shall my lord love her
Who is as a worm in my lord's kingly way?
I shall not see him or know him alive or dead;
But thou, I know thee, O Love, and pray to thee
That in brief while my brief life-days be done,
And the worm quickly make my marriage-bed.
For underground there is no sleepless bed:
But here since I beheld my sunflower
These eyes have slept not, seeing all night and day
His sunlike eyes, and face fronting the sun.
Wherefore if anywhere be any death,
I would fain find and fold him fast to me,
That I may sleep with the world's eldest dead,
With her that died seven centuries since, and her
That went last night down the night-wandering way.
For this is sleep indeed, when labour is done,
Without love, without dreams, and without breath,
And without thought, O name unnamed! of thee.
Ah, but, forgetting all things, shall I thee?
Wilt thou not be as now about my bed
There underground as here before the sun?
Shall not thy vision vex me alive and dead,
Thy moving vision without form or breath?
I read long since the bitter tale of her
Who read the tale of Launcelot on a day,
And died, and had no quiet after death,
But was moved ever along a weary way,
Lost with her love in the underworld; ah me,
O my king, O my lordly sunflower,
Would God to me too such a thing were done!
But if such sweet and bitter things be done,
Then, flying from life, I shall not fly from thee.
For in that living world without a sun
Thy vision will lay hold upon me dead,
And meet and mock me, and mar my peace in death.
Yet if being wroth God had such pity on her,
Who was a sinner and foolish in her day,
That even in hell they twain should breathe one breath,
Why should he not in some wise pity me?
So if I sleep not in my soft strait bed
I may look up and see my sunflower
As he the sun, in some divine strange way.
O poor my heart, well knowest thou in what way
This sore sweet evil unto us was done.
For on a holy and a heavy day
I was arisen out of my still small bed
To see the knights tilt, and one said to me
"The king," and seeing him, somewhat stopped my breath,
And if the girl spake more, I heard not her,
For only I saw what I shall see when dead,
A kingly flower of knights, a sunflower,
That shone against the sunlight like the sun,
And like a fire, O heart, consuming thee,
The fire of love that lights the pyre of death.
Howbeit I shall not die an evil death
Who have loved in such a sad and sinless way,
That this my love, lord, was no shame to thee.
So when mine eyes are shut against the sun,
O my soul's sun, O the world's sunflower,
Thou nor no man will quite despise me dead.
And dying I pray with all my low last breath
That thy whole life may be as was that day,
That feast-day that made trothplight death and me,
Giving the world light of thy great deeds done;
And that fair face brightening thy bridal bed,
That God be good as God hath been to her.
That all things goodly and glad remain with her,
All things that make glad life and goodly death;
That as a bee sucks from a sunflower
Honey, when summer draws delighted breath,
Her soul may drink of thy soul in like way,
And love make life a fruitful marriage-bed
Where day may bring forth fruits of joy to day
And night to night till days and nights be dead.
And as she gives light of her love to thee,
Give thou to her the old glory of days long done;
And either give some heat of light to me,
To warm me where I sleep without the sun.
O sunflower made drunken with the sun,
O knight whose lady's heart draws thine to her,
Great king, glad lover, I have a word to thee.
There is a weed lives out of the sun's way,
Hid from the heat deep in the meadow's bed,
That swoons and whitens at the wind's least breath,
A flower star-shaped, that all a summer day
Will gaze her soul out on the sunflower
For very love till twilight finds her dead.
But the great sunflower heeds not her poor death,
Knows not when all her loving life is done;
And so much knows my lord the king of me.
Aye, all day long he has no eye for me;
With golden eye following the golden sun
From rose-coloured to purple-pillowed bed,
From birthplace to the flame-lit place of death,
From eastern end to western of his way.
So mine eye follows thee, my sunflower,
So the white star-flower turns and yearns to thee,
The sick weak weed, not well alive or dead,
Trod underfoot if any pass by her,
Pale, without colour of summer or summer breath
In the shrunk shuddering petals, that have done
No work but love, and die before the day.
But thou, to-day, to-morrow, and every day,
Be glad and great, O love whose love slays me.
Thy fervent flower made fruitful from the sun
Shall drop its golden seed in the world's way,
That all men thereof nourished shall praise thee
For grain and flower and fruit of works well done;
Till thy shed seed, O shining sunflower,
Bring forth such growth of the world's garden-bed
As like the sun shall outlive age and death.
And yet I would thine heart had heed of her
Who loves thee alive; but not till she be dead.
Come, Love, then, quickly, and take her utmost breath.
Song, speak for me who am dumb as are the dead;
From my sad bed of tears I send forth thee,
To fly all day from sun's birth to sun's death
Down the sun's way after the flying sun,
For love of her that gave thee wings and breath,
Ere day be done, to seek the sunflower.
https://en.wikipedia.org/wiki/Algernon_Charles_Swinburne
Algernon Charles Swinburne (5 April 1837 10 April 1909) was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopdia Britannica
The Fallow Deer At The
Lonely House
By: Thomas Hardy
One without looks in tonight
Through the curtain-chink
From the sheet of glistening white;
One without looks in tonight
As we sit and think
By the fender-brink.
We do not discern those eyes
Watching in the snow;
Lit by lamps of rosy dyes
We do not discern those eyes
Wandering, aglow
Four-footed, tiptoe.
https://en.wikipedia.org/wiki/Thomas_Hardy
By: Thomas Hardy
One without looks in tonight
Through the curtain-chink
From the sheet of glistening white;
One without looks in tonight
As we sit and think
By the fender-brink.
We do not discern those eyes
Watching in the snow;
Lit by lamps of rosy dyes
We do not discern those eyes
Wandering, aglow
Four-footed, tiptoe.
https://en.wikipedia.org/wiki/Thomas_Hardy
Sonnet 76
By: William Shakespeare
Why is my verse so barren of new pride,
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
O, know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent:
For as the sun is daily new and old,
So is my love still telling what is told.
https://en.wikipedia.org/wiki/William_Shakespeare
By: William Shakespeare
Why is my verse so barren of new pride,
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
O, know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent:
For as the sun is daily new and old,
So is my love still telling what is told.
https://en.wikipedia.org/wiki/William_Shakespeare
Above the Dock
By: T. E. Hulme
Above the quiet dock in mid night,
Tangled in the tall mast’s corded height,
Hangs the moon. What seemed so far away
Is but a child’s balloon, forgotten after play.
https://en.wikipedia.org/wiki/T._E._Hulme
By: T. E. Hulme
Above the quiet dock in mid night,
Tangled in the tall mast’s corded height,
Hangs the moon. What seemed so far away
Is but a child’s balloon, forgotten after play.
https://en.wikipedia.org/wiki/T._E._Hulme
Up-Hill
By: CHRISTINA ROSSETTI
Does the road wind up-hill all the way?
Yes, to the very end.
Will the day’s journey take the whole long day?
From morn to night, my friend.
But is there for the night a resting-place?
A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
You cannot miss that inn.
Shall I meet other wayfarers at night?
Those who have gone before.
Then must I knock, or call when just in sight?
They will not keep you standing at that door.
Shall I find comfort, travel-sore and weak?
Of labour you shall find the sum.
Will there be beds for me and all who seek?
Yea, beds for all who come.
https://en.wikipedia.org/wiki/Christina_Rossetti
Christina Georgina Rossetti (5 December 1830 – 29 December 1894) was an English poet who wrote a variety of romantic, devotional, and children's poems. She is famous for writing Goblin Market and "Remember". She also wrote the words of the Christmas carols "In the Bleak Midwinter", set to a tune by Gustav Holst, and "Love Came Down at Christmas"
By: CHRISTINA ROSSETTI
Does the road wind up-hill all the way?
Yes, to the very end.
Will the day’s journey take the whole long day?
From morn to night, my friend.
But is there for the night a resting-place?
A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
You cannot miss that inn.
Shall I meet other wayfarers at night?
Those who have gone before.
Then must I knock, or call when just in sight?
They will not keep you standing at that door.
Shall I find comfort, travel-sore and weak?
Of labour you shall find the sum.
Will there be beds for me and all who seek?
Yea, beds for all who come.
https://en.wikipedia.org/wiki/Christina_Rossetti
Christina Georgina Rossetti (5 December 1830 – 29 December 1894) was an English poet who wrote a variety of romantic, devotional, and children's poems. She is famous for writing Goblin Market and "Remember". She also wrote the words of the Christmas carols "In the Bleak Midwinter", set to a tune by Gustav Holst, and "Love Came Down at Christmas"
Sonnet 109
By: William Shakespeare
O, never say that I was false of heart,
Though absence seemed my flame to qualify.
As easy might I from my self depart
As from my soul which in thy breast doth lie.
That is my home of love; if I have ranged,
Like him that travels I return again,
Just to the time, not with the time exchanged,
So that myself bring water for my stain.
Never believe though in my nature reigned
All frailties that besiege all kinds of blood,
That it could so preposterously be stained
To leave for nothing all thy sum of good;
For nothing this wide universe I call
Save thou, my rose, in it thou art my all
https://en.wikipedia.org/wiki/William_Shakespeare
Early life. William Shakespeare was the son of John Shakespeare, an alderman and a successful glover (glove-maker) originally from Snitterfield, and Mary Arden, the daughter of an affluent landowning farmer.
By: William Shakespeare
O, never say that I was false of heart,
Though absence seemed my flame to qualify.
As easy might I from my self depart
As from my soul which in thy breast doth lie.
That is my home of love; if I have ranged,
Like him that travels I return again,
Just to the time, not with the time exchanged,
So that myself bring water for my stain.
Never believe though in my nature reigned
All frailties that besiege all kinds of blood,
That it could so preposterously be stained
To leave for nothing all thy sum of good;
For nothing this wide universe I call
Save thou, my rose, in it thou art my all
https://en.wikipedia.org/wiki/William_Shakespeare
Early life. William Shakespeare was the son of John Shakespeare, an alderman and a successful glover (glove-maker) originally from Snitterfield, and Mary Arden, the daughter of an affluent landowning farmer.
Heaven
By: Rupert Brooke
Fish (fly-replete, in depth of June,
Dawdling away their wat'ry noon)
Ponder deep wisdom, dark or clear,
Each secret fishy hope or fear.
Fish say, they have their Stream and Pond;
But is there anything Beyond?
This life cannot be All, they swear,
For how unpleasant if it were!
One may not doubt that, somehow, Good
Shall come of Water and of Mud;
And, sure, the reverent eye must see
A Purpose in Liquidity.
We darkly know, by Faith we cry,
The future is not Wholly Dry.
Mud unto mud! – Death eddies near –
Not here the appointed End, not here!
But somewhere, beyond Space and Time,
Is wetter water, slimier slime!
And there (they trust) there swimmeth One
Who swam ere rivers were begun,
Immense, of fishy form and mind,
Squamous, omnipotent and kind;
And under that Almighty Fin,
The littlest fish may enter in.
Oh! Never fly conceals a hook,
Fish say, in the Eternal Brook,
But more than mundane weeds are there,
And mud, celestially fair;
Fat caterpillars drift around,
And Paradisal grubs are found;
Unfading moths, immortal flies,
And the worm that never dies.
And in that Heaven of all their wish,
There shall be no more land, say fish.
https://en.wikipedia.org/wiki/Rupert_Brooke
By: Rupert Brooke
Fish (fly-replete, in depth of June,
Dawdling away their wat'ry noon)
Ponder deep wisdom, dark or clear,
Each secret fishy hope or fear.
Fish say, they have their Stream and Pond;
But is there anything Beyond?
This life cannot be All, they swear,
For how unpleasant if it were!
One may not doubt that, somehow, Good
Shall come of Water and of Mud;
And, sure, the reverent eye must see
A Purpose in Liquidity.
We darkly know, by Faith we cry,
The future is not Wholly Dry.
Mud unto mud! – Death eddies near –
Not here the appointed End, not here!
But somewhere, beyond Space and Time,
Is wetter water, slimier slime!
And there (they trust) there swimmeth One
Who swam ere rivers were begun,
Immense, of fishy form and mind,
Squamous, omnipotent and kind;
And under that Almighty Fin,
The littlest fish may enter in.
Oh! Never fly conceals a hook,
Fish say, in the Eternal Brook,
But more than mundane weeds are there,
And mud, celestially fair;
Fat caterpillars drift around,
And Paradisal grubs are found;
Unfading moths, immortal flies,
And the worm that never dies.
And in that Heaven of all their wish,
There shall be no more land, say fish.
https://en.wikipedia.org/wiki/Rupert_Brooke
When I Read the Book
By: Walt Whitman
When I read the book, the biography famous,
And is this then (said I) what the author calls a man’s life?
And so will some one when I am dead and gone write my life?
(As if any man really knew aught my life,
Why even I myself I often think know little or nothing of my real life,
Only a few hints, a few diffused faint clews and indirections
I seek for my own use to trace out here.)
https://en.wikipedia.org/wiki/Walt_Whitman
Sunset on the Spire
By: Elinor Wylie
All that I dream
By day or night
Lives in that stream
Of lovely light.
Here is the earth,
And there is the spire;
This is my hearth,
And that is my fire.
From the sun's dome
I am shouted proof
That this is my home,
And that is my roof.
Here is my food,
And here is my drink,
And I am wooed
From the moon's brink.
And the days go over,
And the nights end;
Here is my lover,
Here is my friend.
All that I
Could ever ask
Wears that sky
Like a thin gold mask.
https://en.wikipedia.org/wiki/Elinor_Wylie
By: Elinor Wylie
All that I dream
By day or night
Lives in that stream
Of lovely light.
Here is the earth,
And there is the spire;
This is my hearth,
And that is my fire.
From the sun's dome
I am shouted proof
That this is my home,
And that is my roof.
Here is my food,
And here is my drink,
And I am wooed
From the moon's brink.
And the days go over,
And the nights end;
Here is my lover,
Here is my friend.
All that I
Could ever ask
Wears that sky
Like a thin gold mask.
https://en.wikipedia.org/wiki/Elinor_Wylie
Sonnet 1
By: William Shakespeare
From fairest creatures we desire increase,
That thereby beauty's rose might never die,
But as the riper should by time decease,
His tender heir might bear his memory:
But thou contracted to thine own bright eyes,
Feed'st thy light's flame with self-substantial fuel,
Making a famine where abundance lies,
Thy self thy foe, to thy sweet self too cruel:
Thou that art now the world's fresh ornament,
And only herald to the gaudy spring,
Within thine own bud buriest thy content,
And, tender churl, mak'st waste in niggarding:
Pity the world, or else this glutton be,
To eat the world's due, by the grave and thee.
https://en.wikipedia.org/wiki/Shakespeare
William Shakespeare - Wikipedia
en.wikipedia.org
Early life. William Shakespeare was the son of John Shakespeare, an alderman and a successful glover (glove-maker) originally from Snitterfield, and Mary Arden, the daughter of an affluent landowning farmer.
By: William Shakespeare
From fairest creatures we desire increase,
That thereby beauty's rose might never die,
But as the riper should by time decease,
His tender heir might bear his memory:
But thou contracted to thine own bright eyes,
Feed'st thy light's flame with self-substantial fuel,
Making a famine where abundance lies,
Thy self thy foe, to thy sweet self too cruel:
Thou that art now the world's fresh ornament,
And only herald to the gaudy spring,
Within thine own bud buriest thy content,
And, tender churl, mak'st waste in niggarding:
Pity the world, or else this glutton be,
To eat the world's due, by the grave and thee.
https://en.wikipedia.org/wiki/Shakespeare
William Shakespeare - Wikipedia
en.wikipedia.org
Early life. William Shakespeare was the son of John Shakespeare, an alderman and a successful glover (glove-maker) originally from Snitterfield, and Mary Arden, the daughter of an affluent landowning farmer.
Elegy V: His Picture
By: John Donne
Here take my picture; though I bid farewell
Thine, in my heart, where my soul dwells, shall dwell.
’Tis like me now, but I dead, ’twill be more
When we are shadows both, than 'twas before.
When weather-beaten I come back, my hand
Perhaps with rude oars torn, or sun beams tann’d,
My face and breast of haircloth, and my head
With care’s rash sudden storms being o’erspread,
My body’a sack of bones, broken within,
And powder’s blue stains scatter’d on my skin;
If rival fools tax thee to’have lov’d a man
So foul and coarse as, oh, I may seem then,
This shall say what I was, and thou shalt say,
“Do his hurts reach me? doth my worth decay?
Or do they reach his judging mind, that he
Should now love less, what he did love to see?
That which in him was fair and delicate,
Was but the milk which in love's childish state
Did nurse it; who now is grown strong enough
To feed on that, which to disus’d tastes seems tough.”
https://en.wikipedia.org/wiki/John_Donne
By: John Donne
Here take my picture; though I bid farewell
Thine, in my heart, where my soul dwells, shall dwell.
’Tis like me now, but I dead, ’twill be more
When we are shadows both, than 'twas before.
When weather-beaten I come back, my hand
Perhaps with rude oars torn, or sun beams tann’d,
My face and breast of haircloth, and my head
With care’s rash sudden storms being o’erspread,
My body’a sack of bones, broken within,
And powder’s blue stains scatter’d on my skin;
If rival fools tax thee to’have lov’d a man
So foul and coarse as, oh, I may seem then,
This shall say what I was, and thou shalt say,
“Do his hurts reach me? doth my worth decay?
Or do they reach his judging mind, that he
Should now love less, what he did love to see?
That which in him was fair and delicate,
Was but the milk which in love's childish state
Did nurse it; who now is grown strong enough
To feed on that, which to disus’d tastes seems tough.”
https://en.wikipedia.org/wiki/John_Donne
The Word
By: Ella Wheeler Wilcox
Oh, a word is a gem, or a stone, or a song,
Or a flame, or a two-edged sword;
Or a rose in bloom, or a sweet perfume,
Or a drop of gall is a word.
You may choose your word like a connoisseur,
And polish it up with art,
But the word that sways, and stirs, and stays,
Is the word that comes from the heart.
You may work on your word a thousand weeks,
But it will not glow like one
That all unsought, leaps forth white hot,
When the fountains of feeling run.
https://en.wikipedia.org/wiki/Ella_Wheeler_Wilcox
By: Ella Wheeler Wilcox
Oh, a word is a gem, or a stone, or a song,
Or a flame, or a two-edged sword;
Or a rose in bloom, or a sweet perfume,
Or a drop of gall is a word.
You may choose your word like a connoisseur,
And polish it up with art,
But the word that sways, and stirs, and stays,
Is the word that comes from the heart.
You may work on your word a thousand weeks,
But it will not glow like one
That all unsought, leaps forth white hot,
When the fountains of feeling run.
https://en.wikipedia.org/wiki/Ella_Wheeler_Wilcox
The Vast Hour
By: Genevieve Taggard
All essences of sweetness from the white
Warm day go up in vapor, when the dark
Comes down. Ascends the tune of meadow-lark,
Ascends the noon-time smell of grass, when night
Takes sunlight from the world, and gives it ease.
Mysterious wings have brushed the air; and light
Float all the ghosts of sense and sound and sight;
The silent hive is echoing the bees.
So stir my thoughts at this slow, solemn time.
Now only is there certainty for me
When all the day's distilled and understood.
Now light meets darkness: now my tendrils climb
In this vast hour, up the living tree,
Where gloom foregathers, and the stern winds brood.
https://en.wikipedia.org/wiki/Genevieve_Taggard
By: Genevieve Taggard
All essences of sweetness from the white
Warm day go up in vapor, when the dark
Comes down. Ascends the tune of meadow-lark,
Ascends the noon-time smell of grass, when night
Takes sunlight from the world, and gives it ease.
Mysterious wings have brushed the air; and light
Float all the ghosts of sense and sound and sight;
The silent hive is echoing the bees.
So stir my thoughts at this slow, solemn time.
Now only is there certainty for me
When all the day's distilled and understood.
Now light meets darkness: now my tendrils climb
In this vast hour, up the living tree,
Where gloom foregathers, and the stern winds brood.
https://en.wikipedia.org/wiki/Genevieve_Taggard
Poetry
By: Claude McKay
Sometimes I tremble like a storm-swept flower,
And seek to hide my tortured soul from thee,
Bowing my head in deep humility
Before the silent thunder of thy power.
Sometimes I flee before thy blazing light,
As from the specter of pursuing death;
Intimidated lest thy mighty breath,
Windways, will sweep me into utter night.
For oh, I fear they will be swallowed up—
The loves which are to me of vital worth,
My passion and my pleasure in the earth—
And lost forever in thy magic cup!
I fear, I fear my truly human heart
Will perish on the altar-stone of art!
https://en.wikipedia.org/wiki/Claude_McKay
Claude McKay - Wikipedia
en.wikipedia.org
Festus Claudius "Claude" McKay (September 15, 1889 – May 22, 1948) was a Jamaican writer and poet, who was a seminal figure in the Harlem Renaissance.He wrote four novels: Home to Harlem (1928), a best-seller that won the Harmon Gold Award for Literature, Banjo (1929), Banana Bottom (1933), and in 1941 a manuscript called Amiable With Big ...
By: Claude McKay
Sometimes I tremble like a storm-swept flower,
And seek to hide my tortured soul from thee,
Bowing my head in deep humility
Before the silent thunder of thy power.
Sometimes I flee before thy blazing light,
As from the specter of pursuing death;
Intimidated lest thy mighty breath,
Windways, will sweep me into utter night.
For oh, I fear they will be swallowed up—
The loves which are to me of vital worth,
My passion and my pleasure in the earth—
And lost forever in thy magic cup!
I fear, I fear my truly human heart
Will perish on the altar-stone of art!
https://en.wikipedia.org/wiki/Claude_McKay
Claude McKay - Wikipedia
en.wikipedia.org
Festus Claudius "Claude" McKay (September 15, 1889 – May 22, 1948) was a Jamaican writer and poet, who was a seminal figure in the Harlem Renaissance.He wrote four novels: Home to Harlem (1928), a best-seller that won the Harmon Gold Award for Literature, Banjo (1929), Banana Bottom (1933), and in 1941 a manuscript called Amiable With Big ...
To Winter
By: William Blake
O Winter! bar thine adamantine doors:
The north is thine; there hast thou built thy dark
Deep-founded habitation. Shake not thy roofs
Nor bend thy pillars with thine iron car.
He hears me not, but o’er the yawning deep
Rides heavy; his storms are unchain’d, sheathed
In ribbed steel; I dare not lift mine eyes;
For he hath rear’d his scepter o’er the world.
Lo! now the direful monster, whose skin clings
To his strong bones, strides o’er the groaning rocks:
He withers all in silence, and in his hand
Unclothes the earth, and freezes up frail life.
He takes his seat upon the cliffs, the mariner
Cries in vain. Poor little wretch! that deal’st
With storms; till heaven smiles, and the monster
Is driven yelling to his caves beneath Mount Hecla.
https://en.wikipedia.org/wiki/William_Blake
By: William Blake
O Winter! bar thine adamantine doors:
The north is thine; there hast thou built thy dark
Deep-founded habitation. Shake not thy roofs
Nor bend thy pillars with thine iron car.
He hears me not, but o’er the yawning deep
Rides heavy; his storms are unchain’d, sheathed
In ribbed steel; I dare not lift mine eyes;
For he hath rear’d his scepter o’er the world.
Lo! now the direful monster, whose skin clings
To his strong bones, strides o’er the groaning rocks:
He withers all in silence, and in his hand
Unclothes the earth, and freezes up frail life.
He takes his seat upon the cliffs, the mariner
Cries in vain. Poor little wretch! that deal’st
With storms; till heaven smiles, and the monster
Is driven yelling to his caves beneath Mount Hecla.
https://en.wikipedia.org/wiki/William_Blake
Moments of Vision
By: Thomas Hardy
That mirror
Which makes of men a transparency,
Who holds that mirror
And bids us such a breast-bared spectacle to see
Of you and me?
That mirror
Whose magic penetrates like a dart,
Who lifts that mirror
And throws our mind back on us, and our heart,
Until we start?
That mirror
Works well in these night hours of ache;
Why in that mirror
Are tincts we never see ourselves once take
When the world is awake?
That mirror
Can test each mortal when unaware;
Yea, that strange mirror
May catch his last thoughts, whole life foul or fair,
Reflecting it—where?
https://en.wikipedia.org/wiki/Thomas_Hardy
Thomas Hardy - Wikipedia
en.wikipedia.org
Thomas Hardy OM (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth.
By: Thomas Hardy
That mirror
Which makes of men a transparency,
Who holds that mirror
And bids us such a breast-bared spectacle to see
Of you and me?
That mirror
Whose magic penetrates like a dart,
Who lifts that mirror
And throws our mind back on us, and our heart,
Until we start?
That mirror
Works well in these night hours of ache;
Why in that mirror
Are tincts we never see ourselves once take
When the world is awake?
That mirror
Can test each mortal when unaware;
Yea, that strange mirror
May catch his last thoughts, whole life foul or fair,
Reflecting it—where?
https://en.wikipedia.org/wiki/Thomas_Hardy
Thomas Hardy - Wikipedia
en.wikipedia.org
Thomas Hardy OM (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth.
By the Stream
By: Paul Laurence Dunbar
By the stream I dream in calm delight, and watch as in a glass,
How the clouds like crowds of snowy-hued and white-robed maidens
pass,
And the water into ripples breaks and sparkles as it spreads,
Like a host of armored knights with silver helmets on their heads.
And I deem the stream an emblem fit of human life may go,
For I find a mind may sparkle much and yet but shallows show,
And a soul may glow with myriad lights and wondrous mysteries,
When it only lies a dormant thing and mirrors what it sees.
https://en.wikipedia.org/wiki/Paul_Laurence_Dunbar
Paul Laurence Dunbar - Wikipedia
en.wikipedia.org
Paul Laurence Dunbar (June 27, 1872 – February 9, 1906) was an American poet, novelist, and playwright of the late 19th and early 20th centuries.Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began to write stories and verse when still a child; he was president of his high school's ...
By: Paul Laurence Dunbar
By the stream I dream in calm delight, and watch as in a glass,
How the clouds like crowds of snowy-hued and white-robed maidens
pass,
And the water into ripples breaks and sparkles as it spreads,
Like a host of armored knights with silver helmets on their heads.
And I deem the stream an emblem fit of human life may go,
For I find a mind may sparkle much and yet but shallows show,
And a soul may glow with myriad lights and wondrous mysteries,
When it only lies a dormant thing and mirrors what it sees.
https://en.wikipedia.org/wiki/Paul_Laurence_Dunbar
Paul Laurence Dunbar - Wikipedia
en.wikipedia.org
Paul Laurence Dunbar (June 27, 1872 – February 9, 1906) was an American poet, novelist, and playwright of the late 19th and early 20th centuries.Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began to write stories and verse when still a child; he was president of his high school's ...
Still On Patrol
By: Lt Col Frederick Lambert
In their submarines they went,
Some never to return
In those dark years of war.
We called them Yanks.
Do not forget them,
We give out our thanks.
Roll calls for their battle losses
The tolling of the bells
Dong, dong, dong.
War claimed its sacrifices
Tributes paid, wreathes laid.
Messages from aching hearts
Of loved ones far from home.
Lives for freedom.
Submarines,
Still on patrol.
Lt Col Frederick Lambert
"Z Special Force"
Borneo, 1944/45
By: Lt Col Frederick Lambert
In their submarines they went,
Some never to return
In those dark years of war.
We called them Yanks.
Do not forget them,
We give out our thanks.
Roll calls for their battle losses
The tolling of the bells
Dong, dong, dong.
War claimed its sacrifices
Tributes paid, wreathes laid.
Messages from aching hearts
Of loved ones far from home.
Lives for freedom.
Submarines,
Still on patrol.
Lt Col Frederick Lambert
"Z Special Force"
Borneo, 1944/45
Still On Patrol
By: Lt Col Frederick Lambert
In their submarines they went,
Some never to return
In those dark years of war.
We called them Yanks.
Do not forget them,
We give out our thanks.
Roll calls for their battle losses
The tolling of the bells
Dong, dong, dong.
War claimed its sacrifices
Tributes paid, wreathes laid.
Messages from aching hearts
Of loved ones far from home.
Lives for freedom.
Submarines,
Still on patrol.
Lt Col Frederick Lambert
"Z Special Force"
Borneo, 1944/45
By: Lt Col Frederick Lambert
In their submarines they went,
Some never to return
In those dark years of war.
We called them Yanks.
Do not forget them,
We give out our thanks.
Roll calls for their battle losses
The tolling of the bells
Dong, dong, dong.
War claimed its sacrifices
Tributes paid, wreathes laid.
Messages from aching hearts
Of loved ones far from home.
Lives for freedom.
Submarines,
Still on patrol.
Lt Col Frederick Lambert
"Z Special Force"
Borneo, 1944/45
Fragment: Questions
By: Percy Bysshe Shelley
Is it that in some brighter sphere
We part from friends we meet with here?
Or do we see the Future pass
Over the Present’s dusky glass?
Or what is that that makes us seem
To patch up fragments of a dream,
Part of which comes true, and part
Beats and trembles in the heart?
https://en.wikipedia.org/wiki/Percy_Bysshe_Shelley
Percy Bysshe Shelley - Wikipedia
en.wikipedia.org
Percy Bysshe Shelley (/ ˈ p ɜːr s i ˈ b ɪ ʃ ˈ ʃ ɛ l i; 4 August 1792 – 8 July 1822) was one of the major English Romantic poets, and is regarded by some as among the finest lyric poets in the English language, and one of the most influential.
By: Percy Bysshe Shelley
Is it that in some brighter sphere
We part from friends we meet with here?
Or do we see the Future pass
Over the Present’s dusky glass?
Or what is that that makes us seem
To patch up fragments of a dream,
Part of which comes true, and part
Beats and trembles in the heart?
https://en.wikipedia.org/wiki/Percy_Bysshe_Shelley
Percy Bysshe Shelley - Wikipedia
en.wikipedia.org
Percy Bysshe Shelley (/ ˈ p ɜːr s i ˈ b ɪ ʃ ˈ ʃ ɛ l i; 4 August 1792 – 8 July 1822) was one of the major English Romantic poets, and is regarded by some as among the finest lyric poets in the English language, and one of the most influential.
The Definition of
Love
By: Andrew Marvell
My Love is of a birth as rare
As ’tis for object strange and high:
It was begotten by despair
Upon Impossibility.
Magnanimous Despair alone
Could show me so divine a thing,
Where feeble Hope could ne’r have flown
But vainly flapt its Tinsel Wing.
And yet I quickly might arrive
Where my extended Soul is fixt,
But Fate does Iron wedges drive,
And alwaies crowds it self betwixt.
For Fate with jealous Eye does see
Two perfect Loves; nor lets them close:
Their union would her ruine be,
And her Tyrannick pow’er depose.
And therefore her Decrees of Steel
Us as the distant Poles have plac’d,
(Though Love’s whole World on us doth wheel)
Not by themselves to be embrac’d.
Unless the giddy Heaven fall,
And Earth some new Convulsion tear;
And, us to joyn, the World should all
Be cramp’d into a Planisphere.
As Lines so Loves oblique may well
Themselves in every Angle greet:
But ours so truly Parallel,
Though infinite can never meet.
Therefore the Love which us doth bind,
But Fate so enviously debarrs,
Is the Conjunction of the Mind,
And Opposition of the Stars.
https://en.wikipedia.org/wiki/Andrew_Marvell
Andrew Marvell - Wikipedia
en.wikipedia.org
Andrew Marvell (/ ˈ m ɑːr v əl /; 31 March 1621 – 16 August 1678) was an English metaphysical poet, satirist and politician who sat in the House of Commons at various times between 1659 and 1678.
By: Andrew Marvell
My Love is of a birth as rare
As ’tis for object strange and high:
It was begotten by despair
Upon Impossibility.
Magnanimous Despair alone
Could show me so divine a thing,
Where feeble Hope could ne’r have flown
But vainly flapt its Tinsel Wing.
And yet I quickly might arrive
Where my extended Soul is fixt,
But Fate does Iron wedges drive,
And alwaies crowds it self betwixt.
For Fate with jealous Eye does see
Two perfect Loves; nor lets them close:
Their union would her ruine be,
And her Tyrannick pow’er depose.
And therefore her Decrees of Steel
Us as the distant Poles have plac’d,
(Though Love’s whole World on us doth wheel)
Not by themselves to be embrac’d.
Unless the giddy Heaven fall,
And Earth some new Convulsion tear;
And, us to joyn, the World should all
Be cramp’d into a Planisphere.
As Lines so Loves oblique may well
Themselves in every Angle greet:
But ours so truly Parallel,
Though infinite can never meet.
Therefore the Love which us doth bind,
But Fate so enviously debarrs,
Is the Conjunction of the Mind,
And Opposition of the Stars.
https://en.wikipedia.org/wiki/Andrew_Marvell
Andrew Marvell - Wikipedia
en.wikipedia.org
Andrew Marvell (/ ˈ m ɑːr v əl /; 31 March 1621 – 16 August 1678) was an English metaphysical poet, satirist and politician who sat in the House of Commons at various times between 1659 and 1678.
The Exposed Nest
By: Robert Frost
You were forever finding some new play.
So when I saw you down on hands and knees
In the meadow, busy with the new-cut hay,
Trying, I thought, to set it up on end,
I went to show you how to make it stay,
If that was your idea, against the breeze,
And, if you asked me, even help pretend
To make it root again and grow afresh.
But ‘twas no make-believe with you to-day,
Nor was the grass itself your real concern,
Though I found your hand full of wilted fern,
Steel-bright June-grass, and blackening heads of clover.
‘Twas a nest full of young birds on the ground
The cutter-bar had just gone champing over
(Miraculously without tasting flesh)
And left defenseless to the heat and light.
You wanted to restore them to their right
Of something interposed between their sight
And too much world at once—could means be found.
The way the nest-full every time we stirred
Stood up to us as to a mother-bird
Whose coming home has been too long deferred,
Made me ask would the mother-bird return
And care for them in such a change of scene
And might our meddling make her more afraid.
That was a thing we could not wait to learn.
We saw the risk we took in doing good,
But dared not spare to do the best we could
Though harm should come of it; so built the screen
You had begun, and gave them back their shade.
All this to prove we cared. Why is there then
No more to tell? We turned to other things.
I haven’t any memory—have you?—
Of ever coming to the place again
To see if the birds lived the first night through,
And so at last to learn to use their wings.
Robert Frost
Robert Frost - Wikipedia
en.wikipedia.org
Robert Frost was born in San Francisco, California, to journalist William Prescott Frost, Jr., and Isabelle Moodie. His mother was a Scottish immigrant, and his ...
By: Robert Frost
You were forever finding some new play.
So when I saw you down on hands and knees
In the meadow, busy with the new-cut hay,
Trying, I thought, to set it up on end,
I went to show you how to make it stay,
If that was your idea, against the breeze,
And, if you asked me, even help pretend
To make it root again and grow afresh.
But ‘twas no make-believe with you to-day,
Nor was the grass itself your real concern,
Though I found your hand full of wilted fern,
Steel-bright June-grass, and blackening heads of clover.
‘Twas a nest full of young birds on the ground
The cutter-bar had just gone champing over
(Miraculously without tasting flesh)
And left defenseless to the heat and light.
You wanted to restore them to their right
Of something interposed between their sight
And too much world at once—could means be found.
The way the nest-full every time we stirred
Stood up to us as to a mother-bird
Whose coming home has been too long deferred,
Made me ask would the mother-bird return
And care for them in such a change of scene
And might our meddling make her more afraid.
That was a thing we could not wait to learn.
We saw the risk we took in doing good,
But dared not spare to do the best we could
Though harm should come of it; so built the screen
You had begun, and gave them back their shade.
All this to prove we cared. Why is there then
No more to tell? We turned to other things.
I haven’t any memory—have you?—
Of ever coming to the place again
To see if the birds lived the first night through,
And so at last to learn to use their wings.
Robert Frost
Robert Frost - Wikipedia
en.wikipedia.org
Robert Frost was born in San Francisco, California, to journalist William Prescott Frost, Jr., and Isabelle Moodie. His mother was a Scottish immigrant, and his ...
Book 1, Epigram 5: Ad lectorem de subjecto operis sui.
By: Thomas Bastard
The little world, the subject of my muse,
Is a huge task and labor infinite;
Like to a wilderness or mass confuse,
Or to an endless gulf, or to the night:
How many strange Meanders do I find?
How many paths do turn my straying pen?
How many doubtful twilights make me blind,
Which seek to limb out this strange All of men?
Easy it were the earth to portray out,
Or to draw forth the heavens’ purest frame,
Whose restless course, by order whirls about
Of change and place, and still remains the same.
But how shall man’s, or manner’s, form appear,
Which while I write, do change from what they were?
https://en.wikipedia.org/wiki/Thomas_Bastard
|
en.wikipedia.org The Reverend Thomas Bastard (1565/1566 – April 19, 1618) was an English clergyman famed for his published English language epigrams. Life. Born in Blandford Forum ... |
Sonnet 105
By: William Shakespeare
Let not my love be call'd idolatry,
Nor my beloved as an idol show,
Since all alike my songs and praises be
To one, of one, still such, and ever so.
Kind is my love to-day, to-morrow kind,
Still constant in a wondrous excellence;
Therefore my verse to constancy confined,
One thing expressing, leaves out difference.
'Fair, kind and true' is all my argument,
'Fair, kind, and true' varying to other words;
And in this change is my invention spent,
Three themes in one, which wondrous scope affords.
'Fair, kind, and true,' have often lived alone,
Which three till now never kept seat in one.
https://en.wikipedia.org/wiki/William_Shakespeare
By: William Shakespeare
Let not my love be call'd idolatry,
Nor my beloved as an idol show,
Since all alike my songs and praises be
To one, of one, still such, and ever so.
Kind is my love to-day, to-morrow kind,
Still constant in a wondrous excellence;
Therefore my verse to constancy confined,
One thing expressing, leaves out difference.
'Fair, kind and true' is all my argument,
'Fair, kind, and true' varying to other words;
And in this change is my invention spent,
Three themes in one, which wondrous scope affords.
'Fair, kind, and true,' have often lived alone,
Which three till now never kept seat in one.
https://en.wikipedia.org/wiki/William_Shakespeare
That Bright Chimeric
Beast
By: Countee Cullen
That bright chimeric beast
Conceived yet never born,
Save in the poet’s breast,
The white-flanked unicorn,
Never may be shaken
From his solitude;
Never may be taken
In any earthly wood.
That bird forever feathered,
Of its new self the sire,
After aeons weathered,
Reincarnate by fire,
Falcon may not nor eagle
Swerve from his eyrie,
Nor any crumb inveigle
Down to an earthly tree.
That fish of the dread regime
Invented to become
The fable and the dream
Of the Lord’s aquarium,
Leviathan, the jointed
Harpoon was never wrought
By which the Lord’s anointed
Will suffer to be caught.
Bird of the deathless breast,
Fish of the frantic fin,
That bright chimeric beast
Flashing the argent skin, –
If beasts like these you’d harry,
Plumb then the poet’s dream;
Make it your aviary,
Make it your wood and stream.
There only shall the swish
Be heard of the regal fish;
There like a golden knife
Dart the feet of the unicorn,
And there, death brought to life,
The dead bird be reborn.
https://en.wikipedia.org/wiki/Countee_Cullen
Countee Cullen - Wikipedia
en.wikipedia.org
Early life Childhood. Countee Cullen was born on May 30, 1903, but due to a lack of records of his early childhood, it has been difficult to pinpoint his city of birth.
By: Countee Cullen
That bright chimeric beast
Conceived yet never born,
Save in the poet’s breast,
The white-flanked unicorn,
Never may be shaken
From his solitude;
Never may be taken
In any earthly wood.
That bird forever feathered,
Of its new self the sire,
After aeons weathered,
Reincarnate by fire,
Falcon may not nor eagle
Swerve from his eyrie,
Nor any crumb inveigle
Down to an earthly tree.
That fish of the dread regime
Invented to become
The fable and the dream
Of the Lord’s aquarium,
Leviathan, the jointed
Harpoon was never wrought
By which the Lord’s anointed
Will suffer to be caught.
Bird of the deathless breast,
Fish of the frantic fin,
That bright chimeric beast
Flashing the argent skin, –
If beasts like these you’d harry,
Plumb then the poet’s dream;
Make it your aviary,
Make it your wood and stream.
There only shall the swish
Be heard of the regal fish;
There like a golden knife
Dart the feet of the unicorn,
And there, death brought to life,
The dead bird be reborn.
https://en.wikipedia.org/wiki/Countee_Cullen
Countee Cullen - Wikipedia
en.wikipedia.org
Early life Childhood. Countee Cullen was born on May 30, 1903, but due to a lack of records of his early childhood, it has been difficult to pinpoint his city of birth.
Autumn
By: John Clare
The thistledown's flying, though the winds are all still,
On the green grass now lying, now mounting the hill,
The spring from the fountain now boils like a pot;
Through stones past the counting it bubbles red-hot.
The ground parched and cracked is like overbaked bread,
The greensward all wracked is, bents dried up and dead.
The fallow fields glitter like water indeed,
And gossamers twitter, flung from weed unto weed.
Hill-tops like hot iron glitter bright in the sun,
And the rivers we're eying burn to gold as they run;
Burning hot is the ground, liquid gold is the air;
Whoever looks round sees Eternity there.
https://en.wikipedia.org/wiki/John_Clare
John Clare - Wikipedia
en.wikipedia.org
John Clare (13 July 1793 – 20 May 1864) was an English poet, the son of a farm labourer, who became known for his celebrations of the English countryside and ...
By: John Clare
The thistledown's flying, though the winds are all still,
On the green grass now lying, now mounting the hill,
The spring from the fountain now boils like a pot;
Through stones past the counting it bubbles red-hot.
The ground parched and cracked is like overbaked bread,
The greensward all wracked is, bents dried up and dead.
The fallow fields glitter like water indeed,
And gossamers twitter, flung from weed unto weed.
Hill-tops like hot iron glitter bright in the sun,
And the rivers we're eying burn to gold as they run;
Burning hot is the ground, liquid gold is the air;
Whoever looks round sees Eternity there.
https://en.wikipedia.org/wiki/John_Clare
John Clare - Wikipedia
en.wikipedia.org
John Clare (13 July 1793 – 20 May 1864) was an English poet, the son of a farm labourer, who became known for his celebrations of the English countryside and ...
Seaweed
By: Henry Wadsworth Longfellow
When descends on the Atlantic
The gigantic
Storm-wind of the equinox,
Landward in his wrath he scourges
The toiling surges,
Laden with seaweed from the rocks:
From Bermuda's reefs; from edges
Of sunken ledges,
In some far-off, bright Azore;
From Bahama, and the dashing,
Silver-flashing
Surges of San Salvador;
From the tumbling surf, that buries
The Orkneyan skerries,
Answering the hoarse Hebrides;
And from wrecks of ships, and drifting
Spars, uplifting
On the desolate, rainy seas; —
Ever drifting, drifting, drifting
On the shifting
Currents of the restless main;
Till in sheltered coves, and reaches
Of sandy beaches,
All have found repose again.
So when storms of wild emotion
Strike the ocean
Of the poet's soul, erelong
From each cave and rocky fastness,
In its vastness,
Floats some fragment of a song:
From the far-off isles enchanted,
Heaven has planted
With the golden fruit of Truth;
From the flashing surf, whose vision
Gleams Elysian
In the tropic clime of Youth;
From the strong Will, and the Endeavor
That forever
Wrestle with the tides of Fate;
From the wreck of Hopes far-scattered,
Tempest-shattered,
Floating waste and desolate; —
Ever drifting, drifting, drifting
On the shifting
Currents of the restless heart;
Till at length in books recorded,
They, like hoarded
Household words, no more depart.
https://en.wikipedia.org/wiki/Henry_Wadsworth_Longfellow
By: Henry Wadsworth Longfellow
When descends on the Atlantic
The gigantic
Storm-wind of the equinox,
Landward in his wrath he scourges
The toiling surges,
Laden with seaweed from the rocks:
From Bermuda's reefs; from edges
Of sunken ledges,
In some far-off, bright Azore;
From Bahama, and the dashing,
Silver-flashing
Surges of San Salvador;
From the tumbling surf, that buries
The Orkneyan skerries,
Answering the hoarse Hebrides;
And from wrecks of ships, and drifting
Spars, uplifting
On the desolate, rainy seas; —
Ever drifting, drifting, drifting
On the shifting
Currents of the restless main;
Till in sheltered coves, and reaches
Of sandy beaches,
All have found repose again.
So when storms of wild emotion
Strike the ocean
Of the poet's soul, erelong
From each cave and rocky fastness,
In its vastness,
Floats some fragment of a song:
From the far-off isles enchanted,
Heaven has planted
With the golden fruit of Truth;
From the flashing surf, whose vision
Gleams Elysian
In the tropic clime of Youth;
From the strong Will, and the Endeavor
That forever
Wrestle with the tides of Fate;
From the wreck of Hopes far-scattered,
Tempest-shattered,
Floating waste and desolate; —
Ever drifting, drifting, drifting
On the shifting
Currents of the restless heart;
Till at length in books recorded,
They, like hoarded
Household words, no more depart.
https://en.wikipedia.org/wiki/Henry_Wadsworth_Longfellow
To a Friend who sent
me some Roses
By: John Keats
As late I rambled in the happy fields,
What time the sky-lark shakes the tremulous dew
From his lush clover covert;—when anew
Adventurous knights take up their dinted shields:
I saw the sweetest flower wild nature yields,
A fresh-blown musk-rose; ‘twas the first that threw
Its sweets upon the summer: graceful it grew
As is the wand that queen Titania wields.
And, as I feasted on its fragrancy,
I thought the garden-rose it far excell’d:
But when, O Wells! thy roses came to me
My sense with their deliciousness was spell’d:
Soft voices had they, that with tender plea
Whisper’d of peace, and truth, and friendliness unquell’d.
https://en.wikipedia.org/wiki/John_Keats
By: John Keats
As late I rambled in the happy fields,
What time the sky-lark shakes the tremulous dew
From his lush clover covert;—when anew
Adventurous knights take up their dinted shields:
I saw the sweetest flower wild nature yields,
A fresh-blown musk-rose; ‘twas the first that threw
Its sweets upon the summer: graceful it grew
As is the wand that queen Titania wields.
And, as I feasted on its fragrancy,
I thought the garden-rose it far excell’d:
But when, O Wells! thy roses came to me
My sense with their deliciousness was spell’d:
Soft voices had they, that with tender plea
Whisper’d of peace, and truth, and friendliness unquell’d.
https://en.wikipedia.org/wiki/John_Keats
A Musical Instrument
By: Elizabeth Barrett Browning
I.
WHAT was he doing, the great god Pan,
Down in the reeds by the river ?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.
II.
He tore out a reed, the great god Pan,
From the deep cool bed of the river :
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.
III.
High on the shore sate the great god Pan,
While turbidly flowed the river ;
And hacked and hewed as a great god can,
With his hard bleak steel at the patient reed,
Till there was not a sign of a leaf indeed
To prove it fresh from the river.
IV.
He cut it short, did the great god Pan,
(How tall it stood in the river !)
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notched the poor dry empty thing
In holes, as he sate by the river.
V.
This is the way,' laughed the great god Pan,
Laughed while he sate by the river,)
The only way, since gods began
To make sweet music, they could succeed.'
Then, dropping his mouth to a hole in the reed,
He blew in power by the river.
VI.
Sweet, sweet, sweet, O Pan !
Piercing sweet by the river !
Blinding sweet, O great god Pan !
The sun on the hill forgot to die,
And the lilies revived, and the dragon-fly
Came back to dream on the river.
VII.
Yet half a beast is the great god Pan,
To laugh as he sits by the river,
Making a poet out of a man :
The true gods sigh for the cost and pain, —
For the reed which grows nevermore again
As a reed with the reeds in the river.
https://en.wikipedia.org/wiki/Elizabeth_Barrett_Browning
By: Elizabeth Barrett Browning
I.
WHAT was he doing, the great god Pan,
Down in the reeds by the river ?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.
II.
He tore out a reed, the great god Pan,
From the deep cool bed of the river :
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.
III.
High on the shore sate the great god Pan,
While turbidly flowed the river ;
And hacked and hewed as a great god can,
With his hard bleak steel at the patient reed,
Till there was not a sign of a leaf indeed
To prove it fresh from the river.
IV.
He cut it short, did the great god Pan,
(How tall it stood in the river !)
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notched the poor dry empty thing
In holes, as he sate by the river.
V.
This is the way,' laughed the great god Pan,
Laughed while he sate by the river,)
The only way, since gods began
To make sweet music, they could succeed.'
Then, dropping his mouth to a hole in the reed,
He blew in power by the river.
VI.
Sweet, sweet, sweet, O Pan !
Piercing sweet by the river !
Blinding sweet, O great god Pan !
The sun on the hill forgot to die,
And the lilies revived, and the dragon-fly
Came back to dream on the river.
VII.
Yet half a beast is the great god Pan,
To laugh as he sits by the river,
Making a poet out of a man :
The true gods sigh for the cost and pain, —
For the reed which grows nevermore again
As a reed with the reeds in the river.
https://en.wikipedia.org/wiki/Elizabeth_Barrett_Browning
The House of Life:
19. Silent Noon
By: Dante Gabriel Rossetti
Your hands lie open in the long fresh grass,—
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.
Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky:—
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.
By: Dante Gabriel Rossetti
Your hands lie open in the long fresh grass,—
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.
Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky:—
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.
Empty Manger
By: David Conolly
Once a church,
the little building
gathers dust.
Has he finally
abandoned us?
Is this the end
of
the lovely dream?
Look
at the hot, silent land -
and remember:
it was to planet earth
he came,
not to bricks
and crumbling mortar.
And to earth's inhabitants.
Wherever his Way
still lives -
and in whom -
he is present.
Always will be.
By: David Conolly
Once a church,
the little building
gathers dust.
Has he finally
abandoned us?
Is this the end
of
the lovely dream?
Look
at the hot, silent land -
and remember:
it was to planet earth
he came,
not to bricks
and crumbling mortar.
And to earth's inhabitants.
Wherever his Way
still lives -
and in whom -
he is present.
Always will be.
Sonnet 59
By: William Shakespeare
If there be nothing new, but that which is
Hath been before, how are our brains beguil'd,
Which, labouring for invention, bear amiss
The second burthen of a former child!
O, that record could with a backward look,
Even of five hundred courses of the sun,
Show me your image in some antique book,
Since mind at first in character was done!
That I might see what the old world could say
To this composed wonder of your frame;
Whether we are mended, or whe'r better they,
Or whether revolution be the same.
O! sure I am, the wits of former days
To subjects worse have given admiring praise.
https://en.wikipedia.org/wiki/William_Shakespeare
By: William Shakespeare
If there be nothing new, but that which is
Hath been before, how are our brains beguil'd,
Which, labouring for invention, bear amiss
The second burthen of a former child!
O, that record could with a backward look,
Even of five hundred courses of the sun,
Show me your image in some antique book,
Since mind at first in character was done!
That I might see what the old world could say
To this composed wonder of your frame;
Whether we are mended, or whe'r better they,
Or whether revolution be the same.
O! sure I am, the wits of former days
To subjects worse have given admiring praise.
https://en.wikipedia.org/wiki/William_Shakespeare
Of Love, A Sonnet
By: Robert Herrick
How love came in I do not know,
Whether by the eye, or ear, or no;
Or whether with the soul it came
(At first) infused with the same;
Whether in part ’tis here or there,
Or, like the soul, whole everywhere,
This troubles me: but I as well
As any other this can tell:
That when from hence she does depart
The outlet then is from the heart.
https://en.wikipedia.org/wiki/Robert_Herrick_(poet)
By: Robert Herrick
How love came in I do not know,
Whether by the eye, or ear, or no;
Or whether with the soul it came
(At first) infused with the same;
Whether in part ’tis here or there,
Or, like the soul, whole everywhere,
This troubles me: but I as well
As any other this can tell:
That when from hence she does depart
The outlet then is from the heart.
https://en.wikipedia.org/wiki/Robert_Herrick_(poet)
Cock-Crow
By: Edward Thomas
Out of the wood of thoughts that grows by night
To be cut down by the sharp axe of light,—
Out of the night, two cocks together crow,
Cleaving the darkness with a silver blow:
And bright before my eyes twin trumpeters stand,
Heralds of splendour, one at either hand,
Each facing each as in a coat of arms:
The milkers lace their boots up at the farms.
https://en.wikipedia.org/wiki/Edward_Thomas_(poet)
By: Edward Thomas
Out of the wood of thoughts that grows by night
To be cut down by the sharp axe of light,—
Out of the night, two cocks together crow,
Cleaving the darkness with a silver blow:
And bright before my eyes twin trumpeters stand,
Heralds of splendour, one at either hand,
Each facing each as in a coat of arms:
The milkers lace their boots up at the farms.
https://en.wikipedia.org/wiki/Edward_Thomas_(poet)
Love's Growth
By: John Donne
I scarce believe my love to be so pure
As I had thought it was,
Because it doth endure
Vicissitude, and season, as the grass;
Methinks I lied all winter, when I swore
My love was infinite, if spring make’ it more.
But if medicine, love, which cures all sorrow
With more, not only be no quintessence,
But mixed of all stuffs paining soul or sense,
And of the sun his working vigor borrow,
Love’s not so pure, and abstract, as they use
To say, which have no mistress but their muse,
But as all else, being elemented too,
Love sometimes would contemplate, sometimes do.
And yet no greater, but more eminent,
Love by the spring is grown;
As, in the firmament,
Stars by the sun are not enlarged, but shown,
Gentle love deeds, as blossoms on a bough,
From love’s awakened root do bud out now.
If, as water stirred more circles be
Produced by one, love such additions take,
Those, like so many spheres, but one heaven make,
For they are all concentric unto thee;
And though each spring do add to love new heat,
As princes do in time of action get
New taxes, and remit them not in peace,
No winter shall abate the spring’s increase.
https://en.wikipedia.org/wiki/John_Donne
I scarce believe my love to be so pure
As I had thought it was,
Because it doth endure
Vicissitude, and season, as the grass;
Methinks I lied all winter, when I swore
My love was infinite, if spring make’ it more.
But if medicine, love, which cures all sorrow
With more, not only be no quintessence,
But mixed of all stuffs paining soul or sense,
And of the sun his working vigor borrow,
Love’s not so pure, and abstract, as they use
To say, which have no mistress but their muse,
But as all else, being elemented too,
Love sometimes would contemplate, sometimes do.
And yet no greater, but more eminent,
Love by the spring is grown;
As, in the firmament,
Stars by the sun are not enlarged, but shown,
Gentle love deeds, as blossoms on a bough,
From love’s awakened root do bud out now.
If, as water stirred more circles be
Produced by one, love such additions take,
Those, like so many spheres, but one heaven make,
For they are all concentric unto thee;
And though each spring do add to love new heat,
As princes do in time of action get
New taxes, and remit them not in peace,
No winter shall abate the spring’s increase.
https://en.wikipedia.org/wiki/John_Donne
The Argument of
His Book
By: Robert Herrick
I sing of brooks, of blossoms, birds, and bowers,
Of April, May, of June, and July-flowers.
I sing of maypoles, hock-carts, wassails, wakes,
Of bridegrooms, brides, and of their bridal cakes.
I write of youth, of love, and have access
By these to sing of cleanly wantonness.
I sing of dews, of rains, and, piece by piece,
Of balm, of oil, of spice, and ambergris.
I sing of time’s trans-shifting; and I write
How roses first came red, and lilies white.
I write of groves, of twilights, and I sing
The court of Mab, and of the fairy king.
I write of Hell; I sing (and ever shall)
Of Heaven, and hope to have it after all.
https://en.wikipedia.org/wiki/Robert_Herrick_(poet)
By: Robert Herrick
I sing of brooks, of blossoms, birds, and bowers,
Of April, May, of June, and July-flowers.
I sing of maypoles, hock-carts, wassails, wakes,
Of bridegrooms, brides, and of their bridal cakes.
I write of youth, of love, and have access
By these to sing of cleanly wantonness.
I sing of dews, of rains, and, piece by piece,
Of balm, of oil, of spice, and ambergris.
I sing of time’s trans-shifting; and I write
How roses first came red, and lilies white.
I write of groves, of twilights, and I sing
The court of Mab, and of the fairy king.
I write of Hell; I sing (and ever shall)
Of Heaven, and hope to have it after all.
https://en.wikipedia.org/wiki/Robert_Herrick_(poet)
An Invite to Eternity
By: John Clare
Wilt thou go with me sweet maid
Say maiden wilt thou go with me
Through the valley depths of shade
Of night and dark obscurity
Where the path hath lost its way
Where the sun forgets the day
Where there’s nor life nor light to see
Sweet maiden wilt thou go with me
Where stones will turn to flooding streams,
Where plains will rise like ocean waves,
Where life will fade like visioned dreams
And mountains darken into caves.
Say maiden wilt thou go with me
Through this sad non-identity
Where parents live and are forgot
And sisters live and know us not
Say maiden wilt thou go with me
In this strange death of life to be
To live in death and be the same
Without this life, or home, or name
At once to be, and not to be
That was, and is not – yet to see
Things pass like shadows – and the sky
Above, below, around us lie
The land of shadows wilt thou trace
And look – nor know each other’s face
The present mixed with reasons gone
And past, and present all as one
Say maiden can thy life be led
To join the living to the dead
Then trace thy footsteps on with me
We’re wed to one eternity
https://en.wikipedia.org/wiki/John_Clare
By: John Clare
Wilt thou go with me sweet maid
Say maiden wilt thou go with me
Through the valley depths of shade
Of night and dark obscurity
Where the path hath lost its way
Where the sun forgets the day
Where there’s nor life nor light to see
Sweet maiden wilt thou go with me
Where stones will turn to flooding streams,
Where plains will rise like ocean waves,
Where life will fade like visioned dreams
And mountains darken into caves.
Say maiden wilt thou go with me
Through this sad non-identity
Where parents live and are forgot
And sisters live and know us not
Say maiden wilt thou go with me
In this strange death of life to be
To live in death and be the same
Without this life, or home, or name
At once to be, and not to be
That was, and is not – yet to see
Things pass like shadows – and the sky
Above, below, around us lie
The land of shadows wilt thou trace
And look – nor know each other’s face
The present mixed with reasons gone
And past, and present all as one
Say maiden can thy life be led
To join the living to the dead
Then trace thy footsteps on with me
We’re wed to one eternity
https://en.wikipedia.org/wiki/John_Clare
An Idyll of Dandaloo
By: A.B 'Banjo' Paterson
On Western plains, where shade is not,
‘Neath summer skies of cloudless blue,
Where all is dry and all is hot,
There stands the town of Dandaloo —
A township where life’s total sum
Is sleep, diversified with rum.
It’s grass-grown streets with dust are deep,
’Twere vain endeavour to express
The dreamless silence of its sleep,
Its wide, expansive drunkenness.
The yearly races mostly drew
A lively crowd to Dandaloo.
There came a sportsman from the East,
The eastern land where sportsmen blow,
And brought with him a speedy beast —
A speedy beast as horses go.
He came afar in hope to ‘do’
The little town of Dandaloo.
Now this was weak of him, I wot —
Exceeding weak, it seemed to me —
For we in Dandaloo were not
The Jugginses we seemed to be;
In fact, we rather thought we knew
Our book by heart in Dandaloo.
We held a meeting at the bar,
And met the question fair and square —
‘We’ve stumped the country near and far
To raise the cash for races here;
We’ve got a hundred pounds or two —
Not half so bad for Dandaloo.
‘And now, it seems, we have to be
Cleaned out by this here Sydney bloke,
With his imported horse; and he
Will scoop the pool and leave us broke
Shall we sit still, and make no fuss
While this chap climbs all over us?’
. . . . .
The races came to Dandaloo,
And all the cornstalks from the West,
On ev’ry kind of moke and screw,
Came forth in all their glory drest.
The stranger’s horse, as hard as nails,
Look’d fit to run for New South Wales.
He won the race by half a length —
QUITE half a length, it seemed to me —
But Dandaloo, with all its strength,
Roared out ‘Dead heat!’ most fervently;
And, after hesitation meet,
The judge’s verdict was ‘Dead heat!’
And many men there were could tell
What gave the verdict extra force:
The stewards, and the judge as well —
They all had backed the second horse.
For things like this they sometimes do
In larger towns than Dandaloo.
They ran it off; the stranger won,
Hands down, by near a hundred yards
He smiled to think his troubles done;
But Dandaloo held all the cards.
They went to scale and — cruel fate! —
His jockey turned out under-weight.
Perhaps they’d tampered with the scale!
I cannot tell. I only know
It weighed him OUT all right. I fail
To paint that Sydney sportsman’s woe.
He said the stewards were a crew
Of low-lived thieves in Dandaloo.
He lifted up his voice, irate,
And swore till all the air was blue;
So then we rose to vindicate
The dignity of Dandaloo.
‘Look here,’ said we, ‘you must not poke
Such oaths at us poor country folk.’
We rode him softly on a rail,
We shied at him, in careless glee,
Some large tomatoes, rank and stale,
And eggs of great antiquity —
Their wild, unholy fragrance flew
About the town of Dandaloo.
He left the town at break of day,
He led his race-horse through the streets,
And now he tells the tale, they say,
To every racing man he meets.
And Sydney sportsmen all eschew
The atmosphere of Dandaloo.
https://en.wikipedia.org/wiki/Banjo_Paterson
By: A.B 'Banjo' Paterson
On Western plains, where shade is not,
‘Neath summer skies of cloudless blue,
Where all is dry and all is hot,
There stands the town of Dandaloo —
A township where life’s total sum
Is sleep, diversified with rum.
It’s grass-grown streets with dust are deep,
’Twere vain endeavour to express
The dreamless silence of its sleep,
Its wide, expansive drunkenness.
The yearly races mostly drew
A lively crowd to Dandaloo.
There came a sportsman from the East,
The eastern land where sportsmen blow,
And brought with him a speedy beast —
A speedy beast as horses go.
He came afar in hope to ‘do’
The little town of Dandaloo.
Now this was weak of him, I wot —
Exceeding weak, it seemed to me —
For we in Dandaloo were not
The Jugginses we seemed to be;
In fact, we rather thought we knew
Our book by heart in Dandaloo.
We held a meeting at the bar,
And met the question fair and square —
‘We’ve stumped the country near and far
To raise the cash for races here;
We’ve got a hundred pounds or two —
Not half so bad for Dandaloo.
‘And now, it seems, we have to be
Cleaned out by this here Sydney bloke,
With his imported horse; and he
Will scoop the pool and leave us broke
Shall we sit still, and make no fuss
While this chap climbs all over us?’
. . . . .
The races came to Dandaloo,
And all the cornstalks from the West,
On ev’ry kind of moke and screw,
Came forth in all their glory drest.
The stranger’s horse, as hard as nails,
Look’d fit to run for New South Wales.
He won the race by half a length —
QUITE half a length, it seemed to me —
But Dandaloo, with all its strength,
Roared out ‘Dead heat!’ most fervently;
And, after hesitation meet,
The judge’s verdict was ‘Dead heat!’
And many men there were could tell
What gave the verdict extra force:
The stewards, and the judge as well —
They all had backed the second horse.
For things like this they sometimes do
In larger towns than Dandaloo.
They ran it off; the stranger won,
Hands down, by near a hundred yards
He smiled to think his troubles done;
But Dandaloo held all the cards.
They went to scale and — cruel fate! —
His jockey turned out under-weight.
Perhaps they’d tampered with the scale!
I cannot tell. I only know
It weighed him OUT all right. I fail
To paint that Sydney sportsman’s woe.
He said the stewards were a crew
Of low-lived thieves in Dandaloo.
He lifted up his voice, irate,
And swore till all the air was blue;
So then we rose to vindicate
The dignity of Dandaloo.
‘Look here,’ said we, ‘you must not poke
Such oaths at us poor country folk.’
We rode him softly on a rail,
We shied at him, in careless glee,
Some large tomatoes, rank and stale,
And eggs of great antiquity —
Their wild, unholy fragrance flew
About the town of Dandaloo.
He left the town at break of day,
He led his race-horse through the streets,
And now he tells the tale, they say,
To every racing man he meets.
And Sydney sportsmen all eschew
The atmosphere of Dandaloo.
https://en.wikipedia.org/wiki/Banjo_Paterson
Song: “Fear no more
the heat o’ the sun”
By: William Shakespeare
(from Cymbeline)
Fear no more the heat o’ the sun,
Nor the furious winter’s rages;
Thou thy worldly task hast done,
Home art gone, and ta’en thy wages:
Golden lads and girls all must,
As chimney-sweepers, come to dust.
Fear no more the frown o’ the great;
Thou art past the tyrant’s stroke;
Care no more to clothe and eat;
To thee the reed is as the oak:
The scepter, learning, physic, must
All follow this, and come to dust.
Fear no more the lightning flash,
Nor the all-dreaded thunder stone;
Fear not slander, censure rash;
Thou hast finished joy and moan:
All lovers young, all lovers must
Consign to thee, and come to dust.
No exorciser harm thee!
Nor no witchcraft charm thee!
Ghost unlaid forbear thee!
Nothing ill come near thee!
Quiet consummation have;
And renownèd be thy grave!
https://en.wikipedia.org/wiki/William_Shakespeare
By: William Shakespeare
(from Cymbeline)
Fear no more the heat o’ the sun,
Nor the furious winter’s rages;
Thou thy worldly task hast done,
Home art gone, and ta’en thy wages:
Golden lads and girls all must,
As chimney-sweepers, come to dust.
Fear no more the frown o’ the great;
Thou art past the tyrant’s stroke;
Care no more to clothe and eat;
To thee the reed is as the oak:
The scepter, learning, physic, must
All follow this, and come to dust.
Fear no more the lightning flash,
Nor the all-dreaded thunder stone;
Fear not slander, censure rash;
Thou hast finished joy and moan:
All lovers young, all lovers must
Consign to thee, and come to dust.
No exorciser harm thee!
Nor no witchcraft charm thee!
Ghost unlaid forbear thee!
Nothing ill come near thee!
Quiet consummation have;
And renownèd be thy grave!
https://en.wikipedia.org/wiki/William_Shakespeare
The Snail
By: Richard Lovelace
Wise emblem of our politic world,
Sage snail, within thine own self curl’d;
Instruct me softly to make haste,
Whilst these my feet go slowly fast.
Compendious snail! thou seem’st to me,
Large Euclid’s strict epitome;
And in each diagram dost fling
Thee from the point unto the ring;
A figure now triangular,
An oval now, and now a square;
And then a serpentine dost crawl,
Now a straight line, now crook’d, now all.
Preventing rival of the day,
Th’art up and openest thy ray,
And ere the morn cradles the moon
Th’art broke into a beauteous noon.
Then when the sun sups in the deep,
Thy silver horns ere Cynthia’s peep;
And thou from thine own liquid bed
New Phoebus heav’st thy pleasant head.
Who shall a name for thee create,
Deep riddle of mysterious state?
Bold Nature that gives common birth
To all products of seas and earth,
Of thee, as earthquakes, is afraid,
Nor will thy dire deliv’ry aid.
Thou thine own daughter then, and sire,
That son and mother art entire,
That big still with thy self dost go,
And liv’st an aged embryo;
That like the cubs of India,
Thou from thyself a while dost play;
But frighted with a dog or gun,
In thine own belly thou dost run,
And as thy house was thine own womb,
So thine own womb concludes thy tomb.
But now I must (analyz’d king)
Thy economic virtues sing;
Thou great stay’d husband still within,
Thou, thee, that’s thine dost discipline;
And when thou art to progress bent,
Thou mov’st thy self and tenement,
As warlike Scythians travell’d, you
Remove your men and city too;
Then after a sad dearth and rain,
Thou scatterest thy silver train;
And when the trees grow nak’d and old,
Thou clothest them with cloth of gold,
Which from thy bowels thou dost spin,
And draw from the rich mines within.
Now hast thou chang’d thee saint; and made
Thy self a fane that’s cupola’d;
And in thy wreathed cloister thou
Walkest thine own grey friar too;
Strict, and lock’d up, th’art hood all o’er,
And ne’er eliminat’st thy door.
On salads thou dost feed severe,
And ’stead of beads thou dropp’st a tear;
And when to rest, each calls the bell,
Thou sleep’st within thy marble cell,
Where in dark contemplation plac’d,
The sweets of nature thou dost taste;
Who now with time thy days resolve,
And in a jelly thee dissolve,
Like a shot star, which doth repair
Upward, and rarify the air.
https://en.wikipedia.org/wiki/Richard_Lovelace
By: Richard Lovelace
Wise emblem of our politic world,
Sage snail, within thine own self curl’d;
Instruct me softly to make haste,
Whilst these my feet go slowly fast.
Compendious snail! thou seem’st to me,
Large Euclid’s strict epitome;
And in each diagram dost fling
Thee from the point unto the ring;
A figure now triangular,
An oval now, and now a square;
And then a serpentine dost crawl,
Now a straight line, now crook’d, now all.
Preventing rival of the day,
Th’art up and openest thy ray,
And ere the morn cradles the moon
Th’art broke into a beauteous noon.
Then when the sun sups in the deep,
Thy silver horns ere Cynthia’s peep;
And thou from thine own liquid bed
New Phoebus heav’st thy pleasant head.
Who shall a name for thee create,
Deep riddle of mysterious state?
Bold Nature that gives common birth
To all products of seas and earth,
Of thee, as earthquakes, is afraid,
Nor will thy dire deliv’ry aid.
Thou thine own daughter then, and sire,
That son and mother art entire,
That big still with thy self dost go,
And liv’st an aged embryo;
That like the cubs of India,
Thou from thyself a while dost play;
But frighted with a dog or gun,
In thine own belly thou dost run,
And as thy house was thine own womb,
So thine own womb concludes thy tomb.
But now I must (analyz’d king)
Thy economic virtues sing;
Thou great stay’d husband still within,
Thou, thee, that’s thine dost discipline;
And when thou art to progress bent,
Thou mov’st thy self and tenement,
As warlike Scythians travell’d, you
Remove your men and city too;
Then after a sad dearth and rain,
Thou scatterest thy silver train;
And when the trees grow nak’d and old,
Thou clothest them with cloth of gold,
Which from thy bowels thou dost spin,
And draw from the rich mines within.
Now hast thou chang’d thee saint; and made
Thy self a fane that’s cupola’d;
And in thy wreathed cloister thou
Walkest thine own grey friar too;
Strict, and lock’d up, th’art hood all o’er,
And ne’er eliminat’st thy door.
On salads thou dost feed severe,
And ’stead of beads thou dropp’st a tear;
And when to rest, each calls the bell,
Thou sleep’st within thy marble cell,
Where in dark contemplation plac’d,
The sweets of nature thou dost taste;
Who now with time thy days resolve,
And in a jelly thee dissolve,
Like a shot star, which doth repair
Upward, and rarify the air.
https://en.wikipedia.org/wiki/Richard_Lovelace
Moonrise
By Gerard Manley Hopkins
I AWOKE in the Midsummer not to call night, in the
white and the walk of the morning:
The moon, dwindled and thinned to the fringe of a
finger-nail held to the candle,
Or paring of paradisaïcal fruit, lovely in waning but
lustreless,
Stepped from the stool, drew back from the barrow, of
dark Maenefa the mountain;
A cusp still clasped him, a fluke yet fanged him, en-
tangled him, not quit utterly.
This was the prized, the desirable sight, unsought, pre-
sented so easily,
Parted me leaf and leaf, divided me, eyelid and eyelid of
slumber.
By Gerard Manley Hopkins
I AWOKE in the Midsummer not to call night, in the
white and the walk of the morning:
The moon, dwindled and thinned to the fringe of a
finger-nail held to the candle,
Or paring of paradisaïcal fruit, lovely in waning but
lustreless,
Stepped from the stool, drew back from the barrow, of
dark Maenefa the mountain;
A cusp still clasped him, a fluke yet fanged him, en-
tangled him, not quit utterly.
This was the prized, the desirable sight, unsought, pre-
sented so easily,
Parted me leaf and leaf, divided me, eyelid and eyelid of
slumber.
Shakespeare
BY HENRY WADSWORTH LONGFELLOW
A vision as of crowded city streets,
With human life in endless overflow;
Thunder of thoroughfares; trumpets that blow
To battle; clamor, in obscure retreats, Of sailors landed from their anchored fleets;
Tolling of bells in turrets, and below
Voices of children, and bright flowers that throw
O'er garden-walls their intermingled sweets!
This vision comes to me when I unfold
The volume of the Poet paramount,
Whom all the Muses loved, not one alone; — Into his hands they put the lyre of gold,
And, crowned with sacred laurel at their fount,
Placed him as Musagetes on their throne.
https://en.wikipedia.org/wiki/William_Shakespeare
BY HENRY WADSWORTH LONGFELLOW
A vision as of crowded city streets,
With human life in endless overflow;
Thunder of thoroughfares; trumpets that blow
To battle; clamor, in obscure retreats, Of sailors landed from their anchored fleets;
Tolling of bells in turrets, and below
Voices of children, and bright flowers that throw
O'er garden-walls their intermingled sweets!
This vision comes to me when I unfold
The volume of the Poet paramount,
Whom all the Muses loved, not one alone; — Into his hands they put the lyre of gold,
And, crowned with sacred laurel at their fount,
Placed him as Musagetes on their throne.
https://en.wikipedia.org/wiki/William_Shakespeare
The Oak
Letitia Elizabeth Landon
. . . It is the last survivor of a race
Strong in their forest-pride when I was young.
I can remember when, for miles around,
In place of those smooth meadows and corn-fields, There stood ten thousand tall and stately trees, Such as had braved the winds of March, the bolt Sent by the summer lightning, and the snow Heaping for weeks their boughs. Even in the depth Of hot July the glades were cool; the grass, Yellow and parched elsewhere, grew long and fresh, Shading wild strawberries and violets, Or the lark’s nest; and overhead the dove Had her lone dwelling, paying for her home With melancholy songs; and scarce a beech Was there without a honeysuckle linked Around, with its red tendrils and pink flowers; Or girdled by a brier-rose, whose buds Yield fragrant harvest for the honey-bee There dwelt the last red deer, those antler’d kings . . .
But this is as dream,—the plough has pass’d Where the stag bounded, and the day has looked On the green twilight of the forest-trees.
This oak has no companion! . . . .
https://en.wikipedia.org/wiki/Letitia_Elizabeth_Landon
Letitia Elizabeth Landon
. . . It is the last survivor of a race
Strong in their forest-pride when I was young.
I can remember when, for miles around,
In place of those smooth meadows and corn-fields, There stood ten thousand tall and stately trees, Such as had braved the winds of March, the bolt Sent by the summer lightning, and the snow Heaping for weeks their boughs. Even in the depth Of hot July the glades were cool; the grass, Yellow and parched elsewhere, grew long and fresh, Shading wild strawberries and violets, Or the lark’s nest; and overhead the dove Had her lone dwelling, paying for her home With melancholy songs; and scarce a beech Was there without a honeysuckle linked Around, with its red tendrils and pink flowers; Or girdled by a brier-rose, whose buds Yield fragrant harvest for the honey-bee There dwelt the last red deer, those antler’d kings . . .
But this is as dream,—the plough has pass’d Where the stag bounded, and the day has looked On the green twilight of the forest-trees.
This oak has no companion! . . . .
https://en.wikipedia.org/wiki/Letitia_Elizabeth_Landon
Song: 'The
feathers of the willow'
By Richard Watson Dixon
THE FEATHERS of the willow
Are half of them grown yellow
Above the swelling stream;
And ragged are the bushes,
And rusty now the rushes,
And wild the clouded gleam.
The thistle now is older,
His stalk begins to moulder,
His head is white as snow;
The branches all are barer,
The linnet’s song is rarer,
The robin pipeth now.
https://en.wikipedia.org/wiki/Richard_Watson_Dixon
By Richard Watson Dixon
THE FEATHERS of the willow
Are half of them grown yellow
Above the swelling stream;
And ragged are the bushes,
And rusty now the rushes,
And wild the clouded gleam.
The thistle now is older,
His stalk begins to moulder,
His head is white as snow;
The branches all are barer,
The linnet’s song is rarer,
The robin pipeth now.
https://en.wikipedia.org/wiki/Richard_Watson_Dixon
To One Who Has Been Long in City Pent
BY JOHN KEATS
To one who has been long in city pent,
'Tis very sweet to look into the fair
And open face of heaven,—to breathe a prayer
Full in the smile of the blue firmament.
Who is more happy, when, with heart's content,
Fatigued he sinks into some pleasant lair
Of wavy grass, and reads a debonair
And gentle tale of love and languishment?
Returning home at evening, with an ear
Catching the notes of Philomel,—an eye
Watching the sailing cloudlet's bright career,
He mourns that day so soon has glided by:
E'en like the passage of an angel's tear
That falls through the clear ether silently.
https://en.wikipedia.org/wiki/John_Keats
BY JOHN KEATS
To one who has been long in city pent,
'Tis very sweet to look into the fair
And open face of heaven,—to breathe a prayer
Full in the smile of the blue firmament.
Who is more happy, when, with heart's content,
Fatigued he sinks into some pleasant lair
Of wavy grass, and reads a debonair
And gentle tale of love and languishment?
Returning home at evening, with an ear
Catching the notes of Philomel,—an eye
Watching the sailing cloudlet's bright career,
He mourns that day so soon has glided by:
E'en like the passage of an angel's tear
That falls through the clear ether silently.
https://en.wikipedia.org/wiki/John_Keats
Today's
poem, 'Thoughts 1', is the first poem from Volume 1 of 'Three Hundred Tang Poems', an anthology compiled by the Qing Dynasty
scholar Sun Zhu in around 1763.
Thoughts I
By Zhang Jiuling
A lonely swan from the sea flies,
To alight on puddles it does not deign.
Nesting in the poplar of pearls
It spies and questions green birds twain:
"Don't you fear the threat of slings,
Perched on top of branches so high?
Nice clothes invite pointing fingers,
High climbers god's good will defy.
Bird-hunters will crave me in vain,
For I roam the limitless sky."
All five volumes of the anthology may be downloaded for reading and listening from the LibriVox website.
Thoughts I
By Zhang Jiuling
A lonely swan from the sea flies,
To alight on puddles it does not deign.
Nesting in the poplar of pearls
It spies and questions green birds twain:
"Don't you fear the threat of slings,
Perched on top of branches so high?
Nice clothes invite pointing fingers,
High climbers god's good will defy.
Bird-hunters will crave me in vain,
For I roam the limitless sky."
All five volumes of the anthology may be downloaded for reading and listening from the LibriVox website.
Inviting a Friend to Supper
BY BEN JONSONTonight, grave sir, both my poor house, and I
Do equally desire your company;
Not that we think us worthy such a guest,
But that your worth will dignify our feast
With those that come, whose grace may make that seem
Something, which else could hope for no esteem.
It is the fair acceptance, sir, creates
The entertainment perfect, not the cates.
Yet shall you have, to rectify your palate,
An olive, capers, or some better salad
Ushering the mutton; with a short-legged hen,
If we can get her, full of eggs, and then
Lemons, and wine for sauce; to these a cony
Is not to be despaired of, for our money;
And, though fowl now be scarce, yet there are clerks,
The sky not falling, think we may have larks.
I’ll tell you of more, and lie, so you will come:
Of partridge, pheasant, woodcock, of which some
May yet be there, and godwit, if we can;
Knat, rail, and ruff too. Howsoe’er, my man
Shall read a piece of Virgil, Tacitus,
Livy, or of some better book to us,
Of which we’ll speak our minds, amidst our meat;
And I’ll profess no verses to repeat.
To this, if ought appear which I not know of,
That will the pastry, not my paper, show of.
Digestive cheese and fruit there sure will be;
But that which most doth take my Muse and me,
Is a pure cup of rich Canary wine,
Which is the Mermaid’s now, but shall be mine;
Of which had Horace, or Anacreon tasted,
Their lives, as so their lines, till now had lasted.
Tobacco, nectar, or the Thespian spring,
Are all but Luther's beer to this I sing.
Of this we will sup free, but moderately,
And we will have no Pooley, or Parrot by,
Nor shall our cups make any guilty men;
But, at our parting we will be as when
We innocently met. No simple word
That shall be uttered at our mirthful board,
Shall make us sad next morning or affright
The liberty that we’ll enjoy tonight.
https://www.poetryfoundation.org/poets/ben-jonson
from Endymion
BY JOHN KEATSA Poetic Romance
(excerpt)
BOOK I
A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.
https://www.poetryfoundation.org/poets/john-keats
from The Prelude: Book
2: School-time
BY WILLIAM WORDSWORTH
Thus far, O Friend! have we, though leaving much
Unvisited, endeavour'd to retrace
My life through its first years, and measured back
The way I travell'd when I first began
To love the woods and fields; the passion yet
Was in its birth, sustain'd, as might befal,
By nourishment that came unsought, for still,
From week to week, from month to month, we liv'd
A round of tumult: duly were our games
Prolong'd in summer till the day-light fail'd;
No chair remain'd before the doors, the bench
And threshold steps were empty; fast asleep
The Labourer, and the old Man who had sate,
A later lingerer, yet the revelry
Continued, and the loud uproar: at last,
When all the ground was dark, and the huge clouds
Were edged with twinkling stars, to bed we went,
With weary joints, and with a beating mind.
Ah! is there one who ever has been young,
Nor needs a monitory voice to tame
The pride of virtue, and of intellect?
And is there one, the wisest and the best
Of all mankind, who does not sometimes wish
For things which cannot be, who would not give,
If so he might, to duty and to truth
The eagerness of infantine desire?
A tranquillizing spirit presses now
On my corporeal frame: so wide appears
The vacancy between me and those days,
Which yet have such self-presence in my mind
That, sometimes, when I think of them, I seem
Two consciousnesses, conscious of myself
And of some other Being. A grey Stone
Of native rock, left midway in the Square
Of our small market Village, was the home
And centre of these joys, and when, return'd
After long absence, thither I repair'd,
I found that it was split, and gone to build
A smart Assembly-room that perk'd and flar'd
With wash and rough-cast elbowing the ground
Which had been ours. But let the fiddle scream,
And be ye happy! yet, my Friends! I know
That more than one of you will think with me
Of those soft starry nights, and that old Dame
From whom the stone was nam'd who there had sate
And watch'd her Table with its huckster's wares
Assiduous, thro' the length of sixty years.
https://www.poetryfoundation.org/poets/william-wordsworth
BY WILLIAM WORDSWORTH
Thus far, O Friend! have we, though leaving much
Unvisited, endeavour'd to retrace
My life through its first years, and measured back
The way I travell'd when I first began
To love the woods and fields; the passion yet
Was in its birth, sustain'd, as might befal,
By nourishment that came unsought, for still,
From week to week, from month to month, we liv'd
A round of tumult: duly were our games
Prolong'd in summer till the day-light fail'd;
No chair remain'd before the doors, the bench
And threshold steps were empty; fast asleep
The Labourer, and the old Man who had sate,
A later lingerer, yet the revelry
Continued, and the loud uproar: at last,
When all the ground was dark, and the huge clouds
Were edged with twinkling stars, to bed we went,
With weary joints, and with a beating mind.
Ah! is there one who ever has been young,
Nor needs a monitory voice to tame
The pride of virtue, and of intellect?
And is there one, the wisest and the best
Of all mankind, who does not sometimes wish
For things which cannot be, who would not give,
If so he might, to duty and to truth
The eagerness of infantine desire?
A tranquillizing spirit presses now
On my corporeal frame: so wide appears
The vacancy between me and those days,
Which yet have such self-presence in my mind
That, sometimes, when I think of them, I seem
Two consciousnesses, conscious of myself
And of some other Being. A grey Stone
Of native rock, left midway in the Square
Of our small market Village, was the home
And centre of these joys, and when, return'd
After long absence, thither I repair'd,
I found that it was split, and gone to build
A smart Assembly-room that perk'd and flar'd
With wash and rough-cast elbowing the ground
Which had been ours. But let the fiddle scream,
And be ye happy! yet, my Friends! I know
That more than one of you will think with me
Of those soft starry nights, and that old Dame
From whom the stone was nam'd who there had sate
And watch'd her Table with its huckster's wares
Assiduous, thro' the length of sixty years.
https://www.poetryfoundation.org/poets/william-wordsworth
The Wine of Love
By James Thomson (Bysshe Vanolis)
The wine of Love is music,
And the feast of Love is song:
And when Love sits down to the banquet,
Love sits long:
Sits long and ariseth drunken,
But not with the feast and the wine;
He reeleth with his own heart,
That great rich Vine.
By James Thomson (Bysshe Vanolis)
The wine of Love is music,
And the feast of Love is song:
And when Love sits down to the banquet,
Love sits long:
Sits long and ariseth drunken,
But not with the feast and the wine;
He reeleth with his own heart,
That great rich Vine.
The Garden
By Andrew Marvell
How vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown’d from some single herb or tree,
Whose short and narrow verged shade
Does prudently their toils upbraid;
While all flow’rs and all trees do close
To weave the garlands of repose.
Fair Quiet, have I found thee here,
And Innocence, thy sister dear!
Mistaken long, I sought you then
In busy companies of men;
Your sacred plants, if here below,
Only among the plants will grow.
Society is all but rude,
To this delicious solitude.
No white nor red was ever seen
So am’rous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress’ name;
Little, alas, they know or heed
How far these beauties hers exceed!
Fair trees! wheres’e’er your barks I wound,
No name shall but your own be found.
When we have run our passion’s heat,
Love hither makes his best retreat.
The gods, that mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so,
Only that she might laurel grow;
And Pan did after Syrinx speed,
Not as a nymph, but for a reed.
What wond’rous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons as I pass,
Ensnar’d with flow’rs, I fall on grass.
Meanwhile the mind, from pleasure less,
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find,
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that’s made
To a green thought in a green shade.
Here at the fountain’s sliding foot,
Or at some fruit tree’s mossy root,
Casting the body’s vest aside,
My soul into the boughs does glide;
There like a bird it sits and sings,
Then whets, and combs its silver wings;
And, till prepar’d for longer flight,
Waves in its plumes the various light.
Such was that happy garden-state,
While man there walk’d without a mate;
After a place so pure and sweet,
What other help could yet be meet!
But ’twas beyond a mortal’s share
To wander solitary there:
Two paradises ’twere in one
To live in paradise alone.
How well the skillful gard’ner drew
Of flow’rs and herbs this dial new,
Where from above the milder sun
Does through a fragrant zodiac run;
And as it works, th’ industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon’d but with herbs and flow’rs!
By Andrew Marvell
How vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown’d from some single herb or tree,
Whose short and narrow verged shade
Does prudently their toils upbraid;
While all flow’rs and all trees do close
To weave the garlands of repose.
Fair Quiet, have I found thee here,
And Innocence, thy sister dear!
Mistaken long, I sought you then
In busy companies of men;
Your sacred plants, if here below,
Only among the plants will grow.
Society is all but rude,
To this delicious solitude.
No white nor red was ever seen
So am’rous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress’ name;
Little, alas, they know or heed
How far these beauties hers exceed!
Fair trees! wheres’e’er your barks I wound,
No name shall but your own be found.
When we have run our passion’s heat,
Love hither makes his best retreat.
The gods, that mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so,
Only that she might laurel grow;
And Pan did after Syrinx speed,
Not as a nymph, but for a reed.
What wond’rous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons as I pass,
Ensnar’d with flow’rs, I fall on grass.
Meanwhile the mind, from pleasure less,
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find,
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that’s made
To a green thought in a green shade.
Here at the fountain’s sliding foot,
Or at some fruit tree’s mossy root,
Casting the body’s vest aside,
My soul into the boughs does glide;
There like a bird it sits and sings,
Then whets, and combs its silver wings;
And, till prepar’d for longer flight,
Waves in its plumes the various light.
Such was that happy garden-state,
While man there walk’d without a mate;
After a place so pure and sweet,
What other help could yet be meet!
But ’twas beyond a mortal’s share
To wander solitary there:
Two paradises ’twere in one
To live in paradise alone.
How well the skillful gard’ner drew
Of flow’rs and herbs this dial new,
Where from above the milder sun
Does through a fragrant zodiac run;
And as it works, th’ industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon’d but with herbs and flow’rs!
Sonnet 55: Not marble
nor the gilded monuments
By William Shakespeare
Not marble nor the gilded monuments
Of princes shall outlive this powerful rhyme,
But you shall shine more bright in these contents
Than unswept stone besmeared with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war’s quick fire shall burn
The living record of your memory.
’Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom.
So, till the Judgement that yourself arise,
You live in this, and dwell in lovers’ eyes.
By William Shakespeare
Not marble nor the gilded monuments
Of princes shall outlive this powerful rhyme,
But you shall shine more bright in these contents
Than unswept stone besmeared with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war’s quick fire shall burn
The living record of your memory.
’Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom.
So, till the Judgement that yourself arise,
You live in this, and dwell in lovers’ eyes.
To Margaret W------
By Charles Lamb
Margaret, in happy hour
Christen'd from that humble flower
Which we a daisy call!
May thy pretty name-sake be
In all things a type of thee,
And image thee in all.
Like it you show a modest face,
An unpretending native grace;—
The tulip, and the pink,
The china and the damask rose,
And every flaunting flower that blows,
In the comparing shrink.
Of lowly fields you think no scorn;
Yet gayest gardens would adorn,
And grace, wherever set.
Home-seated in your lonely bower,
Or wedded—a transplanted flower—
I bless you, Margaret!
By Charles Lamb
Margaret, in happy hour
Christen'd from that humble flower
Which we a daisy call!
May thy pretty name-sake be
In all things a type of thee,
And image thee in all.
Like it you show a modest face,
An unpretending native grace;—
The tulip, and the pink,
The china and the damask rose,
And every flaunting flower that blows,
In the comparing shrink.
Of lowly fields you think no scorn;
Yet gayest gardens would adorn,
And grace, wherever set.
Home-seated in your lonely bower,
Or wedded—a transplanted flower—
I bless you, Margaret!
The Author to Her
Book
By Anne Bradstreet
Thou ill-form’d offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, expos’d to publick view,
Made thee in raggs, halting to th’ press to trudge,
Where errors were not lessened (all may judg).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
Thy Visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could:
I wash’d thy face, but more defects I saw,
And rubbing off a spot, still made a flaw.
I stretched thy joynts to make thee even feet,
Yet still thou run’st more hobling then is meet;
In better dress to trim thee was my mind,
But nought save home-spun Cloth, i’ th’ house I find.
In this array ’mongst Vulgars mayst thou roam.
In Criticks hands, beware thou dost not come;
And take thy way where yet thou art not known,
If for thy Father askt, say, thou hadst none:
And for thy Mother, she alas is poor,
Which caus’d her thus to send thee out of door.
By Anne Bradstreet
Thou ill-form’d offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, expos’d to publick view,
Made thee in raggs, halting to th’ press to trudge,
Where errors were not lessened (all may judg).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
Thy Visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could:
I wash’d thy face, but more defects I saw,
And rubbing off a spot, still made a flaw.
I stretched thy joynts to make thee even feet,
Yet still thou run’st more hobling then is meet;
In better dress to trim thee was my mind,
But nought save home-spun Cloth, i’ th’ house I find.
In this array ’mongst Vulgars mayst thou roam.
In Criticks hands, beware thou dost not come;
And take thy way where yet thou art not known,
If for thy Father askt, say, thou hadst none:
And for thy Mother, she alas is poor,
Which caus’d her thus to send thee out of door.
Bell-Birds
by Henry Kendall
By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling:
It lives in the mountain where moss and the sedges
Touch with their beauty the banks and the ledges.
Through breaks of the cedar and sycamore bowers
Struggles the light that is love to the flowers;
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.
The silver-voiced bell birds, the darlings of daytime!
They sing in September their songs of the May-time;
When shadows wax strong, and the thunder bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together,
They start up like fairies that follow fair weather;
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden.
October, the maiden of bright yellow tresses,
Loiters for love in these cool wildernesses;
Loiters, knee-deep, in the grasses, to listen,
Where dripping rocks gleam and the leafy pools glisten:
Then is the time when the water-moons splendid
Break with their gold, and are scattered or blended
Over the creeks, till the woodlands have warning
Of songs of the bell-bird and wings of the Morning.
Welcome as waters unkissed by the summers
Are the voices of bell-birds to the thirsty far-comers.
When fiery December sets foot in the forest,
And the need of the wayfarer presses the sorest,
Pent in the ridges for ever and ever
The bell-birds direct him to spring and to river,
With ring and with ripple, like runnels who torrents
Are toned by the pebbles and the leaves in the currents.
Often I sit, looking back to a childhood,
Mixt with the sights and the sounds of the wildwood,
Longing for power and the sweetness to fashion,
Lyrics with beats like the heart-beats of Passion; -
Songs interwoven of lights and of laughters
Borrowed from bell-birds in far forest-rafters;
So I might keep in the city and alleys
The beauty and strength of the deep mountain valleys:
Charming to slumber the pain of my losses
With glimpses of creeks and a vision of mosses.
by Henry Kendall
By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling:
It lives in the mountain where moss and the sedges
Touch with their beauty the banks and the ledges.
Through breaks of the cedar and sycamore bowers
Struggles the light that is love to the flowers;
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.
The silver-voiced bell birds, the darlings of daytime!
They sing in September their songs of the May-time;
When shadows wax strong, and the thunder bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together,
They start up like fairies that follow fair weather;
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden.
October, the maiden of bright yellow tresses,
Loiters for love in these cool wildernesses;
Loiters, knee-deep, in the grasses, to listen,
Where dripping rocks gleam and the leafy pools glisten:
Then is the time when the water-moons splendid
Break with their gold, and are scattered or blended
Over the creeks, till the woodlands have warning
Of songs of the bell-bird and wings of the Morning.
Welcome as waters unkissed by the summers
Are the voices of bell-birds to the thirsty far-comers.
When fiery December sets foot in the forest,
And the need of the wayfarer presses the sorest,
Pent in the ridges for ever and ever
The bell-birds direct him to spring and to river,
With ring and with ripple, like runnels who torrents
Are toned by the pebbles and the leaves in the currents.
Often I sit, looking back to a childhood,
Mixt with the sights and the sounds of the wildwood,
Longing for power and the sweetness to fashion,
Lyrics with beats like the heart-beats of Passion; -
Songs interwoven of lights and of laughters
Borrowed from bell-birds in far forest-rafters;
So I might keep in the city and alleys
The beauty and strength of the deep mountain valleys:
Charming to slumber the pain of my losses
With glimpses of creeks and a vision of mosses.
Sonnet I
by Henry Kendall
I
I purposed once to take my pen and write,
Not songs, like some, tormented and awry
With passion, but a cunning harmony
Of words and music caught from glen and height,
And lucid colours born of woodland light
And shining places where the sea-streams lie.
But this was when the heat of youth glowed white,
And since I've put the faded purpose by.
I have no faultless fruits to offer you
Who read this book; but certain syllables
Herein are borrowed from unfooted dells
And secret hollows dear to noontide dew;
And these at least, though far between and few,
May catch the sense like subtle forest spells.
by Henry Kendall
I
I purposed once to take my pen and write,
Not songs, like some, tormented and awry
With passion, but a cunning harmony
Of words and music caught from glen and height,
And lucid colours born of woodland light
And shining places where the sea-streams lie.
But this was when the heat of youth glowed white,
And since I've put the faded purpose by.
I have no faultless fruits to offer you
Who read this book; but certain syllables
Herein are borrowed from unfooted dells
And secret hollows dear to noontide dew;
And these at least, though far between and few,
May catch the sense like subtle forest spells.
For Once, Then, Something
By Robert Frost
Others taunt me with having knelt at well-curbs
Always wrong to the light, so never seeing
Deeper down in the well than where the water
Gives me back in a shining surface picture
Me myself in the summer heaven godlike
Looking out of a wreath of fern and cloud puffs.
Once, when trying with chin against a well-curb,
I discerned, as I thought, beyond the picture,
Through the picture, a something white, uncertain,
Something more of the depths—and then I lost it.
Water came to rebuke the too clear water.
One drop fell from a fern, and lo, a ripple
Shook whatever it was lay there at bottom,
Blurred it, blotted it out. What was that whiteness?
Truth? A pebble of quartz? For once, then, something.
By Robert Frost
Others taunt me with having knelt at well-curbs
Always wrong to the light, so never seeing
Deeper down in the well than where the water
Gives me back in a shining surface picture
Me myself in the summer heaven godlike
Looking out of a wreath of fern and cloud puffs.
Once, when trying with chin against a well-curb,
I discerned, as I thought, beyond the picture,
Through the picture, a something white, uncertain,
Something more of the depths—and then I lost it.
Water came to rebuke the too clear water.
One drop fell from a fern, and lo, a ripple
Shook whatever it was lay there at bottom,
Blurred it, blotted it out. What was that whiteness?
Truth? A pebble of quartz? For once, then, something.
The Owl
By Edward Thomas
Downhill I came, hungry, and yet not starved;
Cold, yet had heat within me that was proof
Against the North wind; tired, yet so that rest
Had seemed the sweetest thing under a roof.
Then at the inn I had food, fire, and rest,
Knowing how hungry, cold, and tired was I.
All of the night was quite barred out except
An owl’s cry, a most melancholy cry
Shaken out long and clear upon the hill,
No merry note, nor cause of merriment,
But one telling me plain what I escaped
And others could not, that night, as in I went.
And salted was my food, and my repose,
Salted and sobered, too, by the bird’s voice
Speaking for all who lay under the stars,
Soldiers and poor, unable to rejoice.
By Edward Thomas
Downhill I came, hungry, and yet not starved;
Cold, yet had heat within me that was proof
Against the North wind; tired, yet so that rest
Had seemed the sweetest thing under a roof.
Then at the inn I had food, fire, and rest,
Knowing how hungry, cold, and tired was I.
All of the night was quite barred out except
An owl’s cry, a most melancholy cry
Shaken out long and clear upon the hill,
No merry note, nor cause of merriment,
But one telling me plain what I escaped
And others could not, that night, as in I went.
And salted was my food, and my repose,
Salted and sobered, too, by the bird’s voice
Speaking for all who lay under the stars,
Soldiers and poor, unable to rejoice.
“Dank fens of cedar; hemlock-branches gray”
By Frederick Goddard Tuckerman
from Sonnets, First Series
VI
Dank fens of cedar; hemlock-branches gray
With trees and trail of mosses, wringing-wet;
Beds of the black pitchpine in dead leaves set
Whose wasted red has wasted to white away;
Remnants of rain and droppings of decay, —
Why hold ye so my heart, nor dimly let
Through your deep leaves the light of yesterday,
The faded glimmer of a sunshine set?
Is it that in your darkness, shut from strife,
The bread of tears becomes the bread of life?
Far from the roar of day, beneath your boughs
Fresh griefs beat tranquilly, and loves and vows
Grow green in your gray shadows, dearer far
Even than all lovely lights and roses are?
By Frederick Goddard Tuckerman
from Sonnets, First Series
VI
Dank fens of cedar; hemlock-branches gray
With trees and trail of mosses, wringing-wet;
Beds of the black pitchpine in dead leaves set
Whose wasted red has wasted to white away;
Remnants of rain and droppings of decay, —
Why hold ye so my heart, nor dimly let
Through your deep leaves the light of yesterday,
The faded glimmer of a sunshine set?
Is it that in your darkness, shut from strife,
The bread of tears becomes the bread of life?
Far from the roar of day, beneath your boughs
Fresh griefs beat tranquilly, and loves and vows
Grow green in your gray shadows, dearer far
Even than all lovely lights and roses are?
When that I was and a little
tiny boy (With hey, ho,
the wind and the rain)
(from Twelth Night)
By William Shakespeare
When that I was and a little tiny boy,
With hey, ho, the wind and the rain,
A foolish thing was but a toy,
For the rain it raineth every day.
But when I came to man’s estate,
With hey, ho, the wind and the rain,
’Gainst knaves and thieves men shut their gate,
For the rain it raineth every day.
But when I came, alas! to wive,
With hey, ho, the wind and the rain,
By swaggering could I never thrive,
For the rain it raineth every day.
But when I came unto my beds,
With hey, ho, the wind and the rain,
With toss-pots still had drunken heads,
For the rain it raineth every day.
A great while ago the world begun,
With hey, ho, the wind and the rain,
But that’s all one, our play is done,
And we’ll strive to please you every day.
(from Twelth Night)
By William Shakespeare
When that I was and a little tiny boy,
With hey, ho, the wind and the rain,
A foolish thing was but a toy,
For the rain it raineth every day.
But when I came to man’s estate,
With hey, ho, the wind and the rain,
’Gainst knaves and thieves men shut their gate,
For the rain it raineth every day.
But when I came, alas! to wive,
With hey, ho, the wind and the rain,
By swaggering could I never thrive,
For the rain it raineth every day.
But when I came unto my beds,
With hey, ho, the wind and the rain,
With toss-pots still had drunken heads,
For the rain it raineth every day.
A great while ago the world begun,
With hey, ho, the wind and the rain,
But that’s all one, our play is done,
And we’ll strive to please you every day.
Inscription for a Fountain on a
Heath
By Samuel Taylor Coleridge
This Sycamore, oft musical with bees,—
Such tents the Patriarchs loved! O long unharmed
May all its agèd boughs o'er-canopy
The small round basin, which this jutting stone
Keeps pure from falling leaves! Long may the Spring,
Quietly as a sleeping infant's breath,
Send up cold waters to the traveller
With soft and even pulse! Nor ever cease
Yon tiny cone of sand its soundless dance,
Which at the bottom, like a Fairy's Page,
As merry and no taller, dances still,
Nor wrinkles the smooth surface of the Fount.
Here Twilight is and Coolness: here is moss,
A soft seat, and a deep and ample shade.
Thou may'st toil far and find no second tree.
Drink, Pilgrim, here; Here rest! and if thy heart
Be innocent, here too shalt thou refresh
Thy spirit, listening to some gentle sound,
Or passing gale or hum of murmuring bees!
By Samuel Taylor Coleridge
This Sycamore, oft musical with bees,—
Such tents the Patriarchs loved! O long unharmed
May all its agèd boughs o'er-canopy
The small round basin, which this jutting stone
Keeps pure from falling leaves! Long may the Spring,
Quietly as a sleeping infant's breath,
Send up cold waters to the traveller
With soft and even pulse! Nor ever cease
Yon tiny cone of sand its soundless dance,
Which at the bottom, like a Fairy's Page,
As merry and no taller, dances still,
Nor wrinkles the smooth surface of the Fount.
Here Twilight is and Coolness: here is moss,
A soft seat, and a deep and ample shade.
Thou may'st toil far and find no second tree.
Drink, Pilgrim, here; Here rest! and if thy heart
Be innocent, here too shalt thou refresh
Thy spirit, listening to some gentle sound,
Or passing gale or hum of murmuring bees!
from The Prelude: Book 2: School-time (Continued)
By William Wordsworth
Thus far, O Friend! have we, though leaving much
Unvisited, endeavour'd to retrace
My life through its first years, and measured back
The way I travell'd when I first began
To love the woods and fields; the passion yet
Was in its birth, sustain'd, as might befal,
By nourishment that came unsought, for still,
From week to week, from month to month, we liv'd
A round of tumult: duly were our games
Prolong'd in summer till the day-light fail'd;
No chair remain'd before the doors, the bench
And threshold steps were empty; fast asleep
The Labourer, and the old Man who had sate,
A later lingerer, yet the revelry
Continued, and the loud uproar: at last,
When all the ground was dark, and the huge clouds
Were edged with twinkling stars, to bed we went,
With weary joints, and with a beating mind.
Ah! is there one who ever has been young,
Nor needs a monitory voice to tame
The pride of virtue, and of intellect?
And is there one, the wisest and the best
Of all mankind, who does not sometimes wish
For things which cannot be, who would not give,
If so he might, to duty and to truth
The eagerness of infantine desire?
A tranquillizing spirit presses now
On my corporeal frame: so wide appears
The vacancy between me and those days,
Which yet have such self-presence in my mind
That, sometimes, when I think of them, I seem
Two consciousnesses, conscious of myself
And of some other Being.
By William Wordsworth
Thus far, O Friend! have we, though leaving much
Unvisited, endeavour'd to retrace
My life through its first years, and measured back
The way I travell'd when I first began
To love the woods and fields; the passion yet
Was in its birth, sustain'd, as might befal,
By nourishment that came unsought, for still,
From week to week, from month to month, we liv'd
A round of tumult: duly were our games
Prolong'd in summer till the day-light fail'd;
No chair remain'd before the doors, the bench
And threshold steps were empty; fast asleep
The Labourer, and the old Man who had sate,
A later lingerer, yet the revelry
Continued, and the loud uproar: at last,
When all the ground was dark, and the huge clouds
Were edged with twinkling stars, to bed we went,
With weary joints, and with a beating mind.
Ah! is there one who ever has been young,
Nor needs a monitory voice to tame
The pride of virtue, and of intellect?
And is there one, the wisest and the best
Of all mankind, who does not sometimes wish
For things which cannot be, who would not give,
If so he might, to duty and to truth
The eagerness of infantine desire?
A tranquillizing spirit presses now
On my corporeal frame: so wide appears
The vacancy between me and those days,
Which yet have such self-presence in my mind
That, sometimes, when I think of them, I seem
Two consciousnesses, conscious of myself
And of some other Being.
The Arrow and the Song
By Henry Wadsworth Longfellow
I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.
I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?
Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.
By Henry Wadsworth Longfellow
I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.
I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?
Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.
Delia 31: Look,
Delia, how we 'steem the half-blown rose (1592 version)
By Samuel Daniel
Look, Delia, how we 'steem the half-blown rose,
The image of thy blush and summer's honour,
Whilst in her tender green she doth enclose
That pure sweet beauty time bestows upon her.
No sooner spreads her glory in the air
But straight her full-blown pride is in declining;
She then is scorn'd that late adorn'd the fair:
So clouds thy beauty after fairest shining.
No April can revive thy wither'd flowers,
Whose blooming grace adorns thy beauty now;
Swift speedy time, feather'd with flying hours,
Dissolves the beauty of the fairest brow.
O let not then such riches waste in vain,
But love whilst that thou mayst be lov'd again.
By Samuel Daniel
Look, Delia, how we 'steem the half-blown rose,
The image of thy blush and summer's honour,
Whilst in her tender green she doth enclose
That pure sweet beauty time bestows upon her.
No sooner spreads her glory in the air
But straight her full-blown pride is in declining;
She then is scorn'd that late adorn'd the fair:
So clouds thy beauty after fairest shining.
No April can revive thy wither'd flowers,
Whose blooming grace adorns thy beauty now;
Swift speedy time, feather'd with flying hours,
Dissolves the beauty of the fairest brow.
O let not then such riches waste in vain,
But love whilst that thou mayst be lov'd again.
Wash of Cold River
By Hilda Doolittle
Wash of cold river
in a glacial land,
Ionian water,
chill, snow-ribbed sand,
drift of rare flowers,
clear, with delicate shell-
like leaf enclosing
frozen lily-leaf,
camellia texture,
colder than a rose;
wind-flower
that keeps the breath
of the north-wind—
these and none other;
intimate thoughts and kind
reach out to share
the treasure of my mind,
intimate hands and dear
drawn garden-ward and sea-ward
all the sheer rapture
that I would take
to mould a clear
and frigid statue;
rare, of pure texture,
beautiful space and line,
marble to grace
your inaccessible shrine.
By Hilda Doolittle
Wash of cold river
in a glacial land,
Ionian water,
chill, snow-ribbed sand,
drift of rare flowers,
clear, with delicate shell-
like leaf enclosing
frozen lily-leaf,
camellia texture,
colder than a rose;
wind-flower
that keeps the breath
of the north-wind—
these and none other;
intimate thoughts and kind
reach out to share
the treasure of my mind,
intimate hands and dear
drawn garden-ward and sea-ward
all the sheer rapture
that I would take
to mould a clear
and frigid statue;
rare, of pure texture,
beautiful space and line,
marble to grace
your inaccessible shrine.
The Cloud Confines
By Dante Gabriel Rossetti
The day is dark and the night
To him that would search their heart;
No lips of cloud that will part
Nor morning song in the light:
Only, gazing alone,
To him wild shadows are shown,
Deep under deep unknown
And height above unknown height.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The Past is over and fled;
Nam'd new, we name it the old;
Thereof some tale hath been told,
But no word comes from the dead;
Whether at all they be,
Or whether as bond or free,
Or whether they too were we,
Or by what spell they have sped.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of hate
That beats in thy breast, O Time?
Red strife from the furthest prime,
And anguish of fierce debate;
War that shatters her slain,
And peace that grinds them as grain,
And eyes fix'd ever in vain
On the pitiless eyes of Fate.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of love
That bleeds in thy breast, O Man?
Thy kisses snatch'd 'neath the ban
Of fangs that mock them above;
Thy bells prolong'd unto knells,
Thy hope that a breath dispels,
Thy bitter forlorn farewells
And the empty echoes thereof?
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The sky leans dumb on the sea,
Aweary with all its wings;
And oh! the song the sea sings
Is dark everlastingly.
Our past is clean forgot,
Our present is and is not,
Our future's a seal'd seedplot,
And what betwixt them are we?
We who say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
By Dante Gabriel Rossetti
The day is dark and the night
To him that would search their heart;
No lips of cloud that will part
Nor morning song in the light:
Only, gazing alone,
To him wild shadows are shown,
Deep under deep unknown
And height above unknown height.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The Past is over and fled;
Nam'd new, we name it the old;
Thereof some tale hath been told,
But no word comes from the dead;
Whether at all they be,
Or whether as bond or free,
Or whether they too were we,
Or by what spell they have sped.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of hate
That beats in thy breast, O Time?
Red strife from the furthest prime,
And anguish of fierce debate;
War that shatters her slain,
And peace that grinds them as grain,
And eyes fix'd ever in vain
On the pitiless eyes of Fate.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of love
That bleeds in thy breast, O Man?
Thy kisses snatch'd 'neath the ban
Of fangs that mock them above;
Thy bells prolong'd unto knells,
Thy hope that a breath dispels,
Thy bitter forlorn farewells
And the empty echoes thereof?
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The sky leans dumb on the sea,
Aweary with all its wings;
And oh! the song the sea sings
Is dark everlastingly.
Our past is clean forgot,
Our present is and is not,
Our future's a seal'd seedplot,
And what betwixt them are we?
We who say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
Who Has Seen the Wind?
By Christina Rossetti
Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.
Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.
By Christina Rossetti
Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.
Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.
It was a Lover and his Lass
By William Shakespeare
It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o’er the green cornfield did pass,
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
Between the acres of the rye,
With a hey, and a ho, and a hey nonino,
Those pretty country folks would lie,
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
This carol they began that hour,
With a hey, and a ho, and a hey nonino,
How that a life was but a flower
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
And therefore take the present time,
With a hey, and a ho, and a hey nonino,
For love is crownèd with the prime
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
By William Shakespeare
It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o’er the green cornfield did pass,
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
Between the acres of the rye,
With a hey, and a ho, and a hey nonino,
Those pretty country folks would lie,
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
This carol they began that hour,
With a hey, and a ho, and a hey nonino,
How that a life was but a flower
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
And therefore take the present time,
With a hey, and a ho, and a hey nonino,
For love is crownèd with the prime
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
II Thompson’s Lunch Room—Grand
Central Station
Study in Whites
By Amy Lowell
Wax-white—
Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook’s cap
Moves unglossily against the vaguely bright wall—
Dull chalk-white striking the retina like a blow
Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting—greener, bluer—with the jar of moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: “Oyster Stew, Cornbeef Hash, Frankfurters”:
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated épergnes.
The electric clock jerks every half-minute:
“Coming!—Past!”
“Three beef-steaks and a chicken-pie,”
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.
Study in Whites
By Amy Lowell
Wax-white—
Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook’s cap
Moves unglossily against the vaguely bright wall—
Dull chalk-white striking the retina like a blow
Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting—greener, bluer—with the jar of moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: “Oyster Stew, Cornbeef Hash, Frankfurters”:
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated épergnes.
The electric clock jerks every half-minute:
“Coming!—Past!”
“Three beef-steaks and a chicken-pie,”
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.
The Seasons: Spring
By James Thomson
As rising from the vegetable World
My Theme ascends, with equal Wing ascend,
My panting Muse; and hark, how loud the Woods
Invite you forth in all your gayest Trim.
Lend me your Song, ye Nightingales! oh pour
The mazy-running Soul of Melody
Into my varied Verse! while I deduce,
From the first Note the hollow Cuckoo sings,
The Symphony of Spring, and touch a Theme
Unknown to Fame, the Passion of the Groves.
By James Thomson
As rising from the vegetable World
My Theme ascends, with equal Wing ascend,
My panting Muse; and hark, how loud the Woods
Invite you forth in all your gayest Trim.
Lend me your Song, ye Nightingales! oh pour
The mazy-running Soul of Melody
Into my varied Verse! while I deduce,
From the first Note the hollow Cuckoo sings,
The Symphony of Spring, and touch a Theme
Unknown to Fame, the Passion of the Groves.
Are They Shadows
By Samuel Daniel
Are they shadows that we see?
And can shadows pleasure give?
Pleasures only shadows be
Cast by bodies we conceive
And are made the things we deem
In those figures which they seem.
But these pleasures vanish fast
Which by shadows are expressed;
Pleasures are not, if they last;
In their passing is their best.
Glory is most bright and gay
In a flash, and so away.
Feed apace then, greedy eyes,
On the wonder you behold;
Take it sudden as it flies,
Though you take it not to hold.
When your eyes have done their part,
Thought must length it in the heart.
By Samuel Daniel
Are they shadows that we see?
And can shadows pleasure give?
Pleasures only shadows be
Cast by bodies we conceive
And are made the things we deem
In those figures which they seem.
But these pleasures vanish fast
Which by shadows are expressed;
Pleasures are not, if they last;
In their passing is their best.
Glory is most bright and gay
In a flash, and so away.
Feed apace then, greedy eyes,
On the wonder you behold;
Take it sudden as it flies,
Though you take it not to hold.
When your eyes have done their part,
Thought must length it in the heart.
The Evening Wind
By William Cullen Bryant
Spirit that breathest through my lattice, thou
That cool’st the twilight of the sultry day,
Gratefully flows thy freshness round my brow:
Thou hast been out upon the deep at play,
Riding all day the wild blue waves till now,
Roughening their crests, and scattering high their spray
And swelling the white sail. I welcome thee
To the scorched land, thou wanderer of the sea!
Nor I alone—a thousand blossoms round
Inhale thee in the fulness of delight;
And languid forms rise up, and pulses bound
Livelier, at coming of the wind of night;
And, languishing to hear thy grateful sound,
Lies the vast inland stretched beyond the sight.
Go forth into the gathering shade; go forth,
God’s blessing breathed upon the fainting earth!
Go, rock the little wood-bird in his nest,
Curl the still waters, bright with stars, and rouse
The wide old wood from his majestic rest,
Summoning from the innumerable boughs
The strange, deep harmonies that haunt his breast:
Pleasant shall be thy way where meekly bows.
The shutting flower, and darkling waters pass,
And where the o’ershadowing branches sweep the grass.
The faint old man shall lean his silver head
To feel thee; thou shalt kiss the child asleep,
And dry the moistened curls that overspread
His temples, while his breathing grows more deep:
And they who stand about the sick man’s bed,
Shall joy to listen to thy distant sweep,
And softly part his curtains to allow
Thy visit, grateful to his burning brow.
Go—but the circle of eternal change,
Which is the life of nature, shall restore,
With sounds and scents from all thy mighty range
Thee to thy birthplace of the deep once more;
Sweet odours in the sea-air, sweet and strange,
Shall tell the home-sick mariner of the shore;
And, listening to thy murmur, he shall deem
He hears the rustling leaf and running stream.
By William Cullen Bryant
Spirit that breathest through my lattice, thou
That cool’st the twilight of the sultry day,
Gratefully flows thy freshness round my brow:
Thou hast been out upon the deep at play,
Riding all day the wild blue waves till now,
Roughening their crests, and scattering high their spray
And swelling the white sail. I welcome thee
To the scorched land, thou wanderer of the sea!
Nor I alone—a thousand blossoms round
Inhale thee in the fulness of delight;
And languid forms rise up, and pulses bound
Livelier, at coming of the wind of night;
And, languishing to hear thy grateful sound,
Lies the vast inland stretched beyond the sight.
Go forth into the gathering shade; go forth,
God’s blessing breathed upon the fainting earth!
Go, rock the little wood-bird in his nest,
Curl the still waters, bright with stars, and rouse
The wide old wood from his majestic rest,
Summoning from the innumerable boughs
The strange, deep harmonies that haunt his breast:
Pleasant shall be thy way where meekly bows.
The shutting flower, and darkling waters pass,
And where the o’ershadowing branches sweep the grass.
The faint old man shall lean his silver head
To feel thee; thou shalt kiss the child asleep,
And dry the moistened curls that overspread
His temples, while his breathing grows more deep:
And they who stand about the sick man’s bed,
Shall joy to listen to thy distant sweep,
And softly part his curtains to allow
Thy visit, grateful to his burning brow.
Go—but the circle of eternal change,
Which is the life of nature, shall restore,
With sounds and scents from all thy mighty range
Thee to thy birthplace of the deep once more;
Sweet odours in the sea-air, sweet and strange,
Shall tell the home-sick mariner of the shore;
And, listening to thy murmur, he shall deem
He hears the rustling leaf and running stream.
The Solitary Reaper
By William Wordsworth
Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.
No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?—
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whate'er the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;—
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
By William Wordsworth
Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.
No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?—
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whate'er the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;—
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
What mystery pervades a well!
By Emily Dickinson
What mystery pervades a well!
That water lives so far–
A neighbor from another world
Residing in a jar
Whose limit none has ever seen,
But just his lid of glass–
Like looking every time you please
In an abyss's face!
The grass does not appear afraid,
I often wonder he
Can stand so close and look so bold
At what is awe to me.
Related somehow they may be,
The sedge stands near the sea–
Where he is floorless
And does no timidity betray
But nature is a stranger yet:
The ones that cite her most
Have never passed her haunted house,
Nor simplified her ghost.
To pity those that know her not
Is helped by the regret
That those who know her, know her less
The nearer her they get.
By Emily Dickinson
What mystery pervades a well!
That water lives so far–
A neighbor from another world
Residing in a jar
Whose limit none has ever seen,
But just his lid of glass–
Like looking every time you please
In an abyss's face!
The grass does not appear afraid,
I often wonder he
Can stand so close and look so bold
At what is awe to me.
Related somehow they may be,
The sedge stands near the sea–
Where he is floorless
And does no timidity betray
But nature is a stranger yet:
The ones that cite her most
Have never passed her haunted house,
Nor simplified her ghost.
To pity those that know her not
Is helped by the regret
That those who know her, know her less
The nearer her they get.
Youth and Age
By Samuel Taylor Coleridge
Verse, a breeze mid blossoms straying,
Where Hope clung feeding, like a bee—
Both were mine! Life went a-maying
With Nature, Hope, and Poesy,
When I was young!
When I was young?—Ah, woful When!
Ah! for the change 'twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O'er aery cliffs and glittering sands,
How lightly then it flashed along:—
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather
When Youth and I lived in't together.
Flowers are lovely; Love is flower-like;
Friendship is a sheltering tree;
O! the joys, that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old!
Ere I was old? Ah woful Ere,
Which tells me, Youth's no longer here!
O Youth! for years so many and sweet,
'Tis known, that Thou and I were one,
I'll think it but a fond conceit—
It cannot be that Thou art gone!
Thy vesper-bell hath not yet toll'd:—
And thou wert aye a masker bold!
What strange disguise hast now put on,
To make believe, that thou are gone?
I see these locks in silvery slips,
This drooping gait, this altered size:
But Spring-tide blossoms on thy lips,
And tears take sunshine from thine eyes!
Life is but thought: so think I will
That Youth and I are house-mates still.
Dew-drops are the gems of morning,
But the tears of mournful eve!
Where no hope is, life's a warning
That only serves to make us grieve,
When we are old:
That only serves to make us grieve
With oft and tedious taking-leave,
Like some poor nigh-related guest,
That may not rudely be dismist;
Yet hath outstay'd his welcome while,
And tells the jest without the smile.
By Samuel Taylor Coleridge
Verse, a breeze mid blossoms straying,
Where Hope clung feeding, like a bee—
Both were mine! Life went a-maying
With Nature, Hope, and Poesy,
When I was young!
When I was young?—Ah, woful When!
Ah! for the change 'twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O'er aery cliffs and glittering sands,
How lightly then it flashed along:—
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather
When Youth and I lived in't together.
Flowers are lovely; Love is flower-like;
Friendship is a sheltering tree;
O! the joys, that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old!
Ere I was old? Ah woful Ere,
Which tells me, Youth's no longer here!
O Youth! for years so many and sweet,
'Tis known, that Thou and I were one,
I'll think it but a fond conceit—
It cannot be that Thou art gone!
Thy vesper-bell hath not yet toll'd:—
And thou wert aye a masker bold!
What strange disguise hast now put on,
To make believe, that thou are gone?
I see these locks in silvery slips,
This drooping gait, this altered size:
But Spring-tide blossoms on thy lips,
And tears take sunshine from thine eyes!
Life is but thought: so think I will
That Youth and I are house-mates still.
Dew-drops are the gems of morning,
But the tears of mournful eve!
Where no hope is, life's a warning
That only serves to make us grieve,
When we are old:
That only serves to make us grieve
With oft and tedious taking-leave,
Like some poor nigh-related guest,
That may not rudely be dismist;
Yet hath outstay'd his welcome while,
And tells the jest without the smile.
The Cloud
By Percy Bysshe Shelley
I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother's breast,
As she dances about the sun.
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.
I sift the snow on the mountains below,
And their great pines groan aghast;
And all the night 'tis my pillow white,
While I sleep in the arms of the blast.
Sublime on the towers of my skiey bowers,
Lightning my pilot sits;
In a cavern under is fettered the thunder,
It struggles and howls at fits;
Over earth and ocean, with gentle motion,
This pilot is guiding me,
Lured by the love of the genii that move
In the depths of the purple sea;
Over the rills, and the crags, and the hills,
Over the lakes and the plains,
Wherever he dream, under mountain or stream,
The Spirit he loves remains;
And I all the while bask in Heaven's blue smile,
Whilst he is dissolving in rains.
The sanguine Sunrise, with his meteor eyes,
And his burning plumes outspread,
Leaps on the back of my sailing rack,
When the morning star shines dead;
As on the jag of a mountain crag,
Which an earthquake rocks and swings,
An eagle alit one moment may sit
In the light of its golden wings.
And when Sunset may breathe, from the lit sea beneath,
Its ardours of rest and of love,
And the crimson pall of eve may fall
From the depth of Heaven above,
With wings folded I rest, on mine aëry nest,
As still as a brooding dove.
That orbèd maiden with white fire laden,
Whom mortals call the Moon,
Glides glimmering o'er my fleece-like floor,
By the midnight breezes strewn;
And wherever the beat of her unseen feet,
Which only the angels hear,
May have broken the woof of my tent's thin roof,
The stars peep behind her and peer;
And I laugh to see them whirl and flee,
Like a swarm of golden bees,
When I widen the rent in my wind-built tent,
Till calm the rivers, lakes, and seas,
Like strips of the sky fallen through me on high,
Are each paved with the moon and these.
I bind the Sun's throne with a burning zone,
And the Moon's with a girdle of pearl;
The volcanoes are dim, and the stars reel and swim,
When the whirlwinds my banner unfurl.
From cape to cape, with a bridge-like shape,
Over a torrent sea,
Sunbeam-proof, I hang like a roof,
The mountains its columns be.
The triumphal arch through which I march
With hurricane, fire, and snow,
When the Powers of the air are chained to my chair,
Is the million-coloured bow;
The sphere-fire above its soft colours wove,
While the moist Earth was laughing below.
I am the daughter of Earth and Water,
And the nursling of the Sky;
I pass through the pores of the ocean and shores;
I change, but I cannot die.
For after the rain when with never a stain
The pavilion of Heaven is bare,
And the winds and sunbeams with their convex gleams
Build up the blue dome of air,
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.
By Percy Bysshe Shelley
I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother's breast,
As she dances about the sun.
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.
I sift the snow on the mountains below,
And their great pines groan aghast;
And all the night 'tis my pillow white,
While I sleep in the arms of the blast.
Sublime on the towers of my skiey bowers,
Lightning my pilot sits;
In a cavern under is fettered the thunder,
It struggles and howls at fits;
Over earth and ocean, with gentle motion,
This pilot is guiding me,
Lured by the love of the genii that move
In the depths of the purple sea;
Over the rills, and the crags, and the hills,
Over the lakes and the plains,
Wherever he dream, under mountain or stream,
The Spirit he loves remains;
And I all the while bask in Heaven's blue smile,
Whilst he is dissolving in rains.
The sanguine Sunrise, with his meteor eyes,
And his burning plumes outspread,
Leaps on the back of my sailing rack,
When the morning star shines dead;
As on the jag of a mountain crag,
Which an earthquake rocks and swings,
An eagle alit one moment may sit
In the light of its golden wings.
And when Sunset may breathe, from the lit sea beneath,
Its ardours of rest and of love,
And the crimson pall of eve may fall
From the depth of Heaven above,
With wings folded I rest, on mine aëry nest,
As still as a brooding dove.
That orbèd maiden with white fire laden,
Whom mortals call the Moon,
Glides glimmering o'er my fleece-like floor,
By the midnight breezes strewn;
And wherever the beat of her unseen feet,
Which only the angels hear,
May have broken the woof of my tent's thin roof,
The stars peep behind her and peer;
And I laugh to see them whirl and flee,
Like a swarm of golden bees,
When I widen the rent in my wind-built tent,
Till calm the rivers, lakes, and seas,
Like strips of the sky fallen through me on high,
Are each paved with the moon and these.
I bind the Sun's throne with a burning zone,
And the Moon's with a girdle of pearl;
The volcanoes are dim, and the stars reel and swim,
When the whirlwinds my banner unfurl.
From cape to cape, with a bridge-like shape,
Over a torrent sea,
Sunbeam-proof, I hang like a roof,
The mountains its columns be.
The triumphal arch through which I march
With hurricane, fire, and snow,
When the Powers of the air are chained to my chair,
Is the million-coloured bow;
The sphere-fire above its soft colours wove,
While the moist Earth was laughing below.
I am the daughter of Earth and Water,
And the nursling of the Sky;
I pass through the pores of the ocean and shores;
I change, but I cannot die.
For after the rain when with never a stain
The pavilion of Heaven is bare,
And the winds and sunbeams with their convex gleams
Build up the blue dome of air,
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.
Astrophil and
Stella 72: Desire, though thou my old companion art
By Sir Philip Sidney
Desire, though thou my old companion art,
And oft so clings to my pure Love that I
One from the other scarcely can descry,
While each doth blow the fire of my heart,
Now from thy fellowship I needs must part;
Venus is taught with Dian’s wings to fly;
I must no more in thy sweet passions lie;
Virtue’s gold now must head my Cupid’s dart.
Service and honor, wonder with delight,
Fear to offend, will worthy to appear,
Care shining in mine eyes, faith in my sprite:
These things are let me by my only dear;
But thou, Desire, because thou wouldst have all,
Now banished art. But yet alas how shall?
By Sir Philip Sidney
Desire, though thou my old companion art,
And oft so clings to my pure Love that I
One from the other scarcely can descry,
While each doth blow the fire of my heart,
Now from thy fellowship I needs must part;
Venus is taught with Dian’s wings to fly;
I must no more in thy sweet passions lie;
Virtue’s gold now must head my Cupid’s dart.
Service and honor, wonder with delight,
Fear to offend, will worthy to appear,
Care shining in mine eyes, faith in my sprite:
These things are let me by my only dear;
But thou, Desire, because thou wouldst have all,
Now banished art. But yet alas how shall?
Lord, Make Me an
Instrument of Thy Peace
By St. Francis of Assisi
Lord, make me an instrument of Thy peace;
where there is hatred, let me sow love;
where there is injury, pardon;
where there is doubt, faith;
where there is despair, hope;
where there is darkness, light;
and where there is sadness, joy.
O Divine Master,
grant that I may not so much seek to be consoled as to console;
to be understood, as to understand;
to be loved, as to love;
for it is in giving that we receive,
it is in pardoning that we are pardoned,
and it is in dying that we are born to eternal life.
Amen.
---
The Sydney Male Choir today sing the famous reflection of St Francis of Assisi to the setting of Rutter ‘Lord, make me an instrument of Thy peace’, in memory of Jason David McCarthy.
The great Sydney Male Choir is now rehearsing at 6.15PM at Aquinas Institute Harrington Street Sydney each Tuesday and are auditioning. enquiries@sydneymalechoir.com.au
By St. Francis of Assisi
Lord, make me an instrument of Thy peace;
where there is hatred, let me sow love;
where there is injury, pardon;
where there is doubt, faith;
where there is despair, hope;
where there is darkness, light;
and where there is sadness, joy.
O Divine Master,
grant that I may not so much seek to be consoled as to console;
to be understood, as to understand;
to be loved, as to love;
for it is in giving that we receive,
it is in pardoning that we are pardoned,
and it is in dying that we are born to eternal life.
Amen.
---
The Sydney Male Choir today sing the famous reflection of St Francis of Assisi to the setting of Rutter ‘Lord, make me an instrument of Thy peace’, in memory of Jason David McCarthy.
The great Sydney Male Choir is now rehearsing at 6.15PM at Aquinas Institute Harrington Street Sydney each Tuesday and are auditioning. enquiries@sydneymalechoir.com.au
The Twelve Days of
Christmas
By Anonymous
The first day of Christmas,
My true love sent to me
A partridge in a pear tree.
The second day of Christmas,
My true love sent to me
Two turtle doves, and
A partridge in a pear tree.
The third day of Christmas,
My true love sent to me
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The fourth day of Christmas,
My true love sent to me
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The fifth day of Christmas,
My true love sent to me
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The sixth day of Christmas,
My true love sent to me
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The seventh day of Christmas,
My true love sent to me
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The eighth day of Christmas,
My true love sent to me
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The ninth day of Christmas,
My true love sent to me
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The tenth day of Christmas,
My true love sent to me
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The eleventh day of Christmas
My true love sent to me
Eleven ladies dancing,
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The twelfth day of Christmas
My true love sent to me
Twelve fiddlers fiddling,
Eleven ladies dancing,
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
By Anonymous
The first day of Christmas,
My true love sent to me
A partridge in a pear tree.
The second day of Christmas,
My true love sent to me
Two turtle doves, and
A partridge in a pear tree.
The third day of Christmas,
My true love sent to me
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The fourth day of Christmas,
My true love sent to me
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The fifth day of Christmas,
My true love sent to me
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The sixth day of Christmas,
My true love sent to me
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The seventh day of Christmas,
My true love sent to me
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The eighth day of Christmas,
My true love sent to me
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The ninth day of Christmas,
My true love sent to me
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The tenth day of Christmas,
My true love sent to me
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The eleventh day of Christmas
My true love sent to me
Eleven ladies dancing,
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The twelfth day of Christmas
My true love sent to me
Twelve fiddlers fiddling,
Eleven ladies dancing,
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
Sun of God
By David Conolly
No need to search the skies. They beam light
to reach
The light is here, the shadow places
down here – in us
everywhere. and our poor world.
Shimmering Light
in people from the Light-source
whose lives whose birth
banish we celebrate.
rejection,
bitterness, They don’t know
indifference, they do it.
fear. That’s why they shine.
By David Conolly
No need to search the skies. They beam light
to reach
The light is here, the shadow places
down here – in us
everywhere. and our poor world.
Shimmering Light
in people from the Light-source
whose lives whose birth
banish we celebrate.
rejection,
bitterness, They don’t know
indifference, they do it.
fear. That’s why they shine.
The Sea and the Skylark
By Gerard Manley Hopkins
On ear and ear two noises too old to end
Trench—right, the tide that ramps against the shore;
With a flood or a fall, low lull-off or all roar,
Frequenting there while moon shall wear and wend.
Left hand, off land, I hear the lark ascend,
His rash-fresh re-winded new-skeinèd score
In crisps of curl off wild winch whirl, and pour
And pelt music, till none ’s to spill nor spend.
How these two shame this shallow and frail town!
How ring right out our sordid turbid time,
Being pure! We, life’s pride and cared-for crown,
Have lost that cheer and charm of earth’s past prime:
Our make and making break, are breaking, down
To man’s last dust, drain fast towards man’s first slime.
By Gerard Manley Hopkins
On ear and ear two noises too old to end
Trench—right, the tide that ramps against the shore;
With a flood or a fall, low lull-off or all roar,
Frequenting there while moon shall wear and wend.
Left hand, off land, I hear the lark ascend,
His rash-fresh re-winded new-skeinèd score
In crisps of curl off wild winch whirl, and pour
And pelt music, till none ’s to spill nor spend.
How these two shame this shallow and frail town!
How ring right out our sordid turbid time,
Being pure! We, life’s pride and cared-for crown,
Have lost that cheer and charm of earth’s past prime:
Our make and making break, are breaking, down
To man’s last dust, drain fast towards man’s first slime.
The Sun's Shame (Sonnets XCII and XCIII)
By Dante
Gabriel RossettiI
Beholding youth and hope in mockery caught
From life; and mocking pulses that remain
When the soul’s death of bodily death is fain;
Honour unknown, and honour known unsought;
And penury’s sedulous self-torturing thought
On gold, whose master therewith buys his bane;
And longed-for woman longing all in vain
For lonely man with love’s desire distraught;
And wealth, and strength, and power, and pleasantness,
Given unto bodies of whose souls men say,
None poor and weak, slavish and foul, as they:—
Beholding these things, I behold no less
The blushing morn and blushing eve confess
The shame that loads the intolerable day.
II
As some true chief of men, bowed down with stress
Of life’s disastrous eld, on blossoming youth
May gaze, and murmur with self-pity and ruth,—
“Might I thy fruitless treasure but possess,
Such blessing of mine all coming years should bless;”—
Then sends one sigh forth to the unknown goal,
And bitterly feels breathe against his soul
The hour swift-winged of nearer nothingness:—
Even so the World’s grey Soul to the green World
Perchance one hour must cry: “Woe’s me, for whom
Inveteracy of ill portends the doom,—
Whose heart’s old fire in shadow of shame is furl’d:
While thou even as of yore art journeying,
All soulless now, yet merry with the Spring!”
Theocritus:
A Villanelle
By Oscar Wilde
O singer of Persephone!
In the dim meadows desolate
Dost thou remember Sicily?
Still through the ivy flits the bee
Where Amaryllis lies in state;
O Singer of Persephone!
Simaetha calls on Hecate
And hears the wild dogs at the gate;
Dost thou remember Sicily?
Still by the light and laughing sea
Poor Polypheme bemoans his fate;
O Singer of Persephone!
And still in boyish rivalry
Young Daphnis challenges his mate;
Dost thou remember Sicily?
Slim Lacon keeps a goat for thee,
For thee the jocund shepherds wait;
O Singer of Persephone!
Dost thou remember Sicily?
By Oscar Wilde
O singer of Persephone!
In the dim meadows desolate
Dost thou remember Sicily?
Still through the ivy flits the bee
Where Amaryllis lies in state;
O Singer of Persephone!
Simaetha calls on Hecate
And hears the wild dogs at the gate;
Dost thou remember Sicily?
Still by the light and laughing sea
Poor Polypheme bemoans his fate;
O Singer of Persephone!
And still in boyish rivalry
Young Daphnis challenges his mate;
Dost thou remember Sicily?
Slim Lacon keeps a goat for thee,
For thee the jocund shepherds wait;
O Singer of Persephone!
Dost thou remember Sicily?
The
Owl and the Pussy-Cat
By Edward Lear
I
The Owl and the Pussy-cat went to sea
In a beautiful pea-green boat,
They took some honey, and plenty of money,
Wrapped up in a five-pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
"O lovely Pussy! O Pussy, my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!"
II
Pussy said to the Owl, "You elegant fowl!
How charmingly sweet you sing!
O let us be married! too long we have tarried:
But what shall we do for a ring?"
They sailed away, for a year and a day,
To the land where the Bong-Tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.
III
"Dear Pig, are you willing to sell for one shilling
Your ring?" Said the Piggy, "I will."
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.
By Edward Lear
I
The Owl and the Pussy-cat went to sea
In a beautiful pea-green boat,
They took some honey, and plenty of money,
Wrapped up in a five-pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
"O lovely Pussy! O Pussy, my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!"
II
Pussy said to the Owl, "You elegant fowl!
How charmingly sweet you sing!
O let us be married! too long we have tarried:
But what shall we do for a ring?"
They sailed away, for a year and a day,
To the land where the Bong-Tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.
III
"Dear Pig, are you willing to sell for one shilling
Your ring?" Said the Piggy, "I will."
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.
Sonnet 98: From you have I been absent in the spring
By William Shakespeare
From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leaped with him.
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odour and in hue,
Could make me any summer’s story tell,
Or from their proud lap pluck them where they grew:
Nor did I wonder at the lily’s white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight
Drawn after you, – you pattern of all those.
Yet seem’d it winter still, and, you away,
As with your shadow I with these did play.
By William Shakespeare
From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leaped with him.
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odour and in hue,
Could make me any summer’s story tell,
Or from their proud lap pluck them where they grew:
Nor did I wonder at the lily’s white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight
Drawn after you, – you pattern of all those.
Yet seem’d it winter still, and, you away,
As with your shadow I with these did play.
Old Pardon, the Son of Reprieve
By Banjo Paterson
You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the `Never',
His mother was Mameluke breed.
To the front -- and then stay there -- was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --
As hard as a flint and as fiery
Was Pardon, the son of Reprieve.
We ran him at many a meeting
At crossing and gully and town,
And nothing could give him a beating --
At least when our money was down.
For weight wouldn't stop him, nor distance,
Nor odds, though the others were fast,
He'd race with a dogged persistence,
And wear them all down at the last.
At the Turon the Yattendon filly
Led by lengths at the mile-and-a-half,
And we all began to look silly,
While HER crowd were starting to laugh;
But the old horse came faster and faster,
His pluck told its tale, and his strength,
He gained on her, caught her, and passed her,
And won it, hands-down, by a length.
And then we swooped down on Menindie
To run for the President's Cup --
Oh! that's a sweet township -- a shindy
To them is board, lodging, and sup.
Eye-openers they are, and their system
Is never to suffer defeat;
It's `win, tie, or wrangle' -- to best 'em
You must lose 'em, or else it's `dead heat'.
We strolled down the township and found 'em
At drinking and gaming and play;
If sorrows they had, why they drowned 'em,
And betting was soon under way.
Their horses were good 'uns and fit 'uns,
There was plenty of cash in the town;
They backed their own horses like Britons,
And, Lord! how WE rattled it down!
With gladness we thought of the morrow,
We counted our wagers with glee,
A simile homely to borrow --
`There was plenty of milk in our tea.'
You see we were green; and we never
Had even a thought of foul play,
Though we well might have known that the clever
Division would `put us away'.
Experience `docet', they tell us,
At least so I've frequently heard,
But, `dosing' or `stuffing', those fellows
Were up to each move on the board:
They got to his stall -- it is sinful
To think what such villains would do --
And they gave him a regular skinful
Of barley -- green barley -- to chew.
He munched it all night, and we found him
Next morning as full as a hog --
The girths wouldn't nearly meet round him;
He looked like an overfed frog.
We saw we were done like a dinner --
The odds were a thousand to one
Against Pardon turning up winner,
'Twas cruel to ask him to run.
We got to the course with our troubles,
A crestfallen couple were we;
And we heard the `books' calling the doubles --
A roar like the surf of the sea;
And over the tumult and louder
Rang `Any price Pardon, I lay!'
Says Jimmy, `The children of Judah
Are out on the warpath to-day.'
Three miles in three heats: -- Ah, my sonny,
The horses in those days were stout,
They had to run well to win money;
I don't see such horses about.
Your six-furlong vermin that scamper
Half-a-mile with their feather-weight up;
They wouldn't earn much of their damper
In a race like the President's Cup.
The first heat was soon set a-going;
The Dancer went off to the front;
The Don on his quarters was showing,
With Pardon right out of the hunt.
He rolled and he weltered and wallowed --
You'd kick your hat faster, I'll bet;
They finished all bunched, and he followed
All lathered and dripping with sweat.
But troubles came thicker upon us,
For while we were rubbing him dry
The stewards came over to warn us:
`We hear you are running a bye!
If Pardon don't spiel like tarnation
And win the next heat -- if he can --
He'll earn a disqualification;
Just think over THAT, now, my man!'
Our money all gone and our credit,
Our horse couldn't gallop a yard;
And then people thought that WE did it!
It really was terribly hard.
We were objects of mirth and derision
To folk in the lawn and the stand,
And the yells of the clever division
Of `Any price Pardon!' were grand.
We still had a chance for the money,
Two heats still remained to be run;
If both fell to us -- why, my sonny,
The clever division were done.
And Pardon was better, we reckoned,
His sickness was passing away,
So he went to the post for the second
And principal heat of the day.
They're off and away with a rattle,
Like dogs from the leashes let slip,
And right at the back of the battle
He followed them under the whip.
They gained ten good lengths on him quickly
He dropped right away from the pack;
I tell you it made me feel sickly
To see the blue jacket fall back.
Our very last hope had departed --
We thought the old fellow was done,
When all of a sudden he started
To go like a shot from a gun.
His chances seemed slight to embolden
Our hearts; but, with teeth firmly set,
We thought, `Now or never! The old 'un
May reckon with some of 'em yet.'
Then loud rose the war-cry for Pardon;
He swept like the wind down the dip,
And over the rise by the garden,
The jockey was done with the whip
The field were at sixes and sevens --
The pace at the first had been fast --
And hope seemed to drop from the heavens,
For Pardon was coming at last.
And how he did come! It was splendid;
He gained on them yards every bound,
Stretching out like a greyhound extended,
His girth laid right down on the ground.
A shimmer of silk in the cedars
As into the running they wheeled,
And out flashed the whips on the leaders,
For Pardon had collared the field.
Then right through the ruck he came sailing --
I knew that the battle was won --
The son of Haphazard was failing,
The Yattendon filly was done;
He cut down the Don and the Dancer,
He raced clean away from the mare --
He's in front! Catch him now if you can, sir!
And up went my hat in the air!
Then loud from the lawn and the garden
Rose offers of `Ten to one ON!'
`Who'll bet on the field? I back Pardon!'
No use; all the money was gone.
He came for the third heat light-hearted,
A-jumping and dancing about;
The others were done ere they started
Crestfallen, and tired, and worn out.
He won it, and ran it much faster
Than even the first, I believe
Oh, he was the daddy, the master,
Was Pardon, the son of Reprieve.
He showed 'em the method to travel --
The boy sat as still as a stone --
They never could see him for gravel;
He came in hard-held, and alone.
. . . . .
But he's old -- and his eyes are grown hollow;
Like me, with my thatch of the snow;
When he dies, then I hope I may follow,
And go where the racehorses go.
I don't want no harping nor singing --
Such things with my style don't agree;
Where the hoofs of the horses are ringing
There's music sufficient for me.
And surely the thoroughbred horses
Will rise up again and begin
Fresh races on far-away courses,
And p'raps they might let me slip in.
It would look rather well the race-card on
'Mongst Cherubs and Seraphs and things,
`Angel Harrison's black gelding Pardon,
Blue halo, white body and wings.'
And if they have racing hereafter,
(And who is to say they will not?)
When the cheers and the shouting and laughter
Proclaim that the battle grows hot;
As they come down the racecourse a-steering,
He'll rush to the front, I believe;
And you'll hear the great multitude cheering
For Pardon, the son of Reprieve.
By Banjo Paterson
You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the `Never',
His mother was Mameluke breed.
To the front -- and then stay there -- was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --
As hard as a flint and as fiery
Was Pardon, the son of Reprieve.
We ran him at many a meeting
At crossing and gully and town,
And nothing could give him a beating --
At least when our money was down.
For weight wouldn't stop him, nor distance,
Nor odds, though the others were fast,
He'd race with a dogged persistence,
And wear them all down at the last.
At the Turon the Yattendon filly
Led by lengths at the mile-and-a-half,
And we all began to look silly,
While HER crowd were starting to laugh;
But the old horse came faster and faster,
His pluck told its tale, and his strength,
He gained on her, caught her, and passed her,
And won it, hands-down, by a length.
And then we swooped down on Menindie
To run for the President's Cup --
Oh! that's a sweet township -- a shindy
To them is board, lodging, and sup.
Eye-openers they are, and their system
Is never to suffer defeat;
It's `win, tie, or wrangle' -- to best 'em
You must lose 'em, or else it's `dead heat'.
We strolled down the township and found 'em
At drinking and gaming and play;
If sorrows they had, why they drowned 'em,
And betting was soon under way.
Their horses were good 'uns and fit 'uns,
There was plenty of cash in the town;
They backed their own horses like Britons,
And, Lord! how WE rattled it down!
With gladness we thought of the morrow,
We counted our wagers with glee,
A simile homely to borrow --
`There was plenty of milk in our tea.'
You see we were green; and we never
Had even a thought of foul play,
Though we well might have known that the clever
Division would `put us away'.
Experience `docet', they tell us,
At least so I've frequently heard,
But, `dosing' or `stuffing', those fellows
Were up to each move on the board:
They got to his stall -- it is sinful
To think what such villains would do --
And they gave him a regular skinful
Of barley -- green barley -- to chew.
He munched it all night, and we found him
Next morning as full as a hog --
The girths wouldn't nearly meet round him;
He looked like an overfed frog.
We saw we were done like a dinner --
The odds were a thousand to one
Against Pardon turning up winner,
'Twas cruel to ask him to run.
We got to the course with our troubles,
A crestfallen couple were we;
And we heard the `books' calling the doubles --
A roar like the surf of the sea;
And over the tumult and louder
Rang `Any price Pardon, I lay!'
Says Jimmy, `The children of Judah
Are out on the warpath to-day.'
Three miles in three heats: -- Ah, my sonny,
The horses in those days were stout,
They had to run well to win money;
I don't see such horses about.
Your six-furlong vermin that scamper
Half-a-mile with their feather-weight up;
They wouldn't earn much of their damper
In a race like the President's Cup.
The first heat was soon set a-going;
The Dancer went off to the front;
The Don on his quarters was showing,
With Pardon right out of the hunt.
He rolled and he weltered and wallowed --
You'd kick your hat faster, I'll bet;
They finished all bunched, and he followed
All lathered and dripping with sweat.
But troubles came thicker upon us,
For while we were rubbing him dry
The stewards came over to warn us:
`We hear you are running a bye!
If Pardon don't spiel like tarnation
And win the next heat -- if he can --
He'll earn a disqualification;
Just think over THAT, now, my man!'
Our money all gone and our credit,
Our horse couldn't gallop a yard;
And then people thought that WE did it!
It really was terribly hard.
We were objects of mirth and derision
To folk in the lawn and the stand,
And the yells of the clever division
Of `Any price Pardon!' were grand.
We still had a chance for the money,
Two heats still remained to be run;
If both fell to us -- why, my sonny,
The clever division were done.
And Pardon was better, we reckoned,
His sickness was passing away,
So he went to the post for the second
And principal heat of the day.
They're off and away with a rattle,
Like dogs from the leashes let slip,
And right at the back of the battle
He followed them under the whip.
They gained ten good lengths on him quickly
He dropped right away from the pack;
I tell you it made me feel sickly
To see the blue jacket fall back.
Our very last hope had departed --
We thought the old fellow was done,
When all of a sudden he started
To go like a shot from a gun.
His chances seemed slight to embolden
Our hearts; but, with teeth firmly set,
We thought, `Now or never! The old 'un
May reckon with some of 'em yet.'
Then loud rose the war-cry for Pardon;
He swept like the wind down the dip,
And over the rise by the garden,
The jockey was done with the whip
The field were at sixes and sevens --
The pace at the first had been fast --
And hope seemed to drop from the heavens,
For Pardon was coming at last.
And how he did come! It was splendid;
He gained on them yards every bound,
Stretching out like a greyhound extended,
His girth laid right down on the ground.
A shimmer of silk in the cedars
As into the running they wheeled,
And out flashed the whips on the leaders,
For Pardon had collared the field.
Then right through the ruck he came sailing --
I knew that the battle was won --
The son of Haphazard was failing,
The Yattendon filly was done;
He cut down the Don and the Dancer,
He raced clean away from the mare --
He's in front! Catch him now if you can, sir!
And up went my hat in the air!
Then loud from the lawn and the garden
Rose offers of `Ten to one ON!'
`Who'll bet on the field? I back Pardon!'
No use; all the money was gone.
He came for the third heat light-hearted,
A-jumping and dancing about;
The others were done ere they started
Crestfallen, and tired, and worn out.
He won it, and ran it much faster
Than even the first, I believe
Oh, he was the daddy, the master,
Was Pardon, the son of Reprieve.
He showed 'em the method to travel --
The boy sat as still as a stone --
They never could see him for gravel;
He came in hard-held, and alone.
. . . . .
But he's old -- and his eyes are grown hollow;
Like me, with my thatch of the snow;
When he dies, then I hope I may follow,
And go where the racehorses go.
I don't want no harping nor singing --
Such things with my style don't agree;
Where the hoofs of the horses are ringing
There's music sufficient for me.
And surely the thoroughbred horses
Will rise up again and begin
Fresh races on far-away courses,
And p'raps they might let me slip in.
It would look rather well the race-card on
'Mongst Cherubs and Seraphs and things,
`Angel Harrison's black gelding Pardon,
Blue halo, white body and wings.'
And if they have racing hereafter,
(And who is to say they will not?)
When the cheers and the shouting and laughter
Proclaim that the battle grows hot;
As they come down the racecourse a-steering,
He'll rush to the front, I believe;
And you'll hear the great multitude cheering
For Pardon, the son of Reprieve.
Old
Pardon, the Son of Reprieve
By Banjo Paterson
You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the `Never',
His mother was Mameluke breed.
To the front -- and then stay there -- was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --
As hard as a flint and as fiery
Was Pardon, the son of Reprieve.
We ran him at many a meeting
At crossing and gully and town,
And nothing could give him a beating --
At least when our money was down.
For weight wouldn't stop him, nor distance,
Nor odds, though the others were fast,
He'd race with a dogged persistence,
And wear them all down at the last.
At the Turon the Yattendon filly
Led by lengths at the mile-and-a-half,
And we all began to look silly,
While HER crowd were starting to laugh;
But the old horse came faster and faster,
His pluck told its tale, and his strength,
He gained on her, caught her, and passed her,
And won it, hands-down, by a length.
And then we swooped down on Menindie
To run for the President's Cup --
Oh! that's a sweet township -- a shindy
To them is board, lodging, and sup.
Eye-openers they are, and their system
Is never to suffer defeat;
It's `win, tie, or wrangle' -- to best 'em
You must lose 'em, or else it's `dead heat'.
We strolled down the township and found 'em
At drinking and gaming and play;
If sorrows they had, why they drowned 'em,
And betting was soon under way.
Their horses were good 'uns and fit 'uns,
There was plenty of cash in the town;
They backed their own horses like Britons,
And, Lord! how WE rattled it down!
With gladness we thought of the morrow,
We counted our wagers with glee,
A simile homely to borrow --
`There was plenty of milk in our tea.'
You see we were green; and we never
Had even a thought of foul play,
Though we well might have known that the clever
Division would `put us away'.
Experience `docet', they tell us,
At least so I've frequently heard,
But, `dosing' or `stuffing', those fellows
Were up to each move on the board:
They got to his stall -- it is sinful
To think what such villains would do --
And they gave him a regular skinful
Of barley -- green barley -- to chew.
He munched it all night, and we found him
Next morning as full as a hog --
The girths wouldn't nearly meet round him;
He looked like an overfed frog.
We saw we were done like a dinner --
The odds were a thousand to one
Against Pardon turning up winner,
'Twas cruel to ask him to run.
We got to the course with our troubles,
A crestfallen couple were we;
And we heard the `books' calling the doubles --
A roar like the surf of the sea;
And over the tumult and louder
Rang `Any price Pardon, I lay!'
Says Jimmy, `The children of Judah
Are out on the warpath to-day.'
Three miles in three heats: -- Ah, my sonny,
The horses in those days were stout,
They had to run well to win money;
I don't see such horses about.
Your six-furlong vermin that scamper
Half-a-mile with their feather-weight up;
They wouldn't earn much of their damper
In a race like the President's Cup.
The first heat was soon set a-going;
The Dancer went off to the front;
The Don on his quarters was showing,
With Pardon right out of the hunt.
He rolled and he weltered and wallowed --
You'd kick your hat faster, I'll bet;
They finished all bunched, and he followed
All lathered and dripping with sweat.
But troubles came thicker upon us,
For while we were rubbing him dry
The stewards came over to warn us:
`We hear you are running a bye!
If Pardon don't spiel like tarnation
And win the next heat -- if he can --
He'll earn a disqualification;
Just think over THAT, now, my man!'
Our money all gone and our credit,
Our horse couldn't gallop a yard;
And then people thought that WE did it!
It really was terribly hard.
We were objects of mirth and derision
To folk in the lawn and the stand,
And the yells of the clever division
Of `Any price Pardon!' were grand.
We still had a chance for the money,
Two heats still remained to be run;
If both fell to us -- why, my sonny,
The clever division were done.
And Pardon was better, we reckoned,
His sickness was passing away,
So he went to the post for the second
And principal heat of the day.
They're off and away with a rattle,
Like dogs from the leashes let slip,
And right at the back of the battle
He followed them under the whip.
They gained ten good lengths on him quickly
He dropped right away from the pack;
I tell you it made me feel sickly
To see the blue jacket fall back.
Our very last hope had departed --
We thought the old fellow was done,
When all of a sudden he started
To go like a shot from a gun.
His chances seemed slight to embolden
Our hearts; but, with teeth firmly set,
We thought, `Now or never! The old 'un
May reckon with some of 'em yet.'
Then loud rose the war-cry for Pardon;
He swept like the wind down the dip,
And over the rise by the garden,
The jockey was done with the whip
The field were at sixes and sevens --
The pace at the first had been fast --
And hope seemed to drop from the heavens,
For Pardon was coming at last.
And how he did come! It was splendid;
He gained on them yards every bound,
Stretching out like a greyhound extended,
His girth laid right down on the ground.
A shimmer of silk in the cedars
As into the running they wheeled,
And out flashed the whips on the leaders,
For Pardon had collared the field.
Then right through the ruck he came sailing --
I knew that the battle was won --
The son of Haphazard was failing,
The Yattendon filly was done;
He cut down the Don and the Dancer,
He raced clean away from the mare --
He's in front! Catch him now if you can, sir!
And up went my hat in the air!
Then loud from the lawn and the garden
Rose offers of `Ten to one ON!'
`Who'll bet on the field? I back Pardon!'
No use; all the money was gone.
He came for the third heat light-hearted,
A-jumping and dancing about;
The others were done ere they started
Crestfallen, and tired, and worn out.
He won it, and ran it much faster
Than even the first, I believe
Oh, he was the daddy, the master,
Was Pardon, the son of Reprieve.
He showed 'em the method to travel --
The boy sat as still as a stone --
They never could see him for gravel;
He came in hard-held, and alone.
. . . . .
But he's old -- and his eyes are grown hollow;
Like me, with my thatch of the snow;
When he dies, then I hope I may follow,
And go where the racehorses go.
I don't want no harping nor singing --
Such things with my style don't agree;
Where the hoofs of the horses are ringing
There's music sufficient for me.
And surely the thoroughbred horses
Will rise up again and begin
Fresh races on far-away courses,
And p'raps they might let me slip in.
It would look rather well the race-card on
'Mongst Cherubs and Seraphs and things,
`Angel Harrison's black gelding Pardon,
Blue halo, white body and wings.'
And if they have racing hereafter,
(And who is to say they will not?)
When the cheers and the shouting and laughter
Proclaim that the battle grows hot;
As they come down the racecourse a-steering,
He'll rush to the front, I believe;
And you'll hear the great multitude cheering
For Pardon, the son of Reprieve.
By Banjo Paterson
You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the `Never',
His mother was Mameluke breed.
To the front -- and then stay there -- was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --
As hard as a flint and as fiery
Was Pardon, the son of Reprieve.
We ran him at many a meeting
At crossing and gully and town,
And nothing could give him a beating --
At least when our money was down.
For weight wouldn't stop him, nor distance,
Nor odds, though the others were fast,
He'd race with a dogged persistence,
And wear them all down at the last.
At the Turon the Yattendon filly
Led by lengths at the mile-and-a-half,
And we all began to look silly,
While HER crowd were starting to laugh;
But the old horse came faster and faster,
His pluck told its tale, and his strength,
He gained on her, caught her, and passed her,
And won it, hands-down, by a length.
And then we swooped down on Menindie
To run for the President's Cup --
Oh! that's a sweet township -- a shindy
To them is board, lodging, and sup.
Eye-openers they are, and their system
Is never to suffer defeat;
It's `win, tie, or wrangle' -- to best 'em
You must lose 'em, or else it's `dead heat'.
We strolled down the township and found 'em
At drinking and gaming and play;
If sorrows they had, why they drowned 'em,
And betting was soon under way.
Their horses were good 'uns and fit 'uns,
There was plenty of cash in the town;
They backed their own horses like Britons,
And, Lord! how WE rattled it down!
With gladness we thought of the morrow,
We counted our wagers with glee,
A simile homely to borrow --
`There was plenty of milk in our tea.'
You see we were green; and we never
Had even a thought of foul play,
Though we well might have known that the clever
Division would `put us away'.
Experience `docet', they tell us,
At least so I've frequently heard,
But, `dosing' or `stuffing', those fellows
Were up to each move on the board:
They got to his stall -- it is sinful
To think what such villains would do --
And they gave him a regular skinful
Of barley -- green barley -- to chew.
He munched it all night, and we found him
Next morning as full as a hog --
The girths wouldn't nearly meet round him;
He looked like an overfed frog.
We saw we were done like a dinner --
The odds were a thousand to one
Against Pardon turning up winner,
'Twas cruel to ask him to run.
We got to the course with our troubles,
A crestfallen couple were we;
And we heard the `books' calling the doubles --
A roar like the surf of the sea;
And over the tumult and louder
Rang `Any price Pardon, I lay!'
Says Jimmy, `The children of Judah
Are out on the warpath to-day.'
Three miles in three heats: -- Ah, my sonny,
The horses in those days were stout,
They had to run well to win money;
I don't see such horses about.
Your six-furlong vermin that scamper
Half-a-mile with their feather-weight up;
They wouldn't earn much of their damper
In a race like the President's Cup.
The first heat was soon set a-going;
The Dancer went off to the front;
The Don on his quarters was showing,
With Pardon right out of the hunt.
He rolled and he weltered and wallowed --
You'd kick your hat faster, I'll bet;
They finished all bunched, and he followed
All lathered and dripping with sweat.
But troubles came thicker upon us,
For while we were rubbing him dry
The stewards came over to warn us:
`We hear you are running a bye!
If Pardon don't spiel like tarnation
And win the next heat -- if he can --
He'll earn a disqualification;
Just think over THAT, now, my man!'
Our money all gone and our credit,
Our horse couldn't gallop a yard;
And then people thought that WE did it!
It really was terribly hard.
We were objects of mirth and derision
To folk in the lawn and the stand,
And the yells of the clever division
Of `Any price Pardon!' were grand.
We still had a chance for the money,
Two heats still remained to be run;
If both fell to us -- why, my sonny,
The clever division were done.
And Pardon was better, we reckoned,
His sickness was passing away,
So he went to the post for the second
And principal heat of the day.
They're off and away with a rattle,
Like dogs from the leashes let slip,
And right at the back of the battle
He followed them under the whip.
They gained ten good lengths on him quickly
He dropped right away from the pack;
I tell you it made me feel sickly
To see the blue jacket fall back.
Our very last hope had departed --
We thought the old fellow was done,
When all of a sudden he started
To go like a shot from a gun.
His chances seemed slight to embolden
Our hearts; but, with teeth firmly set,
We thought, `Now or never! The old 'un
May reckon with some of 'em yet.'
Then loud rose the war-cry for Pardon;
He swept like the wind down the dip,
And over the rise by the garden,
The jockey was done with the whip
The field were at sixes and sevens --
The pace at the first had been fast --
And hope seemed to drop from the heavens,
For Pardon was coming at last.
And how he did come! It was splendid;
He gained on them yards every bound,
Stretching out like a greyhound extended,
His girth laid right down on the ground.
A shimmer of silk in the cedars
As into the running they wheeled,
And out flashed the whips on the leaders,
For Pardon had collared the field.
Then right through the ruck he came sailing --
I knew that the battle was won --
The son of Haphazard was failing,
The Yattendon filly was done;
He cut down the Don and the Dancer,
He raced clean away from the mare --
He's in front! Catch him now if you can, sir!
And up went my hat in the air!
Then loud from the lawn and the garden
Rose offers of `Ten to one ON!'
`Who'll bet on the field? I back Pardon!'
No use; all the money was gone.
He came for the third heat light-hearted,
A-jumping and dancing about;
The others were done ere they started
Crestfallen, and tired, and worn out.
He won it, and ran it much faster
Than even the first, I believe
Oh, he was the daddy, the master,
Was Pardon, the son of Reprieve.
He showed 'em the method to travel --
The boy sat as still as a stone --
They never could see him for gravel;
He came in hard-held, and alone.
. . . . .
But he's old -- and his eyes are grown hollow;
Like me, with my thatch of the snow;
When he dies, then I hope I may follow,
And go where the racehorses go.
I don't want no harping nor singing --
Such things with my style don't agree;
Where the hoofs of the horses are ringing
There's music sufficient for me.
And surely the thoroughbred horses
Will rise up again and begin
Fresh races on far-away courses,
And p'raps they might let me slip in.
It would look rather well the race-card on
'Mongst Cherubs and Seraphs and things,
`Angel Harrison's black gelding Pardon,
Blue halo, white body and wings.'
And if they have racing hereafter,
(And who is to say they will not?)
When the cheers and the shouting and laughter
Proclaim that the battle grows hot;
As they come down the racecourse a-steering,
He'll rush to the front, I believe;
And you'll hear the great multitude cheering
For Pardon, the son of Reprieve.
Spirits of the Dead
By Edgar Allan Poe
I
Thy soul shall find itself alone
’Mid dark thoughts of the gray tombstone—
Not one, of all the crowd, to pry
Into thine hour of secrecy.
II
Be silent in that solitude,
Which is not loneliness—for then
The spirits of the dead who stood
In life before thee are again
In death around thee—and their will
Shall overshadow thee: be still.
III
The night, tho’ clear, shall frown—
And the stars shall look not down
From their high thrones in the heaven,
With light like Hope to mortals given—
But their red orbs, without beam,
To thy weariness shall seem
As a burning and a fever
Which would cling to thee for ever.
IV
Now are thoughts thou shalt not banish,
Now are visions ne’er to vanish;
From thy spirit shall they pass
No more—like dew-drop from the grass.
V
The breeze—the breath of God—is still—
And the mist upon the hill,
Shadowy—shadowy—yet unbroken,
Is a symbol and a token—
How it hangs upon the trees,
A mystery of mysteries!
By Edgar Allan Poe
I
Thy soul shall find itself alone
’Mid dark thoughts of the gray tombstone—
Not one, of all the crowd, to pry
Into thine hour of secrecy.
II
Be silent in that solitude,
Which is not loneliness—for then
The spirits of the dead who stood
In life before thee are again
In death around thee—and their will
Shall overshadow thee: be still.
III
The night, tho’ clear, shall frown—
And the stars shall look not down
From their high thrones in the heaven,
With light like Hope to mortals given—
But their red orbs, without beam,
To thy weariness shall seem
As a burning and a fever
Which would cling to thee for ever.
IV
Now are thoughts thou shalt not banish,
Now are visions ne’er to vanish;
From thy spirit shall they pass
No more—like dew-drop from the grass.
V
The breeze—the breath of God—is still—
And the mist upon the hill,
Shadowy—shadowy—yet unbroken,
Is a symbol and a token—
How it hangs upon the trees,
A mystery of mysteries!
The Poppy
By Jane Taylor
High on a bright and sunny bed
A scarlet poppy grew
And up it held its staring head,
And thrust it full in view.
Yet no attention did it win,
By all these efforts made,
And less unwelcome had it been
In some retired shade.
Although within its scarlet breast
No sweet perfume was found,
It seemed to think itself the best
Of all the flowers round,
From this I may a hint obtain
And take great care indeed,
Lest I appear as pert and vain
As does this gaudy weed.
By Jane Taylor
High on a bright and sunny bed
A scarlet poppy grew
And up it held its staring head,
And thrust it full in view.
Yet no attention did it win,
By all these efforts made,
And less unwelcome had it been
In some retired shade.
Although within its scarlet breast
No sweet perfume was found,
It seemed to think itself the best
Of all the flowers round,
From this I may a hint obtain
And take great care indeed,
Lest I appear as pert and vain
As does this gaudy weed.
Scorn not the Sonnet
By William Wordsworth
Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakespeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothed an exile's grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways; and, when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains—alas, too few!
By William Wordsworth
Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakespeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothed an exile's grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways; and, when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains—alas, too few!
Part One: Life LXXIX |
| I YEARS had been from home, |
| And now, before the door, |
| I dared not open, lest a face |
| I never saw before |
| |
| Stare vacant into mine |
| And ask my business there. |
| My business,—just a life I left, |
| Was such still dwelling there? |
| |
| I fumbled at my nerve, |
| I scanned the windows near; |
| The silence like an ocean rolled, |
| And broke against my ear. |
| |
| I laughed a wooden laugh |
| That I could fear a door, |
| Who danger and the dead had faced, |
| But never quaked before. |
| |
| I fitted to the latch |
| My hand, with trembling care, |
| Lest back the awful door should spring, |
| And leave me standing there. |
| |
| I moved my fingers off |
| As cautiously as glass, |
| And held my ears, and like a thief |
| Fled gasping from the house. |
Introduction to the Songs of
Innocence
By William Blake
Piping down the valleys wild
Piping songs of pleasant glee
On a cloud I saw a child.
And he laughing said to me.
Pipe a song about a Lamb;
So I piped with merry chear,
Piper pipe that song again—
So I piped, he wept to hear.
Drop thy pipe thy happy pipe
Sing thy songs of happy chear,
So I sung the same again
While he wept with joy to hear
Piper sit thee down and write
In a book that all may read—
So he vanish'd from my sight.
And I pluck'd a hollow reed.
And I made a rural pen,
And I stain'd the water clear,
And I wrote my happy songs
Every child may joy to hear
By William Blake
Piping down the valleys wild
Piping songs of pleasant glee
On a cloud I saw a child.
And he laughing said to me.
Pipe a song about a Lamb;
So I piped with merry chear,
Piper pipe that song again—
So I piped, he wept to hear.
Drop thy pipe thy happy pipe
Sing thy songs of happy chear,
So I sung the same again
While he wept with joy to hear
Piper sit thee down and write
In a book that all may read—
So he vanish'd from my sight.
And I pluck'd a hollow reed.
And I made a rural pen,
And I stain'd the water clear,
And I wrote my happy songs
Every child may joy to hear
Lines Written in Early Spring
By William Wordsworth
I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And ’tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure:—
But the least motion which they made
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature’s holy plan,
Have I not reason to lament
What man has made of man?
By William Wordsworth
I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And ’tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure:—
But the least motion which they made
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature’s holy plan,
Have I not reason to lament
What man has made of man?
November Night
By Adelaide Crapsey
Listen.
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost - crisp'd, break from the trees
And fall.
By Adelaide Crapsey
Listen.
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost - crisp'd, break from the trees
And fall.
Voices of the Air
By Katherine Mansfield
But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.
The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats
The little throats that sing and rise
Up into the light with lovely ease
And a kind of magical, sweet surprise
To hear and know themselves for these
For these little voices: the bee, the fly,
The leaf that taps, the pod that breaks,
The breeze on the grass-tops bending by,
The shrill quick sound that the insect makes.
By Katherine Mansfield
But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.
The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats
The little throats that sing and rise
Up into the light with lovely ease
And a kind of magical, sweet surprise
To hear and know themselves for these
For these little voices: the bee, the fly,
The leaf that taps, the pod that breaks,
The breeze on the grass-tops bending by,
The shrill quick sound that the insect makes.
Lights
Out
Edward Thomas, 1878 - 1917
I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.
Many a road and track
That, since the dawn’s first crack,
Up to the forest brink,
Deceived the travellers,
Suddenly now blurs,
And in they sink.
Here love ends,
Despair, ambition ends;
All pleasure and all trouble,
Although most sweet or bitter,
Here ends in sleep that is sweeter
Than tasks most noble.
Edward Thomas, 1878 - 1917
I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.
Many a road and track
That, since the dawn’s first crack,
Up to the forest brink,
Deceived the travellers,
Suddenly now blurs,
And in they sink.
Here love ends,
Despair, ambition ends;
All pleasure and all trouble,
Although most sweet or bitter,
Here ends in sleep that is sweeter
Than tasks most noble.
Floating Island
By Dorothy Wordsworth
Harmonious Powers with Nature work
On sky, earth, river, lake, and sea:
Sunshine and storm, whirlwind and breeze
All in one duteous task agree.
Once did I see a slip of earth,
By throbbing waves long undermined,
Loosed from its hold; — how no one knew
But all might see it float, obedient to the wind.
Might see it, from the mossy shore
Dissevered float upon the Lake,
Float, with its crest of trees adorned
On which the warbling birds their pastime take.
Food, shelter, safety there they find
There berries ripen, flowerets bloom;
There insects live their lives — and die:
A peopled world it is; in size a tiny room.
And thus through many seasons’ space
This little Island may survive
But Nature, though we mark her not,
Will take away — may cease to give.
Perchance when you are wandering forth
Upon some vacant sunny day
Without an object, hope, or fear,
Thither your eyes may turn — the Isle is passed away.
Buried beneath the glittering Lake!
Its place no longer to be found,
Yet the lost fragments shall remain,
To fertilize some other ground.
By Dorothy Wordsworth
Harmonious Powers with Nature work
On sky, earth, river, lake, and sea:
Sunshine and storm, whirlwind and breeze
All in one duteous task agree.
Once did I see a slip of earth,
By throbbing waves long undermined,
Loosed from its hold; — how no one knew
But all might see it float, obedient to the wind.
Might see it, from the mossy shore
Dissevered float upon the Lake,
Float, with its crest of trees adorned
On which the warbling birds their pastime take.
Food, shelter, safety there they find
There berries ripen, flowerets bloom;
There insects live their lives — and die:
A peopled world it is; in size a tiny room.
And thus through many seasons’ space
This little Island may survive
But Nature, though we mark her not,
Will take away — may cease to give.
Perchance when you are wandering forth
Upon some vacant sunny day
Without an object, hope, or fear,
Thither your eyes may turn — the Isle is passed away.
Buried beneath the glittering Lake!
Its place no longer to be found,
Yet the lost fragments shall remain,
To fertilize some other ground.
Sonnet 15: When I consider
everything that grows
By William Shakespeare
When I consider everything that grows
Holds in perfection but a little moment,
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase,
Cheered and check'd even by the selfsame sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful Time debateth with Decay
To change your day of youth to sullied night;
And all in war with Time for love of you,
As he takes from you, I engraft you new.
By William Shakespeare
When I consider everything that grows
Holds in perfection but a little moment,
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase,
Cheered and check'd even by the selfsame sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful Time debateth with Decay
To change your day of youth to sullied night;
And all in war with Time for love of you,
As he takes from you, I engraft you new.
A Man Said to the Universe
BY STEPHEN CRANE
A man said to the universe:
“Sir, I exist!”
“However,” replied the universe,
“The fact has not created in me
A sense of obligation.”
BY STEPHEN CRANE
A man said to the universe:
“Sir, I exist!”
“However,” replied the universe,
“The fact has not created in me
A sense of obligation.”
“Blow, blow, thou winter wind”
By William Shakespeare
Blow, blow, thou winter wind,
Thou art not so unkind
As man’s ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho, the holly!
This life is most jolly.
Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remembered not.
Heigh-ho! sing, heigh-ho! unto the green holly...
By William Shakespeare
Blow, blow, thou winter wind,
Thou art not so unkind
As man’s ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho, the holly!
This life is most jolly.
Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remembered not.
Heigh-ho! sing, heigh-ho! unto the green holly...
Piano
by D.H. Lawrence
Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.
In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cosy parlour, the tinkling piano our guide.
So now it is vain for the singer to burst into clamour
With the great black piano appassionato. The glamour
Of childish days is upon me, my manhood is cast
Down in the flood of remembrance, I weep like a child for the past.
by D.H. Lawrence
Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.
In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cosy parlour, the tinkling piano our guide.
So now it is vain for the singer to burst into clamour
With the great black piano appassionato. The glamour
Of childish days is upon me, my manhood is cast
Down in the flood of remembrance, I weep like a child for the past.
Moon in the Morning
By Mary Eleanor Roberts
WHAT dost thou, so ghostly white
In the halls of day?—
Facing the triumphant light,
Reveler astray?
When thy silver court was kept,
Thou and thine were free,
And the sun, while dotards slept,
Did not spy on thee.
Scent of jasmine, voices low,
Dost thou seek them yet—
Lovers of the long ago
Thou canst not forget?
Day’s gay banners all unfurled
Flaunt from sea to sea:
All the work of all the world
Calls the sun and me.
Nay, thou shalt not bid me stand!
Nay, I will not yield!
Strong to-day in my right hand
Is the brand I wield.
Then aroint thee, shadow fly!
Wherefore haunt me so—
Hanging mournful in the sky,
Pale and loath to go?
By Mary Eleanor Roberts
WHAT dost thou, so ghostly white
In the halls of day?—
Facing the triumphant light,
Reveler astray?
When thy silver court was kept,
Thou and thine were free,
And the sun, while dotards slept,
Did not spy on thee.
Scent of jasmine, voices low,
Dost thou seek them yet—
Lovers of the long ago
Thou canst not forget?
Day’s gay banners all unfurled
Flaunt from sea to sea:
All the work of all the world
Calls the sun and me.
Nay, thou shalt not bid me stand!
Nay, I will not yield!
Strong to-day in my right hand
Is the brand I wield.
Then aroint thee, shadow fly!
Wherefore haunt me so—
Hanging mournful in the sky,
Pale and loath to go?
The Flower Boat
By Robert Frost
THE FISHERMAN’S swapping a yarn for a yarn
Under the hand of the village barber,
And here in the angle of house and barn
His deep-sea dory has found a harbor.
At anchor she rides the sunny sod
As full to the gunnel with flowers a-growing
As ever she turned her home with cod
From George’s Bank when winds were blowing.
And I know from that Elysian freight
She will brave but once more the Atlantic weather,
When dory and fisherman sail by fate
To seek for the Happy Isles together.
By Robert Frost
THE FISHERMAN’S swapping a yarn for a yarn
Under the hand of the village barber,
And here in the angle of house and barn
His deep-sea dory has found a harbor.
At anchor she rides the sunny sod
As full to the gunnel with flowers a-growing
As ever she turned her home with cod
From George’s Bank when winds were blowing.
And I know from that Elysian freight
She will brave but once more the Atlantic weather,
When dory and fisherman sail by fate
To seek for the Happy Isles together.
Robin Hood
By John Keats
TO A FRIEND
No! those days are gone away
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.
No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.
On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale
Messenger for spicy ale.
Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grenè shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her—strange! that honey
Can't be got without hard money!
So it is: yet let us sing,
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
And to all the Sherwood-clan!
Though their days have hurried by
Let us two a burden try.
By John Keats
TO A FRIEND
No! those days are gone away
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.
No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.
On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale
Messenger for spicy ale.
Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grenè shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her—strange! that honey
Can't be got without hard money!
So it is: yet let us sing,
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
And to all the Sherwood-clan!
Though their days have hurried by
Let us two a burden try.
A Red, Red Rose by Robert Burns
By Robert Burns
O my Luve’s like a red, red rose,
That’s newly sprung in June:
O my Luve’s like the melodie,
That’s sweetly play’d in tune.
As fair art thou, my bonie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.
Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
And I will luve thee still, my dear,
While the sands o’ life shall run.
And fare-thee-weel, my only Luve!
And fare-thee-weel, a while!
And I will come again, my Luve,
Tho’ ’twere ten thousand mile!
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
By Robert Burns
O my Luve’s like a red, red rose,
That’s newly sprung in June:
O my Luve’s like the melodie,
That’s sweetly play’d in tune.
As fair art thou, my bonie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.
Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
And I will luve thee still, my dear,
While the sands o’ life shall run.
And fare-thee-weel, my only Luve!
And fare-thee-weel, a while!
And I will come again, my Luve,
Tho’ ’twere ten thousand mile!
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
Autumn Leaves
By Yves Montand
The falling leaves drift by the window
The autumn leaves of red and gold
I see your lips, the summer kisses
The sunburned hand I used to hold
Since you went away the days grow long
And soon I'll hear old winter's song
But I miss you most of all, my darling
When autumn leaves start to fall
I see your lips, the summer kisses
The sunburned hand I used to hold
Since you went away the days grow long
And soon I'll hear old winter's song
But I miss you most of all, my darling
When autumn leaves start to fall
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
By Yves Montand
The falling leaves drift by the window
The autumn leaves of red and gold
I see your lips, the summer kisses
The sunburned hand I used to hold
Since you went away the days grow long
And soon I'll hear old winter's song
But I miss you most of all, my darling
When autumn leaves start to fall
I see your lips, the summer kisses
The sunburned hand I used to hold
Since you went away the days grow long
And soon I'll hear old winter's song
But I miss you most of all, my darling
When autumn leaves start to fall
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
An Evening Prayer from Under Milk Wood
by Dylan Thomas
Every morning when I wake,
Dear Lord, a little prayer I make,
O please do keep Thy lovely eye
On all poor creatures born to die.
And every evening at sun-down
I ask a blessing on the town,
For whether we last the night or no
I’m sure is always touch-and-go.
We are not wholly bad or good
Who live our lives under Milk Wood,
And Thou, I know, wilt be the first
To see our best side, not our worst.
O let us see another day!
Bless us all this night, I pray,
And to the sun we all will bow
And say, good-bye – but just for now!
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
by Dylan Thomas
Every morning when I wake,
Dear Lord, a little prayer I make,
O please do keep Thy lovely eye
On all poor creatures born to die.
And every evening at sun-down
I ask a blessing on the town,
For whether we last the night or no
I’m sure is always touch-and-go.
We are not wholly bad or good
Who live our lives under Milk Wood,
And Thou, I know, wilt be the first
To see our best side, not our worst.
O let us see another day!
Bless us all this night, I pray,
And to the sun we all will bow
And say, good-bye – but just for now!
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
Of a Poynted Diamond given by the Author to his Wife, at the Birth of his Eldest Son
John Harington
Deare, I to thee this diamond commend,
In which a modell of thyself I send.
How just unto thy joints this circlet sitteth,
So just thy face and shape my fancy fitteth.
The touch will try this ring of purest gold,
My touch tries thee, as pure though softer mold.
That metal precious is, the stone is true,
As true, and then how much more precious, you.
The gem is cleare, and hath nor needes no foyle,
Thy face, nay more, thy fame is free from soil.
Youle deem this deere, because from me you have it,
I deem your faith more deer, because you gave it.
This pointed Diamond cuts glass and Steele,
Your love’s like force in my firme heart I feele.
But this, as all things else, time wastes with wearing,
Where you my jewels multiply with bearing.
John Harington
John Harington
Deare, I to thee this diamond commend,
In which a modell of thyself I send.
How just unto thy joints this circlet sitteth,
So just thy face and shape my fancy fitteth.
The touch will try this ring of purest gold,
My touch tries thee, as pure though softer mold.
That metal precious is, the stone is true,
As true, and then how much more precious, you.
The gem is cleare, and hath nor needes no foyle,
Thy face, nay more, thy fame is free from soil.
Youle deem this deere, because from me you have it,
I deem your faith more deer, because you gave it.
This pointed Diamond cuts glass and Steele,
Your love’s like force in my firme heart I feele.
But this, as all things else, time wastes with wearing,
Where you my jewels multiply with bearing.
John Harington
The Lover’s Maze
Attributed to Sir Walter Raleigh
Her Face, her Tonge, her Wytte,
So fayre, so sweete, so sharpe,
First bent, then drew, then hytte,
Myne Eye, mine Eare, my Hartt:
Myne eye, mine eare, mine Harte,
To Lyke, to Learne, to Love,
Your face, your Tonge, your Wytt,
Doth Leade, doth teache, doth move:
Her face, her Tongue, her Wytt,
With Beames, with Sound, with Arte,
Doth bynde, doth Charm, doth Rule,
Myne eye, myne eare, my harte.
Myne eye, myne eare, my harte,
With Lyfe, with Hope, with Skill,
Your face, your Tonge, your wytt,
Doth feed, doth feast, doth fill:
Oh face, Oh Tonge, Oh Wytte,
With Frownes, with Checkes, with Smarte,
Wronge not, vex not, wound not,
Mine eye, mine eare, my Harte.
This Eye, This eare, This harte,
Shall joy, shall bynd, shall sweare
Your Face, your Tonge, your Wytt,
To Serve, to Love, to Feare.
Attributed to Sir Walter Raleigh
Attributed to Sir Walter Raleigh
Her Face, her Tonge, her Wytte,
So fayre, so sweete, so sharpe,
First bent, then drew, then hytte,
Myne Eye, mine Eare, my Hartt:
Myne eye, mine eare, mine Harte,
To Lyke, to Learne, to Love,
Your face, your Tonge, your Wytt,
Doth Leade, doth teache, doth move:
Her face, her Tongue, her Wytt,
With Beames, with Sound, with Arte,
Doth bynde, doth Charm, doth Rule,
Myne eye, myne eare, my harte.
Myne eye, myne eare, my harte,
With Lyfe, with Hope, with Skill,
Your face, your Tonge, your wytt,
Doth feed, doth feast, doth fill:
Oh face, Oh Tonge, Oh Wytte,
With Frownes, with Checkes, with Smarte,
Wronge not, vex not, wound not,
Mine eye, mine eare, my Harte.
This Eye, This eare, This harte,
Shall joy, shall bynd, shall sweare
Your Face, your Tonge, your Wytt,
To Serve, to Love, to Feare.
Attributed to Sir Walter Raleigh
The Tides
By Henry Wadsworth Longfellow
I saw the long line of the vacant shore,
The sea-weed and the shells upon the sand,
And the brown rocks left bare on every hand,
As if the ebbing tide would flow no more.
Then heard I, more distinctly than before,
The ocean breathe and its great breast expand,
And hurrying came on the defenceless land
The insurgent waters with tumultuous roar.
All thought and feeling and desire, I said,
Love, laughter, and the exultant joy of song
Have ebbed from me forever! Suddenly o’er me
They swept again from their deep ocean bed,
And in a tumult of delight, and strong
As youth, and beautiful as youth, upbore me.
Henry Wadsworth Longfellow
By Henry Wadsworth Longfellow
I saw the long line of the vacant shore,
The sea-weed and the shells upon the sand,
And the brown rocks left bare on every hand,
As if the ebbing tide would flow no more.
Then heard I, more distinctly than before,
The ocean breathe and its great breast expand,
And hurrying came on the defenceless land
The insurgent waters with tumultuous roar.
All thought and feeling and desire, I said,
Love, laughter, and the exultant joy of song
Have ebbed from me forever! Suddenly o’er me
They swept again from their deep ocean bed,
And in a tumult of delight, and strong
As youth, and beautiful as youth, upbore me.
Henry Wadsworth Longfellow
The Sun’s Shame (Sonnets XCII and XCIII)
by Dante Gabriel Rossetti
I
Beholding youth and hope in mockery caught
From life; and mocking pulses that remain
When the soul’s death of bodily death is fain;
Honour unknown, and honour known unsought;
And penury’s sedulous self-torturing thought
On gold, whose master therewith buys his bane;
And longed-for woman longing all in vain
For lonely man with love’s desire distraught;
And wealth, and strength, and power, and pleasantness,
Given unto bodies of whose souls men say,
None poor and weak, slavish and foul, as they:—
Beholding these things, I behold no less
The blushing morn and blushing eve confess
The shame that loads the intolerable day.
II
As some true chief of men, bowed down with stress
Of life’s disastrous eld, on blossoming youth
May gaze, and murmur with self-pity and ruth,—
“Might I thy fruitless treasure but possess,
Such blessing of mine all coming years should bless;”—
Then sends one sigh forth to the unknown goal,
And bitterly feels breathe against his soul
The hour swift-winged of nearer nothingness:—
Even so the World’s grey Soul to the green World
Perchance one hour must cry: “Woe’s me, for whom
Inveteracy of ill portends the doom,—
Whose heart’s old fire in shadow of shame is furl’d:
While thou even as of yore art journeying,
All soulless now, yet merry with the Spring!”
Dante Gabriel Rossetti
by Dante Gabriel Rossetti
I
Beholding youth and hope in mockery caught
From life; and mocking pulses that remain
When the soul’s death of bodily death is fain;
Honour unknown, and honour known unsought;
And penury’s sedulous self-torturing thought
On gold, whose master therewith buys his bane;
And longed-for woman longing all in vain
For lonely man with love’s desire distraught;
And wealth, and strength, and power, and pleasantness,
Given unto bodies of whose souls men say,
None poor and weak, slavish and foul, as they:—
Beholding these things, I behold no less
The blushing morn and blushing eve confess
The shame that loads the intolerable day.
II
As some true chief of men, bowed down with stress
Of life’s disastrous eld, on blossoming youth
May gaze, and murmur with self-pity and ruth,—
“Might I thy fruitless treasure but possess,
Such blessing of mine all coming years should bless;”—
Then sends one sigh forth to the unknown goal,
And bitterly feels breathe against his soul
The hour swift-winged of nearer nothingness:—
Even so the World’s grey Soul to the green World
Perchance one hour must cry: “Woe’s me, for whom
Inveteracy of ill portends the doom,—
Whose heart’s old fire in shadow of shame is furl’d:
While thou even as of yore art journeying,
All soulless now, yet merry with the Spring!”
Dante Gabriel Rossetti
Sonnet XIII
By William Shakespeare
O! that you were your self; but, love, you are
No longer yours, than you your self here live:
Against this coming end you should prepare,
And your sweet semblance to some other give:
So should that beauty which you hold in lease
Find no determination; then you were
Yourself again, after yourself’s decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold,
Against the stormy gusts of winter’s day
And barren rage of death’s eternal cold?
O! none but unthrifts. Dear my love, you know,
You had a father: let your son say so.
William Shakespeare
By William Shakespeare
O! that you were your self; but, love, you are
No longer yours, than you your self here live:
Against this coming end you should prepare,
And your sweet semblance to some other give:
So should that beauty which you hold in lease
Find no determination; then you were
Yourself again, after yourself’s decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold,
Against the stormy gusts of winter’s day
And barren rage of death’s eternal cold?
O! none but unthrifts. Dear my love, you know,
You had a father: let your son say so.
William Shakespeare
Slow, Slow, Fresh Fount
By Ben Jonson
Slow, slow, fresh fount, keep time with my salt tears;
Yet slower, yet, O faintly, gentle springs:
List to the heavy part the music bears,
Woe weeps out her division, when she sings.
Droop, herbs and flowers,
Fall grief in showers;
Our beauties are not ours:
O, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.
BEN JONSON
By Ben Jonson
Slow, slow, fresh fount, keep time with my salt tears;
Yet slower, yet, O faintly, gentle springs:
List to the heavy part the music bears,
Woe weeps out her division, when she sings.
Droop, herbs and flowers,
Fall grief in showers;
Our beauties are not ours:
O, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.
BEN JONSON
Book 1, Epigram 5: Ad lectorem de subjecto operis sui
BY THOMAS BASTARD
The little world, the subject of my muse,
Is a huge task and labor infinite;
Like to a wilderness or mass confuse,
Or to an endless gulf, or to the night:
How many strange Meanders do I find?
How many paths do turn my straying pen?
How many doubtful twilights make me blind,
Which seek to limb out this strange All of men?
Easy it were the earth to portray out,
Or to draw forth the heavens’ purest frame,
Whose restless course, by order whirls about
Of change and place, and still remains the same.
But how shall man’s, or manner’s, form appear,
Which while I write, do change from what they were?
THOMAS BASTARD
BY THOMAS BASTARD
The little world, the subject of my muse,
Is a huge task and labor infinite;
Like to a wilderness or mass confuse,
Or to an endless gulf, or to the night:
How many strange Meanders do I find?
How many paths do turn my straying pen?
How many doubtful twilights make me blind,
Which seek to limb out this strange All of men?
Easy it were the earth to portray out,
Or to draw forth the heavens’ purest frame,
Whose restless course, by order whirls about
Of change and place, and still remains the same.
But how shall man’s, or manner’s, form appear,
Which while I write, do change from what they were?
THOMAS BASTARD
The Late Worm
By Kay Ryan
The worms
which had been
thick are thin
upon the ground
now that it's gotten
later. They stick
against the path,
their pink chapped
and their inching
labored. It's a
matter of moisture
isn't it? Time, a
measure of wet,
shrinking, the
drier you get.
Kay Ryan
By Kay Ryan
The worms
which had been
thick are thin
upon the ground
now that it's gotten
later. They stick
against the path,
their pink chapped
and their inching
labored. It's a
matter of moisture
isn't it? Time, a
measure of wet,
shrinking, the
drier you get.
Kay Ryan
MULGA BILL'S BICYCLE
by A.B. "Banjo" Paterson
'Twas Mulga Bill, from Eaglehawk, that caught the cycling craze;
He turned away the good old horse that served him many days;
He dressed himself in cycling clothes, resplendent to be seen;
He hurried off to town and bought a shining new machine;
And as he wheeled it through the door, with air of lordly pride,
The grinning shop assistant said, "Excuse me, can you ride?"
"See here, young man," said Mulga Bill, "from Walgett to the sea,
From Conroy's Gap to Castlereagh, there's none can ride like me.
I'm good all round at everything as everybody knows,
Although I'm not the one to talk - I hate a man that blows.
But riding is my special gift, my chiefest, sole delight;
Just ask a wild duck can it swim, a wildcat can it fight.
There's nothing clothed in hair or hide, or built of flesh or steel,
There's nothing walks or jumps, or runs, on axle, hoof, or wheel,
But what I'll sit, while hide will hold and girths and straps are tight:
I'll ride this here two-wheeled concern right straight away at sight."
'Twas Mulga Bill, from Eaglehawk, that sought his own abode,
That perched above Dead Man's Creek, beside the mountain road.
He turned the cycle down the hill and mounted for the fray,
But 'ere he'd gone a dozen yards it bolted clean away.
It left the track, and through the trees, just like a silver steak,
It whistled down the awful slope towards the Dead Man's Creek.
It shaved a stump by half an inch, it dodged a big white-box:
The very wallaroos in fright went scrambling up the rocks,
The wombats hiding in their caves dug deeper underground,
As Mulga Bill, as white as chalk, sat tight to every bound.
It struck a stone and gave a spring that cleared a fallen tree,
It raced beside a precipice as close as close could be;
And then as Mulga Bill let out one last despairing shriek
It made a leap of twenty feet into the Dean Man's Creek.
'Twas Mulga Bill, from Eaglehawk, that slowly swam ashore:
He said, "I've had some narrer shaves and lively rides before;
I've rode a wild bull round a yard to win a five-pound bet,
But this was the most awful ride that I've encountered yet.
I'll give that two-wheeled outlaw best; it's shaken all my nerve
To feel it whistle through the air and plunge and buck and swerve.
It's safe at rest in Dead Man's Creek, we'll leave it lying still;
A horse's back is good enough henceforth for Mulga Bill."
A.B. "Banjo" Paterson
by A.B. "Banjo" Paterson
'Twas Mulga Bill, from Eaglehawk, that caught the cycling craze;
He turned away the good old horse that served him many days;
He dressed himself in cycling clothes, resplendent to be seen;
He hurried off to town and bought a shining new machine;
And as he wheeled it through the door, with air of lordly pride,
The grinning shop assistant said, "Excuse me, can you ride?"
"See here, young man," said Mulga Bill, "from Walgett to the sea,
From Conroy's Gap to Castlereagh, there's none can ride like me.
I'm good all round at everything as everybody knows,
Although I'm not the one to talk - I hate a man that blows.
But riding is my special gift, my chiefest, sole delight;
Just ask a wild duck can it swim, a wildcat can it fight.
There's nothing clothed in hair or hide, or built of flesh or steel,
There's nothing walks or jumps, or runs, on axle, hoof, or wheel,
But what I'll sit, while hide will hold and girths and straps are tight:
I'll ride this here two-wheeled concern right straight away at sight."
'Twas Mulga Bill, from Eaglehawk, that sought his own abode,
That perched above Dead Man's Creek, beside the mountain road.
He turned the cycle down the hill and mounted for the fray,
But 'ere he'd gone a dozen yards it bolted clean away.
It left the track, and through the trees, just like a silver steak,
It whistled down the awful slope towards the Dead Man's Creek.
It shaved a stump by half an inch, it dodged a big white-box:
The very wallaroos in fright went scrambling up the rocks,
The wombats hiding in their caves dug deeper underground,
As Mulga Bill, as white as chalk, sat tight to every bound.
It struck a stone and gave a spring that cleared a fallen tree,
It raced beside a precipice as close as close could be;
And then as Mulga Bill let out one last despairing shriek
It made a leap of twenty feet into the Dean Man's Creek.
'Twas Mulga Bill, from Eaglehawk, that slowly swam ashore:
He said, "I've had some narrer shaves and lively rides before;
I've rode a wild bull round a yard to win a five-pound bet,
But this was the most awful ride that I've encountered yet.
I'll give that two-wheeled outlaw best; it's shaken all my nerve
To feel it whistle through the air and plunge and buck and swerve.
It's safe at rest in Dead Man's Creek, we'll leave it lying still;
A horse's back is good enough henceforth for Mulga Bill."
A.B. "Banjo" Paterson
The Florist Wears Knee-Breeches
Wallace Stevens
My flowers are reflected
In your mind
As you are reflected in your glass.
When you look at them,
There is nothing in your mind
Except the reflections
Of my flowers.
But when I look at them
I see only the reflections
In your mind,
And not my flowers.
It is my desire
To bring roses,
And place them before you
In a white dish.
Wallace Stevens
Wallace Stevens
My flowers are reflected
In your mind
As you are reflected in your glass.
When you look at them,
There is nothing in your mind
Except the reflections
Of my flowers.
But when I look at them
I see only the reflections
In your mind,
And not my flowers.
It is my desire
To bring roses,
And place them before you
In a white dish.
Wallace Stevens
A Shropshire Lad: 52: Far in a western brookland
BY A. E. HOUSMAN
Far in a western brookland
That bred me long ago
The poplars stand and tremble
By pools I used to know.
There, in the windless night-time,
The wanderer, marvelling why,
Halts on the bridge to hearken
How soft the poplars sigh.
He hears: long since forgotten
In fields where I was known,
Here I lie down in London
And turn to rest alone.
There, by the starlit fences,
The wanderer halts and hears
My soul that lingers sighing
About the glimmering weirs.
A. E. HOUSMAN
BY A. E. HOUSMAN
Far in a western brookland
That bred me long ago
The poplars stand and tremble
By pools I used to know.
There, in the windless night-time,
The wanderer, marvelling why,
Halts on the bridge to hearken
How soft the poplars sigh.
He hears: long since forgotten
In fields where I was known,
Here I lie down in London
And turn to rest alone.
There, by the starlit fences,
The wanderer halts and hears
My soul that lingers sighing
About the glimmering weirs.
A. E. HOUSMAN
from Don Juan: Canto 1, Stanzas 217-221
BY LORD BYRON (GEORGE GORDON)
217
Ambition was my idol, which was broken
Before the shrines of Sorrow and of Pleasure;
And the two last have left me many a token
O'er which reflection may be made at leisure:
Now, like Friar Bacon's brazen head, I've spoken,
'Time is, Time was, Time's past', a chymic treasure
Is glittering youth, which I have spent betimes—
My heart in passion, and my head on rhymes.
218
What is the end of Fame? 'tis but to fill
A certain portion of uncertain paper:
Some liken it to climbing up a hill,
Whose summit, like all hills', is lost in vapour;
For this men write, speak, preach, and heroes kill,
And bards burn what they call their 'midnight taper,'
To have, when the original is dust,
A name, a wretched picture, and worse bust.
219
What are the hopes of man? old Egypt's King
Cheops erected the first pyramid
And largest, thinking it was just the thing
To keep his memory whole, and mummy hid;
But somebody or other rummaging,
Burglariously broke his coffin's lid:
Let not a monument give you or me hopes,
Since not a pinch of dust remains of Cheops.
220
But I being fond of true philosophy,
Say very often to myself, 'Alas!
All things that have been born were born to die,
And flesh (which Death mows down to hay) is grass;
You've pass'd your youth not so unpleasantly,
And if you had it o'er again—'twould pass—
So thank your stars that matters are no worse,
And read your Bible, sir, and mind your purse.'
221
But for the present, gentle reader! and
Still gentler purchaser! the bard—that's I—
Must, with permission, shake you by the hand,
And so your humble servant, and good bye!
We meet again, if we should understand
Each other; and if not, I shall not try
Your patience further than by this short sample—
'Twere well if others follow'd my example.
LORD BYRON (GEORGE GORDON)
BY LORD BYRON (GEORGE GORDON)
217
Ambition was my idol, which was broken
Before the shrines of Sorrow and of Pleasure;
And the two last have left me many a token
O'er which reflection may be made at leisure:
Now, like Friar Bacon's brazen head, I've spoken,
'Time is, Time was, Time's past', a chymic treasure
Is glittering youth, which I have spent betimes—
My heart in passion, and my head on rhymes.
218
What is the end of Fame? 'tis but to fill
A certain portion of uncertain paper:
Some liken it to climbing up a hill,
Whose summit, like all hills', is lost in vapour;
For this men write, speak, preach, and heroes kill,
And bards burn what they call their 'midnight taper,'
To have, when the original is dust,
A name, a wretched picture, and worse bust.
219
What are the hopes of man? old Egypt's King
Cheops erected the first pyramid
And largest, thinking it was just the thing
To keep his memory whole, and mummy hid;
But somebody or other rummaging,
Burglariously broke his coffin's lid:
Let not a monument give you or me hopes,
Since not a pinch of dust remains of Cheops.
220
But I being fond of true philosophy,
Say very often to myself, 'Alas!
All things that have been born were born to die,
And flesh (which Death mows down to hay) is grass;
You've pass'd your youth not so unpleasantly,
And if you had it o'er again—'twould pass—
So thank your stars that matters are no worse,
And read your Bible, sir, and mind your purse.'
221
But for the present, gentle reader! and
Still gentler purchaser! the bard—that's I—
Must, with permission, shake you by the hand,
And so your humble servant, and good bye!
We meet again, if we should understand
Each other; and if not, I shall not try
Your patience further than by this short sample—
'Twere well if others follow'd my example.
LORD BYRON (GEORGE GORDON)
I would not paint — a picture — (348)
BY EMILY DICKINSON
I would not paint — a picture —
I'd rather be the One
It's bright impossibility
To dwell — delicious — on —
And wonder how the fingers feel
Whose rare — celestial — stir —
Evokes so sweet a torment —
Such sumptuous — Despair —
I would not talk, like Cornets —
I'd rather be the One
Raised softly to the Ceilings —
And out, and easy on —
Through Villages of Ether —
Myself endued Balloon
By but a lip of Metal —
The pier to my Pontoon —
Nor would I be a Poet —
It's finer — Own the Ear —
Enamored — impotent — content —
The License to revere,
A privilege so awful
What would the Dower be,
Had I the Art to stun myself
With Bolts — of Melody!
EMILY DICKINSON
BY EMILY DICKINSON
I would not paint — a picture —
I'd rather be the One
It's bright impossibility
To dwell — delicious — on —
And wonder how the fingers feel
Whose rare — celestial — stir —
Evokes so sweet a torment —
Such sumptuous — Despair —
I would not talk, like Cornets —
I'd rather be the One
Raised softly to the Ceilings —
And out, and easy on —
Through Villages of Ether —
Myself endued Balloon
By but a lip of Metal —
The pier to my Pontoon —
Nor would I be a Poet —
It's finer — Own the Ear —
Enamored — impotent — content —
The License to revere,
A privilege so awful
What would the Dower be,
Had I the Art to stun myself
With Bolts — of Melody!
EMILY DICKINSON
Aspens
BY EDWARD THOMAS
All day and night, save winter, every weather,
Above the inn, the smithy, and the shop,
The aspens at the cross-roads talk together
Of rain, until their last leaves fall from the top.
Out of the blacksmith's cavern comes the ringing
Of hammer, shoe, and anvil; out of the inn
The clink, the hum, the roar, the random singing—
The sounds that for these fifty years have been.
The whisper of the aspens is not drowned,
And over lightless pane and footless road,
Empty as sky, with every other sound
Not ceasing, calls their ghosts from their abode,
A silent smithy, a silent inn, nor fails
In the bare moonlight or the thick-furred gloom,
In tempest or the night of nightingales,
To turn the cross-roads to a ghostly room.
And it would be the same were no house near.
Over all sorts of weather, men, and times,
Aspens must shake their leaves and men may hear
But need not listen, more than to my rhymes.
Whatever wind blows, while they and I have leaves
We cannot other than an aspen be
That ceaselessly, unreasonably grieves,
Or so men think who like a different tree.
BY EDWARD THOMAS
BY EDWARD THOMAS
All day and night, save winter, every weather,
Above the inn, the smithy, and the shop,
The aspens at the cross-roads talk together
Of rain, until their last leaves fall from the top.
Out of the blacksmith's cavern comes the ringing
Of hammer, shoe, and anvil; out of the inn
The clink, the hum, the roar, the random singing—
The sounds that for these fifty years have been.
The whisper of the aspens is not drowned,
And over lightless pane and footless road,
Empty as sky, with every other sound
Not ceasing, calls their ghosts from their abode,
A silent smithy, a silent inn, nor fails
In the bare moonlight or the thick-furred gloom,
In tempest or the night of nightingales,
To turn the cross-roads to a ghostly room.
And it would be the same were no house near.
Over all sorts of weather, men, and times,
Aspens must shake their leaves and men may hear
But need not listen, more than to my rhymes.
Whatever wind blows, while they and I have leaves
We cannot other than an aspen be
That ceaselessly, unreasonably grieves,
Or so men think who like a different tree.
BY EDWARD THOMAS
Not for That City
BY CHARLOTTE MEW
Not for that city of the level sun,
Its golden streets and glittering gates ablaze—
The shadeless, sleepless city of white days,
White nights, or nights and days that are as one—
We weary, when all is said , all thought, all done.
We strain our eyes beyond this dusk to see
What, from the threshold of eternity
We shall step into. No, I think we shun
The splendour of that everlasting glare,
The clamour of that never-ending song.
And if for anything we greatly long,
It is for some remote and quiet stair
Which winds to silence and a space for sleep
Too sound for waking and for dreams too deep.
BY CHARLOTTE MEW
BY CHARLOTTE MEW
Not for that city of the level sun,
Its golden streets and glittering gates ablaze—
The shadeless, sleepless city of white days,
White nights, or nights and days that are as one—
We weary, when all is said , all thought, all done.
We strain our eyes beyond this dusk to see
What, from the threshold of eternity
We shall step into. No, I think we shun
The splendour of that everlasting glare,
The clamour of that never-ending song.
And if for anything we greatly long,
It is for some remote and quiet stair
Which winds to silence and a space for sleep
Too sound for waking and for dreams too deep.
BY CHARLOTTE MEW
The Plain Sense of Things
BY WALLACE STEVENS
After the leaves have fallen, we return
To a plain sense of things. It is as if
We had come to an end of the imagination,
Inanimate in an inert savoir.
It is difficult even to choose the adjective
For this blank cold, this sadness without cause.
The great structure has become a minor house.
No turban walks across the lessened floors.
The greenhouse never so badly needed paint.
The chimney is fifty years old and slants to one side.
A fantastic effort has failed, a repetition
In a repetitiousness of men and flies.
Yet the absence of the imagination had
Itself to be imagined. The great pond,
The plain sense of it, without reflections, leaves,
Mud, water like dirty glass, expressing silence
Of a sort, silence of a rat come out to see,
The great pond and its waste of the lilies, all this
Had to be imagined as an inevitable knowledge,
Required, as a necessity requires.
BY WALLACE STEVENS
BY WALLACE STEVENS
After the leaves have fallen, we return
To a plain sense of things. It is as if
We had come to an end of the imagination,
Inanimate in an inert savoir.
It is difficult even to choose the adjective
For this blank cold, this sadness without cause.
The great structure has become a minor house.
No turban walks across the lessened floors.
The greenhouse never so badly needed paint.
The chimney is fifty years old and slants to one side.
A fantastic effort has failed, a repetition
In a repetitiousness of men and flies.
Yet the absence of the imagination had
Itself to be imagined. The great pond,
The plain sense of it, without reflections, leaves,
Mud, water like dirty glass, expressing silence
Of a sort, silence of a rat come out to see,
The great pond and its waste of the lilies, all this
Had to be imagined as an inevitable knowledge,
Required, as a necessity requires.
BY WALLACE STEVENS
Songs for the People
BY FRANCES ELLEN WATKINS HARPER
Let me make the songs for the people,
Songs for the old and young;
Songs to stir like a battle-cry
Wherever they are sung.
Not for the clashing of sabres,
For carnage nor for strife;
But songs to thrill the hearts of men
With more abundant life.
Let me make the songs for the weary,
Amid life’s fever and fret,
Till hearts shall relax their tension,
And careworn brows forget.
Let me sing for little children,
Before their footsteps stray,
Sweet anthems of love and duty,
To float o’er life’s highway.
I would sing for the poor and aged,
When shadows dim their sight;
Of the bright and restful mansions,
Where there shall be no night.
Our world, so worn and weary,
Needs music, pure and strong,
To hush the jangle and discords
Of sorrow, pain, and wrong.
Music to soothe all its sorrow,
Till war and crime shall cease;
And the hearts of men grown tender
Girdle the world with peace.
FRANCES ELLEN WATKINS HARPER
BY FRANCES ELLEN WATKINS HARPER
Let me make the songs for the people,
Songs for the old and young;
Songs to stir like a battle-cry
Wherever they are sung.
Not for the clashing of sabres,
For carnage nor for strife;
But songs to thrill the hearts of men
With more abundant life.
Let me make the songs for the weary,
Amid life’s fever and fret,
Till hearts shall relax their tension,
And careworn brows forget.
Let me sing for little children,
Before their footsteps stray,
Sweet anthems of love and duty,
To float o’er life’s highway.
I would sing for the poor and aged,
When shadows dim their sight;
Of the bright and restful mansions,
Where there shall be no night.
Our world, so worn and weary,
Needs music, pure and strong,
To hush the jangle and discords
Of sorrow, pain, and wrong.
Music to soothe all its sorrow,
Till war and crime shall cease;
And the hearts of men grown tender
Girdle the world with peace.
FRANCES ELLEN WATKINS HARPER
Interim
Lola Ridge, 1873
The earth is motionless
And poised in space …
A great bird resting in its flight
Between the alleys of the stars.
It is the wind’s hour off ….
The wind has nestled down among the corn ….
The two speak privately together,
Awaiting the whirr of wings.
Lola Ridge
Lola Ridge, 1873
The earth is motionless
And poised in space …
A great bird resting in its flight
Between the alleys of the stars.
It is the wind’s hour off ….
The wind has nestled down among the corn ….
The two speak privately together,
Awaiting the whirr of wings.
Lola Ridge
The Grasshopper
BY RICHARD LOVELACE
To My Noble Friend, Mr. Charles Cotton
O thou that swing’st upon the waving hair
Of some well-fillèd oaten beard,
Drunk every night with a delicious tear
Dropped thee from heaven, where now th’ art reared;
The joys of earth and air are thine entire,
That with thy feet and wings dost hop and fly;
And, when thy poppy works, thou dost retire
To thy carved acorn-bed to lie.
Up with the day, the sun thou welcom’st then,
Sport’st in the gilt-plats of his beams,
And all these merry days mak’st merry men,
Thyself, and melancholy streams.
But ah, the sickle! Golden ears are cropped;
Ceres and Bacchus bid good night;
Sharp, frosty fingers all your flowers have topped,
And what scythes spared, winds shave off quite.
Poor verdant fool, and now green ice! thy joys,
Large and as lasting as thy perch of grass,
Bid us lay in ’gainst winter rain, and poise
Their floods with an o’erflowing glass.
Thou best of men and friends! we will create
A genuine summer in each other’s breast,
And spite of this cold time and frozen fate,
Thaw us a warm seat to our rest.
Our sacred hearths shall burn eternally,
As vestal flames; the North Wind, he
Shall strike his frost-stretched wings, dissolve, and fly
This Etna in epitome.
Dropping December shall come weeping in,
Bewail th’usurping of his reign:
But when in showers of old Greek we begin,
Shall cry he hath his crown again!
Night, as clear Hesper, shall our tapers whip
From the light casements where we play,
And the dark hag from her black mantle strip,
And stick there everlasting day.
Thus richer than untempted kings are we,
That, asking nothing, nothing need:
Though lords of all what seas embrace, yet he
That wants himself is poor indeed.
RICHARD LOVELACE
BY RICHARD LOVELACE
To My Noble Friend, Mr. Charles Cotton
O thou that swing’st upon the waving hair
Of some well-fillèd oaten beard,
Drunk every night with a delicious tear
Dropped thee from heaven, where now th’ art reared;
The joys of earth and air are thine entire,
That with thy feet and wings dost hop and fly;
And, when thy poppy works, thou dost retire
To thy carved acorn-bed to lie.
Up with the day, the sun thou welcom’st then,
Sport’st in the gilt-plats of his beams,
And all these merry days mak’st merry men,
Thyself, and melancholy streams.
But ah, the sickle! Golden ears are cropped;
Ceres and Bacchus bid good night;
Sharp, frosty fingers all your flowers have topped,
And what scythes spared, winds shave off quite.
Poor verdant fool, and now green ice! thy joys,
Large and as lasting as thy perch of grass,
Bid us lay in ’gainst winter rain, and poise
Their floods with an o’erflowing glass.
Thou best of men and friends! we will create
A genuine summer in each other’s breast,
And spite of this cold time and frozen fate,
Thaw us a warm seat to our rest.
Our sacred hearths shall burn eternally,
As vestal flames; the North Wind, he
Shall strike his frost-stretched wings, dissolve, and fly
This Etna in epitome.
Dropping December shall come weeping in,
Bewail th’usurping of his reign:
But when in showers of old Greek we begin,
Shall cry he hath his crown again!
Night, as clear Hesper, shall our tapers whip
From the light casements where we play,
And the dark hag from her black mantle strip,
And stick there everlasting day.
Thus richer than untempted kings are we,
That, asking nothing, nothing need:
Though lords of all what seas embrace, yet he
That wants himself is poor indeed.
RICHARD LOVELACE
The Ivy Green
By Charles Dickens
Oh, a dainty plant is the Ivy green,
That creepeth o’er ruins old!
Of right choice food are his meals, I ween,
In his cell so lone and cold.
The wall must be crumbled, the stone decayed,
To pleasure his dainty whim:
And the mouldering dust that years have made
Is a merry meal for him.
Creeping where no life is seen,
A rare old plant is the Ivy green.
Fast he stealeth on, though he wears no wings,
And a staunch old heart has he.
How closely he twineth, how tight he clings,
To his friend the huge Oak Tree!
And slily he traileth along the ground,
And his leaves he gently waves,
As he joyously hugs and crawleth round
The rich mould of dead men’s graves.
Creeping where grim death has been,
A rare old plant is the Ivy green.
Whole ages have fled and their works decayed,
And nations have scattered been;
But the stout old Ivy shall never fade,
From its hale and hearty green.
The brave old plant, in its lonely days,
Shall fatten upon the past:
For the stateliest building man can raise,
Is the Ivy’s food at last.
Creeping on, where time has been,
A rare old plant is the Ivy green.
Dickens
By Charles Dickens
Oh, a dainty plant is the Ivy green,
That creepeth o’er ruins old!
Of right choice food are his meals, I ween,
In his cell so lone and cold.
The wall must be crumbled, the stone decayed,
To pleasure his dainty whim:
And the mouldering dust that years have made
Is a merry meal for him.
Creeping where no life is seen,
A rare old plant is the Ivy green.
Fast he stealeth on, though he wears no wings,
And a staunch old heart has he.
How closely he twineth, how tight he clings,
To his friend the huge Oak Tree!
And slily he traileth along the ground,
And his leaves he gently waves,
As he joyously hugs and crawleth round
The rich mould of dead men’s graves.
Creeping where grim death has been,
A rare old plant is the Ivy green.
Whole ages have fled and their works decayed,
And nations have scattered been;
But the stout old Ivy shall never fade,
From its hale and hearty green.
The brave old plant, in its lonely days,
Shall fatten upon the past:
For the stateliest building man can raise,
Is the Ivy’s food at last.
Creeping on, where time has been,
A rare old plant is the Ivy green.
Dickens
Trumpet-man
David Conolly
Walked our streets, he did.
and breathed our air.
No - more than that,
he took our breath
and sent it flying back
into the world,
transformed.
So strong, so pure that sound:
blues for the broken,
rhythm to set feet tapping.
Crowds, as usual,
still hurry past.
What do they care that
it's his birthday?
But some stop -
the homeless,
the misfits -
and smile, and dance.
They recognise the tune.
Happy Birthday, trumpet-man.
Thanks for the melody.
David Conolly
David Conolly
Walked our streets, he did.
and breathed our air.
No - more than that,
he took our breath
and sent it flying back
into the world,
transformed.
So strong, so pure that sound:
blues for the broken,
rhythm to set feet tapping.
Crowds, as usual,
still hurry past.
What do they care that
it's his birthday?
But some stop -
the homeless,
the misfits -
and smile, and dance.
They recognise the tune.
Happy Birthday, trumpet-man.
Thanks for the melody.
David Conolly
To Mrs K____, On Her Sending Me an English Christmas Plum-Cake at Paris
By Helen Maria Williams
What crowding thoughts around me wake,
What marvels in a Christmas-cake!
Ah say, what strange enchantment dwells
Enclosed within its odorous cells?
Is there no small magician bound
Encrusted in its snowy round?
For magic surely lurks in this,
A cake that tells of vanished bliss;
A cake that conjures up to view
The early scenes, when life was new;
When memory knew no sorrows past,
And hope believed in joys that last! —
Mysterious cake, whose folds contain
Life’s calendar of bliss and pain;
That speaks of friends for ever fled,
And wakes the tears I love to shed.
Oft shall I breathe her cherished name
From whose fair hand the offering came:
For she recalls the artless smile
Of nymphs that deck my native isle;
Of beauty that we love to trace,
Allied with tender, modest grace;
Of those who, while abroad they roam,
Retain each charm that gladdens home,
And whose dear friendships can impart
A Christmas banquet for the heart!
Helen Maria Williams
By Helen Maria Williams
What crowding thoughts around me wake,
What marvels in a Christmas-cake!
Ah say, what strange enchantment dwells
Enclosed within its odorous cells?
Is there no small magician bound
Encrusted in its snowy round?
For magic surely lurks in this,
A cake that tells of vanished bliss;
A cake that conjures up to view
The early scenes, when life was new;
When memory knew no sorrows past,
And hope believed in joys that last! —
Mysterious cake, whose folds contain
Life’s calendar of bliss and pain;
That speaks of friends for ever fled,
And wakes the tears I love to shed.
Oft shall I breathe her cherished name
From whose fair hand the offering came:
For she recalls the artless smile
Of nymphs that deck my native isle;
Of beauty that we love to trace,
Allied with tender, modest grace;
Of those who, while abroad they roam,
Retain each charm that gladdens home,
And whose dear friendships can impart
A Christmas banquet for the heart!
Helen Maria Williams
De Profundis
BY CHRISTINA ROSSETTI
Oh why is heaven built so far,
Oh why is earth set so remote?
I cannot reach the nearest star
That hangs afloat.
I would not care to reach the moon,
One round monotonous of change;
Yet even she repeats her tune
Beyond my range.
I never watch the scatter'd fire
Of stars, or sun's far-trailing train,
But all my heart is one desire,
And all in vain:
For I am bound with fleshly bands,
Joy, beauty, lie beyond my scope;
I strain my heart, I stretch my hands,
And catch at hope.
CHRISTINA ROSSETTI
BY CHRISTINA ROSSETTI
Oh why is heaven built so far,
Oh why is earth set so remote?
I cannot reach the nearest star
That hangs afloat.
I would not care to reach the moon,
One round monotonous of change;
Yet even she repeats her tune
Beyond my range.
I never watch the scatter'd fire
Of stars, or sun's far-trailing train,
But all my heart is one desire,
And all in vain:
For I am bound with fleshly bands,
Joy, beauty, lie beyond my scope;
I strain my heart, I stretch my hands,
And catch at hope.
CHRISTINA ROSSETTI
The Mower to the Glow-Worms
BY ANDREW MARVELL
Ye living lamps, by whose dear light
The nightingale does sit so late,
And studying all the summer night,
Her matchless songs does meditate;
Ye country comets, that portend
No war nor prince’s funeral,
Shining unto no higher end
Than to presage the grass’s fall;
Ye glow-worms, whose officious flame
To wand’ring mowers shows the way,
That in the night have lost their aim,
And after foolish fires do stray;
Your courteous lights in vain you waste,
Since Juliana here is come,
For she my mind hath so displac’d
That I shall never find my home.
ANDREW MARVELL
BY ANDREW MARVELL
Ye living lamps, by whose dear light
The nightingale does sit so late,
And studying all the summer night,
Her matchless songs does meditate;
Ye country comets, that portend
No war nor prince’s funeral,
Shining unto no higher end
Than to presage the grass’s fall;
Ye glow-worms, whose officious flame
To wand’ring mowers shows the way,
That in the night have lost their aim,
And after foolish fires do stray;
Your courteous lights in vain you waste,
Since Juliana here is come,
For she my mind hath so displac’d
That I shall never find my home.
ANDREW MARVELL
The Song of the Ungirt Runners
BY CHARLES HAMILTON SORLEY
We swing ungirded hips,
And lightened are our eyes,
The rain is on our lips,
We do not run for prize.
We know not whom we trust
Nor whitherward we fare,
But we run because we must
Through the great wide air.
The waters of the seas
Are troubled as by storm.
The tempest strips the trees
And does not leave them warm.
Does the tearing tempest pause?
Do the tree-tops ask it why?
So we run without a cause
'Neath the big bare sky.
The rain is on our lips,
We do not run for prize.
But the storm the water whips
And the wave howls to the skies.
The winds arise and strike it
And scatter it like sand,
And we run because we like it
Through the broad bright land.
CHARLES HAMILTON SORLEY
BY CHARLES HAMILTON SORLEY
We swing ungirded hips,
And lightened are our eyes,
The rain is on our lips,
We do not run for prize.
We know not whom we trust
Nor whitherward we fare,
But we run because we must
Through the great wide air.
The waters of the seas
Are troubled as by storm.
The tempest strips the trees
And does not leave them warm.
Does the tearing tempest pause?
Do the tree-tops ask it why?
So we run without a cause
'Neath the big bare sky.
The rain is on our lips,
We do not run for prize.
But the storm the water whips
And the wave howls to the skies.
The winds arise and strike it
And scatter it like sand,
And we run because we like it
Through the broad bright land.
CHARLES HAMILTON SORLEY
Modern Love: XXII
BY GEORGE MEREDITH
What may the woman labour to confess?
There is about her mouth a nervous twitch.
'Tis something to be told, or hidden:—which?
I get a glimpse of hell in this mild guess.
She has desires of touch, as if to feel
That all the household things are things she knew.
She stops before the glass. What sight in view?
A face that seems the latest to reveal!
For she turns from it hastily, and tossed
Irresolute, steals shadow-like to where
I stand; and wavering pale before me there,
Her tears fall still as oak-leaves after frost.
She will not speak. I will not ask.
We are League-sundered by the silent gulf between.
Yon burly lovers on the village green,
Yours is a lower, and a happier star!
GEORGE MEREDITH
BY GEORGE MEREDITH
What may the woman labour to confess?
There is about her mouth a nervous twitch.
'Tis something to be told, or hidden:—which?
I get a glimpse of hell in this mild guess.
She has desires of touch, as if to feel
That all the household things are things she knew.
She stops before the glass. What sight in view?
A face that seems the latest to reveal!
For she turns from it hastily, and tossed
Irresolute, steals shadow-like to where
I stand; and wavering pale before me there,
Her tears fall still as oak-leaves after frost.
She will not speak. I will not ask.
We are League-sundered by the silent gulf between.
Yon burly lovers on the village green,
Yours is a lower, and a happier star!
GEORGE MEREDITH
The Enkindled Spring
BY D. H. LAWRENCE
This spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering rushes.
I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.
And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is tossed
About like a shadow buffeted in the throng
Of flames, a shadow that's gone astray, and is lost.
D. H. LAWRENCE
BY D. H. LAWRENCE
This spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering rushes.
I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.
And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is tossed
About like a shadow buffeted in the throng
Of flames, a shadow that's gone astray, and is lost.
D. H. LAWRENCE
The Lake Isle of Innisfree
BY WILLIAM BUTLER YEATS
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.
WILLIAM BUTLER YEATS
BY WILLIAM BUTLER YEATS
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.
WILLIAM BUTLER YEATS
I dwell in Possibility – (466)
By Emily Dickinson
I dwell in Possibility –
A fairer House than Prose –
More numerous of Windows –
Superior – for Doors –
Of Chambers as the Cedars –
Impregnable of eye –
And for an everlasting Roof
The Gambrels of the Sky –
Of Visitors – the fairest –
For Occupation – This –
The spreading wide my narrow Hands
To gather Paradise –
Emily Dickinson
By Emily Dickinson
I dwell in Possibility –
A fairer House than Prose –
More numerous of Windows –
Superior – for Doors –
Of Chambers as the Cedars –
Impregnable of eye –
And for an everlasting Roof
The Gambrels of the Sky –
Of Visitors – the fairest –
For Occupation – This –
The spreading wide my narrow Hands
To gather Paradise –
Emily Dickinson
Sonnet 7: How soon hath Time, the subtle thief of youth
By John Milton
How soon hath Time, the subtle thief of youth,
Stol'n on his wing my three-and-twentieth year!
My hasting days fly on with full career,
But my late spring no bud or blossom shew'th.
Perhaps my semblance might deceive the truth
That I to manhood am arriv'd so near;
And inward ripeness doth much less appear,
That some more timely-happy spirits endu'th.
Yet be it less or more, or soon or slow,
It shall be still in strictest measure ev'n
To that same lot, however mean or high,
Toward which Time leads me, and the will of Heav'n:
All is, if I have grace to use it so
As ever in my great Task-Master's eye.
John Milton
By John Milton
How soon hath Time, the subtle thief of youth,
Stol'n on his wing my three-and-twentieth year!
My hasting days fly on with full career,
But my late spring no bud or blossom shew'th.
Perhaps my semblance might deceive the truth
That I to manhood am arriv'd so near;
And inward ripeness doth much less appear,
That some more timely-happy spirits endu'th.
Yet be it less or more, or soon or slow,
It shall be still in strictest measure ev'n
To that same lot, however mean or high,
Toward which Time leads me, and the will of Heav'n:
All is, if I have grace to use it so
As ever in my great Task-Master's eye.
John Milton
A Complaint
By William Wordsworth
There is a change—and I am poor;
Your love hath been, nor long ago,
A fountain at my fond heart's door,
Whose only business was to flow;
And flow it did; not taking heed
Of its own bounty, or my need.
What happy moments did I count!
Blest was I then all bliss above!
Now, for that consecrated fount
Of murmuring, sparkling, living love,
What have I? shall I dare to tell?
A comfortless and hidden well.
A well of love—it may be deep—
I trust it is,—and never dry:
What matter? if the waters sleep
In silence and obscurity.
—Such change, and at the very door
Of my fond heart, hath made me poor.
William Wordsworth
By William Wordsworth
There is a change—and I am poor;
Your love hath been, nor long ago,
A fountain at my fond heart's door,
Whose only business was to flow;
And flow it did; not taking heed
Of its own bounty, or my need.
What happy moments did I count!
Blest was I then all bliss above!
Now, for that consecrated fount
Of murmuring, sparkling, living love,
What have I? shall I dare to tell?
A comfortless and hidden well.
A well of love—it may be deep—
I trust it is,—and never dry:
What matter? if the waters sleep
In silence and obscurity.
—Such change, and at the very door
Of my fond heart, hath made me poor.
William Wordsworth
La Belle Dame sans Merci: A Ballad
By John Keats
O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
O what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in the meads,
Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.
She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said—
‘I love thee true’.
She took me to her Elfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Thee hath in thrall!’
I saw their starved lips in the gloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
John Keats
By John Keats
O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
O what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in the meads,
Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.
She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said—
‘I love thee true’.
She took me to her Elfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Thee hath in thrall!’
I saw their starved lips in the gloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
John Keats
Speech: “To be, or not to be, that is the question”
By William Shakespeare
(from Hamlet, spoken by Hamlet)
To be, or not to be, that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And by opposing end them. To die—to sleep,
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to: 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep, perchance to dream—ay, there's the rub:
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause—there's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th'oppressor's wrong, the proud man's contumely,
The pangs of dispriz'd love, the law's delay,
The insolence of office, and the spurns
That patient merit of th'unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovere'd country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pitch and moment
With this regard their currents turn awry
And lose the name of action.
William Shakespeare
By William Shakespeare
(from Hamlet, spoken by Hamlet)
To be, or not to be, that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And by opposing end them. To die—to sleep,
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to: 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep, perchance to dream—ay, there's the rub:
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause—there's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th'oppressor's wrong, the proud man's contumely,
The pangs of dispriz'd love, the law's delay,
The insolence of office, and the spurns
That patient merit of th'unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovere'd country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pitch and moment
With this regard their currents turn awry
And lose the name of action.
William Shakespeare
To An Old Mate
By Henry Lawson
Old Mate! In the gusty old weather,
When our hopes and our troubles were new,
In the years spent in wearing out leather,
I found you unselfish and true --
I have gathered these verses together
For the sake of our friendship and you.
You may think for awhile, and with reason,
Though still with a kindly regret,
That I've left it full late in the season
To prove I remember you yet;
But you'll never judge me by their treason
Who profit by friends -- and forget.
I remember, Old Man, I remember --
The tracks that we followed are clear --
The jovial last nights of December,
The solemn first days of the year,
Long tramps through the clearings and timber,
Short partings on platform and pier.
I can still feel the spirit that bore us,
And often the old stars will shine --
I remember the last spree in chorus
For the sake of that other Lang Syne,
When the tracks lay divided before us,
Your path through the future and mine.
Through the frost-wind that cut like whip-lashes,
Through the ever-blind haze of the drought --
And in fancy at times by the flashes
Of light in the darkness of doubt --
I have followed the tent poles and ashes
Of camps that we moved further out.
You will find in these pages a trace of
That side of our past which was bright,
And recognise sometimes the face of
A friend who has dropped out of sight --
I send them along in the place of
The letters I promised to write.
Lawson Henry
By Henry Lawson
Old Mate! In the gusty old weather,
When our hopes and our troubles were new,
In the years spent in wearing out leather,
I found you unselfish and true --
I have gathered these verses together
For the sake of our friendship and you.
You may think for awhile, and with reason,
Though still with a kindly regret,
That I've left it full late in the season
To prove I remember you yet;
But you'll never judge me by their treason
Who profit by friends -- and forget.
I remember, Old Man, I remember --
The tracks that we followed are clear --
The jovial last nights of December,
The solemn first days of the year,
Long tramps through the clearings and timber,
Short partings on platform and pier.
I can still feel the spirit that bore us,
And often the old stars will shine --
I remember the last spree in chorus
For the sake of that other Lang Syne,
When the tracks lay divided before us,
Your path through the future and mine.
Through the frost-wind that cut like whip-lashes,
Through the ever-blind haze of the drought --
And in fancy at times by the flashes
Of light in the darkness of doubt --
I have followed the tent poles and ashes
Of camps that we moved further out.
You will find in these pages a trace of
That side of our past which was bright,
And recognise sometimes the face of
A friend who has dropped out of sight --
I send them along in the place of
The letters I promised to write.
Lawson Henry
Voices of the Air
By Katherine Mansfield
But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.
The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats—
The little throats that sing and rise
Up into the light with lovely ease
And a kind of magical, sweet surprise
To hear and know themselves for these—
For these little voices: the bee, the fly,
The leaf that taps, the pod that breaks,
The breeze on the grass-tops bending by,
The shrill quick sound that the insect makes.
Katherine Mansfield
By Katherine Mansfield
But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.
The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats—
The little throats that sing and rise
Up into the light with lovely ease
And a kind of magical, sweet surprise
To hear and know themselves for these—
For these little voices: the bee, the fly,
The leaf that taps, the pod that breaks,
The breeze on the grass-tops bending by,
The shrill quick sound that the insect makes.
Katherine Mansfield
The Wood-Pile
By Robert Frost
Out walking in the frozen swamp one gray day,
I paused and said, 'I will turn back from here.
No, I will go on farther—and we shall see.'
The hard snow held me, save where now and then
One foot went through. The view was all in lines
Straight up and down of tall slim trees
Too much alike to mark or name a place by
So as to say for certain I was here
Or somewhere else: I was just far from home.
A small bird flew before me. He was careful
To put a tree between us when he lighted,
And say no word to tell me who he was
Who was so foolish as to think what he thought.
He thought that I was after him for a feather—
The white one in his tail; like one who takes
Everything said as personal to himself.
One flight out sideways would have undeceived him.
And then there was a pile of wood for which
I forgot him and let his little fear
Carry him off the way I might have gone,
Without so much as wishing him good-night.
He went behind it to make his last stand.
It was a cord of maple, cut and split
And piled—and measured, four by four by eight.
And not another like it could I see.
No runner tracks in this year's snow looped near it.
And it was older sure than this year's cutting,
Or even last year's or the year's before.
The wood was gray and the bark warping off it
And the pile somewhat sunken. Clematis
Had wound strings round and round it like a bundle.
What held it though on one side was a tree
Still growing, and on one a stake and prop,
These latter about to fall. I thought that only
Someone who lived in turning to fresh tasks
Could so forget his handiwork on which
He spent himself, the labor of his ax,
And leave it there far from a useful fireplace
To warm the frozen swamp as best it could
With the slow smokeless burning of decay.
Robert Frost
By Robert Frost
Out walking in the frozen swamp one gray day,
I paused and said, 'I will turn back from here.
No, I will go on farther—and we shall see.'
The hard snow held me, save where now and then
One foot went through. The view was all in lines
Straight up and down of tall slim trees
Too much alike to mark or name a place by
So as to say for certain I was here
Or somewhere else: I was just far from home.
A small bird flew before me. He was careful
To put a tree between us when he lighted,
And say no word to tell me who he was
Who was so foolish as to think what he thought.
He thought that I was after him for a feather—
The white one in his tail; like one who takes
Everything said as personal to himself.
One flight out sideways would have undeceived him.
And then there was a pile of wood for which
I forgot him and let his little fear
Carry him off the way I might have gone,
Without so much as wishing him good-night.
He went behind it to make his last stand.
It was a cord of maple, cut and split
And piled—and measured, four by four by eight.
And not another like it could I see.
No runner tracks in this year's snow looped near it.
And it was older sure than this year's cutting,
Or even last year's or the year's before.
The wood was gray and the bark warping off it
And the pile somewhat sunken. Clematis
Had wound strings round and round it like a bundle.
What held it though on one side was a tree
Still growing, and on one a stake and prop,
These latter about to fall. I thought that only
Someone who lived in turning to fresh tasks
Could so forget his handiwork on which
He spent himself, the labor of his ax,
And leave it there far from a useful fireplace
To warm the frozen swamp as best it could
With the slow smokeless burning of decay.
Robert Frost
On First Looking into Chapman's Homer
BY John Keats
Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific—and all his men
Look'd at each other with a wild surmise—
Silent, upon a peak in Darien.
Keats
BY John Keats
Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific—and all his men
Look'd at each other with a wild surmise—
Silent, upon a peak in Darien.
Keats
The Road Not Taken
By Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Robert Frost
By Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Robert Frost
I started Early – Took my Dog – (656)
By Emily Dickinson
I started Early – Took my Dog –
And visited the Sea –
The Mermaids in the Basement
Came out to look at me –
And Frigates – in the Upper Floor
Extended Hempen Hands –
Presuming Me to be a Mouse –
Aground – opon the Sands –
But no Man moved Me – till the Tide
Went past my simple Shoe –
And past my Apron – and my Belt
And past my Boddice – too –
And made as He would eat me up –
As wholly as a Dew
Opon a Dandelion's Sleeve –
And then – I started – too –
And He – He followed – close behind –
I felt His Silver Heel
Opon my Ancle – Then My Shoes
Would overflow with Pearl –
Until We met the Solid Town –
No One He seemed to know –
And bowing – with a Mighty look –
At me – The Sea withdrew –
Emily Dickinson
By Emily Dickinson
I started Early – Took my Dog –
And visited the Sea –
The Mermaids in the Basement
Came out to look at me –
And Frigates – in the Upper Floor
Extended Hempen Hands –
Presuming Me to be a Mouse –
Aground – opon the Sands –
But no Man moved Me – till the Tide
Went past my simple Shoe –
And past my Apron – and my Belt
And past my Boddice – too –
And made as He would eat me up –
As wholly as a Dew
Opon a Dandelion's Sleeve –
And then – I started – too –
And He – He followed – close behind –
I felt His Silver Heel
Opon my Ancle – Then My Shoes
Would overflow with Pearl –
Until We met the Solid Town –
No One He seemed to know –
And bowing – with a Mighty look –
At me – The Sea withdrew –
Emily Dickinson
Song: “Where the bee sucks, there suck I”
By William Shakespeare
(from The Tempest)
Where the bee sucks, there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
William Shakespeare
By William Shakespeare
(from The Tempest)
Where the bee sucks, there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
William Shakespeare
A Song of Rain
By C.J. Dennis
Because a little vagrant wind veered south from China Sea;
Or else, because a sun-spot stirred; and yet again, maybe
Because some idle god in play breathed on an errant cloud,
The heads of twice two million folk in gratitude are bowed.
Patter, patter ... Boolconmatta,
Adelaide and Oodnadatta,
Pepegoona, parched and dry
Laugh beneath a dripping sky.
Riverina's thirsting plain
Knows the benison of rain.
Ararat and Arkaroola
Render thanks with Tantanoola
For the blessings they are gaining,
And it's raining -- raining -- raining!
Because a heaven-sent monsoon the mists before it drove;
Because things happened in the moon; or else, because High Jove,
Unbending, played at waterman to please a laughing boy,
The hearts through all a continent are raised in grateful joy.
Weeps the sky at Wipipee
Far Farina's folk are dippy
With sheer joy, while Ballarat
Shouts and flings aloft its hat.
Thirsty Thackaringa yells;
Taltabooka gladly tells
Of a season wet and windy;
Men rejoice on Murrindindie;
Kalioota's ceased complaining;
For it's raining -- raining -- raining!
Because a poor bush parson prayed an altruistic prayer,
Rich with unselfish fellow-love that Heaven counted rare;
And yet, mayhap, because one night a meteor was hurled
Across the everlasting blue, the luck was with our world.
On the wilds of Winininnie
Cattle low and horses whinny,
Frolicking with sheer delight.
From Beltana to The Bight,
In the Mallee's sun-scorched towns,
In the sheds on Darling Downs,
In the huts at Yudnapinna,
Tents on Tidnacoordininna,
To the sky all heads are craning --
For it's raining -- raining -- raining!
Because some strange, cyclonic thing has happened -- God knows where --
Men dream again of easy days, of cash to spend and spare.
The ring fair Clara coveted, Belinda's furs are nigh,
As clerklings watch their increments fall shining from the sky.
Rolls the thunder at Eudunda;
Leongatha, Boort, Kapunda
Send a joyous message down;
Sorrows, flooded, sink and drown.
Ninkerloo and Nerim South
Hail the breaking of the drouth;
From Toolangi's wooded mountains
Sounds the song of plashing fountains;
Sovereign Summer's might is waning;
It is raining -- raining -- raining!
Because the breeze blew sou'-by-east across the China Sea;
Or else, because the thing was willed through all eternity
By gods that rule the rushing stars, or gods long aeons dead,
The earth is made to smile again, and living things are fed.
Mile on mile from Mallacoota
Runs the news, and far Baroota
Speeds it over hill and plain,
Till the slogan of the rain
Rolls afar to Yankalilla;
Wallaroo and Wirrawilla
Shout it o'er the leagues between,
Telling of the dawning green.
Frogs at Cocoroc are croaking,
Booboorowie soil is soaking,
Oodla Wirra, Orroroo
Breathe relief and hope anew.
Wycheproof and Wollongong
Catch the burden of the song
That is rolling, rolling ever
O'er the plains of Never Never,
Sounding in each mountain rill,
Echoing from hill to hill ...
In the lonely, silent places
Men lift up their glad, wet faces,
And their thanks ask no explaining --
It is raining -- raining -- raining!
C.J. Dennis
By C.J. Dennis
Because a little vagrant wind veered south from China Sea;
Or else, because a sun-spot stirred; and yet again, maybe
Because some idle god in play breathed on an errant cloud,
The heads of twice two million folk in gratitude are bowed.
Patter, patter ... Boolconmatta,
Adelaide and Oodnadatta,
Pepegoona, parched and dry
Laugh beneath a dripping sky.
Riverina's thirsting plain
Knows the benison of rain.
Ararat and Arkaroola
Render thanks with Tantanoola
For the blessings they are gaining,
And it's raining -- raining -- raining!
Because a heaven-sent monsoon the mists before it drove;
Because things happened in the moon; or else, because High Jove,
Unbending, played at waterman to please a laughing boy,
The hearts through all a continent are raised in grateful joy.
Weeps the sky at Wipipee
Far Farina's folk are dippy
With sheer joy, while Ballarat
Shouts and flings aloft its hat.
Thirsty Thackaringa yells;
Taltabooka gladly tells
Of a season wet and windy;
Men rejoice on Murrindindie;
Kalioota's ceased complaining;
For it's raining -- raining -- raining!
Because a poor bush parson prayed an altruistic prayer,
Rich with unselfish fellow-love that Heaven counted rare;
And yet, mayhap, because one night a meteor was hurled
Across the everlasting blue, the luck was with our world.
On the wilds of Winininnie
Cattle low and horses whinny,
Frolicking with sheer delight.
From Beltana to The Bight,
In the Mallee's sun-scorched towns,
In the sheds on Darling Downs,
In the huts at Yudnapinna,
Tents on Tidnacoordininna,
To the sky all heads are craning --
For it's raining -- raining -- raining!
Because some strange, cyclonic thing has happened -- God knows where --
Men dream again of easy days, of cash to spend and spare.
The ring fair Clara coveted, Belinda's furs are nigh,
As clerklings watch their increments fall shining from the sky.
Rolls the thunder at Eudunda;
Leongatha, Boort, Kapunda
Send a joyous message down;
Sorrows, flooded, sink and drown.
Ninkerloo and Nerim South
Hail the breaking of the drouth;
From Toolangi's wooded mountains
Sounds the song of plashing fountains;
Sovereign Summer's might is waning;
It is raining -- raining -- raining!
Because the breeze blew sou'-by-east across the China Sea;
Or else, because the thing was willed through all eternity
By gods that rule the rushing stars, or gods long aeons dead,
The earth is made to smile again, and living things are fed.
Mile on mile from Mallacoota
Runs the news, and far Baroota
Speeds it over hill and plain,
Till the slogan of the rain
Rolls afar to Yankalilla;
Wallaroo and Wirrawilla
Shout it o'er the leagues between,
Telling of the dawning green.
Frogs at Cocoroc are croaking,
Booboorowie soil is soaking,
Oodla Wirra, Orroroo
Breathe relief and hope anew.
Wycheproof and Wollongong
Catch the burden of the song
That is rolling, rolling ever
O'er the plains of Never Never,
Sounding in each mountain rill,
Echoing from hill to hill ...
In the lonely, silent places
Men lift up their glad, wet faces,
And their thanks ask no explaining --
It is raining -- raining -- raining!
C.J. Dennis
Snow flakes. (45)
BY EMILY DICKINSON
I counted till they danced so
Their slippers leaped the town –
And then I took a pencil
To note the rebels down –
And then they grew so jolly
I did resign the prig –
And ten of my once stately toes
Are marshalled for a jig!
Emily Dickinson
BY EMILY DICKINSON
I counted till they danced so
Their slippers leaped the town –
And then I took a pencil
To note the rebels down –
And then they grew so jolly
I did resign the prig –
And ten of my once stately toes
Are marshalled for a jig!
Emily Dickinson
Letter from Town: The Almond Tree
By D. H. Lawrence, 1885 - 1930
You promised to send me some violets. Did you forget?
White ones and blue ones from under the orchard hedge?
Sweet dark purple, and white ones mixed for a pledge
Of our early love that hardly has opened yet.
Here there’s an almond tree—you have never seen
Such a one in the north—it flowers on the street, and I stand
Every day by the fence to look up for the flowers that expand
At rest in the blue, and wonder at what they mean.
Under the almond tree, the happy lands
Provence, Japan, and Italy repose,
And passing feet are chatter and clapping of those
Who play around us, country girls clapping their hands.
You, my love, the foremost, in a flowered gown,
All your unbearable tenderness, you with the laughter
Startled upon your eyes now so wide with hereafter,
You with loose hands of abandonment hanging down.
DHLawrence
By D. H. Lawrence, 1885 - 1930
You promised to send me some violets. Did you forget?
White ones and blue ones from under the orchard hedge?
Sweet dark purple, and white ones mixed for a pledge
Of our early love that hardly has opened yet.
Here there’s an almond tree—you have never seen
Such a one in the north—it flowers on the street, and I stand
Every day by the fence to look up for the flowers that expand
At rest in the blue, and wonder at what they mean.
Under the almond tree, the happy lands
Provence, Japan, and Italy repose,
And passing feet are chatter and clapping of those
Who play around us, country girls clapping their hands.
You, my love, the foremost, in a flowered gown,
All your unbearable tenderness, you with the laughter
Startled upon your eyes now so wide with hereafter,
You with loose hands of abandonment hanging down.
DHLawrence
La Belle Dame sans Merci: A Ballad
By John Keats
O what can ail thee, knight-at-arms,
Alone and palely loitering?
Thesedgehas withered from the lake,
And no birds sing.
O what can ail thee, knight-at-arms,
Sohaggardand so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in themeads, Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
Andmade sweet moan
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.
She found me roots of relish sweet,
Andhoney wild, and manna-dew,
And sure in language strange she said—
‘I love thee true’.
She took me to herElfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too, Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Thee hathin thrall!’
I saw their starved lips in thegloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
And this is why Isojournhere,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
John Keats
By John Keats
O what can ail thee, knight-at-arms,
Alone and palely loitering?
Thesedgehas withered from the lake,
And no birds sing.
O what can ail thee, knight-at-arms,
Sohaggardand so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in themeads, Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
Andmade sweet moan
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.
She found me roots of relish sweet,
Andhoney wild, and manna-dew,
And sure in language strange she said—
‘I love thee true’.
She took me to herElfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too, Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Thee hathin thrall!’
I saw their starved lips in thegloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
And this is why Isojournhere,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
John Keats
Winter: A Dirge
By Robert Burns
The wintry west extends his blast,
And hail and rain does blaw;
Or, the stormy north sends driving forth
The blinding sleet and snaw:
While tumbling brown, the burn comes down,
And roars frae bank to brae;
And bird and beast in covert rest,
And pass the heartless day.
The sweeping blast, the sky o’ercast,
The joyless winter-day,
Let others fear, to me more dear
Than all the pride of May:
The tempest’s howl, it soothes my soul,
My griefs it seems to join;
The leafless trees my fancy please,
Their fate resembles mine!
Thou Pow’r Supreme, whose mighty scheme
These woes of mine fulfil,
Here, firm, I rest, they must be best,
Because they are Thy will!
Then all I want (O, do Thou grant
This one request of mine!)
Since to enjoy Thou dost deny,
Assist me to resign.
Robert Burns
By Robert Burns
The wintry west extends his blast,
And hail and rain does blaw;
Or, the stormy north sends driving forth
The blinding sleet and snaw:
While tumbling brown, the burn comes down,
And roars frae bank to brae;
And bird and beast in covert rest,
And pass the heartless day.
The sweeping blast, the sky o’ercast,
The joyless winter-day,
Let others fear, to me more dear
Than all the pride of May:
The tempest’s howl, it soothes my soul,
My griefs it seems to join;
The leafless trees my fancy please,
Their fate resembles mine!
Thou Pow’r Supreme, whose mighty scheme
These woes of mine fulfil,
Here, firm, I rest, they must be best,
Because they are Thy will!
Then all I want (O, do Thou grant
This one request of mine!)
Since to enjoy Thou dost deny,
Assist me to resign.
Robert Burns
From: Auguries of Innocence
By William Blake
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
William Blake
By William Blake
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
William Blake
from Beachy Head
By Charlotte Smith
On thy stupendous summit, rock sublime!
That o’er the channel reared, half way at sea
The mariner at early morning hails,
I would recline; while Fancy should go forth,
And represent the strange and awful hour
Of vast concussion; when the Omnipotent
Stretched forth his arm, and rent the solid hills,
Bidding the impetuous main flood rush between
The rifted shores, and from the continent
Eternally divided this green isle.
Imperial lord of the high southern coast!
From thy projecting head-land I would mark
Far in the east the shades of night disperse,
Melting and thinned, as from the dark blue wave
Emerging, brilliant rays of arrowy light
Dart from the horizon; when the glorious sun
Just lifts above it his resplendent orb.
Advances now, with feathery silver touched,
The rippling tide of flood; glisten the sands,
While, inmates of the chalky clefts that scar
Thy sides precipitous, with shrill harsh cry,
Their white wings glancing in the level beam,
The terns, and gulls, and tarrocks, seek their food,
And thy rough hollows echo to the voice
Of the gray choughs, and ever restless daws,
With clamor, not unlike the chiding hounds,
While the lone shepherd, and his baying dog,
Drive to thy turfy crest his bleating flock.
The high meridian of the day is past,
And Ocean now, reflecting the calm Heaven,
Is of cerulean hue; and murmurs low
The tide of ebb, upon the level sands.
The sloop, her angular canvas shifting still,
Catches the light and variable airs
That but a little crisp the summer sea,
Dimpling its tranquil surface.
Charlotte Smith
By Charlotte Smith
On thy stupendous summit, rock sublime!
That o’er the channel reared, half way at sea
The mariner at early morning hails,
I would recline; while Fancy should go forth,
And represent the strange and awful hour
Of vast concussion; when the Omnipotent
Stretched forth his arm, and rent the solid hills,
Bidding the impetuous main flood rush between
The rifted shores, and from the continent
Eternally divided this green isle.
Imperial lord of the high southern coast!
From thy projecting head-land I would mark
Far in the east the shades of night disperse,
Melting and thinned, as from the dark blue wave
Emerging, brilliant rays of arrowy light
Dart from the horizon; when the glorious sun
Just lifts above it his resplendent orb.
Advances now, with feathery silver touched,
The rippling tide of flood; glisten the sands,
While, inmates of the chalky clefts that scar
Thy sides precipitous, with shrill harsh cry,
Their white wings glancing in the level beam,
The terns, and gulls, and tarrocks, seek their food,
And thy rough hollows echo to the voice
Of the gray choughs, and ever restless daws,
With clamor, not unlike the chiding hounds,
While the lone shepherd, and his baying dog,
Drive to thy turfy crest his bleating flock.
The high meridian of the day is past,
And Ocean now, reflecting the calm Heaven,
Is of cerulean hue; and murmurs low
The tide of ebb, upon the level sands.
The sloop, her angular canvas shifting still,
Catches the light and variable airs
That but a little crisp the summer sea,
Dimpling its tranquil surface.
Charlotte Smith
Fireflies in the Garden
By Robert Frost
Here come real stars to fill the upper skies,
And here on earth come emulating flies,
That though they never equal stars in size,
(And they were never really stars at heart)
Achieve at times a very star-like start.
Only, of course, they can't sustain the part.
Robert Frost
By Robert Frost
Here come real stars to fill the upper skies,
And here on earth come emulating flies,
That though they never equal stars in size,
(And they were never really stars at heart)
Achieve at times a very star-like start.
Only, of course, they can't sustain the part.
Robert Frost
Song
By James Joyce
My love is in a light attire
Among the apple trees,
Where the gay winds do most desire
To run in companies.
There, where the gay winds stay to woo
The young leaves as they pass,
My love goes slowly, bending to
Her shadow on the grass.
And where the sky’s a pale blue cup
Over the laughing land,
My love goes lightly, holding up
Her dress with dainty hand.
James Joyce
By James Joyce
My love is in a light attire
Among the apple trees,
Where the gay winds do most desire
To run in companies.
There, where the gay winds stay to woo
The young leaves as they pass,
My love goes slowly, bending to
Her shadow on the grass.
And where the sky’s a pale blue cup
Over the laughing land,
My love goes lightly, holding up
Her dress with dainty hand.
James Joyce
Doreen
by C.J. Dennis
“I WISH’T yeh meant it, Bill.” Oh, ’ow me ’eart
Went out to ’er that ev’nin’ on the beach.
I knoo she weren’t no ordinary tart,
My little peach!
I tell yeh, square an’ all, me ’eart stood still
To ’ear ’er say, “I wish’t yeh meant it, Bill.”
To ’ear ’er voice! Its gentle sorter tone,
Like soft dream-music of some Dago band.
An’ me all out; an’ ’oldin’ in me own
’Er little ’and.
An’ ’ow she blushed! O, strike! it was divine
The way she raised ’er shinin’ eyes to mine.
’Er eyes! Soft in the moon; such boshter eyes!
An’ when they sight a bloke…O, spare me days!
’E goes all loose inside; such glamour lies
In ’er sweet gaze.
It makes ’im all ashamed uv wot ’e’s been
To look inter the eyes of my Doreen.
The wet sands glistened, an’ the gleamin’ moon
Shone yeller on the sea, all streakin’ down.
A band was playin’ some soft, dreamy choon;
An’ up the town
We ’eard the distant tram-cars whir an’ clash.
An’ there I told ’er ’ow I’d done me dash.
“I wish’t yeh meant it.” ’Struth! And did I, fair?
A bloke ’ud be a dawg to kid a skirt
Like ’er. An’ me well knowin’ she was square.
It ’ud be dirt!
’E’d be no man to point wiv ’er, an’ kid.
I meant it honest; an’ she knoo I did.
She knoo. I’ve done me block in on ’er, straight.
A cove ’as got to think some time in life
An’ get some decent tart, ere it’s too late,
To be ’is wife.
But, Gawd! ’Oo would ‘a’ thort it could ‘a’ been
My luck to strike the likes of ’er?…Doreen!
Aw, I can stand their chuckin’ off, I can.
It’s ’ard; an’ I’d delight to take ’em on.
The dawgs! But it gets that way wiv a man
When ’e’s fair gone.
She’ll sight no stoush; an’ so I ’ave to take
Their mag, an’ do a duck fer ’er sweet sake.
Fer ’er sweet sake I’ve gone and chucked it clean:
The pubs an’ schools an’ all that leery game.
Fer when a bloke ’as come to know Doreen,
It ain’t the same.
There’s ’igher things, she sez, for blokes to do.
An’ I am ’arf believin’ that it’s true.
Yes, ’igher things—that wus the way she spoke;
An’ when she looked at me I sorter felt
That bosker feelin’ that comes o’er a bloke,
An’ makes ’im melt;
Makes ’im all ’ot to maul ’er, an’ to shove
’Is arms about ’er…Bli’me? but it’s love!
That’s wot it is. An’ when a man ’as grown
Like that ’e gets a sorter yearn inside
To be a little ’ero on ’is own;
An’ see the pride
Glow in the eyes of ’er ’e calls ’is queen;
An’ ’ear ’er say ’e is a shine champeen.
“I wish’t yeh meant it,” I can ’ear ’er yet,
My bit o’ fluff! The moon was shinin’ bright,
Turnin’ the waves all yeller where it set—
A bonzer night!
The sparklin’ sea all sorter gold an’ green;
An’ on the pier the band—O, ’Ell!…Doreen!
C. J. Dennis
by C.J. Dennis
“I WISH’T yeh meant it, Bill.” Oh, ’ow me ’eart
Went out to ’er that ev’nin’ on the beach.
I knoo she weren’t no ordinary tart,
My little peach!
I tell yeh, square an’ all, me ’eart stood still
To ’ear ’er say, “I wish’t yeh meant it, Bill.”
To ’ear ’er voice! Its gentle sorter tone,
Like soft dream-music of some Dago band.
An’ me all out; an’ ’oldin’ in me own
’Er little ’and.
An’ ’ow she blushed! O, strike! it was divine
The way she raised ’er shinin’ eyes to mine.
’Er eyes! Soft in the moon; such boshter eyes!
An’ when they sight a bloke…O, spare me days!
’E goes all loose inside; such glamour lies
In ’er sweet gaze.
It makes ’im all ashamed uv wot ’e’s been
To look inter the eyes of my Doreen.
The wet sands glistened, an’ the gleamin’ moon
Shone yeller on the sea, all streakin’ down.
A band was playin’ some soft, dreamy choon;
An’ up the town
We ’eard the distant tram-cars whir an’ clash.
An’ there I told ’er ’ow I’d done me dash.
“I wish’t yeh meant it.” ’Struth! And did I, fair?
A bloke ’ud be a dawg to kid a skirt
Like ’er. An’ me well knowin’ she was square.
It ’ud be dirt!
’E’d be no man to point wiv ’er, an’ kid.
I meant it honest; an’ she knoo I did.
She knoo. I’ve done me block in on ’er, straight.
A cove ’as got to think some time in life
An’ get some decent tart, ere it’s too late,
To be ’is wife.
But, Gawd! ’Oo would ‘a’ thort it could ‘a’ been
My luck to strike the likes of ’er?…Doreen!
Aw, I can stand their chuckin’ off, I can.
It’s ’ard; an’ I’d delight to take ’em on.
The dawgs! But it gets that way wiv a man
When ’e’s fair gone.
She’ll sight no stoush; an’ so I ’ave to take
Their mag, an’ do a duck fer ’er sweet sake.
Fer ’er sweet sake I’ve gone and chucked it clean:
The pubs an’ schools an’ all that leery game.
Fer when a bloke ’as come to know Doreen,
It ain’t the same.
There’s ’igher things, she sez, for blokes to do.
An’ I am ’arf believin’ that it’s true.
Yes, ’igher things—that wus the way she spoke;
An’ when she looked at me I sorter felt
That bosker feelin’ that comes o’er a bloke,
An’ makes ’im melt;
Makes ’im all ’ot to maul ’er, an’ to shove
’Is arms about ’er…Bli’me? but it’s love!
That’s wot it is. An’ when a man ’as grown
Like that ’e gets a sorter yearn inside
To be a little ’ero on ’is own;
An’ see the pride
Glow in the eyes of ’er ’e calls ’is queen;
An’ ’ear ’er say ’e is a shine champeen.
“I wish’t yeh meant it,” I can ’ear ’er yet,
My bit o’ fluff! The moon was shinin’ bright,
Turnin’ the waves all yeller where it set—
A bonzer night!
The sparklin’ sea all sorter gold an’ green;
An’ on the pier the band—O, ’Ell!…Doreen!
C. J. Dennis
Song: “Under the greenwood tree”
BY William Shakespeare
(from As You Like It)
Under the greenwood tree
Who loves to lie with me,
And turn his merry note
Unto the sweet bird’s throat,
Come hither, come hither, come hither:
Here shall he see
No enemy
But winter and rough weather.
Who doth ambition shun
And loves to live i’ the sun,
Seeking the food he eats,
And pleased with what he gets,
Come hither, come hither, come hither:
Here shall he see
No enemy
William Shakespeare
BY William Shakespeare
(from As You Like It)
Under the greenwood tree
Who loves to lie with me,
And turn his merry note
Unto the sweet bird’s throat,
Come hither, come hither, come hither:
Here shall he see
No enemy
But winter and rough weather.
Who doth ambition shun
And loves to live i’ the sun,
Seeking the food he eats,
And pleased with what he gets,
Come hither, come hither, come hither:
Here shall he see
No enemy
William Shakespeare
On Virtue
By Phillis Wheatley
O thou bright jewel in my aim I strive
To comprehend thee. Thine own words declare
Wisdom is higher than a fool can reach.
I cease to wonder, and no more attempt
Thine height t’explore, or fathom thy profound.
But, O my soul, sink not into despair,
Virtue is near thee, and with gentle hand
Would now embrace thee, hovers o’er thine head.
Fain would the heaven-born soul with her converse,
Then seek, then court her for her promised bliss.
Auspicious queen, thine heavenly pinions spread,
And lead celestial Chastity along;
Lo! now her sacred retinue descends,
Arrayed in glory from the orbs above.
Attend me, Virtue, thro’ my youthful years!
O leave me not to the false joys of time!
But guide my steps to endless life and bliss.
Greatness, or Goodness, say what I shall call thee,
To give an higher appellation still,
Teach me a better strain, a nobler lay,
O Thou, enthroned with Cherubs in the realms of day!
Phillis Wheatley
By Phillis Wheatley
O thou bright jewel in my aim I strive
To comprehend thee. Thine own words declare
Wisdom is higher than a fool can reach.
I cease to wonder, and no more attempt
Thine height t’explore, or fathom thy profound.
But, O my soul, sink not into despair,
Virtue is near thee, and with gentle hand
Would now embrace thee, hovers o’er thine head.
Fain would the heaven-born soul with her converse,
Then seek, then court her for her promised bliss.
Auspicious queen, thine heavenly pinions spread,
And lead celestial Chastity along;
Lo! now her sacred retinue descends,
Arrayed in glory from the orbs above.
Attend me, Virtue, thro’ my youthful years!
O leave me not to the false joys of time!
But guide my steps to endless life and bliss.
Greatness, or Goodness, say what I shall call thee,
To give an higher appellation still,
Teach me a better strain, a nobler lay,
O Thou, enthroned with Cherubs in the realms of day!
Phillis Wheatley
Among the Rocks
By Robert Browning
Oh, good gigantic smile o’ the brown old earth,
This autumn morning! How he sets his bones
To bask i’ the sun, and thrusts out knees and feet
For the ripple to run over in its mirth;
Listening the while, where on the heap of stones
The white breast of the sea-lark twitters sweet.
That is the doctrine, simple, ancient, true;
Such is life’s trial, as old earth smiles and knows.
If you loved only what were worth your love,
Love were clear gain, and wholly well for you:
Make the low nature better by your throes!
Give earth yourself, go up for gain above!
Robert Browning
By Robert Browning
Oh, good gigantic smile o’ the brown old earth,
This autumn morning! How he sets his bones
To bask i’ the sun, and thrusts out knees and feet
For the ripple to run over in its mirth;
Listening the while, where on the heap of stones
The white breast of the sea-lark twitters sweet.
That is the doctrine, simple, ancient, true;
Such is life’s trial, as old earth smiles and knows.
If you loved only what were worth your love,
Love were clear gain, and wholly well for you:
Make the low nature better by your throes!
Give earth yourself, go up for gain above!
Robert Browning
Serenity
By Edward Rowland Sill
Brook,
Be still,—be still!
Midnight’s arch is broken
In thy ceaseless ripples.
Dark and cold below them
Runs the troubled water,—
Only on its bosom,
Shimmering and trembling,
Doth the glinted star-shine
Sparkle and cease.
Life,
Be still,—be still!
Boundless truth is shattered
On thy hurrying current.
Rest, with face uplifted,
Calm, serenely quiet;
Drink the deathless beauty—
Thrills of love and wonder
Sinking, shining, star-like;
Till the mirrored heaven
Hollow down within thee
Holy deeps unfathomed,
Where far thoughts go floating,
And low voices wander
Whispering peace.
Edward_Roland_Sill
By Edward Rowland Sill
Brook,
Be still,—be still!
Midnight’s arch is broken
In thy ceaseless ripples.
Dark and cold below them
Runs the troubled water,—
Only on its bosom,
Shimmering and trembling,
Doth the glinted star-shine
Sparkle and cease.
Life,
Be still,—be still!
Boundless truth is shattered
On thy hurrying current.
Rest, with face uplifted,
Calm, serenely quiet;
Drink the deathless beauty—
Thrills of love and wonder
Sinking, shining, star-like;
Till the mirrored heaven
Hollow down within thee
Holy deeps unfathomed,
Where far thoughts go floating,
And low voices wander
Whispering peace.
Edward_Roland_Sill
Interim
By Lola Ridge
The earth is motionless
And poised in space …
A great bird resting in its flight
Between the alleys of the stars.
It is the wind’s hour off ….
The wind has nestled down among the corn ….
The two speak privately together,
Awaiting the whirr of wing
Lola Ridge
By Lola Ridge
The earth is motionless
And poised in space …
A great bird resting in its flight
Between the alleys of the stars.
It is the wind’s hour off ….
The wind has nestled down among the corn ….
The two speak privately together,
Awaiting the whirr of wing
Lola Ridge
Constancy
By George Herbert
Who is the honest man?
He that doth still and strongly good pursue,
To God, his neighbour, and himself most true:
Whom neither force nor fawning can
Unpin, or wrench from giving all their due.
Whose honesty is not
So loose or easy, that a ruffling wind
Can blow away, or glittering look it blind:
Who rides his sure and even trot,
While the world now rides by, now lags behind.
Who, when great trials come,
Nor seeks, nor shuns them; but doth calmly stay,
Till he the thing and the example weigh:
All being brought into a sum,
What place or person calls for, he doth pay.
Whom none can work or woo
To use in any thing a trick or sleight;
For above all things he abhors deceit:
His words and works and fashion too
All of a piece, and all are clear and straight.
Who never melts or thaws
At close temptations: when the day is done,
His goodness sets not, but in dark can run:
The sun to others writeth laws,
And is their virtue; Virtue is his Sun.
Who, when he is to treat
With sick folks, women, those whom passions sway,
Allows for that, and keeps his constant way:
Whom others’ faults do not defeat;
But though men fail him, yet his part doth play.
Whom nothing can procure,
When the wide world runs bias from his will,
To writhe his limbs, and share, not mend the ill.
This is the Marksman, safe and sure,
Who still is right, and prays to be so still.
George Herbert
By George Herbert
Who is the honest man?
He that doth still and strongly good pursue,
To God, his neighbour, and himself most true:
Whom neither force nor fawning can
Unpin, or wrench from giving all their due.
Whose honesty is not
So loose or easy, that a ruffling wind
Can blow away, or glittering look it blind:
Who rides his sure and even trot,
While the world now rides by, now lags behind.
Who, when great trials come,
Nor seeks, nor shuns them; but doth calmly stay,
Till he the thing and the example weigh:
All being brought into a sum,
What place or person calls for, he doth pay.
Whom none can work or woo
To use in any thing a trick or sleight;
For above all things he abhors deceit:
His words and works and fashion too
All of a piece, and all are clear and straight.
Who never melts or thaws
At close temptations: when the day is done,
His goodness sets not, but in dark can run:
The sun to others writeth laws,
And is their virtue; Virtue is his Sun.
Who, when he is to treat
With sick folks, women, those whom passions sway,
Allows for that, and keeps his constant way:
Whom others’ faults do not defeat;
But though men fail him, yet his part doth play.
Whom nothing can procure,
When the wide world runs bias from his will,
To writhe his limbs, and share, not mend the ill.
This is the Marksman, safe and sure,
Who still is right, and prays to be so still.
George Herbert
Swallows
By Leonora Speyer
They dip their wings in the sunset,
They dash against the air
As if to break themselves upon its stillness:
In every movement, too swift to count,
Is a revelry of indecision,
A furtive delight in trees they do not desire And in grasses that shall not know their weight.
They hover and lean toward the meadow
With little edged cries;
And then,
As if frightened at the earth’s nearness, They seek the high austerity of evening sky And swirl into its depth.
Leonora Speyer
By Leonora Speyer
They dip their wings in the sunset,
They dash against the air
As if to break themselves upon its stillness:
In every movement, too swift to count,
Is a revelry of indecision,
A furtive delight in trees they do not desire And in grasses that shall not know their weight.
They hover and lean toward the meadow
With little edged cries;
And then,
As if frightened at the earth’s nearness, They seek the high austerity of evening sky And swirl into its depth.
Leonora Speyer
Tall
Nettles
By Edward Thomas
TALL nettles cover up, as they have done
These many springs, the rusty harrow, the plough
Long worn out, and the roller made of stone:
Only the elm butt tops the nettles now.
This corner of the farmyard I like most:
As well as any bloom upon a flower
I like the dust on the nettles, never lost
Except to prove the sweetness of a shower.
Edward Thomas
By Edward Thomas
TALL nettles cover up, as they have done
These many springs, the rusty harrow, the plough
Long worn out, and the roller made of stone:
Only the elm butt tops the nettles now.
This corner of the farmyard I like most:
As well as any bloom upon a flower
I like the dust on the nettles, never lost
Except to prove the sweetness of a shower.
Edward Thomas
A Gift
by Leonora Speyer
I Woke: —
Night, lingering, poured upon the world
Of drowsy hill and wood and lake
Her moon-song,
And the breeze accompanied with hushed fingers
On the birches.
Gently the dawn held out to me
A golden handful of bird’s-notes.
Leonora Speyer
by Leonora Speyer
I Woke: —
Night, lingering, poured upon the world
Of drowsy hill and wood and lake
Her moon-song,
And the breeze accompanied with hushed fingers
On the birches.
Gently the dawn held out to me
A golden handful of bird’s-notes.
Leonora Speyer
Old
Wine
by Margaret Widdemer
If I could lift
My heart but high enough
My heart could fill with love:
But ah, my heart
Too still and heavy stays
Too brimming with old days.
Margaret Widdemer
by Margaret Widdemer
If I could lift
My heart but high enough
My heart could fill with love:
But ah, my heart
Too still and heavy stays
Too brimming with old days.
Margaret Widdemer
From: A Dream of the Unknown
by P. B. Shelley
I DREAM’D that as I wander’d by the way
Bare winter suddenly was changed to spring,
And gentle odours led my steps astray,
Mix’d with a sound of waters murmuring
Along a shelving bank of turf, which lay
Under a copse, and hardly dared to fling
Its green arms round the bosom of the stream,
But kiss’d it and then fled, as thou mightest in dream.
There grew pied wind-flowers and violets,
Daisies, those pearl’d Arcturi of the earth,
The constellated flower that never sets;
Faint oxlips; tender bluebells, at whose birth
The sod scarce heaved; and that tall flower that wets—
Like a child, half in tenderness and mirth—
Its mother’s face with heaven-collected tears,
When the low wind, its playmate’s voice, it hears.
And in the warm hedge grew lush eglantine,
Green cow-bind and the moonlight-colour’d may,
And cherry-blossoms, and white cups, whose wine
Was the bright dew yet drain’d not by the day;
And wild roses, and ivy serpentine
With its dark buds and leaves, wandering astray;
And flowers azure, black, and streak’d with gold,
Fairer than any waken’d eyes behold.
P. B. Shelley
by P. B. Shelley
I DREAM’D that as I wander’d by the way
Bare winter suddenly was changed to spring,
And gentle odours led my steps astray,
Mix’d with a sound of waters murmuring
Along a shelving bank of turf, which lay
Under a copse, and hardly dared to fling
Its green arms round the bosom of the stream,
But kiss’d it and then fled, as thou mightest in dream.
There grew pied wind-flowers and violets,
Daisies, those pearl’d Arcturi of the earth,
The constellated flower that never sets;
Faint oxlips; tender bluebells, at whose birth
The sod scarce heaved; and that tall flower that wets—
Like a child, half in tenderness and mirth—
Its mother’s face with heaven-collected tears,
When the low wind, its playmate’s voice, it hears.
And in the warm hedge grew lush eglantine,
Green cow-bind and the moonlight-colour’d may,
And cherry-blossoms, and white cups, whose wine
Was the bright dew yet drain’d not by the day;
And wild roses, and ivy serpentine
With its dark buds and leaves, wandering astray;
And flowers azure, black, and streak’d with gold,
Fairer than any waken’d eyes behold.
P. B. Shelley
Passers-by
by Carl Sandburg
Passers-by,
Out of your many faces
Flash memories to me
Now at the day end
Away from the sidewalks
Where your shoe soles traveled
And your voices rose and blent
To form the city’s afternoon roar
Hindering an old silence.
Passers-by,
I remember lean ones among you,
Throats in the clutch of a hope,
Lips written over with strivings,
Mouths that kiss only for love,
Records of great wishes slept with,
Held long
And prayed and toiled for:
Yes,
Written on
Your mouths
And your throats
I read them
When you passed by.
Carl Sandburg
by Carl Sandburg
Passers-by,
Out of your many faces
Flash memories to me
Now at the day end
Away from the sidewalks
Where your shoe soles traveled
And your voices rose and blent
To form the city’s afternoon roar
Hindering an old silence.
Passers-by,
I remember lean ones among you,
Throats in the clutch of a hope,
Lips written over with strivings,
Mouths that kiss only for love,
Records of great wishes slept with,
Held long
And prayed and toiled for:
Yes,
Written on
Your mouths
And your throats
I read them
When you passed by.
Carl Sandburg
Sunday
Evening in the Common
By John Hall Wheelock
LOOK—on the topmost branches of the world
The blossoms of the myriad stars are thick;
Over the huddled rows of stone and brick,
A few, sad wisps of empty smoke are curled
Like ghosts, languid and sick.
One breathless moment now the city’s moaning
Fades, and the endless streets seem vague and dim;
There is no sound around the whole world’s rim,
Save in the distance a small band is droning
Some desolate old hymn.
Van Wyck, how often have we been together
When this same moment made all mysteries clear;
—The infinite stars that brood above us here,
And the gray city in the soft June weather,
So tawdry and so dear!
John Hall Wheelock
By John Hall Wheelock
LOOK—on the topmost branches of the world
The blossoms of the myriad stars are thick;
Over the huddled rows of stone and brick,
A few, sad wisps of empty smoke are curled
Like ghosts, languid and sick.
One breathless moment now the city’s moaning
Fades, and the endless streets seem vague and dim;
There is no sound around the whole world’s rim,
Save in the distance a small band is droning
Some desolate old hymn.
Van Wyck, how often have we been together
When this same moment made all mysteries clear;
—The infinite stars that brood above us here,
And the gray city in the soft June weather,
So tawdry and so dear!
John Hall Wheelock
Where
They Lived
By Thomas Hardy
Dishevelled leaves creep down
Upon that bank to-day,
Some green, some yellow, and some pale brown;
The wet bents bob and sway;
The once warm slippery turf is sodden
Where we laughingly sat or lay.
The summerhouse is gone,
Leaving a weedy space;
The bushes that veiled it once have grown
Gaunt trees that interlace,
Through whose lank limbs I see too clearly
The nakedness of the place.
And where were hills of blue,
Blind drifts of vapour blow,
And the names of former dwellers few,
If any, people know,
And instead of a voice that called, “Come in, Dears,”
Time calls, “Pass below!”
Thomas Hardy
By Thomas Hardy
Dishevelled leaves creep down
Upon that bank to-day,
Some green, some yellow, and some pale brown;
The wet bents bob and sway;
The once warm slippery turf is sodden
Where we laughingly sat or lay.
The summerhouse is gone,
Leaving a weedy space;
The bushes that veiled it once have grown
Gaunt trees that interlace,
Through whose lank limbs I see too clearly
The nakedness of the place.
And where were hills of blue,
Blind drifts of vapour blow,
And the names of former dwellers few,
If any, people know,
And instead of a voice that called, “Come in, Dears,”
Time calls, “Pass below!”
Thomas Hardy
A
narrow fellow in the grass
By Emily Dickinson
A narrow fellow in the grass
Occasionally rides;
You may have met him-did you not
His notice sudden is,
The grass divides as with a comb,
A spotted shaft is seen,
And then it closes at your feet,
And opens further on.
He likes a boggy acre,
A floor too cool for corn,
But when a boy and barefoot,
I more than once at noon
Have passed, I thought, a whip lash,
Unbraiding in the sun,
When stooping to secure it,
It wrinkled and was gone.
Several of nature’s people
I know, and they know me;
I feel for them a transport
Of cordiality.
But never met this fellow,
Attended or alone,
Without a tighter breathing,
And zero at the bone.
Emily Dickinson
By Emily Dickinson
A narrow fellow in the grass
Occasionally rides;
You may have met him-did you not
His notice sudden is,
The grass divides as with a comb,
A spotted shaft is seen,
And then it closes at your feet,
And opens further on.
He likes a boggy acre,
A floor too cool for corn,
But when a boy and barefoot,
I more than once at noon
Have passed, I thought, a whip lash,
Unbraiding in the sun,
When stooping to secure it,
It wrinkled and was gone.
Several of nature’s people
I know, and they know me;
I feel for them a transport
Of cordiality.
But never met this fellow,
Attended or alone,
Without a tighter breathing,
And zero at the bone.
Emily Dickinson
Song
of the Witches: “Double, double toil and trouble”
By William Shakespeare
(from Macbeth)
Double, double toil and trouble;
Fire burn and caldron bubble.
Fillet of a fenny snake,
In the caldron boil and bake;
Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder’s fork and blind-worm’s sting,
Lizard’s leg and howlet’s wing,
For a charm of powerful trouble,
Like a hell-broth boil and bubble.
Double, double toil and trouble;
Fire burn and caldron bubble.
Cool it with a baboon’s blood,
Then the charm is firm and good.
William Shakespeare
By William Shakespeare
(from Macbeth)
Double, double toil and trouble;
Fire burn and caldron bubble.
Fillet of a fenny snake,
In the caldron boil and bake;
Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder’s fork and blind-worm’s sting,
Lizard’s leg and howlet’s wing,
For a charm of powerful trouble,
Like a hell-broth boil and bubble.
Double, double toil and trouble;
Fire burn and caldron bubble.
Cool it with a baboon’s blood,
Then the charm is firm and good.
William Shakespeare
Willow
Poem
by William Carlos Williams
It is a willow when summer is over,
a willow by the river
from which no leaf has fallen nor
bitten by the sun
turned orange or crimson.
The leaves cling and grow paler,
swing and grow paler
over the swirling waters of the river
as if loath to let go,
they are so cool, so drunk with
the swirl of the wind and of the river-
oblivious to winter,
the last to let go and fall
into the water and on the ground.
William Carlos Williams
by William Carlos Williams
It is a willow when summer is over,
a willow by the river
from which no leaf has fallen nor
bitten by the sun
turned orange or crimson.
The leaves cling and grow paler,
swing and grow paler
over the swirling waters of the river
as if loath to let go,
they are so cool, so drunk with
the swirl of the wind and of the river-
oblivious to winter,
the last to let go and fall
into the water and on the ground.
William Carlos Williams
A Hymn to the Moon
(Written in an Arbour)
By Lady Mary Wortley Montagu
Thou silver deity of secret night,
Direct my footsteps through the woodland shade;
Thou conscious witness of unknown delight,
The Lover’s guardian, and the Muse’s aid!
By thy pale beams I solitary rove,
To thee my tender grief confide;
Serenely sweet you gild the silent grove,
My friend, my goddess, and my guide.
E’en thee, fair queen, from thy amazing height,
The charms of young Endymion drew;
Veil’d with the mantle of concealing night;
With all thy greatness and thy coldness too.
Lady Mary Wortley Montagu
(Written in an Arbour)
By Lady Mary Wortley Montagu
Thou silver deity of secret night,
Direct my footsteps through the woodland shade;
Thou conscious witness of unknown delight,
The Lover’s guardian, and the Muse’s aid!
By thy pale beams I solitary rove,
To thee my tender grief confide;
Serenely sweet you gild the silent grove,
My friend, my goddess, and my guide.
E’en thee, fair queen, from thy amazing height,
The charms of young Endymion drew;
Veil’d with the mantle of concealing night;
With all thy greatness and thy coldness too.
Lady Mary Wortley Montagu
The Cliffside Path
(from A Midsummer Holiday and Other Poems, 1884)
By Algernon Charles Swimburne
Seaward goes the sun, and homeward by the down
We, before the night upon his grave be sealed.
Low behind us lies the bright steep murmuring town,
High before us heaves the steep rough silent field.
Breach by ghastlier breach, the cliffs collapsing yield:
Half the path is broken, half the banks divide;
Flawed and crumbled, riven and rent, they cleave and slide
Toward the ridged and wrinkled waste of girdling sand
Deep beneath, whose furrows tell how far and wide
Wind is lord and change is sovereign of the strand.
Star by star on the unsunned waters twiring down,
Golden spear-points glance against a silver shield.
Over banks and bents, across the headland’s crown,
As by pulse of gradual plumes through twilight wheeled,
Soft as sleep, the waking wind awakes the weald.
Moor and copse and fallow, near or far descried.
Feel the mild wings move, and gladden where they glide:
Silence, uttering love that all things understand,
Bids the quiet fields forget that hard beside
Wind is lord and change is sovereign of the strand.
Yet may sight, ere all the hoar soft shade grow brown,
Hardly reckon half the rifts and rents unhealed
Where the scarred cliffs downward sundering drive and drown,
Hewn as if with stroke of swords in tempest steeled,
Wielded as the night’s will and the wind’s may wield.
Crowned and zoned in vain with flowers of autumn-tide,
Soon the blasts shall break them, soon the waters hide,
Soon, where late we stood, shall no man ever stand.
Life and love seek harbourage on the landward side:
Wind is lord and change is sovereign of the strand.
Friend, though man be less than these, for all his pride,
Yet, for all his weakness, shall not hope abide?
Wind and change can wreck but life and waste but land:
Truth and trust are sure, though here till all subside
Wind is lord and change is sovereign of the strand.
Algernon Charles Swimburne
(from A Midsummer Holiday and Other Poems, 1884)
By Algernon Charles Swimburne
Seaward goes the sun, and homeward by the down
We, before the night upon his grave be sealed.
Low behind us lies the bright steep murmuring town,
High before us heaves the steep rough silent field.
Breach by ghastlier breach, the cliffs collapsing yield:
Half the path is broken, half the banks divide;
Flawed and crumbled, riven and rent, they cleave and slide
Toward the ridged and wrinkled waste of girdling sand
Deep beneath, whose furrows tell how far and wide
Wind is lord and change is sovereign of the strand.
Star by star on the unsunned waters twiring down,
Golden spear-points glance against a silver shield.
Over banks and bents, across the headland’s crown,
As by pulse of gradual plumes through twilight wheeled,
Soft as sleep, the waking wind awakes the weald.
Moor and copse and fallow, near or far descried.
Feel the mild wings move, and gladden where they glide:
Silence, uttering love that all things understand,
Bids the quiet fields forget that hard beside
Wind is lord and change is sovereign of the strand.
Yet may sight, ere all the hoar soft shade grow brown,
Hardly reckon half the rifts and rents unhealed
Where the scarred cliffs downward sundering drive and drown,
Hewn as if with stroke of swords in tempest steeled,
Wielded as the night’s will and the wind’s may wield.
Crowned and zoned in vain with flowers of autumn-tide,
Soon the blasts shall break them, soon the waters hide,
Soon, where late we stood, shall no man ever stand.
Life and love seek harbourage on the landward side:
Wind is lord and change is sovereign of the strand.
Friend, though man be less than these, for all his pride,
Yet, for all his weakness, shall not hope abide?
Wind and change can wreck but life and waste but land:
Truth and trust are sure, though here till all subside
Wind is lord and change is sovereign of the strand.
Algernon Charles Swimburne
The Candle
by Katherine Mansfield
By my bed, on a little round table,
The Grandmother placed a candle.
She gave me three kisses telling me they were three dreams
And tucked me in just where I loved being tucked.
Then she went out of the room and the door was shut.
I lay still, waiting for my three dreams to talk;
But they were silent.
Suddenly I remembered giving her three kisses back.
Perhaps, by mistake, I had given my three little dreams.
I sat up in bed.
The room grew big, oh, bigger far than a church.
The wardrobe, quite by itself, as big as a house.
And the jug on the washstand smiled at me:
It was not a friendly smile.
I looked at the basket-chair where my clothes lay folded:
The chair gave a creak as though it were listening for something.
Perhaps it was coming alive and going to dress in my clothes.
But the awful thing was the window:
I could not think what was outside.
No tree to be seen, I was sure,
No nice little plant or friendly pebbly path.
Why did she pull the blind down every night?
It was better to know.
I crunched my teeth and crept out of bed.
I peeped through a slit of blind.
There was nothing at all to be seen
But hundreds of friendly candles all over the sky
In remembrance of frightened children.
I went back to bed …
The three dreams started singing a little song.
Katherine Mansfield
by Katherine Mansfield
By my bed, on a little round table,
The Grandmother placed a candle.
She gave me three kisses telling me they were three dreams
And tucked me in just where I loved being tucked.
Then she went out of the room and the door was shut.
I lay still, waiting for my three dreams to talk;
But they were silent.
Suddenly I remembered giving her three kisses back.
Perhaps, by mistake, I had given my three little dreams.
I sat up in bed.
The room grew big, oh, bigger far than a church.
The wardrobe, quite by itself, as big as a house.
And the jug on the washstand smiled at me:
It was not a friendly smile.
I looked at the basket-chair where my clothes lay folded:
The chair gave a creak as though it were listening for something.
Perhaps it was coming alive and going to dress in my clothes.
But the awful thing was the window:
I could not think what was outside.
No tree to be seen, I was sure,
No nice little plant or friendly pebbly path.
Why did she pull the blind down every night?
It was better to know.
I crunched my teeth and crept out of bed.
I peeped through a slit of blind.
There was nothing at all to be seen
But hundreds of friendly candles all over the sky
In remembrance of frightened children.
I went back to bed …
The three dreams started singing a little song.
Katherine Mansfield
A Palinode
By Edmund Bolton
As withereth the primrose by the river,
As fadeth summer’s sun from gliding fountains,
As vanisheth the light-blown bubble ever,
As melteth snow upon the mossy mountains:
So melts, so vanishes, so fades, so withers
The rose, the shine, the bubble and the snow
Of praise, pomp, glory, joy - which short life gathers -
Fair praise, vain pomp, sweet glory, brittle joy.
The withered primrose by the mourning river,
The faded summer’s sun from weeping fountains,
The light-blown bubble, vanishéd for ever,
The molten snow upon the naked mountains,
Are emblems that the treasures we up-lay
Soon wither, vanish, fade and melt away.
For as the snow, whose lawn did overspread
The ambitious hills, which giant-like did threat
To pierce the heaven with their aspiring head,
Naked and bare doth leave their craggy seat;
Whenas the bubble, which did empty fly
The dalliance of the undiscernéd wind,
On whose calm rolling waves it did rely,
Hath shipwreck made, where it did dalliance find;
And when the sunshine, which dissolved the snow,
Coloured the bubble with a pleasant vary,
And made the rathe and timely primrose grow,
Swarth clouds withdrawn (which longer time do tarry) -
Oh, what is praise, pomp, glory, joy, but so
As shine by fountains, bubbles, flowers or snow?
Edmund Bolton
By Edmund Bolton
As withereth the primrose by the river,
As fadeth summer’s sun from gliding fountains,
As vanisheth the light-blown bubble ever,
As melteth snow upon the mossy mountains:
So melts, so vanishes, so fades, so withers
The rose, the shine, the bubble and the snow
Of praise, pomp, glory, joy - which short life gathers -
Fair praise, vain pomp, sweet glory, brittle joy.
The withered primrose by the mourning river,
The faded summer’s sun from weeping fountains,
The light-blown bubble, vanishéd for ever,
The molten snow upon the naked mountains,
Are emblems that the treasures we up-lay
Soon wither, vanish, fade and melt away.
For as the snow, whose lawn did overspread
The ambitious hills, which giant-like did threat
To pierce the heaven with their aspiring head,
Naked and bare doth leave their craggy seat;
Whenas the bubble, which did empty fly
The dalliance of the undiscernéd wind,
On whose calm rolling waves it did rely,
Hath shipwreck made, where it did dalliance find;
And when the sunshine, which dissolved the snow,
Coloured the bubble with a pleasant vary,
And made the rathe and timely primrose grow,
Swarth clouds withdrawn (which longer time do tarry) -
Oh, what is praise, pomp, glory, joy, but so
As shine by fountains, bubbles, flowers or snow?
Edmund Bolton
III (from Mont Blanc)
By Percy Bysshe Shelley
Some say that gleams of a remoter world
Visit the soul in sleep, that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live. I look on high;
Has some unknown omnipotence unfurl’d
The veil of life and death? or do I lie
In dream, and does the mightier world of sleep
Spread far around and inaccessibly
Its circles? For the very spirit fails,
Driven like a homeless cloud from steep to steep
That vanishes among the viewless gales!
Far, far above, piercing the infinite sky,
Mont Blanc appears - still, snowy, and serene;
Its subject mountains their unearthly forms
Pile around it, ice and rock; broad vales between
Of frozen floods, unfathomable deeps,
Blue as the overhanging heaven, that spread
And wind among the accumulated steeps;
A desert peopled by the storms alone,
Save when the eagle brings some hunter’s bone,
And the wolf tracks her there - how hideously
Its shapes are heap’d around! rude, bare, and high,
Ghastly, and scarr’d, and riven. Is this the scene
Where the old Earthquake-daemon taught her young
Ruin? Were these their toys? or did a sea
Of fire envelop once this silent snow?
None can reply - all seems eternal now.
The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so serene, that man may be,
But for such faith, with Nature reconcil’d;
Thou hast a voice, great Mountain, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.
Percy Bysshe Shelley
By Percy Bysshe Shelley
Some say that gleams of a remoter world
Visit the soul in sleep, that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live. I look on high;
Has some unknown omnipotence unfurl’d
The veil of life and death? or do I lie
In dream, and does the mightier world of sleep
Spread far around and inaccessibly
Its circles? For the very spirit fails,
Driven like a homeless cloud from steep to steep
That vanishes among the viewless gales!
Far, far above, piercing the infinite sky,
Mont Blanc appears - still, snowy, and serene;
Its subject mountains their unearthly forms
Pile around it, ice and rock; broad vales between
Of frozen floods, unfathomable deeps,
Blue as the overhanging heaven, that spread
And wind among the accumulated steeps;
A desert peopled by the storms alone,
Save when the eagle brings some hunter’s bone,
And the wolf tracks her there - how hideously
Its shapes are heap’d around! rude, bare, and high,
Ghastly, and scarr’d, and riven. Is this the scene
Where the old Earthquake-daemon taught her young
Ruin? Were these their toys? or did a sea
Of fire envelop once this silent snow?
None can reply - all seems eternal now.
The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so serene, that man may be,
But for such faith, with Nature reconcil’d;
Thou hast a voice, great Mountain, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.
Percy Bysshe Shelley
Redbirds
By Sara Teasdale
Redbirds, redbirds,
Long and long ago,
What a honey-call you had
In hills I used to know;
Redbud, buckberry,
Wild plum-tree
And proud river sweeping
Southward to the sea,
Brown and gold in the sun
Sparkling far below,
Trailing stately round her bluffs
Where the poplars grow -
Redbirds, redbirds,
Are you singing still
As you sang one May day
On Saxton’s Hill?
Sara Teasdale
By Sara Teasdale
Redbirds, redbirds,
Long and long ago,
What a honey-call you had
In hills I used to know;
Redbud, buckberry,
Wild plum-tree
And proud river sweeping
Southward to the sea,
Brown and gold in the sun
Sparkling far below,
Trailing stately round her bluffs
Where the poplars grow -
Redbirds, redbirds,
Are you singing still
As you sang one May day
On Saxton’s Hill?
Sara Teasdale
From "The Princess"
By Lord Alfred Tennyson
Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang),
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying thro’ the lawn,
The moan of doves is immemorial elms,
And murmuring of innumerable bees.
Lord Alfred Tennyson
By Lord Alfred Tennyson
Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang),
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying thro’ the lawn,
The moan of doves is immemorial elms,
And murmuring of innumerable bees.
Lord Alfred Tennyson
Love and Friendship
Emily Brontë
Love is like the wild rose-briar,
Friendship like the holly-tree-
The holly is dark when the rose-briar blooms
But which will bloom most constantly?
The wild rose-briar is sweet in spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who will call the wild-briar fair?
Then scorn the silly rose-wreath now
And deck thee with the holly’s sheen,
That when December blights thy brow
He still may leave thy garland green.
Emily Brontë
Emily Brontë
Love is like the wild rose-briar,
Friendship like the holly-tree-
The holly is dark when the rose-briar blooms
But which will bloom most constantly?
The wild rose-briar is sweet in spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who will call the wild-briar fair?
Then scorn the silly rose-wreath now
And deck thee with the holly’s sheen,
That when December blights thy brow
He still may leave thy garland green.
Emily Brontë
The Wind Sleepers
By H. D.
Whiter
than the crust
left by the tide,
we are stung by the hurled sand
and the broken shells.
We no longer sleep
in the wind-
we awoke and fled
through the city gate.
Tear-
tear us an altar,
tug at the cliff-boulders,
pile them with the rough stones-
we no longer
sleep in the wind,
propitiate us.
Chant in a wail
that never halts,
pace a circle and pay tribute
with a song.
When the roar of a dropped wave
breaks into it,
pour meted words
of sea-hawks and gull
sand sea-birds that cry
discords.
H. D.
By H. D.
Whiter
than the crust
left by the tide,
we are stung by the hurled sand
and the broken shells.
We no longer sleep
in the wind-
we awoke and fled
through the city gate.
Tear-
tear us an altar,
tug at the cliff-boulders,
pile them with the rough stones-
we no longer
sleep in the wind,
propitiate us.
Chant in a wail
that never halts,
pace a circle and pay tribute
with a song.
When the roar of a dropped wave
breaks into it,
pour meted words
of sea-hawks and gull
sand sea-birds that cry
discords.
H. D.
Sonnet 23
By William Shakespeare
As an unperfect actor on the stage,
Who with his fear is put beside his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart;
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’ercharg’d with burthen of mine own love’s might.
O! let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love, and look for recompense,
More than that tongue that more hath more express’d.
O! learn to read what silent love hath writ:
To hear with eyes belongs to love’s fine wit.
William Shakespeare
By William Shakespeare
As an unperfect actor on the stage,
Who with his fear is put beside his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart;
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’ercharg’d with burthen of mine own love’s might.
O! let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love, and look for recompense,
More than that tongue that more hath more express’d.
O! learn to read what silent love hath writ:
To hear with eyes belongs to love’s fine wit.
William Shakespeare
Rondeau
by Jessie Redmon Fauset
When April’s here and meadows wide
Once more with spring’s sweet growths are pied
I close each book, drop each pursuit,
And past the brook, no longer mute,
I joyous roam the countryside.
Look, here the violets shy abide
And there the mating robins hide -
How keen my sense, how acute,
When April’s here!
And list! down where the shimmering tide
Hard by that farthest hill doth glide,
Rise faint strains from shepherd’s flute,
Pan’s pipes and Berecyntian lute.
Each sight, each sound fresh joys provide
When April’s here.
Jessie Redmon Fauset
by Jessie Redmon Fauset
When April’s here and meadows wide
Once more with spring’s sweet growths are pied
I close each book, drop each pursuit,
And past the brook, no longer mute,
I joyous roam the countryside.
Look, here the violets shy abide
And there the mating robins hide -
How keen my sense, how acute,
When April’s here!
And list! down where the shimmering tide
Hard by that farthest hill doth glide,
Rise faint strains from shepherd’s flute,
Pan’s pipes and Berecyntian lute.
Each sight, each sound fresh joys provide
When April’s here.
Jessie Redmon Fauset
Hours
By Hazel Hall
I have known hours built like cities,
House on grey house, with streets between
That lead to straggling roads and trail off,
Forgotten in a field of green;
Hours made like mountains lifting
White crests out of the fog and rain,
And woven of forbidden music-
Hours eternal in their pain.
Life is a tapestry of hours
Forever mellowing in tone,
Where all things blend, even the longing
For hours I have never known.
Hazel Hall
By Hazel Hall
I have known hours built like cities,
House on grey house, with streets between
That lead to straggling roads and trail off,
Forgotten in a field of green;
Hours made like mountains lifting
White crests out of the fog and rain,
And woven of forbidden music-
Hours eternal in their pain.
Life is a tapestry of hours
Forever mellowing in tone,
Where all things blend, even the longing
For hours I have never known.
Hazel Hall
Long
Island Sound
By Emma Lazarus
I see it as it looked one afternoon
In August,- by a fresh soft breeze o’erblown.
The swiftness of the tide, the light thereon,
A far-off sail, white as a crescent moon.
The shining waters with pale currents strewn,
The quiet fishing-smacks, the Eastern cove,
The semi-circle of its dark, green grove.
The luminous grasses, and the merry sun
In the grave sky; the sparkle far and wide,
Laughter of unseen children, cheerful chirp
Of crickets, and low lisp of rippling tide,
Light summer clouds fantastical as sleep
Changing unnoted while I gazed thereon.
All these fair sounds and sights I made my own.
Emma Lazarus
By Emma Lazarus
I see it as it looked one afternoon
In August,- by a fresh soft breeze o’erblown.
The swiftness of the tide, the light thereon,
A far-off sail, white as a crescent moon.
The shining waters with pale currents strewn,
The quiet fishing-smacks, the Eastern cove,
The semi-circle of its dark, green grove.
The luminous grasses, and the merry sun
In the grave sky; the sparkle far and wide,
Laughter of unseen children, cheerful chirp
Of crickets, and low lisp of rippling tide,
Light summer clouds fantastical as sleep
Changing unnoted while I gazed thereon.
All these fair sounds and sights I made my own.
Emma Lazarus
A
Bird Song
By Christina Rossetti
It’s a year almost that I have not seen her:
Oh, last summer green things were greener,
Brambles fewer, the blue sky bluer.
It’s surely summer, for there’s a swallow:
Come one swallow, his mate will follow,
The bird race quicken and wheel and thicken.
Oh happy swallow whose mate will follow
O’er height, o’er hollow! I’d be a swallow,
To build this weather one nest together.
Christina Rossetti
By Christina Rossetti
It’s a year almost that I have not seen her:
Oh, last summer green things were greener,
Brambles fewer, the blue sky bluer.
It’s surely summer, for there’s a swallow:
Come one swallow, his mate will follow,
The bird race quicken and wheel and thicken.
Oh happy swallow whose mate will follow
O’er height, o’er hollow! I’d be a swallow,
To build this weather one nest together.
Christina Rossetti
There
may be chaos still around the world
by George Santayana
There may be chaos still around the world,
This little world that in my thinking lies;
For mine own bosom is the paradise
Where all my life’s fair visions are unfurled.
Within my nature’s shell I slumber curled,
Unmindful of the changing outer skies,
Where now, perchance, some new-born Eros flies,
Or some old Cronos from his throne is hurled.
I heed them not; or if the subtle night
Haunt me with deities I never saw,
I soon mine eyelid’s drowsy curtain draw
To hide their myriad faces from my sight.
They threat in vain; the whirlwind cannot awe
A happy snow-flake dancing in the flaw.
George Santayana
by George Santayana
There may be chaos still around the world,
This little world that in my thinking lies;
For mine own bosom is the paradise
Where all my life’s fair visions are unfurled.
Within my nature’s shell I slumber curled,
Unmindful of the changing outer skies,
Where now, perchance, some new-born Eros flies,
Or some old Cronos from his throne is hurled.
I heed them not; or if the subtle night
Haunt me with deities I never saw,
I soon mine eyelid’s drowsy curtain draw
To hide their myriad faces from my sight.
They threat in vain; the whirlwind cannot awe
A happy snow-flake dancing in the flaw.
George Santayana
The
Prairie Town
By Helen Santmyer
Lovers of beauty laugh at this grey town,
Where dust lies thick on ragged curb-side trees,
And compass-needle streets lead up and down
And lose themselves in empty prairie seas.
Here is no winding scented lane, no hill
Crowned with a steepled church, no garden wall
Of old grey stone where lilacs bloom, and fill
The air with fragrance when the May rains fall.
But here is the unsoftened majesty
Of the wide earth where all the wide streets end,
And from the dusty corner one may see
The full moon rise, and flaming sun descend.
The long main street, whence farmers’ teams go forth,
Lies like an old sea road, star-pointed north.
Helen Santmyer
By Helen Santmyer
Lovers of beauty laugh at this grey town,
Where dust lies thick on ragged curb-side trees,
And compass-needle streets lead up and down
And lose themselves in empty prairie seas.
Here is no winding scented lane, no hill
Crowned with a steepled church, no garden wall
Of old grey stone where lilacs bloom, and fill
The air with fragrance when the May rains fall.
But here is the unsoftened majesty
Of the wide earth where all the wide streets end,
And from the dusty corner one may see
The full moon rise, and flaming sun descend.
The long main street, whence farmers’ teams go forth,
Lies like an old sea road, star-pointed north.
Helen Santmyer
To
Shakespeare
by Frances Anne Kemble
Oft, when my lips I open to rehearse
Thy wondrous spell of wisdom, and of power,
And that my voice, and thy immortal verse,
On listening ears, and hearts, I mingled pour,
I shrink dismayed – and awful doth appear
The vain presumption of my own weak deed;
Thy glorious spirit seems to mine so near,
That suddenly I tremble as I read –
Thee an invisible auditor I fear:
Oh, if it might be so, my master dear!
With what beseeching would I pray to thee,
To make me equal to my noble task,
Succor from thee, how humbly would I ask,
Thy worthiest works to utter worthily.
Frances Anne Kemble
by Frances Anne Kemble
Oft, when my lips I open to rehearse
Thy wondrous spell of wisdom, and of power,
And that my voice, and thy immortal verse,
On listening ears, and hearts, I mingled pour,
I shrink dismayed – and awful doth appear
The vain presumption of my own weak deed;
Thy glorious spirit seems to mine so near,
That suddenly I tremble as I read –
Thee an invisible auditor I fear:
Oh, if it might be so, my master dear!
With what beseeching would I pray to thee,
To make me equal to my noble task,
Succor from thee, how humbly would I ask,
Thy worthiest works to utter worthily.
Frances Anne Kemble
From
the Telephone
by Florence Ripley Mastin
Out of the dark cup
Your voice broke like a flower.
It trembled, swaying on its taut stem.
The caress in its touch
Made my eyes close.
Florence Ripley Mastin
by Florence Ripley Mastin
Out of the dark cup
Your voice broke like a flower.
It trembled, swaying on its taut stem.
The caress in its touch
Made my eyes close.
Florence Ripley Mastin
Habit
by Hazel Hall
Last night when my work was done,
And my estranged hands
Were becoming mutually interested
In such forgotten things as pulses,
I looked out of a window
Into a glittering night sky.
And instantly
I began to feather-stitch a ring around the moon.
Hazel Hall
by Hazel Hall
Last night when my work was done,
And my estranged hands
Were becoming mutually interested
In such forgotten things as pulses,
I looked out of a window
Into a glittering night sky.
And instantly
I began to feather-stitch a ring around the moon.
Hazel Hall
Looks
By Peter Kirkpatrick
A photo album shows us half a life
ago, bliss kittens of the night, bowtied,
in drag, in tight jeans and tee-shirts — half a life
before we kissed and breakfasted: an age.
These are the slim acquaintances we were,
these leaner, lesser bodies that we led
through thumping pubs and on to garbled parties,
and in and out of other people’s lives,
until they steadied in each other’s gaze.
Tonight we’re flirting with the past again,
and with each other, old and new. But which
is which? These recent, ageing beings or
those faded, younger frames, dressed in the past?
And should we even care? For as you turn
another page that shows the ways we’ve changed
I see no doubts, no hesitations, no
false steps in this long practised dance of ours,
only the Then and Now. The many stumbles
in between, when we were making do, making
it up, losing the plot, ignoring prompts
(unstaged scenarios as surely ours
as these more studied moves): those likenesses,
exposed to memory, lack this fixity,
or rest, unedited, beneath other beds.
Now as you pass the book and trade a glance
I try to catch a stranger in a kiss.
Only you’re there before me, knowing the look.
Peter Kirkpatrick
Peter Kirkpatrick is a poet and academic, and teaches Australian Literature in the Department of English at the University of Sydney. He has published two collections, Wish You Were Here (Five Islands, 1996) and Westering (Puncher & Wattmann, 2006), and the chapbook Australian Gothic and Other Poems (Picaro, 2012).
By Peter Kirkpatrick
A photo album shows us half a life
ago, bliss kittens of the night, bowtied,
in drag, in tight jeans and tee-shirts — half a life
before we kissed and breakfasted: an age.
These are the slim acquaintances we were,
these leaner, lesser bodies that we led
through thumping pubs and on to garbled parties,
and in and out of other people’s lives,
until they steadied in each other’s gaze.
Tonight we’re flirting with the past again,
and with each other, old and new. But which
is which? These recent, ageing beings or
those faded, younger frames, dressed in the past?
And should we even care? For as you turn
another page that shows the ways we’ve changed
I see no doubts, no hesitations, no
false steps in this long practised dance of ours,
only the Then and Now. The many stumbles
in between, when we were making do, making
it up, losing the plot, ignoring prompts
(unstaged scenarios as surely ours
as these more studied moves): those likenesses,
exposed to memory, lack this fixity,
or rest, unedited, beneath other beds.
Now as you pass the book and trade a glance
I try to catch a stranger in a kiss.
Only you’re there before me, knowing the look.
Peter Kirkpatrick
Peter Kirkpatrick is a poet and academic, and teaches Australian Literature in the Department of English at the University of Sydney. He has published two collections, Wish You Were Here (Five Islands, 1996) and Westering (Puncher & Wattmann, 2006), and the chapbook Australian Gothic and Other Poems (Picaro, 2012).
The Juggler
By Todd Turner
Beneath the perpetual orbit
of spinning worlds, haphazardly
balanced upon the east-west
axis of a rocking plank,
a man juggles a quintet
of earth’s most principal form.
Five glittering orbs go up,
willing the onlookers awake
as the spun trajectory arcs
and cascades in a formula fit
for the confines of geometry,
or the mute notation of plotted
notes graphed in the minds
of those who map them out
across the horizontal lines of a stave.
Todd Turner
Todd Turner’s first collection of poetry Woodsmoke was recently published by Black Pepper Publishing.
By Todd Turner
Beneath the perpetual orbit
of spinning worlds, haphazardly
balanced upon the east-west
axis of a rocking plank,
a man juggles a quintet
of earth’s most principal form.
Five glittering orbs go up,
willing the onlookers awake
as the spun trajectory arcs
and cascades in a formula fit
for the confines of geometry,
or the mute notation of plotted
notes graphed in the minds
of those who map them out
across the horizontal lines of a stave.
Todd Turner
Todd Turner’s first collection of poetry Woodsmoke was recently published by Black Pepper Publishing.
A
Crossing
By Paul Kane
What is it about
form that lets the life within
find its expression
without even uttering
a word or marking a page?
Winter’s frozen stream
affords us a step across
to the other side,
while in spring, a flowing stream
corrugates in the shallows.
Questions of crossing
cross the mind like shadows or
scorings on a wall.
Every face is emphatic
with the form that life has led.
This is what woke me
in the pale light this morning,
a mere strand of words
chasing after a form to
give them life, and life a form.
Paul Kane
Paul Kane has published five collections of poems, including Work Life (Turtle Point Press, 2007), and a poetry and music CD with sound artist Katie O’Looney, Seven Catastrophes in Four Movements (Farpoint Recordings, 2013). His awards include fellowships from the NEH, the Guggenheim Foundation, and the Bogliasco Foundation. He is poetry editor of Antipodes and general editor of the Braziller Series of Australian Poets. He teaches at Vassar College.
By Paul Kane
What is it about
form that lets the life within
find its expression
without even uttering
a word or marking a page?
Winter’s frozen stream
affords us a step across
to the other side,
while in spring, a flowing stream
corrugates in the shallows.
Questions of crossing
cross the mind like shadows or
scorings on a wall.
Every face is emphatic
with the form that life has led.
This is what woke me
in the pale light this morning,
a mere strand of words
chasing after a form to
give them life, and life a form.
Paul Kane
Paul Kane has published five collections of poems, including Work Life (Turtle Point Press, 2007), and a poetry and music CD with sound artist Katie O’Looney, Seven Catastrophes in Four Movements (Farpoint Recordings, 2013). His awards include fellowships from the NEH, the Guggenheim Foundation, and the Bogliasco Foundation. He is poetry editor of Antipodes and general editor of the Braziller Series of Australian Poets. He teaches at Vassar College.
Binsey Poplars
felled 1879
By Gerard Manley Hopkins
My aspens dear, whose airy cages quelled,
Quelled or quenched in leaves the leaping sun,
All felled, felled, are all felled;
Of a fresh and following folded rank
Not spared, not one
That dandled a sandalled
Shadow that swam or sank
On meadow & river & wind-wandering weed-winding bank.
O if we but knew what we do
When we delve or hew —
Hack and rack the growing green!
Since country is so tender
To touch, her being só slender,
That, like this sleek and seeing ball
But a prick will make no eye at all,
Where we, even where we mean
To mend her we end her,
When we hew or delve:
After-comers cannot guess the beauty been.
Ten or twelve, only ten or twelve
Strokes of havoc unselve
The sweet especial scene,
Rural scene, a rural scene,
Sweet especial rural scene.
Binsey Poplars
felled 1879
By Gerard Manley Hopkins
My aspens dear, whose airy cages quelled,
Quelled or quenched in leaves the leaping sun,
All felled, felled, are all felled;
Of a fresh and following folded rank
Not spared, not one
That dandled a sandalled
Shadow that swam or sank
On meadow & river & wind-wandering weed-winding bank.
O if we but knew what we do
When we delve or hew —
Hack and rack the growing green!
Since country is so tender
To touch, her being só slender,
That, like this sleek and seeing ball
But a prick will make no eye at all,
Where we, even where we mean
To mend her we end her,
When we hew or delve:
After-comers cannot guess the beauty been.
Ten or twelve, only ten or twelve
Strokes of havoc unselve
The sweet especial scene,
Rural scene, a rural scene,
Sweet especial rural scene.
Binsey Poplars
I Have a Rendezvous With Life
by Countee Cullen
I have a rendezvous with Life,
In days I hope will come,
Ere youth has sped, and strength of mind,
Ere voices sweet grow dumb.
I have a rendezvous with Life,
When Spring’s first heralds hum.
Sure some would cry it’s better far
To crown their days with sleep
Than face the road, the wind and rain,
To heed the calling deep.
Though wet nor blow nor space I fear,
Yet fear I deeply, too,
Lest Death should meet and claim me ere
I keep Life’s rendezvous.
Countee Cullen
by Countee Cullen
I have a rendezvous with Life,
In days I hope will come,
Ere youth has sped, and strength of mind,
Ere voices sweet grow dumb.
I have a rendezvous with Life,
When Spring’s first heralds hum.
Sure some would cry it’s better far
To crown their days with sleep
Than face the road, the wind and rain,
To heed the calling deep.
Though wet nor blow nor space I fear,
Yet fear I deeply, too,
Lest Death should meet and claim me ere
I keep Life’s rendezvous.
Countee Cullen
Meeting at Night
By Robert Browning
The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through joys and fears,
Than the two hearts beating each to each!
Robert Browning
By Robert Browning
The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through joys and fears,
Than the two hearts beating each to each!
Robert Browning
To
the Cuckoo
By William Wordsworth
O blithe New-comer! I have heard,
I hear thee and rejoice.
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice?
While I am lying on the grass
Thy twofold shout I hear;
From hill to hill it seems to pass,
At once far off, and near.
Though babbling only to the Vale
Of sunshine and of flowers,
Thou bringest unto me a tale
Of visionary hours.
Thrice welcome, darling of the Spring!
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery;
The same whom in my school-boy days
I listened to; that Cry
Which made me look a thousand ways
In bush, and tree, and sky.
To seek thee did I often rove
Through woods and on the green;
And thou wert still a hope, a love;
Still longed for, never seen.
And I can listen to thee yet;
Can lie upon the plain
And listen, till I do beget
That golden time again.
O blessèd Bird! the earth we pace
Again appears to be
An unsubstantial, faery place;
That is fit home for Thee!
William Wordsworth
By William Wordsworth
O blithe New-comer! I have heard,
I hear thee and rejoice.
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice?
While I am lying on the grass
Thy twofold shout I hear;
From hill to hill it seems to pass,
At once far off, and near.
Though babbling only to the Vale
Of sunshine and of flowers,
Thou bringest unto me a tale
Of visionary hours.
Thrice welcome, darling of the Spring!
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery;
The same whom in my school-boy days
I listened to; that Cry
Which made me look a thousand ways
In bush, and tree, and sky.
To seek thee did I often rove
Through woods and on the green;
And thou wert still a hope, a love;
Still longed for, never seen.
And I can listen to thee yet;
Can lie upon the plain
And listen, till I do beget
That golden time again.
O blessèd Bird! the earth we pace
Again appears to be
An unsubstantial, faery place;
That is fit home for Thee!
William Wordsworth
Places (III. Winter
Sun)
by Sara Teasdale
(Lenox)
There was a bush with scarlet berries,
And there were hemlocks heaped with snow,
With a sound like surf on long sea-beaches
They took the wind and let it go.
The hills were shining in their samite,
Fold after fold they flowed away;
"Let come what may," your eyes were saying,
"At least we two have had to-day."
Sara Teasdale
by Sara Teasdale
(Lenox)
There was a bush with scarlet berries,
And there were hemlocks heaped with snow,
With a sound like surf on long sea-beaches
They took the wind and let it go.
The hills were shining in their samite,
Fold after fold they flowed away;
"Let come what may," your eyes were saying,
"At least we two have had to-day."
Sara Teasdale
Travel
By Edna St. Vincent Millay
The railroad track is miles away,
And the day is loud with voices speaking,
Yet there isn’t a train goes by all day
But I hear its whistle shrieking.
All night there isn’t a train goes by,
Though the night is still for sleep and dreaming,
But I see its cinders red on the sky,
And hear its engine steaming.
My heart is warm with friends I make,
And better friends I’ll not be knowing;
Yet there isn’t a train I wouldn’t take,
No matter where it’s going.
Edna St. Vincent Millay
By Edna St. Vincent Millay
The railroad track is miles away,
And the day is loud with voices speaking,
Yet there isn’t a train goes by all day
But I hear its whistle shrieking.
All night there isn’t a train goes by,
Though the night is still for sleep and dreaming,
But I see its cinders red on the sky,
And hear its engine steaming.
My heart is warm with friends I make,
And better friends I’ll not be knowing;
Yet there isn’t a train I wouldn’t take,
No matter where it’s going.
Edna St. Vincent Millay
Summer in the South
by Paul Laurence Dunbar
The oriole sings in the greening grove
As if he were half-way waiting,
The rosebuds peep from their hoods of green,
Timid and hesitating.
The rain comes down in a torrent sweep
And the nights smell warm and piney,
The garden thrives, but the tender shoots
Are yellow-green and tiny.
Then a flash of sun on a waiting hill,
Streams laugh that erst were quiet,
The sky smiles down with a dazzling blue
And the woods run mad with riot.
Paul Laurence Dunbar
by Paul Laurence Dunbar
The oriole sings in the greening grove
As if he were half-way waiting,
The rosebuds peep from their hoods of green,
Timid and hesitating.
The rain comes down in a torrent sweep
And the nights smell warm and piney,
The garden thrives, but the tender shoots
Are yellow-green and tiny.
Then a flash of sun on a waiting hill,
Streams laugh that erst were quiet,
The sky smiles down with a dazzling blue
And the woods run mad with riot.
Paul Laurence Dunbar
On Viewing the Skull
and Bones of a Wolf
by Alexander Posey
How savage, fierce and grim!
His bones are bleached and white.
But what is death to him?
He grins as if to bite.
He mocks the fate
That bade, ’’Begone.’’
There’s fierceness stamped
In ev’ry bone.
Let silence settle from the midnight sky
Such silence as you’ve broken with your cry;
The bleak wind howl, unto the ut’most verge
Of this mighty waste, thy fitting dirge.
Alexander Posey
by Alexander Posey
How savage, fierce and grim!
His bones are bleached and white.
But what is death to him?
He grins as if to bite.
He mocks the fate
That bade, ’’Begone.’’
There’s fierceness stamped
In ev’ry bone.
Let silence settle from the midnight sky
Such silence as you’ve broken with your cry;
The bleak wind howl, unto the ut’most verge
Of this mighty waste, thy fitting dirge.
Alexander Posey
Tanka
by Sadakichi Hartmann
I.
Winter? Spring? Who knows?
White buds from the plumtrees wing
And mingle with the snows.
No blue skies these flowers bring,
Yet their fragrance augurs Spring.
II.
Oh, were the white waves,
Far on the glimmering sea
That the moonshine laves,
Dream flowers drifting to me,
I would cull them, love, for thee.
III.
Moon, somnolent, white,
Mirrored in a waveless sea,
What fickle mood of night
Urged thee from heaven to flee
And live in the dawnlit sea?
IV.
Like mist on the leas,
Fall gently, oh rain of Spring
On the orange trees
That to Ume’s casement cling--
Perchance, she’ll hear the love-bird sing.
V.
Though love has grown cold
The woods are bright with flowers,
Why not as of old
Go to the wildwood bowers
And dream of--bygone hours!
VI.
Tell, what name beseems
These vain and wandering days!
Like the bark of dreams
That from souls at daybreak strays
They are lost on trackless ways.
Sadakichi Hartmann
by Sadakichi Hartmann
I.
Winter? Spring? Who knows?
White buds from the plumtrees wing
And mingle with the snows.
No blue skies these flowers bring,
Yet their fragrance augurs Spring.
II.
Oh, were the white waves,
Far on the glimmering sea
That the moonshine laves,
Dream flowers drifting to me,
I would cull them, love, for thee.
III.
Moon, somnolent, white,
Mirrored in a waveless sea,
What fickle mood of night
Urged thee from heaven to flee
And live in the dawnlit sea?
IV.
Like mist on the leas,
Fall gently, oh rain of Spring
On the orange trees
That to Ume’s casement cling--
Perchance, she’ll hear the love-bird sing.
V.
Though love has grown cold
The woods are bright with flowers,
Why not as of old
Go to the wildwood bowers
And dream of--bygone hours!
VI.
Tell, what name beseems
These vain and wandering days!
Like the bark of dreams
That from souls at daybreak strays
They are lost on trackless ways.
Sadakichi Hartmann
The Fall
By William Barnes
The length o’ days ageän do shrink
An’ flowers be thin in meäd, among
The eegrass a-sheenèn bright, along
Brook upon brook, an’ brink by brink.
Noo starlèns do rise in vlock on wing—
Noo goocoo in nest-green leaves do sound—
Noo swallows be now a-wheelèn round—
Dip after dip, an’ swing by swing.
The wheat that did leätely rustle thick
Is now up in mows that still be new,
An’ yollow bevore the sky o’ blue—
Tip after tip, an’ rick by rick.
While now I can walk a dusty mile
I’ll teäke me a day, while days be clear,
To vind a vew friends that still be dear,
Feäce after feäce, an’ smile by smile.
William Barnes
By William Barnes
The length o’ days ageän do shrink
An’ flowers be thin in meäd, among
The eegrass a-sheenèn bright, along
Brook upon brook, an’ brink by brink.
Noo starlèns do rise in vlock on wing—
Noo goocoo in nest-green leaves do sound—
Noo swallows be now a-wheelèn round—
Dip after dip, an’ swing by swing.
The wheat that did leätely rustle thick
Is now up in mows that still be new,
An’ yollow bevore the sky o’ blue—
Tip after tip, an’ rick by rick.
While now I can walk a dusty mile
I’ll teäke me a day, while days be clear,
To vind a vew friends that still be dear,
Feäce after feäce, an’ smile by smile.
William Barnes
The Sound of Trees
By Robert Frost
I wonder about the trees.
Why do we wish to bear
Forever the noise of these
More than another noise
So close to our dwelling place?
We suffer them by the day
Till we lose all measure of pace,
And fixity in our joys,
And acquire a listening air.
They are that that talks of going
But never gets away;
And that talks no less for knowing,
As it grows wiser and older,
That now it means to stay.
My feet tug at the floor
And my head sways to my shoulder
Sometimes when I watch trees sway,
From the window or the door.
I shall set forth for somewhere,
I shall make the reckless choice
Some day when they are in voice
And tossing so as to scare
The white clouds over them on.
I shall have less to say,
But I shall be gone.
Robert Frost
By Robert Frost
I wonder about the trees.
Why do we wish to bear
Forever the noise of these
More than another noise
So close to our dwelling place?
We suffer them by the day
Till we lose all measure of pace,
And fixity in our joys,
And acquire a listening air.
They are that that talks of going
But never gets away;
And that talks no less for knowing,
As it grows wiser and older,
That now it means to stay.
My feet tug at the floor
And my head sways to my shoulder
Sometimes when I watch trees sway,
From the window or the door.
I shall set forth for somewhere,
I shall make the reckless choice
Some day when they are in voice
And tossing so as to scare
The white clouds over them on.
I shall have less to say,
But I shall be gone.
Robert Frost
My Childhood Home I See Again
by Abraham Lincoln
My childhood home I see again,
And sadden with the view;
And still, as memory crowds my brain,
There's pleasure in it too.
O Memory! thou midway world
'Twixt earth and paradise,
Where things decayed and loved ones lost
In dreamy shadows rise,
And, freed from all that's earthly vile,
Seem hallowed, pure, and bright,
Like scenes in some enchanted isle
All bathed in liquid light.
As dusky mountains please the eye
When twilight chases day;
As bugle-notes that, passing by,
In distance die away;
As leaving some grand waterfall,
We, lingering, list its roar--
So memory will hallow all
We've known, but know no more.
Near twenty years have passed away
Since here I bid farewell
To woods and fields, and scenes of play,
And playmates loved so well.
Where many were, but few remain
Of old familiar things;
But seeing them, to mind again
The lost and absent brings.
The friends I left that parting day,
How changed, as time has sped!
Young childhood grown, strong manhood gray,
And half of all are dead.
I hear the loved survivors tell
How nought from death could save,
Till every sound appears a knell,
And every spot a grave.
I range the fields with pensive tread,
And pace the hollow rooms,
And feel (companion of the dead)
I'm living in the tombs.
Abraham Lincoln
by Abraham Lincoln
My childhood home I see again,
And sadden with the view;
And still, as memory crowds my brain,
There's pleasure in it too.
O Memory! thou midway world
'Twixt earth and paradise,
Where things decayed and loved ones lost
In dreamy shadows rise,
And, freed from all that's earthly vile,
Seem hallowed, pure, and bright,
Like scenes in some enchanted isle
All bathed in liquid light.
As dusky mountains please the eye
When twilight chases day;
As bugle-notes that, passing by,
In distance die away;
As leaving some grand waterfall,
We, lingering, list its roar--
So memory will hallow all
We've known, but know no more.
Near twenty years have passed away
Since here I bid farewell
To woods and fields, and scenes of play,
And playmates loved so well.
Where many were, but few remain
Of old familiar things;
But seeing them, to mind again
The lost and absent brings.
The friends I left that parting day,
How changed, as time has sped!
Young childhood grown, strong manhood gray,
And half of all are dead.
I hear the loved survivors tell
How nought from death could save,
Till every sound appears a knell,
And every spot a grave.
I range the fields with pensive tread,
And pace the hollow rooms,
And feel (companion of the dead)
I'm living in the tombs.
Abraham Lincoln
Sonnet XL: Take all my loves, my love, yea, take them all
By William Shakespeare
Take all my loves, my love, yea, take them all:
What hast thou then more than thou hadst before?
No love, my love, that thou mayst true love call—
All mine was thine before thou hadst this more.
Then if for my love thou my love receivest,
I cannot blame thee for my love thou usest;
But yet be blamed if thou this self deceivest
By wilful taste of what thyself refusest.
I do forgive thy robb’ry, gentle thief,
Although thou steal thee all my poverty;
And yet love knows it is a greater grief
To bear love’s wrong than hate’s known injury.
Lascivious grace, in whom all ill well shows,
Kill me with spites, yet we must not be foes.
William Shakespeare
By William Shakespeare
Take all my loves, my love, yea, take them all:
What hast thou then more than thou hadst before?
No love, my love, that thou mayst true love call—
All mine was thine before thou hadst this more.
Then if for my love thou my love receivest,
I cannot blame thee for my love thou usest;
But yet be blamed if thou this self deceivest
By wilful taste of what thyself refusest.
I do forgive thy robb’ry, gentle thief,
Although thou steal thee all my poverty;
And yet love knows it is a greater grief
To bear love’s wrong than hate’s known injury.
Lascivious grace, in whom all ill well shows,
Kill me with spites, yet we must not be foes.
William Shakespeare
Deep mists of longing blur the land
By Christopher Brennan
Deep mists of longing blur the land
as in your late October eve:
almost I think your hand might leave
its old caress upon my hand —
for sure this floating world of dream
hath touch'd that far reality
of memory's heaven; nor would I deem
the chance a strange one, if to thee
my feet should stray ere fall the night,
or, reaching to that lucent shore,
these eyes should wake on tenderer light
to greet the spring and thee once more.
Christopher Brennan
By Christopher Brennan
Deep mists of longing blur the land
as in your late October eve:
almost I think your hand might leave
its old caress upon my hand —
for sure this floating world of dream
hath touch'd that far reality
of memory's heaven; nor would I deem
the chance a strange one, if to thee
my feet should stray ere fall the night,
or, reaching to that lucent shore,
these eyes should wake on tenderer light
to greet the spring and thee once more.
Christopher Brennan
Santa Claus
By Andrew Barton (‘Banjo’) Paterson
"Halt! Who goes there?" The sentry's call
Rose on the midnight air
Above the noises of the camp,
The roll of wheels, the horses' tramp.
The challenge echoed over all --
"Halt! Who goes there?"
A quaint old figure clothed in white,
He bore a staff of pine,
And ivy-wreath was on his head.
"Advance, O friend," the sentry said,
"Advance, for this is Christmas Night,
And give the countersign."
"No sign or countersign have I.
Through many lands I roam
The whole world over far and wide.
To exiles all at Christmastide
From those who love them tenderly
I bring a thought of home.
"From English brook and Scottish burn,
From cold Canadian snows,
From those far lands ye hold most dear
I bring you all a greeting here,
A frond of a New Zealand fern,
A bloom of English rose.
"From faithful wife and loving lass
I bring a wish divine,
For Christmas blessings on your head."
"I wish you well," the sentry said,
"But here, alas! you may not pass
Without the countersign."
He vanished -- and the sentry's tramp
Re-echoed down the line.
It was not till the morning light
The soldiers knew that in the night
Old Santa Claus had come to camp
Without the countersign.
Andrew Barton (‘Banjo’) Paterson
By Andrew Barton (‘Banjo’) Paterson
"Halt! Who goes there?" The sentry's call
Rose on the midnight air
Above the noises of the camp,
The roll of wheels, the horses' tramp.
The challenge echoed over all --
"Halt! Who goes there?"
A quaint old figure clothed in white,
He bore a staff of pine,
And ivy-wreath was on his head.
"Advance, O friend," the sentry said,
"Advance, for this is Christmas Night,
And give the countersign."
"No sign or countersign have I.
Through many lands I roam
The whole world over far and wide.
To exiles all at Christmastide
From those who love them tenderly
I bring a thought of home.
"From English brook and Scottish burn,
From cold Canadian snows,
From those far lands ye hold most dear
I bring you all a greeting here,
A frond of a New Zealand fern,
A bloom of English rose.
"From faithful wife and loving lass
I bring a wish divine,
For Christmas blessings on your head."
"I wish you well," the sentry said,
"But here, alas! you may not pass
Without the countersign."
He vanished -- and the sentry's tramp
Re-echoed down the line.
It was not till the morning light
The soldiers knew that in the night
Old Santa Claus had come to camp
Without the countersign.
Andrew Barton (‘Banjo’) Paterson
An Ocean Musing
By Henrietta Cordelia Ray
Far, far out lie the white sails all at rest;
Like spectral arms they seem to touch and cling
Unto the wide horizon. Not a wing
Of truant bird glides down the purpling west;
No breeze dares to intrude, e’en on a quest
To fan a lover’s brow; the waves to sing
Have quite forgotten till the deep shall fling
A bow across its vibrant chords. Then, lest
One moment of the sea’s repose we lose,
Nor furnish Fancy with a thousand themes
Of unimagined sweetness, let us gaze
On this serenity, for as we muse,
Lo! all is restless motion: life’s best dreams
Give changing moods to even halcyon days.
Henrietta Cordelia Ray
By Henrietta Cordelia Ray
Far, far out lie the white sails all at rest;
Like spectral arms they seem to touch and cling
Unto the wide horizon. Not a wing
Of truant bird glides down the purpling west;
No breeze dares to intrude, e’en on a quest
To fan a lover’s brow; the waves to sing
Have quite forgotten till the deep shall fling
A bow across its vibrant chords. Then, lest
One moment of the sea’s repose we lose,
Nor furnish Fancy with a thousand themes
Of unimagined sweetness, let us gaze
On this serenity, for as we muse,
Lo! all is restless motion: life’s best dreams
Give changing moods to even halcyon days.
Henrietta Cordelia Ray
The morns are meeker than they were - (32)
By Emily Dickinson
The morns are meeker than they were -
The nuts are getting brown -
The berry’s cheek is plumper -
The rose is out of town.
The maple wears a gayer scarf -
The field a scarlet gown -
Lest I sh'd be old-fashioned
I’ll put a trinket on.
Emily Dickinson
By Emily Dickinson
The morns are meeker than they were -
The nuts are getting brown -
The berry’s cheek is plumper -
The rose is out of town.
The maple wears a gayer scarf -
The field a scarlet gown -
Lest I sh'd be old-fashioned
I’ll put a trinket on.
Emily Dickinson
Ode
By Arthur O'Shaughnessy
We are the music-makers,
And we are the dreamers of dreams,
Wandering by lone sea-breakers
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams:
Yet we are the movers and shakers
Of the world for ever, it seems.
With wonderful deathless ditties
We build up the world’s great cities.
And out of a fabulous story
We fashion an empire’s glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song’s measure
Can trample an empire down.
We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And o’erthrew them with prophesying
To the old of the new world’s worth;
For each age is a dream that is dying,
Or one that is coming to birth.
Arthur O'Shaughnessy
By Arthur O'Shaughnessy
We are the music-makers,
And we are the dreamers of dreams,
Wandering by lone sea-breakers
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams:
Yet we are the movers and shakers
Of the world for ever, it seems.
With wonderful deathless ditties
We build up the world’s great cities.
And out of a fabulous story
We fashion an empire’s glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song’s measure
Can trample an empire down.
We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And o’erthrew them with prophesying
To the old of the new world’s worth;
For each age is a dream that is dying,
Or one that is coming to birth.
Arthur O'Shaughnessy
Mutability ["We are as clouds that veil the midnight moon"]
By Percy Bysshe Shelley
I.
We are as clouds that veil the midnight moon;
How restlessly they speed and gleam and quiver,
Streaking the darkness radiantly! yet soon
Night closes round, and they are lost for ever:—
II.
Or like forgotten lyres whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
III.
We rest—a dream has power to poison sleep;
We rise—one wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep,
Embrace fond woe, or cast our cares away:—
IV.
It is the same!—For, be it joy or sorrow,
The path of its departure still is free;
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability.
Percy Bysshe Shelley
By Percy Bysshe Shelley
I.
We are as clouds that veil the midnight moon;
How restlessly they speed and gleam and quiver,
Streaking the darkness radiantly! yet soon
Night closes round, and they are lost for ever:—
II.
Or like forgotten lyres whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
III.
We rest—a dream has power to poison sleep;
We rise—one wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep,
Embrace fond woe, or cast our cares away:—
IV.
It is the same!—For, be it joy or sorrow,
The path of its departure still is free;
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability.
Percy Bysshe Shelley
Inscription for a Fountain on a Heath
By Samuel Taylor Coleridge
This Sycamore, oft musical with bees,—
Such tents the Patriarchs loved! O long unharmed
May all its agèd boughs o'er-canopy
The small round basin, which this jutting stone
Keeps pure from falling leaves! Long may the Spring,
Quietly as a sleeping infant's breath,
Send up cold waters to the traveller
With soft and even pulse! Nor ever cease
Yon tiny cone of sand its soundless dance,
Which at the bottom, like a Fairy's Page,
As merry and no taller, dances still,
Nor wrinkles the smooth surface of the Fount.
Here Twilight is and Coolness: here is moss,
A soft seat, and a deep and ample shade.
Thou may'st toil far and find no second tree.
Drink, Pilgrim, here; Here rest! and if thy heart
Be innocent, here too shalt thou refresh
Thy spirit, listening to some gentle sound,
Or passing gale or hum of murmuring bees!
Samuel Taylor Coleridge
By Samuel Taylor Coleridge
This Sycamore, oft musical with bees,—
Such tents the Patriarchs loved! O long unharmed
May all its agèd boughs o'er-canopy
The small round basin, which this jutting stone
Keeps pure from falling leaves! Long may the Spring,
Quietly as a sleeping infant's breath,
Send up cold waters to the traveller
With soft and even pulse! Nor ever cease
Yon tiny cone of sand its soundless dance,
Which at the bottom, like a Fairy's Page,
As merry and no taller, dances still,
Nor wrinkles the smooth surface of the Fount.
Here Twilight is and Coolness: here is moss,
A soft seat, and a deep and ample shade.
Thou may'st toil far and find no second tree.
Drink, Pilgrim, here; Here rest! and if thy heart
Be innocent, here too shalt thou refresh
Thy spirit, listening to some gentle sound,
Or passing gale or hum of murmuring bees!
Samuel Taylor Coleridge
Autumn at Taos
By D. H. Lawrence
Over the rounded sides of the Rockies, the aspens of autumn,
The aspens of autumn,
Like yellow hair of a tigress brindled with pines.
Down on my hearth-rug of desert, sage of the mesa,
An ash-grey pelt
Of wolf all hairy and level, a wolf's wild pelt.
Trot-trot to the mottled foot-hills, cedar-mottled and pinion;
Did you ever see an otter?
Silvery-sided, fish-fanged, fierce-faced, whiskered, mottled.
When I trot my little pony through the aspen-trees of the canyon,
Behold me trotting at ease betwixt the slopes of the golden
Great and glistening-feathered legs of the hawk of Horus;
The golden hawk of Horus
Astride above me.
But under the pines
I go slowly
As under the hairy belly of a great black bear.
Glad to emerge and look back
On the yellow, pointed aspen-trees laid one on another like feathers,
Feather over feather on the breast of the great and golden
Hawk as I say of Horus.
Pleased to be out in the sage and the pine fish-dotted foothills,
Past the otter's whiskers,
On to the fur of the wolf-pelt that strews the plain.
And then to look back to the rounded sides of the squatting Rockies.
Tigress brindled with aspen,
Jaguar-splashed, puma-yellow, leopard-livid slopes of America.
Make big eyes, little pony,
At all these skins of wild beasts;
They won't hurt you.
Fangs and claws and talons and beaks and hawk-eyes
Are nerveless just now.
So be easy.
D.H. Lawrence
By D. H. Lawrence
Over the rounded sides of the Rockies, the aspens of autumn,
The aspens of autumn,
Like yellow hair of a tigress brindled with pines.
Down on my hearth-rug of desert, sage of the mesa,
An ash-grey pelt
Of wolf all hairy and level, a wolf's wild pelt.
Trot-trot to the mottled foot-hills, cedar-mottled and pinion;
Did you ever see an otter?
Silvery-sided, fish-fanged, fierce-faced, whiskered, mottled.
When I trot my little pony through the aspen-trees of the canyon,
Behold me trotting at ease betwixt the slopes of the golden
Great and glistening-feathered legs of the hawk of Horus;
The golden hawk of Horus
Astride above me.
But under the pines
I go slowly
As under the hairy belly of a great black bear.
Glad to emerge and look back
On the yellow, pointed aspen-trees laid one on another like feathers,
Feather over feather on the breast of the great and golden
Hawk as I say of Horus.
Pleased to be out in the sage and the pine fish-dotted foothills,
Past the otter's whiskers,
On to the fur of the wolf-pelt that strews the plain.
And then to look back to the rounded sides of the squatting Rockies.
Tigress brindled with aspen,
Jaguar-splashed, puma-yellow, leopard-livid slopes of America.
Make big eyes, little pony,
At all these skins of wild beasts;
They won't hurt you.
Fangs and claws and talons and beaks and hawk-eyes
Are nerveless just now.
So be easy.
D.H. Lawrence
The Ecchoing Green
By William Blake
The sun does arise,
And make happy the skies.
The merry bells ring
To welcome the Spring.
The sky-lark and thrush,
The birds of the bush,
Sing louder around,
To the bells’ cheerful sound.
While our sports shall be seen
On the Ecchoing Green.
Old John, with white hair
Does laugh away care,
Sitting under the oak,
Among the old folk,
They laugh at our play,
And soon they all say.
‘Such, such were the joys.
When we all girls & boys,
In our youth-time were seen,
On the Ecchoing Green.’
Till the little ones weary
No more can be merry
The sun does descend,
And our sports have an end:
Round the laps of their mothers,
Many sisters and brothers,
Like birds in their nest,
Are ready for rest;
And sport no more seen,
On the darkening Green.
William Blake
By William Blake
The sun does arise,
And make happy the skies.
The merry bells ring
To welcome the Spring.
The sky-lark and thrush,
The birds of the bush,
Sing louder around,
To the bells’ cheerful sound.
While our sports shall be seen
On the Ecchoing Green.
Old John, with white hair
Does laugh away care,
Sitting under the oak,
Among the old folk,
They laugh at our play,
And soon they all say.
‘Such, such were the joys.
When we all girls & boys,
In our youth-time were seen,
On the Ecchoing Green.’
Till the little ones weary
No more can be merry
The sun does descend,
And our sports have an end:
Round the laps of their mothers,
Many sisters and brothers,
Like birds in their nest,
Are ready for rest;
And sport no more seen,
On the darkening Green.
William Blake
On a Drop of Dew
By Andrew Marvell
See how the orient dew,
Shed from the bosom of the morn
Into the blowing roses,
Yet careless of its mansion new,
For the clear region where ’twas born
Round in itself incloses:
And in its little globe’s extent,
Frames as it can its native element.
How it the purple flow’r does slight,
Scarce touching where it lies,
But gazing back upon the skies,
Shines with a mournful light,
Like its own tear,
Because so long divided from the sphere.
Restless it rolls and unsecure,
Trembling lest it grow impure,
Till the warm sun pity its pain,
And to the skies exhale it back again.
So the soul, that drop, that ray
Of the clear fountain of eternal day,
Could it within the human flow’r be seen,
Remembering still its former height,
Shuns the sweet leaves and blossoms green,
And recollecting its own light,
Does, in its pure and circling thoughts, express
The greater heaven in an heaven less.
In how coy a figure wound,
Every way it turns away:
So the world excluding round,
Yet receiving in the day,
Dark beneath, but bright above,
Here disdaining, there in love.
How loose and easy hence to go,
How girt and ready to ascend,
Moving but on a point below,
It all about does upwards bend.
Such did the manna’s sacred dew distill,
White and entire, though congealed and chill,
Congealed on earth : but does, dissolving, run
Into the glories of th’ almighty sun.
Andrew Marvell
By Andrew Marvell
See how the orient dew,
Shed from the bosom of the morn
Into the blowing roses,
Yet careless of its mansion new,
For the clear region where ’twas born
Round in itself incloses:
And in its little globe’s extent,
Frames as it can its native element.
How it the purple flow’r does slight,
Scarce touching where it lies,
But gazing back upon the skies,
Shines with a mournful light,
Like its own tear,
Because so long divided from the sphere.
Restless it rolls and unsecure,
Trembling lest it grow impure,
Till the warm sun pity its pain,
And to the skies exhale it back again.
So the soul, that drop, that ray
Of the clear fountain of eternal day,
Could it within the human flow’r be seen,
Remembering still its former height,
Shuns the sweet leaves and blossoms green,
And recollecting its own light,
Does, in its pure and circling thoughts, express
The greater heaven in an heaven less.
In how coy a figure wound,
Every way it turns away:
So the world excluding round,
Yet receiving in the day,
Dark beneath, but bright above,
Here disdaining, there in love.
How loose and easy hence to go,
How girt and ready to ascend,
Moving but on a point below,
It all about does upwards bend.
Such did the manna’s sacred dew distill,
White and entire, though congealed and chill,
Congealed on earth : but does, dissolving, run
Into the glories of th’ almighty sun.
Andrew Marvell
Ode on a Grecian Urn
By John Keats
Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know."
John Keats
By John Keats
Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know."
John Keats
A Time to Talk
By Robert Frost
When a friend calls to me from the road
And slows his horse to a meaning walk,
I don't stand still and look around
On all the hills I haven't hoed,
And shout from where I am, 'What is it?'
No, not as there is a time talk.
I thrust my hoe in the mellow ground,
Blade-end up and five feet tall,
And plod: I go up to the stone wall
For a friendly visit.
Robert Frost
By Robert Frost
When a friend calls to me from the road
And slows his horse to a meaning walk,
I don't stand still and look around
On all the hills I haven't hoed,
And shout from where I am, 'What is it?'
No, not as there is a time talk.
I thrust my hoe in the mellow ground,
Blade-end up and five feet tall,
And plod: I go up to the stone wall
For a friendly visit.
Robert Frost
Sonnet LXV: Since brass, nor stone, nor earth, nor boundless sea
By William Shakespeare
Since brass, nor stone, nor earth, nor boundless sea
But sad mortality o’er-sways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O, how shall summer’s honey breath hold out
Against the wrackful siege of batt’ring days,
When rocks impregnable are not so stout,
Nor gates of steel so strong, but time decays?
O fearful meditation! where, alack,
Shall time’s best jewel from time’s chest lie hid?
Or what strong hand can hold his swift foot back?
Or who his spoil of beauty can forbid?
O, none, unless this miracle have might,
That in black ink my love may still shine bright.
William Shakespeare
By William Shakespeare
Since brass, nor stone, nor earth, nor boundless sea
But sad mortality o’er-sways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O, how shall summer’s honey breath hold out
Against the wrackful siege of batt’ring days,
When rocks impregnable are not so stout,
Nor gates of steel so strong, but time decays?
O fearful meditation! where, alack,
Shall time’s best jewel from time’s chest lie hid?
Or what strong hand can hold his swift foot back?
Or who his spoil of beauty can forbid?
O, none, unless this miracle have might,
That in black ink my love may still shine bright.
William Shakespeare
Strings in the Earth and Air
By James Joyce
Strings in the earth and air
Make music sweet;
Strings by the river where
The willows meet.
There's music along the river
For Love wanders there,
Pale flowers on his mantle,
Dark leaves on his hair.
All softly playing,
With head to the music bent,
And fingers straying
Upon an instrument.
James Joyce
By James Joyce
Strings in the earth and air
Make music sweet;
Strings by the river where
The willows meet.
There's music along the river
For Love wanders there,
Pale flowers on his mantle,
Dark leaves on his hair.
All softly playing,
With head to the music bent,
And fingers straying
Upon an instrument.
James Joyce
The Sign-Post
By Edward Thomas
The dim sea glints chill. The white sun is shy,
And the skeleton weeds and the never-dry,
Rough, long grasses keep white with frost
At the hilltop by the finger-post;
The smoke of the traveller’s-joy is puffed
Over hawthorn berry and hazel tuft.
I read the sign. Which way shall I go?
A voice says: You would not have doubted so
At twenty. Another voice gentle with scorn
Says: At twenty you wished you had never been born.
One hazel lost a leaf of gold
From a tuft at the tip, when the first voice told
The other he wished to know what ’twould be
To be sixty by this same post. “You shall see,”
He laughed—and I had to join his laughter—
“You shall see; but either before or after,
Whatever happens, it must befall,
A mouthful of earth to remedy all
Regrets and wishes shall freely be given;
And if there be a flaw in that heaven
’Twill be freedom to wish, and your wish may be
To be here or anywhere talking to me,
No matter what the weather, on earth,
At any age between death and birth,
To see what day or night can be,
The sun and the frost, the land and the sea,
Summer, Autumn, Winter, Spring,—
With a poor man of any sort, down to a king,
Standing upright out in the air
Wondering where he shall journey, O where?”
Edward Thomas
By Edward Thomas
The dim sea glints chill. The white sun is shy,
And the skeleton weeds and the never-dry,
Rough, long grasses keep white with frost
At the hilltop by the finger-post;
The smoke of the traveller’s-joy is puffed
Over hawthorn berry and hazel tuft.
I read the sign. Which way shall I go?
A voice says: You would not have doubted so
At twenty. Another voice gentle with scorn
Says: At twenty you wished you had never been born.
One hazel lost a leaf of gold
From a tuft at the tip, when the first voice told
The other he wished to know what ’twould be
To be sixty by this same post. “You shall see,”
He laughed—and I had to join his laughter—
“You shall see; but either before or after,
Whatever happens, it must befall,
A mouthful of earth to remedy all
Regrets and wishes shall freely be given;
And if there be a flaw in that heaven
’Twill be freedom to wish, and your wish may be
To be here or anywhere talking to me,
No matter what the weather, on earth,
At any age between death and birth,
To see what day or night can be,
The sun and the frost, the land and the sea,
Summer, Autumn, Winter, Spring,—
With a poor man of any sort, down to a king,
Standing upright out in the air
Wondering where he shall journey, O where?”
Edward Thomas
Old Man Platypus
By A.B. ‘Banjo’ Paterson
Far from the trouble and toil of town,
Where the reed beds sweep and shiver,
Look at a fragment of velvet brown -
Old Man Platypus drifting down,
Drifting along the river.
And he plays and dives in the river bends
In a style that is most elusive;
With few relations and fewer friends,
For Old Man Platypus descends
From a family most exclusive.
He shares his burrow beneath the bank
With his wife and his son and daughter
At the roots of the reeds and the grasses rank;
And the bubbles show where our hero sank
To its entrance under water.
Safe in their burrow below the falls
They live in a world of wonder,
Where no one visits and no one calls,
They sleep like little brown billiard balls
With their beaks tucked neatly under.
And he talks in a deep unfriendly growl
As he goes on his journey lonely;
For he's no relation to fish nor fowl,
Nor to bird nor beast, nor to horned owl;
In fact, he's the one and only!
A.B. ‘Banjo’ Paterson
By A.B. ‘Banjo’ Paterson
Far from the trouble and toil of town,
Where the reed beds sweep and shiver,
Look at a fragment of velvet brown -
Old Man Platypus drifting down,
Drifting along the river.
And he plays and dives in the river bends
In a style that is most elusive;
With few relations and fewer friends,
For Old Man Platypus descends
From a family most exclusive.
He shares his burrow beneath the bank
With his wife and his son and daughter
At the roots of the reeds and the grasses rank;
And the bubbles show where our hero sank
To its entrance under water.
Safe in their burrow below the falls
They live in a world of wonder,
Where no one visits and no one calls,
They sleep like little brown billiard balls
With their beaks tucked neatly under.
And he talks in a deep unfriendly growl
As he goes on his journey lonely;
For he's no relation to fish nor fowl,
Nor to bird nor beast, nor to horned owl;
In fact, he's the one and only!
A.B. ‘Banjo’ Paterson
A Red, Red Rose
By Robert Burns
O my Luve is like a red, red rose
That’s newly sprung in June;
O my Luve is like the melody
That’s sweetly played in tune.
So fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.
Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
I will love thee still, my dear,
While the sands o’ life shall run.
And fare thee weel, my only luve!
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.
Robert Burns
By Robert Burns
O my Luve is like a red, red rose
That’s newly sprung in June;
O my Luve is like the melody
That’s sweetly played in tune.
So fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.
Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
I will love thee still, my dear,
While the sands o’ life shall run.
And fare thee weel, my only luve!
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.
Robert Burns
I Wandered Lonely as a Cloud
By William Wordsworth
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
William Wordsworth
By William Wordsworth
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
William Wordsworth
Gathering Leaves
By Robert Frost
Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.
I make a great noise
Of rustling all day
Like rabbit and deer
Running away.
But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.
I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?
Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.
Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?
Robert Frost
By Robert Frost
Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.
I make a great noise
Of rustling all day
Like rabbit and deer
Running away.
But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.
I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?
Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.
Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?
Robert Frost
Summer Moods
by John Clare
I love at eventide to walk alone
Down narrow lanes o’erhung with dewy thorn
Where from the long grass underneath, the snail,
Jet black, creeps out and sprouts his timid horn.
I love to muse o’er meadows newly mown
Where withering grass perfumes the sultry air;
Where bees search round, with sad and weary drone
In vain for flowers that bloomed but newly there;
While in the juicy corn the hidden quail
Cries “wet my foot!” and hid as thoughts unborn;
The fairy-like and seldom-seen landrail
Utters “craik, craik” like voices underground,
Right glad to meet the evening’s dewy veil
And see the light fade into gloom around.
John Clare
by John Clare
I love at eventide to walk alone
Down narrow lanes o’erhung with dewy thorn
Where from the long grass underneath, the snail,
Jet black, creeps out and sprouts his timid horn.
I love to muse o’er meadows newly mown
Where withering grass perfumes the sultry air;
Where bees search round, with sad and weary drone
In vain for flowers that bloomed but newly there;
While in the juicy corn the hidden quail
Cries “wet my foot!” and hid as thoughts unborn;
The fairy-like and seldom-seen landrail
Utters “craik, craik” like voices underground,
Right glad to meet the evening’s dewy veil
And see the light fade into gloom around.
John Clare
You are now entering
By Ashleigh Young
It must be nearly empty,
it must begin at a one-way railway station.
A carriage rolls through the construction sites
past the moth-coloured buildings with the half-
hearted mural of men hacking trees.
The carriage climbs the long slope to the bridge.
Here passengers may turn their heads to the left
to view the river stuck in the ground like an IV line.
It must be the past or the future
because the Northerner no longer runs at this time,
beaming through paddocks of headstones
past houses left out like milk tokens
towards a light that isn’t day, only an older, frailer night.
The town rolls on its back.
Its eyes open, one by one,
unconvinced of light’s relevance
or why anyone should wait for it.
Ashleigh Young is a writer and editor who lives in Wellington, New Zealand. “You Are Now Entering” is from her first collection of poetry, Magnificent Moon (Victoria University Press, 2012).
Ashleigh Young
By Ashleigh Young
It must be nearly empty,
it must begin at a one-way railway station.
A carriage rolls through the construction sites
past the moth-coloured buildings with the half-
hearted mural of men hacking trees.
The carriage climbs the long slope to the bridge.
Here passengers may turn their heads to the left
to view the river stuck in the ground like an IV line.
It must be the past or the future
because the Northerner no longer runs at this time,
beaming through paddocks of headstones
past houses left out like milk tokens
towards a light that isn’t day, only an older, frailer night.
The town rolls on its back.
Its eyes open, one by one,
unconvinced of light’s relevance
or why anyone should wait for it.
Ashleigh Young is a writer and editor who lives in Wellington, New Zealand. “You Are Now Entering” is from her first collection of poetry, Magnificent Moon (Victoria University Press, 2012).
Ashleigh Young
Trees in the Garden
by D. H. Lawrence
Ah in the thunder air
how still the trees are!
And the lime-tree, lovely and tall, every leaf silent
hardly looses even a last breath of perfume.
And the ghostly, creamy coloured little tree of leaves
white, ivory white among the rambling greens
how evanescent, variegated elder, she hesitates on the green grass
as if, in another moment, she would disappear
with all her grace of foam!
And the larch that is only a column, it goes up too tall to see:
and the balsam-pines that are blue with the grey-blue blueness of
things from the sea,
and the young copper beech, its leaves red-rosy at the ends
how still they are together, they stand so still
in the thunder air, all strangers to one another
as the green grass glows upwards, strangers in the silent garden.
D H Lawrence
by D. H. Lawrence
Ah in the thunder air
how still the trees are!
And the lime-tree, lovely and tall, every leaf silent
hardly looses even a last breath of perfume.
And the ghostly, creamy coloured little tree of leaves
white, ivory white among the rambling greens
how evanescent, variegated elder, she hesitates on the green grass
as if, in another moment, she would disappear
with all her grace of foam!
And the larch that is only a column, it goes up too tall to see:
and the balsam-pines that are blue with the grey-blue blueness of
things from the sea,
and the young copper beech, its leaves red-rosy at the ends
how still they are together, they stand so still
in the thunder air, all strangers to one another
as the green grass glows upwards, strangers in the silent garden.
D H Lawrence
Fragment 1: Sea-ward, white gleaming thro' the busy scud
By Samuel Taylor Coleridge
Sea-ward, white gleaming thro' the busy scud
With arching Wings, the sea-mew o'er my head
Posts on, as bent on speed, now passaging
Edges the stiffer Breeze, now, yielding, drifts,
Now floats upon the air, and sends from far
A wildly-wailing Note.
Samuel Taylor Coleridge
By Samuel Taylor Coleridge
Sea-ward, white gleaming thro' the busy scud
With arching Wings, the sea-mew o'er my head
Posts on, as bent on speed, now passaging
Edges the stiffer Breeze, now, yielding, drifts,
Now floats upon the air, and sends from far
A wildly-wailing Note.
Samuel Taylor Coleridge
Flowers
Morandi, 1924
By Luke Fischer
Apparition
on the threshold
quivering
like a muslin veil
Around the bouquet
hints of evening purple
little more than scents
of iris
The poppies
diaphanous wings
of butterflies
poised
Out of muted foliage
ray reed-like stems
lines which levitate
vanish reappear
The vase overcast teal
of a cloak ‘round
a herdsman
merging with the moors
All bathed in sun
ambient dust of an endless wheatfield
imprinted with dreams of the wind’s tread
perduring nap
Luke Fischer won the 2012 Overland Judith Wright Poetry Prize. His book of poems Paths of Flight (Black Pepper Publishing) is forthcoming later this year.
Luke Fischer
Morandi, 1924
By Luke Fischer
Apparition
on the threshold
quivering
like a muslin veil
Around the bouquet
hints of evening purple
little more than scents
of iris
The poppies
diaphanous wings
of butterflies
poised
Out of muted foliage
ray reed-like stems
lines which levitate
vanish reappear
The vase overcast teal
of a cloak ‘round
a herdsman
merging with the moors
All bathed in sun
ambient dust of an endless wheatfield
imprinted with dreams of the wind’s tread
perduring nap
Luke Fischer won the 2012 Overland Judith Wright Poetry Prize. His book of poems Paths of Flight (Black Pepper Publishing) is forthcoming later this year.
Luke Fischer
The Cat and the Moon
By William Butler Yeats
THE CAT went here and there
And the moon spun round like a top,
And the nearest kin of the moon
The creeping cat looked up.
Black Minnaloushe stared at the moon,
For wander and wail as he would
The pure cold light in the sky
Troubled his animal blood.
Minnaloushe runs in the grass,
Lifting his delicate feet.
Do you dance, Minnaloushe, do you dance?
When two close kindred meet
What better than call a dance?
Maybe the moon may learn,
Tired of that courtly fashion,
A new dance turn.
Minnaloushe creeps through the grass
From moonlit place to place,
The sacred moon overhead
Has taken a new phase.
Does Minnaloushe know that his pupils
Will pass from change to change,
And that from round to crescent,
From crescent to round they range?
Minnaloushe creeps through the grass
Alone, important and wise,
And lifts to the changing moon
His changing eyes.
William Butler Yeats
By William Butler Yeats
THE CAT went here and there
And the moon spun round like a top,
And the nearest kin of the moon
The creeping cat looked up.
Black Minnaloushe stared at the moon,
For wander and wail as he would
The pure cold light in the sky
Troubled his animal blood.
Minnaloushe runs in the grass,
Lifting his delicate feet.
Do you dance, Minnaloushe, do you dance?
When two close kindred meet
What better than call a dance?
Maybe the moon may learn,
Tired of that courtly fashion,
A new dance turn.
Minnaloushe creeps through the grass
From moonlit place to place,
The sacred moon overhead
Has taken a new phase.
Does Minnaloushe know that his pupils
Will pass from change to change,
And that from round to crescent,
From crescent to round they range?
Minnaloushe creeps through the grass
Alone, important and wise,
And lifts to the changing moon
His changing eyes.
William Butler Yeats
Poppies on the Wheat
by Helen Hunt Jackson
Along Ancona's hills the shimmering heat,
A tropic tide of air with ebb and flow
Bathes all the fields of wheat until they glow
Like flashing seas of green, which toss and beat
Around the vines. The poppies lithe and fleet
Seem running, fiery torchmen, to and fro
To mark the shore.
The farmer does not know
That they are there. He walks with heavy feet,
Counting the bread and wine by autumn's gain,
But I,--I smile to think that days remain
Perhaps to me in which, though bread be sweet
No more, and red wine warm my blood in vain,
I shall be glad remembering how the fleet,
Lithe poppies ran like torchmen with the wheat.
Helen Hunt Jackson
by Helen Hunt Jackson
Along Ancona's hills the shimmering heat,
A tropic tide of air with ebb and flow
Bathes all the fields of wheat until they glow
Like flashing seas of green, which toss and beat
Around the vines. The poppies lithe and fleet
Seem running, fiery torchmen, to and fro
To mark the shore.
The farmer does not know
That they are there. He walks with heavy feet,
Counting the bread and wine by autumn's gain,
But I,--I smile to think that days remain
Perhaps to me in which, though bread be sweet
No more, and red wine warm my blood in vain,
I shall be glad remembering how the fleet,
Lithe poppies ran like torchmen with the wheat.
Helen Hunt Jackson
On the Beach at Night Alone
By Walt Whitman
On the beach at night alone,
As the old mother sways her to and fro singing her husky song,
As I watch the bright stars shining, I think a thought of the clef of the universes and of the future.
A vast similitude interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets,
All distances of place however wide,
All distances of time, all inanimate forms,
All souls, all living bodies though they be ever so different, or in different worlds,
All gaseous, watery, vegetable, mineral processes, the fishes, the brutes,
All nations, colors, barbarisms, civilizations, languages,
All identities that have existed or may exist on this globe, or any globe,
All lives and deaths, all of the past, present, future,
This vast similitude spans them, and always has spann’d,
And shall forever span them and compactly hold and enclose them.
Walt Whitman
By Walt Whitman
On the beach at night alone,
As the old mother sways her to and fro singing her husky song,
As I watch the bright stars shining, I think a thought of the clef of the universes and of the future.
A vast similitude interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets,
All distances of place however wide,
All distances of time, all inanimate forms,
All souls, all living bodies though they be ever so different, or in different worlds,
All gaseous, watery, vegetable, mineral processes, the fishes, the brutes,
All nations, colors, barbarisms, civilizations, languages,
All identities that have existed or may exist on this globe, or any globe,
All lives and deaths, all of the past, present, future,
This vast similitude spans them, and always has spann’d,
And shall forever span them and compactly hold and enclose them.
Walt Whitman
A Glass of Water
by David Musgrave
Un seul verre d’eau éclaire le monde Cocteau
Behind the wedding couple, a mirror harbours
their reception.
Outside, from the verandah, the harbour mirrors
the exception
of city from sky, hills snug with houses
and a glass of water standing on the railing,
half empty or half full. In the failing
afternoon light
brightening buildings counterpoint the darkness,
glinting upside-
down inside the glass, and the newly-weds,
seen from outside
joining hand to hand for the wedding reel,
glide under its meniscus, head over heels.
David Musgrave
by David Musgrave
Un seul verre d’eau éclaire le monde Cocteau
Behind the wedding couple, a mirror harbours
their reception.
Outside, from the verandah, the harbour mirrors
the exception
of city from sky, hills snug with houses
and a glass of water standing on the railing,
half empty or half full. In the failing
afternoon light
brightening buildings counterpoint the darkness,
glinting upside-
down inside the glass, and the newly-weds,
seen from outside
joining hand to hand for the wedding reel,
glide under its meniscus, head over heels.
David Musgrave
“Hope” is the thing with feathers
By Emily Dickinson
“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -
And sweetest - in the Gale - is heard -
And sore must be the storm -
That could abash the little Bird
That kept so many warm -
I’ve heard it in the chillest land -
And on the strangest Sea -
Yet - never - in Extremity,
It asked a crumb - of me.
Emily Dickinson
By Emily Dickinson
“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -
And sweetest - in the Gale - is heard -
And sore must be the storm -
That could abash the little Bird
That kept so many warm -
I’ve heard it in the chillest land -
And on the strangest Sea -
Yet - never - in Extremity,
It asked a crumb - of me.
Emily Dickinson
Blue Hyacinths
By Adelaide Crapsey
In your
Curled petals what ghosts
Of blue headlands and seas,
What perfumed immortal breath sighing
Of Greece.
Adelaide Crapsey
By Adelaide Crapsey
In your
Curled petals what ghosts
Of blue headlands and seas,
What perfumed immortal breath sighing
Of Greece.
Adelaide Crapsey
From ‘Bell Birds’
By Thomas Henry Kendall
By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling;
It lives in the mountain where moss and the sedges
Touch with their beauty the banks and the ledges.
Through brakes of the cedar and sycamore bowers
Struggles the light that is love to the flowers.
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.
The silver-voiced bell-birds, the darlings of day-time,
They sing in September their songs of the May-time;
When shadows wax strong and the thunder-bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together,
They start up like fairies that follow fair weather;
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden
Bell Birds
By Thomas Henry Kendall
By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling;
It lives in the mountain where moss and the sedges
Touch with their beauty the banks and the ledges.
Through brakes of the cedar and sycamore bowers
Struggles the light that is love to the flowers.
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.
The silver-voiced bell-birds, the darlings of day-time,
They sing in September their songs of the May-time;
When shadows wax strong and the thunder-bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together,
They start up like fairies that follow fair weather;
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden
Bell Birds
The Kraken
By Alfred, Lord Tennyson
Below the thunders of the upper deep;
Far, far beneath in the abysmal sea,
His ancient, dreamless, uninvaded sleep
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides: above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumber'd and enormous polypi
Winnow with giant arms the slumbering green.
There hath he lain for ages and will lie
Battening upon huge seaworms in his sleep,
Until the latter fire shall heat the deep;
Then once by man and angels to be seen,
In roaring he shall rise and on the surface die.
Alfred, Lord Tennyson
By Alfred, Lord Tennyson
Below the thunders of the upper deep;
Far, far beneath in the abysmal sea,
His ancient, dreamless, uninvaded sleep
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides: above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumber'd and enormous polypi
Winnow with giant arms the slumbering green.
There hath he lain for ages and will lie
Battening upon huge seaworms in his sleep,
Until the latter fire shall heat the deep;
Then once by man and angels to be seen,
In roaring he shall rise and on the surface die.
Alfred, Lord Tennyson
After Apple-Picking
By Robert Frost
My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.
Robert Frost
By Robert Frost
My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.
Robert Frost
The Simplon Pass
By William Wordsworth
—Brook and road
Were fellow-travellers in this gloomy Pass,
And with them did we journey several hours
At a slow step. The immeasurable height
Of woods decaying, never to be decayed,
The stationary blasts of waterfalls,
And in the narrow rent, at every turn,
Winds thwarting winds bewildered and forlorn,
The torrents shooting from the clear blue sky,
The rocks that muttered close upon our ears,
Black drizzling crags that spake by the wayside
As if a voice were in them, the sick sight
And giddy prospect of the raving stream,
The unfettered clouds and region of the heavens,
Tumult and peace, the darkness and the light—
Were all like workings of one mind, the features
Of the same face, blossoms upon one tree,
Characters of the great Apocalypse,
The types and symbols of Eternity,
Of first and last, and midst, and without end.
The Simplon Pass
By William Wordsworth
—Brook and road
Were fellow-travellers in this gloomy Pass,
And with them did we journey several hours
At a slow step. The immeasurable height
Of woods decaying, never to be decayed,
The stationary blasts of waterfalls,
And in the narrow rent, at every turn,
Winds thwarting winds bewildered and forlorn,
The torrents shooting from the clear blue sky,
The rocks that muttered close upon our ears,
Black drizzling crags that spake by the wayside
As if a voice were in them, the sick sight
And giddy prospect of the raving stream,
The unfettered clouds and region of the heavens,
Tumult and peace, the darkness and the light—
Were all like workings of one mind, the features
Of the same face, blossoms upon one tree,
Characters of the great Apocalypse,
The types and symbols of Eternity,
Of first and last, and midst, and without end.
The Simplon Pass
The Argument of his Book
By Robert Herrick
I sing of brooks, of blossoms, birds, and bowers,
Of April, May, of June, and July flowers.
I sing of May-poles, hock-carts, wassails, wakes,
Of bridegrooms, brides, and of their bridal-cakes.
I write of youth, of love, and have access
By these to sing of cleanly wantonness.
I sing of dews, of rains, and piece by piece
Of balm, of oil, of spice, and ambergris.
I sing of Time's trans-shifting; and I write
How roses first came red, and lilies white.
I write of groves, of twilights, and I sing
The court of Mab, and of the fairy king.
I write of Hell; I sing (and ever shall)
Of Heaven, and hope to have it after all.
Robert Herrick
By Robert Herrick
I sing of brooks, of blossoms, birds, and bowers,
Of April, May, of June, and July flowers.
I sing of May-poles, hock-carts, wassails, wakes,
Of bridegrooms, brides, and of their bridal-cakes.
I write of youth, of love, and have access
By these to sing of cleanly wantonness.
I sing of dews, of rains, and piece by piece
Of balm, of oil, of spice, and ambergris.
I sing of Time's trans-shifting; and I write
How roses first came red, and lilies white.
I write of groves, of twilights, and I sing
The court of Mab, and of the fairy king.
I write of Hell; I sing (and ever shall)
Of Heaven, and hope to have it after all.
Robert Herrick
Fragment 9: The Netherlands
By Samuel Taylor Coleridge
Water and windmills, greenness, Islets green;
Willows whose Trunks beside the shadows stood
Of their own higher half, and willowy swamp:
Farmhouses that at anchor seem'd—in the inland sky
The fog-transfixing Spires— Water, wide water, greenness and green banks,
And water seen—
Samuel Taylor Coleridge
By Samuel Taylor Coleridge
Water and windmills, greenness, Islets green;
Willows whose Trunks beside the shadows stood
Of their own higher half, and willowy swamp:
Farmhouses that at anchor seem'd—in the inland sky
The fog-transfixing Spires— Water, wide water, greenness and green banks,
And water seen—
Samuel Taylor Coleridge
Windy Nights
By Robert Louis Stevenson
Whenever the moon and stars are set,
Whenever the wind is high,
All night long in the dark and wet,
A man goes riding by.
Late in the night when the fires are out,
Why does he gallop and gallop about?
Whenever the trees are crying aloud,
And ships are tossed at sea,
By, on the highway, low and loud,
By at the gallop goes he.
By at the gallop he goes, and then
By he comes back at the gallop again.
Robert Louis Stevenson
By Robert Louis Stevenson
Whenever the moon and stars are set,
Whenever the wind is high,
All night long in the dark and wet,
A man goes riding by.
Late in the night when the fires are out,
Why does he gallop and gallop about?
Whenever the trees are crying aloud,
And ships are tossed at sea,
By, on the highway, low and loud,
By at the gallop goes he.
By at the gallop he goes, and then
By he comes back at the gallop again.
Robert Louis Stevenson
Autumn
By Amy Lowell
All day I have watched the purple vine leaves
Fall into the water.
And now in the moonlight they still fall,
But each leaf is fringed with silver.
Amy Lowell
By Amy Lowell
All day I have watched the purple vine leaves
Fall into the water.
And now in the moonlight they still fall,
But each leaf is fringed with silver.
Amy Lowell
Acquainted with the Night
By Robert Frost
I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
Robert Frost
By Robert Frost
I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
Robert Frost
Apex
By Mary Cresswell
We climbed ungloved, hand over hand,
the sour-needle pines
expecting to see the glacier from here.
We heard the clock strike (several times),
and the red-coated oompah band
belted out brass on the miniature pier.
Cold, cold, it was cold. The air was clear
as the sharp, untouchable snowline
at the next country over, that sealed-off land
which last week officially abolished time
in favour of space: It’s easier
to get a grip on - and, they said, to understand.
Mary Cresswell is a Wellington poet from Los Angeles; she lives on the Kapiti Coast. Her third book, Trace Fossils, was published by Steele Roberts in 2011.
Mary Cresswell
By Mary Cresswell
We climbed ungloved, hand over hand,
the sour-needle pines
expecting to see the glacier from here.
We heard the clock strike (several times),
and the red-coated oompah band
belted out brass on the miniature pier.
Cold, cold, it was cold. The air was clear
as the sharp, untouchable snowline
at the next country over, that sealed-off land
which last week officially abolished time
in favour of space: It’s easier
to get a grip on - and, they said, to understand.
Mary Cresswell is a Wellington poet from Los Angeles; she lives on the Kapiti Coast. Her third book, Trace Fossils, was published by Steele Roberts in 2011.
Mary Cresswell
Book 2, Epigram 8
By Thomas Bastard
Walking the fields a wantcatcher I spied,
To him I went, desirous of his game:
Sir, have you taken wants? Yes, he replied,
Here are a dozen, which were lately ta’en.
Then you have left no more. No more? quoth he.
Sir I can show you more: the more the worse;
And to his work he went, but 'twould not be,
For all the wants were crept into my purse.
Farewell friend wantcatcher, since 'twill not be,
Thou cannot catch the wants, but they catch me.
Thomas Bastard
By Thomas Bastard
Walking the fields a wantcatcher I spied,
To him I went, desirous of his game:
Sir, have you taken wants? Yes, he replied,
Here are a dozen, which were lately ta’en.
Then you have left no more. No more? quoth he.
Sir I can show you more: the more the worse;
And to his work he went, but 'twould not be,
For all the wants were crept into my purse.
Farewell friend wantcatcher, since 'twill not be,
Thou cannot catch the wants, but they catch me.
Thomas Bastard
New Corn
By T’ao Ch’ien (a.d. 365-427)
Translated by Arthur Waley
Swiftly the years, beyond recall.
Solemn the stillness of this fair morning.
I will clothe myself in spring-clothing
And visit the slopes of the Eastern Hill.
By the mountain-stream a mist hovers,
Hovers a moment, then scatters.
There comes a wind blowing from the south
That brushes the fields of new corn.
T’ao Ch’ien
By T’ao Ch’ien (a.d. 365-427)
Translated by Arthur Waley
Swiftly the years, beyond recall.
Solemn the stillness of this fair morning.
I will clothe myself in spring-clothing
And visit the slopes of the Eastern Hill.
By the mountain-stream a mist hovers,
Hovers a moment, then scatters.
There comes a wind blowing from the south
That brushes the fields of new corn.
T’ao Ch’ien
Beginning My Studies
By Walt Whitman
Beginning my studies the first step pleas'd me so much,
The mere fact consciousness, these forms, the power of motion,
The least insect or animal, the senses, eyesight, love,
The first step I say awed me and pleas'd me so much,
I have hardly gone and hardly wish'd to go any farther,
But stop and loiter all the time to sing it in ecstatic songs.
Walt Whitman
By Walt Whitman
Beginning my studies the first step pleas'd me so much,
The mere fact consciousness, these forms, the power of motion,
The least insect or animal, the senses, eyesight, love,
The first step I say awed me and pleas'd me so much,
I have hardly gone and hardly wish'd to go any farther,
But stop and loiter all the time to sing it in ecstatic songs.
Walt Whitman
Fragment 6: The Moon, how definite its orb!
By Samuel Taylor Coleridge
The Moon, how definite its orb!
Yet gaze again, and with a steady gaze—
'Tis there indeed,—but where is it not?—
It is suffused o'er all the sapphire Heaven,
Trees, herbage, snake-like stream, unwrinkled Lake,
Whose very murmur does of it partake
And low and close the broad smooth mountain
Is more a thing of Heaven than when
Distinct by one dim shade and yet undivided from the universal cloud
In which it towers, finite in height.
Samuel Taylor Coleridge
By Samuel Taylor Coleridge
The Moon, how definite its orb!
Yet gaze again, and with a steady gaze—
'Tis there indeed,—but where is it not?—
It is suffused o'er all the sapphire Heaven,
Trees, herbage, snake-like stream, unwrinkled Lake,
Whose very murmur does of it partake
And low and close the broad smooth mountain
Is more a thing of Heaven than when
Distinct by one dim shade and yet undivided from the universal cloud
In which it towers, finite in height.
Samuel Taylor Coleridge
A Crocodile
by Thomas Lovell Beddoes
Hard by the lilied Nile I saw
A duskish river-dragon stretched along,
The brown habergeon of his limbs enamelled
With sanguine almandines and rainy pearl:
And on his back there lay a young one sleeping,
No bigger than a mouse; with eyes like beads,
And a small fragment of its speckled egg
Remaining on its harmless, pulpy snout;
A thing to laugh at, as it gaped to catch
The baulking merry flies. In the iron jaws
Of the great devil-beast, like a pale soul
Fluttering in rocky hell, lightsomely flew
A snowy trochilus, with roseate beak
Tearing the hairy leeches from his throat.
Thomas Lovell Beddoes
by Thomas Lovell Beddoes
Hard by the lilied Nile I saw
A duskish river-dragon stretched along,
The brown habergeon of his limbs enamelled
With sanguine almandines and rainy pearl:
And on his back there lay a young one sleeping,
No bigger than a mouse; with eyes like beads,
And a small fragment of its speckled egg
Remaining on its harmless, pulpy snout;
A thing to laugh at, as it gaped to catch
The baulking merry flies. In the iron jaws
Of the great devil-beast, like a pale soul
Fluttering in rocky hell, lightsomely flew
A snowy trochilus, with roseate beak
Tearing the hairy leeches from his throat.
Thomas Lovell Beddoes
The Old Year
by John Clare
The Old Year's gone away
To nothingness and night:
We cannot find him all the day
Nor hear him in the night:
He left no footstep, mark or place
In either shade or sun:
The last year he'd a neighbour's face,
In this he's known by none.
All nothing everywhere:
Mists we on mornings see
Have more of substance when they're here
And more of form than he.
He was a friend by every fire,
In every cot and hall-
A guest to every heart's desire,
And now he's nought at all.
Old papers thrown away,
Old garments cast aside,
The talk of yesterday,
Are things identified;
But time once torn away
No voices can recall:
The eve of New Year's Day
Left the Old Year lost to all.
John Clare
by John Clare
The Old Year's gone away
To nothingness and night:
We cannot find him all the day
Nor hear him in the night:
He left no footstep, mark or place
In either shade or sun:
The last year he'd a neighbour's face,
In this he's known by none.
All nothing everywhere:
Mists we on mornings see
Have more of substance when they're here
And more of form than he.
He was a friend by every fire,
In every cot and hall-
A guest to every heart's desire,
And now he's nought at all.
Old papers thrown away,
Old garments cast aside,
The talk of yesterday,
Are things identified;
But time once torn away
No voices can recall:
The eve of New Year's Day
Left the Old Year lost to all.
John Clare
XXXII
By Emily Dickinson
From Complete Poems 1924
Part One: Life
HOPE is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I’ve heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
Emily Dickinson
By Emily Dickinson
From Complete Poems 1924
Part One: Life
HOPE is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I’ve heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
Emily Dickinson
Adlestrop
By Edward Thomas
Yes. I remember Adlestrop—
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.
The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop—only the name
And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.
And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.
Edward Thomas
By Edward Thomas
Yes. I remember Adlestrop—
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.
The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop—only the name
And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.
And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.
Edward Thomas
At the Zoo
by William Makepeace Thackeray
First I saw the white bear, then I saw the black;
Then I saw the camel with a hump upon his back;
Then I saw the grey wolf, with mutton in his maw;
Then I saw the wombat waddle in the straw;
Then I saw the elephant a-waving of his trunk;
Then I saw the monkeys—mercy, how unpleasantly they smelt!
William Makepeace Thackeray
by William Makepeace Thackeray
First I saw the white bear, then I saw the black;
Then I saw the camel with a hump upon his back;
Then I saw the grey wolf, with mutton in his maw;
Then I saw the wombat waddle in the straw;
Then I saw the elephant a-waving of his trunk;
Then I saw the monkeys—mercy, how unpleasantly they smelt!
William Makepeace Thackeray
The Darkling Thrush
By Thomas Hardy
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
Thomas Hardy
By Thomas Hardy
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
Thomas Hardy
On the Grasshopper and Cricket
By John Keats
The Poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper’s—he takes the lead
In summer luxury,—he has never done
With his delights; for when tired out with fun
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there shrills
The Cricket’s song, in warmth increasing ever,
And seems to one in drowsiness half lost,
The Grasshopper’s among some grassy hills.
John Keats
By John Keats
The Poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper’s—he takes the lead
In summer luxury,—he has never done
With his delights; for when tired out with fun
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there shrills
The Cricket’s song, in warmth increasing ever,
And seems to one in drowsiness half lost,
The Grasshopper’s among some grassy hills.
John Keats
To the Roaring Wind
by Wallace Stevens
What syllable are you seeking,
Vocalissimus,
In the distances of sleep?
Speak it.
Wallace Stevens
by Wallace Stevens
What syllable are you seeking,
Vocalissimus,
In the distances of sleep?
Speak it.
Wallace Stevens
The Tyger
by William Blake
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water'd heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
William Blake
by William Blake
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water'd heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
William Blake
A Slumber did my Spirit Seal
By William Wordsworth
A slumber did my spirit seal;
I had no human fears:
She seemed a thing that could not feel
The touch of earthly years.
No motion has she now, no force;
She neither hears nor sees;
Rolled round in earth's diurnal course,
With rocks, and stones, and trees.
William Wordsworth
By William Wordsworth
A slumber did my spirit seal;
I had no human fears:
She seemed a thing that could not feel
The touch of earthly years.
No motion has she now, no force;
She neither hears nor sees;
Rolled round in earth's diurnal course,
With rocks, and stones, and trees.
William Wordsworth
The Ship Starting
By Walt Whitman
Lo, the unbounded sea,
On its breast a ship starting, spreading all sails, carrying even
her moonsails.
The pennant is flying aloft as she speeds she speeds so stately—
below emulous waves press forward,
They surround the ship with shining curving motions and foam.
Walt Whitman
By Walt Whitman
Lo, the unbounded sea,
On its breast a ship starting, spreading all sails, carrying even
her moonsails.
The pennant is flying aloft as she speeds she speeds so stately—
below emulous waves press forward,
They surround the ship with shining curving motions and foam.
Walt Whitman
One am, First January, 2006
By Carol Jenkins
Each boat’s white light, paired with red,
glides towards The Spit,
some have high lamps so their decks
are magnified in a frail wash of white.
The voices and engines vibrating,
carry clear across Middle Harbour.
Returning after midnight fireworks,
they add themselves together, like days,
until a chain of light plots the stillness
of dark water from Wyargine Point to where
they are, again, nothing behind the trees.
Carol Jenkins is an Australian poet. Her first book of poetry Fishing in the Devonian (Puncher & Wattmann, 2008) was short listed for the 2009 Victorian Premier’s Literary Awards.
Carol Jenkins
By Carol Jenkins
Each boat’s white light, paired with red,
glides towards The Spit,
some have high lamps so their decks
are magnified in a frail wash of white.
The voices and engines vibrating,
carry clear across Middle Harbour.
Returning after midnight fireworks,
they add themselves together, like days,
until a chain of light plots the stillness
of dark water from Wyargine Point to where
they are, again, nothing behind the trees.
Carol Jenkins is an Australian poet. Her first book of poetry Fishing in the Devonian (Puncher & Wattmann, 2008) was short listed for the 2009 Victorian Premier’s Literary Awards.
Carol Jenkins
Flowers by the Sea
By William Carlos Williams
When over the flowery, sharp pasture’s
edge, unseen, the salt ocean
lifts its form—chicory and daisies
tied, released, seem hardly flowers alone
but color and the movement—or the shape
perhaps—of relentlessness, whereas
the sea is circled and sways
peacefully upon its plantlike stem
William Carlos Williams
By William Carlos Williams
When over the flowery, sharp pasture’s
edge, unseen, the salt ocean
lifts its form—chicory and daisies
tied, released, seem hardly flowers alone
but color and the movement—or the shape
perhaps—of relentlessness, whereas
the sea is circled and sways
peacefully upon its plantlike stem
William Carlos Williams
My Star
By Robert Browning 1812–1889
All that I know
Of a certain star,
Is, it can throw
(Like the angled spar)
Now a dart of red,
Now a dart of blue,
Till my friends have said
They would fain see, too,
My star that dartles the red and the blue!
Then it stops like a bird; like a flower, hangs furled:
They must solace themselves with the Saturn above it.
What matter to me if their star is a world?
Mine has opened its soul to me; therefore I love it.
Robert Browning
By Robert Browning 1812–1889
All that I know
Of a certain star,
Is, it can throw
(Like the angled spar)
Now a dart of red,
Now a dart of blue,
Till my friends have said
They would fain see, too,
My star that dartles the red and the blue!
Then it stops like a bird; like a flower, hangs furled:
They must solace themselves with the Saturn above it.
What matter to me if their star is a world?
Mine has opened its soul to me; therefore I love it.
Robert Browning
Ozymandias
By Percy Bysshe Shelley
I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”
Percy Bysshe Shelley
By Percy Bysshe Shelley
I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”
Percy Bysshe Shelley
The Eagle
By Alfred, Lord Tennyson
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.
Alfred, Lord Tennyson
By Alfred, Lord Tennyson
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.
Alfred, Lord Tennyson
XCVII
By Emily Dickinson
TO make a prairie it takes a clover and one bee,—
One clover, and a bee,
And revery.
The revery alone will do
If bees are few.
(from Part Two: Nature, Complete Poems, 1924)
Emily Dickinson
By Emily Dickinson
TO make a prairie it takes a clover and one bee,—
One clover, and a bee,
And revery.
The revery alone will do
If bees are few.
(from Part Two: Nature, Complete Poems, 1924)
Emily Dickinson
Bloom
By Elizabeth Allen
All day they have been drawing me back
to the kitchen table: a crossword question
I keep returning to, the answer just beyond
my tongue. I have been trying to find
their meaning: what they hold & signify,
what they expect & tell. What they can
know of me & what they can’t. Only
now that evening is coming in have I
tired of this frenzy & decided to let them
be flowers: cream lilies, red carnations,
white daisies, purple orchids & others
I do not know the names for, so cannot
show you. An odd jarring of colour in
a basket, like seeing yourself reflected
from many angles at once; the constancy
of body temperature, dry humour, wit,
gathered in together like friendships;
some about to open & some, almost:
Elizabeth Allen is a contemporary Australian poet. Her book of poems Body Language is published by Vagabond Press (Sydney, 2012).
Elizabeth Allen
By Elizabeth Allen
All day they have been drawing me back
to the kitchen table: a crossword question
I keep returning to, the answer just beyond
my tongue. I have been trying to find
their meaning: what they hold & signify,
what they expect & tell. What they can
know of me & what they can’t. Only
now that evening is coming in have I
tired of this frenzy & decided to let them
be flowers: cream lilies, red carnations,
white daisies, purple orchids & others
I do not know the names for, so cannot
show you. An odd jarring of colour in
a basket, like seeing yourself reflected
from many angles at once; the constancy
of body temperature, dry humour, wit,
gathered in together like friendships;
some about to open & some, almost:
Elizabeth Allen is a contemporary Australian poet. Her book of poems Body Language is published by Vagabond Press (Sydney, 2012).
Elizabeth Allen
Neither Out Far Nor In Deep
By Robert Frost
The people along the sand
All turn and look one way.
They turn their back on the land.
They look at the sea all day.
As long as it takes to pass
A ship keeps raising its hull;
The wetter ground like glass
Reflects a standing gull.
The land may vary more;
But wherever the truth may be -
The water comes ashore,
And the people look at the sea.
They cannot look out far.
They cannot look in deep.
But when was that ever a bar
To any watch they keep?
Robert Frost
By Robert Frost
The people along the sand
All turn and look one way.
They turn their back on the land.
They look at the sea all day.
As long as it takes to pass
A ship keeps raising its hull;
The wetter ground like glass
Reflects a standing gull.
The land may vary more;
But wherever the truth may be -
The water comes ashore,
And the people look at the sea.
They cannot look out far.
They cannot look in deep.
But when was that ever a bar
To any watch they keep?
Robert Frost
Sonnet 116
By William Shakespeare
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.
William Shakespeare
By William Shakespeare
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.
William Shakespeare
The Pike
By Amy Lowell
In the brown water,
Thick and silver-sheened in the sunshine,
Liquid and cool in the shade of the reeds,
A pike dozed.
Lost among the shadows of stems
He lay unnoticed.
Suddenly he flicked his tail,
And a green-and-copper brightness
Ran under the water.
Out from under the reeds
Came the olive-green light,
And orange flashed up
Through the sun-thickened water.
So the fish passed across the pool,
Green and copper,
A darkness and a gleam,
And the blurred reflections of the willows on the opposite bank
Received it.
Amy Lowell
By Amy Lowell
In the brown water,
Thick and silver-sheened in the sunshine,
Liquid and cool in the shade of the reeds,
A pike dozed.
Lost among the shadows of stems
He lay unnoticed.
Suddenly he flicked his tail,
And a green-and-copper brightness
Ran under the water.
Out from under the reeds
Came the olive-green light,
And orange flashed up
Through the sun-thickened water.
So the fish passed across the pool,
Green and copper,
A darkness and a gleam,
And the blurred reflections of the willows on the opposite bank
Received it.
Amy Lowell
Frogs in Chorus
by AB ‘Banjo’ Paterson
The chorus frogs in the big lagoon
Would sing their songs to the silvery moon.
Tenor singers were out of place,
For every frog was a double bass.
But never a human chorus yet
Could beat the accurate time they set.
The solo singer began the joke;
He sang, "As long as I live I'll croak,
Croak, I'll croak,"
And the chorus followed him: "Croak, croak, croak!"
The poet frog, in his plaintive tone,
Sang of a sorrow was all his own;
"How shall I win to my heart's desire?
How shall I feel my spirit's fire?"
And the solo frog in his deepest croak,
"To fire your spirit," he sang, "eat coke,
Coke, eat coke,"
And the chorus followed him: "Coke, coke, coke!"
The green frog sat in a swampy spot
And he sang the song of he knew not what.
"The world is rotten, oh cursed plight,
That I am the frog that must set it right.
How shall I scatter the shades that lurk?"
And the old man bullfrog sang, "Get work,
Work, get work,"
And the chorus followed him: "Work, work, work!"
The soaring spirits that fain would fly
On wings of hope to the starry sky
Must face the snarls of the jealous dogs,
For the world is ruled by its chorus frogs.
AB ‘Banjo’ Paterson
by AB ‘Banjo’ Paterson
The chorus frogs in the big lagoon
Would sing their songs to the silvery moon.
Tenor singers were out of place,
For every frog was a double bass.
But never a human chorus yet
Could beat the accurate time they set.
The solo singer began the joke;
He sang, "As long as I live I'll croak,
Croak, I'll croak,"
And the chorus followed him: "Croak, croak, croak!"
The poet frog, in his plaintive tone,
Sang of a sorrow was all his own;
"How shall I win to my heart's desire?
How shall I feel my spirit's fire?"
And the solo frog in his deepest croak,
"To fire your spirit," he sang, "eat coke,
Coke, eat coke,"
And the chorus followed him: "Coke, coke, coke!"
The green frog sat in a swampy spot
And he sang the song of he knew not what.
"The world is rotten, oh cursed plight,
That I am the frog that must set it right.
How shall I scatter the shades that lurk?"
And the old man bullfrog sang, "Get work,
Work, get work,"
And the chorus followed him: "Work, work, work!"
The soaring spirits that fain would fly
On wings of hope to the starry sky
Must face the snarls of the jealous dogs,
For the world is ruled by its chorus frogs.
AB ‘Banjo’ Paterson
The Ladder
by Bill Manhire
Too short to reach the roof,
too short to threaten important windows,
the ladder lies on its side
behind the house, out of sight.
The ladder lies in the grass,
a different grain in each of its rungs
(and wings on each rung
so where can you place your feet?).
And, as you can see, it is rotten.
Nevertheless, it longs to be lifted.
Bill Manhire is an award-winning New Zealand poet. He was New Zealand's inaugural Poet Laureate and his most recent book isThe Victims of Lightning(Victoria University Press, Wellington, 2010).
Bill Manhire
by Bill Manhire
Too short to reach the roof,
too short to threaten important windows,
the ladder lies on its side
behind the house, out of sight.
The ladder lies in the grass,
a different grain in each of its rungs
(and wings on each rung
so where can you place your feet?).
And, as you can see, it is rotten.
Nevertheless, it longs to be lifted.
Bill Manhire is an award-winning New Zealand poet. He was New Zealand's inaugural Poet Laureate and his most recent book isThe Victims of Lightning(Victoria University Press, Wellington, 2010).
Bill Manhire
Early Arrival Sydney
by Vivian Smith
Red cockatoo crests caught on coral trees:
my Sydney emblems. Dragging the land in view
our ship hauls glass and concrete to its side
as gulls fly up and snatch and scream and glide
away on a sea smeared with a trace of blue.
The neons flicker and the skyline wakes.
The orange suburbs float through miles of calm:
a pastel-coloured terrace shades its slope.
While five gulls fight for nothing on a rope,
the breeze picks out a single listless palm.
The city's like a room far undersea
with locked arcades where shadow-waves subside.
Grey windows bend great cloud-shapes as they pass.
Beyond these tiles, tunnels, iron, glass,
the flat waters of green inlets ride
where all the folded yachts are chained away.
But here the huge hotels still sway in space
with the exactness of a foreign place.
Vivian Smith is a widely published Australian poet. His most recent book is Here, There and Elsewhere (Giramondo, Sydney, 2012)
Vivian Smith
by Vivian Smith
Red cockatoo crests caught on coral trees:
my Sydney emblems. Dragging the land in view
our ship hauls glass and concrete to its side
as gulls fly up and snatch and scream and glide
away on a sea smeared with a trace of blue.
The neons flicker and the skyline wakes.
The orange suburbs float through miles of calm:
a pastel-coloured terrace shades its slope.
While five gulls fight for nothing on a rope,
the breeze picks out a single listless palm.
The city's like a room far undersea
with locked arcades where shadow-waves subside.
Grey windows bend great cloud-shapes as they pass.
Beyond these tiles, tunnels, iron, glass,
the flat waters of green inlets ride
where all the folded yachts are chained away.
But here the huge hotels still sway in space
with the exactness of a foreign place.
Vivian Smith is a widely published Australian poet. His most recent book is Here, There and Elsewhere (Giramondo, Sydney, 2012)
Vivian Smith
Summer Farm
by Norman MacCaig
Straws like tame lightnings lie about the grass
And hang zigzag on hedges. Green as glass
The water in the horse-trough shines.
Nine ducks go wobbling by in two straight lines.
A hen stares at nothing with one eye,
Then picks it up. Out of an empty sky
A swallow falls and, flickering through
The barn, dives up again into the dizzy blue.
I lie, not thinking, in the cool, soft grass,
Afraid of where a thought might take me - as
This grasshopper with plated face
Unfolds his legs and finds himself in space.
Self under self, a pile of selves I stand
Threaded on time, and with metaphysic hand
Lift the farm like a lid and see
Farm within farm, and in the centre, me.
Norman MacCaig
by Norman MacCaig
Straws like tame lightnings lie about the grass
And hang zigzag on hedges. Green as glass
The water in the horse-trough shines.
Nine ducks go wobbling by in two straight lines.
A hen stares at nothing with one eye,
Then picks it up. Out of an empty sky
A swallow falls and, flickering through
The barn, dives up again into the dizzy blue.
I lie, not thinking, in the cool, soft grass,
Afraid of where a thought might take me - as
This grasshopper with plated face
Unfolds his legs and finds himself in space.
Self under self, a pile of selves I stand
Threaded on time, and with metaphysic hand
Lift the farm like a lid and see
Farm within farm, and in the centre, me.
Norman MacCaig
The Last To Leave
By Leon Gellert
The guns were silent, and the silent hills
had bowed their grasses to a gentle breeze
I gazed upon the vales and on the rills,
And whispered, "What of these?' and "What of these?
These long forgotten dead with sunken graves,
Some crossless, with unwritten memories
Their only mourners are the moaning waves,
Their only minstrels are the singing trees
And thus I mused and sorrowed wistfully
I watched the place where they had scaled the height,
The height whereon they bled so bitterly
Throughout each day and through each blistered night
I sat there long, and listened - all things listened too
I heard the epics of a thousand trees,
A thousand waves I heard; and then I knew
The waves were very old, the trees were wise:
The dead would be remembered evermore-
The valiant dead that gazed upon the skies,
And slept in great battalions by the shore.
Leon Gellert
By Leon Gellert
The guns were silent, and the silent hills
had bowed their grasses to a gentle breeze
I gazed upon the vales and on the rills,
And whispered, "What of these?' and "What of these?
These long forgotten dead with sunken graves,
Some crossless, with unwritten memories
Their only mourners are the moaning waves,
Their only minstrels are the singing trees
And thus I mused and sorrowed wistfully
I watched the place where they had scaled the height,
The height whereon they bled so bitterly
Throughout each day and through each blistered night
I sat there long, and listened - all things listened too
I heard the epics of a thousand trees,
A thousand waves I heard; and then I knew
The waves were very old, the trees were wise:
The dead would be remembered evermore-
The valiant dead that gazed upon the skies,
And slept in great battalions by the shore.
Leon Gellert
The Australian
By William Henry Ogilvie
The bravest thing God ever made!
(A British Officer’s Opinion)
The skies that arched his land were blue,
His bush-born winds were warm and sweet,
And yet from earliest hours he knew
The tides of victory and defeat:
From fierce floods thundering at his birth,
From red droughts ravening while he played,
He learned no fear no foes on earth -
The bravest thing God ever made!
The bugles of the Motherland
Rang ceaselessly across the sea,
To call him and his lean brown band
To shape Imperial destiny.,
He went by youth’s grave purpose willed,
The goal unknown, the cost unweighed,
The promise of his blood fulfilled -
The bravest thing God ever made!
We know - it is our deathless pride! -
The splendour of his first fierce blow;
How, reckless, glorious, undenied,
He stormed those steel-lined cliffs we know!
And none who saw him scale the height
Behind his reeking bayonet blade
Would rob him of his title right -
The bravest thing God ever made!
Bravest, where half a world of men
Are brave beyond all earth’s rewards,
So stoutly none shall charge again
Till the last breaking of the swords;
Wounded or hale, won home from war,
Or yonder by the Lone Pine laid,
Give him his due for evermore -
The bravest thing God ever made!
William Henry Ogilvie
By William Henry Ogilvie
The bravest thing God ever made!
(A British Officer’s Opinion)
The skies that arched his land were blue,
His bush-born winds were warm and sweet,
And yet from earliest hours he knew
The tides of victory and defeat:
From fierce floods thundering at his birth,
From red droughts ravening while he played,
He learned no fear no foes on earth -
The bravest thing God ever made!
The bugles of the Motherland
Rang ceaselessly across the sea,
To call him and his lean brown band
To shape Imperial destiny.,
He went by youth’s grave purpose willed,
The goal unknown, the cost unweighed,
The promise of his blood fulfilled -
The bravest thing God ever made!
We know - it is our deathless pride! -
The splendour of his first fierce blow;
How, reckless, glorious, undenied,
He stormed those steel-lined cliffs we know!
And none who saw him scale the height
Behind his reeking bayonet blade
Would rob him of his title right -
The bravest thing God ever made!
Bravest, where half a world of men
Are brave beyond all earth’s rewards,
So stoutly none shall charge again
Till the last breaking of the swords;
Wounded or hale, won home from war,
Or yonder by the Lone Pine laid,
Give him his due for evermore -
The bravest thing God ever made!
William Henry Ogilvie
To a Mouse
BY ROBERT BURNS
On Turning up in Her Nest with the Plough, November, 1785
(the poem has eight verses ; these are verses 2, 7 & 8)
....
I’m truly sorry Man’s dominion
Has broken Nature’s social union,
An’ justifies that ill opinion,
Which makes thee startle,
At me, thy poor, earth-born companion,
An’ fellow-mortal!
....
But Mousie, thou art no thy-lane,
In proving foresight may be vain:
The best laid schemes o’ Mice an’ Men
Gang aft agley,
An’ lea’e us nought but grief an’ pain,
For promis’d joy!
Still, thou art blest, compar’d wi’ me!
The present only toucheth thee:
But Och! I backward cast my e’e,
On prospects drear!
An’ forward tho’ I canna see,
I guess an’ fear!
BY ROBERT BURNS
BY ROBERT BURNS
On Turning up in Her Nest with the Plough, November, 1785
(the poem has eight verses ; these are verses 2, 7 & 8)
....
I’m truly sorry Man’s dominion
Has broken Nature’s social union,
An’ justifies that ill opinion,
Which makes thee startle,
At me, thy poor, earth-born companion,
An’ fellow-mortal!
....
But Mousie, thou art no thy-lane,
In proving foresight may be vain:
The best laid schemes o’ Mice an’ Men
Gang aft agley,
An’ lea’e us nought but grief an’ pain,
For promis’d joy!
Still, thou art blest, compar’d wi’ me!
The present only toucheth thee:
But Och! I backward cast my e’e,
On prospects drear!
An’ forward tho’ I canna see,
I guess an’ fear!
BY ROBERT BURNS
The Australian Sunrise
By James Lister Cuthbertson
The Morning Star paled slowly, the Cross hung low to the sea,
And down the shadowy reaches the tide came swirling free,
The lustrous purple blackness of the soft Australian night
Waned in the grey awakening that heralded the light;
Still in the dying darkness, still in the forest dim
The pearly dew of the dawning clung to each giant limb,
Till the sun came up from ocean, red with the cold sea mist,
And smote on the limestone ridges, and the shining tree-tops kissed
Then the fiery Scorpion vanished, the magpie’s note was heard,
And the wind in the she-oak wavered and the honeysuckles stirred;
The airy golden vapour rose from the river breast,
The kingfisher came darting out of his crannied nest,
And the bullrushes and reed-beds put off their sallow grey
And burnt with cloudy crimson at the dawning of the day.
James Lister Cuthbertson
By James Lister Cuthbertson
The Morning Star paled slowly, the Cross hung low to the sea,
And down the shadowy reaches the tide came swirling free,
The lustrous purple blackness of the soft Australian night
Waned in the grey awakening that heralded the light;
Still in the dying darkness, still in the forest dim
The pearly dew of the dawning clung to each giant limb,
Till the sun came up from ocean, red with the cold sea mist,
And smote on the limestone ridges, and the shining tree-tops kissed
Then the fiery Scorpion vanished, the magpie’s note was heard,
And the wind in the she-oak wavered and the honeysuckles stirred;
The airy golden vapour rose from the river breast,
The kingfisher came darting out of his crannied nest,
And the bullrushes and reed-beds put off their sallow grey
And burnt with cloudy crimson at the dawning of the day.
James Lister Cuthbertson