Benchmark - Poems
The Owl
By Edward Thomas
Downhill I came, hungry, and yet not starved;
Cold, yet had heat within me that was proof
Against the North wind; tired, yet so that rest
Had seemed the sweetest thing under a roof.
Then at the inn I had food, fire, and rest,
Knowing how hungry, cold, and tired was I.
All of the night was quite barred out except
An owl’s cry, a most melancholy cry
Shaken out long and clear upon the hill,
No merry note, nor cause of merriment,
But one telling me plain what I escaped
And others could not, that night, as in I went.
And salted was my food, and my repose,
Salted and sobered, too, by the bird’s voice
Speaking for all who lay under the stars,
Soldiers and poor, unable to rejoice.
By Edward Thomas
Downhill I came, hungry, and yet not starved;
Cold, yet had heat within me that was proof
Against the North wind; tired, yet so that rest
Had seemed the sweetest thing under a roof.
Then at the inn I had food, fire, and rest,
Knowing how hungry, cold, and tired was I.
All of the night was quite barred out except
An owl’s cry, a most melancholy cry
Shaken out long and clear upon the hill,
No merry note, nor cause of merriment,
But one telling me plain what I escaped
And others could not, that night, as in I went.
And salted was my food, and my repose,
Salted and sobered, too, by the bird’s voice
Speaking for all who lay under the stars,
Soldiers and poor, unable to rejoice.
“Dank fens of cedar; hemlock-branches gray”
By Frederick Goddard Tuckerman
from Sonnets, First Series
VI
Dank fens of cedar; hemlock-branches gray
With trees and trail of mosses, wringing-wet;
Beds of the black pitchpine in dead leaves set
Whose wasted red has wasted to white away;
Remnants of rain and droppings of decay, —
Why hold ye so my heart, nor dimly let
Through your deep leaves the light of yesterday,
The faded glimmer of a sunshine set?
Is it that in your darkness, shut from strife,
The bread of tears becomes the bread of life?
Far from the roar of day, beneath your boughs
Fresh griefs beat tranquilly, and loves and vows
Grow green in your gray shadows, dearer far
Even than all lovely lights and roses are?
By Frederick Goddard Tuckerman
from Sonnets, First Series
VI
Dank fens of cedar; hemlock-branches gray
With trees and trail of mosses, wringing-wet;
Beds of the black pitchpine in dead leaves set
Whose wasted red has wasted to white away;
Remnants of rain and droppings of decay, —
Why hold ye so my heart, nor dimly let
Through your deep leaves the light of yesterday,
The faded glimmer of a sunshine set?
Is it that in your darkness, shut from strife,
The bread of tears becomes the bread of life?
Far from the roar of day, beneath your boughs
Fresh griefs beat tranquilly, and loves and vows
Grow green in your gray shadows, dearer far
Even than all lovely lights and roses are?
When that I was and a little
tiny boy (With hey, ho,
the wind and the rain)
(from Twelth Night)
By William Shakespeare
When that I was and a little tiny boy,
With hey, ho, the wind and the rain,
A foolish thing was but a toy,
For the rain it raineth every day.
But when I came to man’s estate,
With hey, ho, the wind and the rain,
’Gainst knaves and thieves men shut their gate,
For the rain it raineth every day.
But when I came, alas! to wive,
With hey, ho, the wind and the rain,
By swaggering could I never thrive,
For the rain it raineth every day.
But when I came unto my beds,
With hey, ho, the wind and the rain,
With toss-pots still had drunken heads,
For the rain it raineth every day.
A great while ago the world begun,
With hey, ho, the wind and the rain,
But that’s all one, our play is done,
And we’ll strive to please you every day.
(from Twelth Night)
By William Shakespeare
When that I was and a little tiny boy,
With hey, ho, the wind and the rain,
A foolish thing was but a toy,
For the rain it raineth every day.
But when I came to man’s estate,
With hey, ho, the wind and the rain,
’Gainst knaves and thieves men shut their gate,
For the rain it raineth every day.
But when I came, alas! to wive,
With hey, ho, the wind and the rain,
By swaggering could I never thrive,
For the rain it raineth every day.
But when I came unto my beds,
With hey, ho, the wind and the rain,
With toss-pots still had drunken heads,
For the rain it raineth every day.
A great while ago the world begun,
With hey, ho, the wind and the rain,
But that’s all one, our play is done,
And we’ll strive to please you every day.
Inscription for a Fountain on a
Heath
By Samuel Taylor Coleridge
This Sycamore, oft musical with bees,—
Such tents the Patriarchs loved! O long unharmed
May all its agèd boughs o'er-canopy
The small round basin, which this jutting stone
Keeps pure from falling leaves! Long may the Spring,
Quietly as a sleeping infant's breath,
Send up cold waters to the traveller
With soft and even pulse! Nor ever cease
Yon tiny cone of sand its soundless dance,
Which at the bottom, like a Fairy's Page,
As merry and no taller, dances still,
Nor wrinkles the smooth surface of the Fount.
Here Twilight is and Coolness: here is moss,
A soft seat, and a deep and ample shade.
Thou may'st toil far and find no second tree.
Drink, Pilgrim, here; Here rest! and if thy heart
Be innocent, here too shalt thou refresh
Thy spirit, listening to some gentle sound,
Or passing gale or hum of murmuring bees!
By Samuel Taylor Coleridge
This Sycamore, oft musical with bees,—
Such tents the Patriarchs loved! O long unharmed
May all its agèd boughs o'er-canopy
The small round basin, which this jutting stone
Keeps pure from falling leaves! Long may the Spring,
Quietly as a sleeping infant's breath,
Send up cold waters to the traveller
With soft and even pulse! Nor ever cease
Yon tiny cone of sand its soundless dance,
Which at the bottom, like a Fairy's Page,
As merry and no taller, dances still,
Nor wrinkles the smooth surface of the Fount.
Here Twilight is and Coolness: here is moss,
A soft seat, and a deep and ample shade.
Thou may'st toil far and find no second tree.
Drink, Pilgrim, here; Here rest! and if thy heart
Be innocent, here too shalt thou refresh
Thy spirit, listening to some gentle sound,
Or passing gale or hum of murmuring bees!
from The Prelude: Book 2: School-time (Continued)
By William Wordsworth
Thus far, O Friend! have we, though leaving much
Unvisited, endeavour'd to retrace
My life through its first years, and measured back
The way I travell'd when I first began
To love the woods and fields; the passion yet
Was in its birth, sustain'd, as might befal,
By nourishment that came unsought, for still,
From week to week, from month to month, we liv'd
A round of tumult: duly were our games
Prolong'd in summer till the day-light fail'd;
No chair remain'd before the doors, the bench
And threshold steps were empty; fast asleep
The Labourer, and the old Man who had sate,
A later lingerer, yet the revelry
Continued, and the loud uproar: at last,
When all the ground was dark, and the huge clouds
Were edged with twinkling stars, to bed we went,
With weary joints, and with a beating mind.
Ah! is there one who ever has been young,
Nor needs a monitory voice to tame
The pride of virtue, and of intellect?
And is there one, the wisest and the best
Of all mankind, who does not sometimes wish
For things which cannot be, who would not give,
If so he might, to duty and to truth
The eagerness of infantine desire?
A tranquillizing spirit presses now
On my corporeal frame: so wide appears
The vacancy between me and those days,
Which yet have such self-presence in my mind
That, sometimes, when I think of them, I seem
Two consciousnesses, conscious of myself
And of some other Being.
By William Wordsworth
Thus far, O Friend! have we, though leaving much
Unvisited, endeavour'd to retrace
My life through its first years, and measured back
The way I travell'd when I first began
To love the woods and fields; the passion yet
Was in its birth, sustain'd, as might befal,
By nourishment that came unsought, for still,
From week to week, from month to month, we liv'd
A round of tumult: duly were our games
Prolong'd in summer till the day-light fail'd;
No chair remain'd before the doors, the bench
And threshold steps were empty; fast asleep
The Labourer, and the old Man who had sate,
A later lingerer, yet the revelry
Continued, and the loud uproar: at last,
When all the ground was dark, and the huge clouds
Were edged with twinkling stars, to bed we went,
With weary joints, and with a beating mind.
Ah! is there one who ever has been young,
Nor needs a monitory voice to tame
The pride of virtue, and of intellect?
And is there one, the wisest and the best
Of all mankind, who does not sometimes wish
For things which cannot be, who would not give,
If so he might, to duty and to truth
The eagerness of infantine desire?
A tranquillizing spirit presses now
On my corporeal frame: so wide appears
The vacancy between me and those days,
Which yet have such self-presence in my mind
That, sometimes, when I think of them, I seem
Two consciousnesses, conscious of myself
And of some other Being.
The Arrow and the Song
By Henry Wadsworth Longfellow
I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.
I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?
Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.
By Henry Wadsworth Longfellow
I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.
I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?
Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.
Delia 31: Look,
Delia, how we 'steem the half-blown rose (1592 version)
By Samuel Daniel
Look, Delia, how we 'steem the half-blown rose,
The image of thy blush and summer's honour,
Whilst in her tender green she doth enclose
That pure sweet beauty time bestows upon her.
No sooner spreads her glory in the air
But straight her full-blown pride is in declining;
She then is scorn'd that late adorn'd the fair:
So clouds thy beauty after fairest shining.
No April can revive thy wither'd flowers,
Whose blooming grace adorns thy beauty now;
Swift speedy time, feather'd with flying hours,
Dissolves the beauty of the fairest brow.
O let not then such riches waste in vain,
But love whilst that thou mayst be lov'd again.
By Samuel Daniel
Look, Delia, how we 'steem the half-blown rose,
The image of thy blush and summer's honour,
Whilst in her tender green she doth enclose
That pure sweet beauty time bestows upon her.
No sooner spreads her glory in the air
But straight her full-blown pride is in declining;
She then is scorn'd that late adorn'd the fair:
So clouds thy beauty after fairest shining.
No April can revive thy wither'd flowers,
Whose blooming grace adorns thy beauty now;
Swift speedy time, feather'd with flying hours,
Dissolves the beauty of the fairest brow.
O let not then such riches waste in vain,
But love whilst that thou mayst be lov'd again.
Wash of Cold River
By Hilda Doolittle
Wash of cold river
in a glacial land,
Ionian water,
chill, snow-ribbed sand,
drift of rare flowers,
clear, with delicate shell-
like leaf enclosing
frozen lily-leaf,
camellia texture,
colder than a rose;
wind-flower
that keeps the breath
of the north-wind—
these and none other;
intimate thoughts and kind
reach out to share
the treasure of my mind,
intimate hands and dear
drawn garden-ward and sea-ward
all the sheer rapture
that I would take
to mould a clear
and frigid statue;
rare, of pure texture,
beautiful space and line,
marble to grace
your inaccessible shrine.
By Hilda Doolittle
Wash of cold river
in a glacial land,
Ionian water,
chill, snow-ribbed sand,
drift of rare flowers,
clear, with delicate shell-
like leaf enclosing
frozen lily-leaf,
camellia texture,
colder than a rose;
wind-flower
that keeps the breath
of the north-wind—
these and none other;
intimate thoughts and kind
reach out to share
the treasure of my mind,
intimate hands and dear
drawn garden-ward and sea-ward
all the sheer rapture
that I would take
to mould a clear
and frigid statue;
rare, of pure texture,
beautiful space and line,
marble to grace
your inaccessible shrine.
The Cloud Confines
By Dante Gabriel Rossetti
The day is dark and the night
To him that would search their heart;
No lips of cloud that will part
Nor morning song in the light:
Only, gazing alone,
To him wild shadows are shown,
Deep under deep unknown
And height above unknown height.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The Past is over and fled;
Nam'd new, we name it the old;
Thereof some tale hath been told,
But no word comes from the dead;
Whether at all they be,
Or whether as bond or free,
Or whether they too were we,
Or by what spell they have sped.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of hate
That beats in thy breast, O Time?
Red strife from the furthest prime,
And anguish of fierce debate;
War that shatters her slain,
And peace that grinds them as grain,
And eyes fix'd ever in vain
On the pitiless eyes of Fate.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of love
That bleeds in thy breast, O Man?
Thy kisses snatch'd 'neath the ban
Of fangs that mock them above;
Thy bells prolong'd unto knells,
Thy hope that a breath dispels,
Thy bitter forlorn farewells
And the empty echoes thereof?
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The sky leans dumb on the sea,
Aweary with all its wings;
And oh! the song the sea sings
Is dark everlastingly.
Our past is clean forgot,
Our present is and is not,
Our future's a seal'd seedplot,
And what betwixt them are we?
We who say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
By Dante Gabriel Rossetti
The day is dark and the night
To him that would search their heart;
No lips of cloud that will part
Nor morning song in the light:
Only, gazing alone,
To him wild shadows are shown,
Deep under deep unknown
And height above unknown height.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The Past is over and fled;
Nam'd new, we name it the old;
Thereof some tale hath been told,
But no word comes from the dead;
Whether at all they be,
Or whether as bond or free,
Or whether they too were we,
Or by what spell they have sped.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of hate
That beats in thy breast, O Time?
Red strife from the furthest prime,
And anguish of fierce debate;
War that shatters her slain,
And peace that grinds them as grain,
And eyes fix'd ever in vain
On the pitiless eyes of Fate.
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of love
That bleeds in thy breast, O Man?
Thy kisses snatch'd 'neath the ban
Of fangs that mock them above;
Thy bells prolong'd unto knells,
Thy hope that a breath dispels,
Thy bitter forlorn farewells
And the empty echoes thereof?
Still we say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The sky leans dumb on the sea,
Aweary with all its wings;
And oh! the song the sea sings
Is dark everlastingly.
Our past is clean forgot,
Our present is and is not,
Our future's a seal'd seedplot,
And what betwixt them are we?
We who say as we go,
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
Who Has Seen the Wind?
By Christina Rossetti
Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.
Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.
By Christina Rossetti
Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.
Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.
It was a Lover and his Lass
By William Shakespeare
It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o’er the green cornfield did pass,
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
Between the acres of the rye,
With a hey, and a ho, and a hey nonino,
Those pretty country folks would lie,
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
This carol they began that hour,
With a hey, and a ho, and a hey nonino,
How that a life was but a flower
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
And therefore take the present time,
With a hey, and a ho, and a hey nonino,
For love is crownèd with the prime
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
By William Shakespeare
It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o’er the green cornfield did pass,
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
Between the acres of the rye,
With a hey, and a ho, and a hey nonino,
Those pretty country folks would lie,
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
This carol they began that hour,
With a hey, and a ho, and a hey nonino,
How that a life was but a flower
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
And therefore take the present time,
With a hey, and a ho, and a hey nonino,
For love is crownèd with the prime
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
II Thompson’s Lunch Room—Grand
Central Station
Study in Whites
By Amy Lowell
Wax-white—
Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook’s cap
Moves unglossily against the vaguely bright wall—
Dull chalk-white striking the retina like a blow
Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting—greener, bluer—with the jar of moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: “Oyster Stew, Cornbeef Hash, Frankfurters”:
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated épergnes.
The electric clock jerks every half-minute:
“Coming!—Past!”
“Three beef-steaks and a chicken-pie,”
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.
Study in Whites
By Amy Lowell
Wax-white—
Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook’s cap
Moves unglossily against the vaguely bright wall—
Dull chalk-white striking the retina like a blow
Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting—greener, bluer—with the jar of moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: “Oyster Stew, Cornbeef Hash, Frankfurters”:
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated épergnes.
The electric clock jerks every half-minute:
“Coming!—Past!”
“Three beef-steaks and a chicken-pie,”
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.
The Seasons: Spring
By James Thomson
As rising from the vegetable World
My Theme ascends, with equal Wing ascend,
My panting Muse; and hark, how loud the Woods
Invite you forth in all your gayest Trim.
Lend me your Song, ye Nightingales! oh pour
The mazy-running Soul of Melody
Into my varied Verse! while I deduce,
From the first Note the hollow Cuckoo sings,
The Symphony of Spring, and touch a Theme
Unknown to Fame, the Passion of the Groves.
By James Thomson
As rising from the vegetable World
My Theme ascends, with equal Wing ascend,
My panting Muse; and hark, how loud the Woods
Invite you forth in all your gayest Trim.
Lend me your Song, ye Nightingales! oh pour
The mazy-running Soul of Melody
Into my varied Verse! while I deduce,
From the first Note the hollow Cuckoo sings,
The Symphony of Spring, and touch a Theme
Unknown to Fame, the Passion of the Groves.
Are They Shadows
By Samuel Daniel
Are they shadows that we see?
And can shadows pleasure give?
Pleasures only shadows be
Cast by bodies we conceive
And are made the things we deem
In those figures which they seem.
But these pleasures vanish fast
Which by shadows are expressed;
Pleasures are not, if they last;
In their passing is their best.
Glory is most bright and gay
In a flash, and so away.
Feed apace then, greedy eyes,
On the wonder you behold;
Take it sudden as it flies,
Though you take it not to hold.
When your eyes have done their part,
Thought must length it in the heart.
By Samuel Daniel
Are they shadows that we see?
And can shadows pleasure give?
Pleasures only shadows be
Cast by bodies we conceive
And are made the things we deem
In those figures which they seem.
But these pleasures vanish fast
Which by shadows are expressed;
Pleasures are not, if they last;
In their passing is their best.
Glory is most bright and gay
In a flash, and so away.
Feed apace then, greedy eyes,
On the wonder you behold;
Take it sudden as it flies,
Though you take it not to hold.
When your eyes have done their part,
Thought must length it in the heart.
The Evening Wind
By William Cullen Bryant
Spirit that breathest through my lattice, thou
That cool’st the twilight of the sultry day,
Gratefully flows thy freshness round my brow:
Thou hast been out upon the deep at play,
Riding all day the wild blue waves till now,
Roughening their crests, and scattering high their spray
And swelling the white sail. I welcome thee
To the scorched land, thou wanderer of the sea!
Nor I alone—a thousand blossoms round
Inhale thee in the fulness of delight;
And languid forms rise up, and pulses bound
Livelier, at coming of the wind of night;
And, languishing to hear thy grateful sound,
Lies the vast inland stretched beyond the sight.
Go forth into the gathering shade; go forth,
God’s blessing breathed upon the fainting earth!
Go, rock the little wood-bird in his nest,
Curl the still waters, bright with stars, and rouse
The wide old wood from his majestic rest,
Summoning from the innumerable boughs
The strange, deep harmonies that haunt his breast:
Pleasant shall be thy way where meekly bows.
The shutting flower, and darkling waters pass,
And where the o’ershadowing branches sweep the grass.
The faint old man shall lean his silver head
To feel thee; thou shalt kiss the child asleep,
And dry the moistened curls that overspread
His temples, while his breathing grows more deep:
And they who stand about the sick man’s bed,
Shall joy to listen to thy distant sweep,
And softly part his curtains to allow
Thy visit, grateful to his burning brow.
Go—but the circle of eternal change,
Which is the life of nature, shall restore,
With sounds and scents from all thy mighty range
Thee to thy birthplace of the deep once more;
Sweet odours in the sea-air, sweet and strange,
Shall tell the home-sick mariner of the shore;
And, listening to thy murmur, he shall deem
He hears the rustling leaf and running stream.
By William Cullen Bryant
Spirit that breathest through my lattice, thou
That cool’st the twilight of the sultry day,
Gratefully flows thy freshness round my brow:
Thou hast been out upon the deep at play,
Riding all day the wild blue waves till now,
Roughening their crests, and scattering high their spray
And swelling the white sail. I welcome thee
To the scorched land, thou wanderer of the sea!
Nor I alone—a thousand blossoms round
Inhale thee in the fulness of delight;
And languid forms rise up, and pulses bound
Livelier, at coming of the wind of night;
And, languishing to hear thy grateful sound,
Lies the vast inland stretched beyond the sight.
Go forth into the gathering shade; go forth,
God’s blessing breathed upon the fainting earth!
Go, rock the little wood-bird in his nest,
Curl the still waters, bright with stars, and rouse
The wide old wood from his majestic rest,
Summoning from the innumerable boughs
The strange, deep harmonies that haunt his breast:
Pleasant shall be thy way where meekly bows.
The shutting flower, and darkling waters pass,
And where the o’ershadowing branches sweep the grass.
The faint old man shall lean his silver head
To feel thee; thou shalt kiss the child asleep,
And dry the moistened curls that overspread
His temples, while his breathing grows more deep:
And they who stand about the sick man’s bed,
Shall joy to listen to thy distant sweep,
And softly part his curtains to allow
Thy visit, grateful to his burning brow.
Go—but the circle of eternal change,
Which is the life of nature, shall restore,
With sounds and scents from all thy mighty range
Thee to thy birthplace of the deep once more;
Sweet odours in the sea-air, sweet and strange,
Shall tell the home-sick mariner of the shore;
And, listening to thy murmur, he shall deem
He hears the rustling leaf and running stream.
The Solitary Reaper
By William Wordsworth
Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.
No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?—
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whate'er the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;—
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
By William Wordsworth
Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.
No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?—
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whate'er the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;—
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
What mystery pervades a well!
By Emily Dickinson
What mystery pervades a well!
That water lives so far–
A neighbor from another world
Residing in a jar
Whose limit none has ever seen,
But just his lid of glass–
Like looking every time you please
In an abyss's face!
The grass does not appear afraid,
I often wonder he
Can stand so close and look so bold
At what is awe to me.
Related somehow they may be,
The sedge stands near the sea–
Where he is floorless
And does no timidity betray
But nature is a stranger yet:
The ones that cite her most
Have never passed her haunted house,
Nor simplified her ghost.
To pity those that know her not
Is helped by the regret
That those who know her, know her less
The nearer her they get.
By Emily Dickinson
What mystery pervades a well!
That water lives so far–
A neighbor from another world
Residing in a jar
Whose limit none has ever seen,
But just his lid of glass–
Like looking every time you please
In an abyss's face!
The grass does not appear afraid,
I often wonder he
Can stand so close and look so bold
At what is awe to me.
Related somehow they may be,
The sedge stands near the sea–
Where he is floorless
And does no timidity betray
But nature is a stranger yet:
The ones that cite her most
Have never passed her haunted house,
Nor simplified her ghost.
To pity those that know her not
Is helped by the regret
That those who know her, know her less
The nearer her they get.
Youth and Age
By Samuel Taylor Coleridge
Verse, a breeze mid blossoms straying,
Where Hope clung feeding, like a bee—
Both were mine! Life went a-maying
With Nature, Hope, and Poesy,
When I was young!
When I was young?—Ah, woful When!
Ah! for the change 'twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O'er aery cliffs and glittering sands,
How lightly then it flashed along:—
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather
When Youth and I lived in't together.
Flowers are lovely; Love is flower-like;
Friendship is a sheltering tree;
O! the joys, that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old!
Ere I was old? Ah woful Ere,
Which tells me, Youth's no longer here!
O Youth! for years so many and sweet,
'Tis known, that Thou and I were one,
I'll think it but a fond conceit—
It cannot be that Thou art gone!
Thy vesper-bell hath not yet toll'd:—
And thou wert aye a masker bold!
What strange disguise hast now put on,
To make believe, that thou are gone?
I see these locks in silvery slips,
This drooping gait, this altered size:
But Spring-tide blossoms on thy lips,
And tears take sunshine from thine eyes!
Life is but thought: so think I will
That Youth and I are house-mates still.
Dew-drops are the gems of morning,
But the tears of mournful eve!
Where no hope is, life's a warning
That only serves to make us grieve,
When we are old:
That only serves to make us grieve
With oft and tedious taking-leave,
Like some poor nigh-related guest,
That may not rudely be dismist;
Yet hath outstay'd his welcome while,
And tells the jest without the smile.
By Samuel Taylor Coleridge
Verse, a breeze mid blossoms straying,
Where Hope clung feeding, like a bee—
Both were mine! Life went a-maying
With Nature, Hope, and Poesy,
When I was young!
When I was young?—Ah, woful When!
Ah! for the change 'twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O'er aery cliffs and glittering sands,
How lightly then it flashed along:—
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather
When Youth and I lived in't together.
Flowers are lovely; Love is flower-like;
Friendship is a sheltering tree;
O! the joys, that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old!
Ere I was old? Ah woful Ere,
Which tells me, Youth's no longer here!
O Youth! for years so many and sweet,
'Tis known, that Thou and I were one,
I'll think it but a fond conceit—
It cannot be that Thou art gone!
Thy vesper-bell hath not yet toll'd:—
And thou wert aye a masker bold!
What strange disguise hast now put on,
To make believe, that thou are gone?
I see these locks in silvery slips,
This drooping gait, this altered size:
But Spring-tide blossoms on thy lips,
And tears take sunshine from thine eyes!
Life is but thought: so think I will
That Youth and I are house-mates still.
Dew-drops are the gems of morning,
But the tears of mournful eve!
Where no hope is, life's a warning
That only serves to make us grieve,
When we are old:
That only serves to make us grieve
With oft and tedious taking-leave,
Like some poor nigh-related guest,
That may not rudely be dismist;
Yet hath outstay'd his welcome while,
And tells the jest without the smile.
The Cloud
By Percy Bysshe Shelley
I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother's breast,
As she dances about the sun.
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.
I sift the snow on the mountains below,
And their great pines groan aghast;
And all the night 'tis my pillow white,
While I sleep in the arms of the blast.
Sublime on the towers of my skiey bowers,
Lightning my pilot sits;
In a cavern under is fettered the thunder,
It struggles and howls at fits;
Over earth and ocean, with gentle motion,
This pilot is guiding me,
Lured by the love of the genii that move
In the depths of the purple sea;
Over the rills, and the crags, and the hills,
Over the lakes and the plains,
Wherever he dream, under mountain or stream,
The Spirit he loves remains;
And I all the while bask in Heaven's blue smile,
Whilst he is dissolving in rains.
The sanguine Sunrise, with his meteor eyes,
And his burning plumes outspread,
Leaps on the back of my sailing rack,
When the morning star shines dead;
As on the jag of a mountain crag,
Which an earthquake rocks and swings,
An eagle alit one moment may sit
In the light of its golden wings.
And when Sunset may breathe, from the lit sea beneath,
Its ardours of rest and of love,
And the crimson pall of eve may fall
From the depth of Heaven above,
With wings folded I rest, on mine aëry nest,
As still as a brooding dove.
That orbèd maiden with white fire laden,
Whom mortals call the Moon,
Glides glimmering o'er my fleece-like floor,
By the midnight breezes strewn;
And wherever the beat of her unseen feet,
Which only the angels hear,
May have broken the woof of my tent's thin roof,
The stars peep behind her and peer;
And I laugh to see them whirl and flee,
Like a swarm of golden bees,
When I widen the rent in my wind-built tent,
Till calm the rivers, lakes, and seas,
Like strips of the sky fallen through me on high,
Are each paved with the moon and these.
I bind the Sun's throne with a burning zone,
And the Moon's with a girdle of pearl;
The volcanoes are dim, and the stars reel and swim,
When the whirlwinds my banner unfurl.
From cape to cape, with a bridge-like shape,
Over a torrent sea,
Sunbeam-proof, I hang like a roof,
The mountains its columns be.
The triumphal arch through which I march
With hurricane, fire, and snow,
When the Powers of the air are chained to my chair,
Is the million-coloured bow;
The sphere-fire above its soft colours wove,
While the moist Earth was laughing below.
I am the daughter of Earth and Water,
And the nursling of the Sky;
I pass through the pores of the ocean and shores;
I change, but I cannot die.
For after the rain when with never a stain
The pavilion of Heaven is bare,
And the winds and sunbeams with their convex gleams
Build up the blue dome of air,
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.
By Percy Bysshe Shelley
I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother's breast,
As she dances about the sun.
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.
I sift the snow on the mountains below,
And their great pines groan aghast;
And all the night 'tis my pillow white,
While I sleep in the arms of the blast.
Sublime on the towers of my skiey bowers,
Lightning my pilot sits;
In a cavern under is fettered the thunder,
It struggles and howls at fits;
Over earth and ocean, with gentle motion,
This pilot is guiding me,
Lured by the love of the genii that move
In the depths of the purple sea;
Over the rills, and the crags, and the hills,
Over the lakes and the plains,
Wherever he dream, under mountain or stream,
The Spirit he loves remains;
And I all the while bask in Heaven's blue smile,
Whilst he is dissolving in rains.
The sanguine Sunrise, with his meteor eyes,
And his burning plumes outspread,
Leaps on the back of my sailing rack,
When the morning star shines dead;
As on the jag of a mountain crag,
Which an earthquake rocks and swings,
An eagle alit one moment may sit
In the light of its golden wings.
And when Sunset may breathe, from the lit sea beneath,
Its ardours of rest and of love,
And the crimson pall of eve may fall
From the depth of Heaven above,
With wings folded I rest, on mine aëry nest,
As still as a brooding dove.
That orbèd maiden with white fire laden,
Whom mortals call the Moon,
Glides glimmering o'er my fleece-like floor,
By the midnight breezes strewn;
And wherever the beat of her unseen feet,
Which only the angels hear,
May have broken the woof of my tent's thin roof,
The stars peep behind her and peer;
And I laugh to see them whirl and flee,
Like a swarm of golden bees,
When I widen the rent in my wind-built tent,
Till calm the rivers, lakes, and seas,
Like strips of the sky fallen through me on high,
Are each paved with the moon and these.
I bind the Sun's throne with a burning zone,
And the Moon's with a girdle of pearl;
The volcanoes are dim, and the stars reel and swim,
When the whirlwinds my banner unfurl.
From cape to cape, with a bridge-like shape,
Over a torrent sea,
Sunbeam-proof, I hang like a roof,
The mountains its columns be.
The triumphal arch through which I march
With hurricane, fire, and snow,
When the Powers of the air are chained to my chair,
Is the million-coloured bow;
The sphere-fire above its soft colours wove,
While the moist Earth was laughing below.
I am the daughter of Earth and Water,
And the nursling of the Sky;
I pass through the pores of the ocean and shores;
I change, but I cannot die.
For after the rain when with never a stain
The pavilion of Heaven is bare,
And the winds and sunbeams with their convex gleams
Build up the blue dome of air,
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.
Astrophil and
Stella 72: Desire, though thou my old companion art
By Sir Philip Sidney
Desire, though thou my old companion art,
And oft so clings to my pure Love that I
One from the other scarcely can descry,
While each doth blow the fire of my heart,
Now from thy fellowship I needs must part;
Venus is taught with Dian’s wings to fly;
I must no more in thy sweet passions lie;
Virtue’s gold now must head my Cupid’s dart.
Service and honor, wonder with delight,
Fear to offend, will worthy to appear,
Care shining in mine eyes, faith in my sprite:
These things are let me by my only dear;
But thou, Desire, because thou wouldst have all,
Now banished art. But yet alas how shall?
By Sir Philip Sidney
Desire, though thou my old companion art,
And oft so clings to my pure Love that I
One from the other scarcely can descry,
While each doth blow the fire of my heart,
Now from thy fellowship I needs must part;
Venus is taught with Dian’s wings to fly;
I must no more in thy sweet passions lie;
Virtue’s gold now must head my Cupid’s dart.
Service and honor, wonder with delight,
Fear to offend, will worthy to appear,
Care shining in mine eyes, faith in my sprite:
These things are let me by my only dear;
But thou, Desire, because thou wouldst have all,
Now banished art. But yet alas how shall?
Lord, Make Me an
Instrument of Thy Peace
By St. Francis of Assisi
Lord, make me an instrument of Thy peace;
where there is hatred, let me sow love;
where there is injury, pardon;
where there is doubt, faith;
where there is despair, hope;
where there is darkness, light;
and where there is sadness, joy.
O Divine Master,
grant that I may not so much seek to be consoled as to console;
to be understood, as to understand;
to be loved, as to love;
for it is in giving that we receive,
it is in pardoning that we are pardoned,
and it is in dying that we are born to eternal life.
Amen.
---
The Sydney Male Choir today sing the famous reflection of St Francis of Assisi to the setting of Rutter ‘Lord, make me an instrument of Thy peace’, in memory of Jason David McCarthy.
The great Sydney Male Choir is now rehearsing at 6.15PM at Aquinas Institute Harrington Street Sydney each Tuesday and are auditioning. enquiries@sydneymalechoir.com.au
By St. Francis of Assisi
Lord, make me an instrument of Thy peace;
where there is hatred, let me sow love;
where there is injury, pardon;
where there is doubt, faith;
where there is despair, hope;
where there is darkness, light;
and where there is sadness, joy.
O Divine Master,
grant that I may not so much seek to be consoled as to console;
to be understood, as to understand;
to be loved, as to love;
for it is in giving that we receive,
it is in pardoning that we are pardoned,
and it is in dying that we are born to eternal life.
Amen.
---
The Sydney Male Choir today sing the famous reflection of St Francis of Assisi to the setting of Rutter ‘Lord, make me an instrument of Thy peace’, in memory of Jason David McCarthy.
The great Sydney Male Choir is now rehearsing at 6.15PM at Aquinas Institute Harrington Street Sydney each Tuesday and are auditioning. enquiries@sydneymalechoir.com.au
The Twelve Days of
Christmas
By Anonymous
The first day of Christmas,
My true love sent to me
A partridge in a pear tree.
The second day of Christmas,
My true love sent to me
Two turtle doves, and
A partridge in a pear tree.
The third day of Christmas,
My true love sent to me
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The fourth day of Christmas,
My true love sent to me
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The fifth day of Christmas,
My true love sent to me
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The sixth day of Christmas,
My true love sent to me
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The seventh day of Christmas,
My true love sent to me
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The eighth day of Christmas,
My true love sent to me
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The ninth day of Christmas,
My true love sent to me
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The tenth day of Christmas,
My true love sent to me
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The eleventh day of Christmas
My true love sent to me
Eleven ladies dancing,
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The twelfth day of Christmas
My true love sent to me
Twelve fiddlers fiddling,
Eleven ladies dancing,
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
By Anonymous
The first day of Christmas,
My true love sent to me
A partridge in a pear tree.
The second day of Christmas,
My true love sent to me
Two turtle doves, and
A partridge in a pear tree.
The third day of Christmas,
My true love sent to me
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The fourth day of Christmas,
My true love sent to me
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The fifth day of Christmas,
My true love sent to me
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The sixth day of Christmas,
My true love sent to me
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The seventh day of Christmas,
My true love sent to me
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The eighth day of Christmas,
My true love sent to me
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The ninth day of Christmas,
My true love sent to me
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The tenth day of Christmas,
My true love sent to me
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The eleventh day of Christmas
My true love sent to me
Eleven ladies dancing,
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The twelfth day of Christmas
My true love sent to me
Twelve fiddlers fiddling,
Eleven ladies dancing,
Ten pipers piping,
Nine drummers drumming,
Eight maids a-milking,
Seven swans a-swimming,
Six geese a-laying,
Five gold rings,
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
Sun of God
By David Conolly
No need to search the skies. They beam light
to reach
The light is here, the shadow places
down here – in us
everywhere. and our poor world.
Shimmering Light
in people from the Light-source
whose lives whose birth
banish we celebrate.
rejection,
bitterness, They don’t know
indifference, they do it.
fear. That’s why they shine.
By David Conolly
No need to search the skies. They beam light
to reach
The light is here, the shadow places
down here – in us
everywhere. and our poor world.
Shimmering Light
in people from the Light-source
whose lives whose birth
banish we celebrate.
rejection,
bitterness, They don’t know
indifference, they do it.
fear. That’s why they shine.
The Sea and the Skylark
By Gerard Manley Hopkins
On ear and ear two noises too old to end
Trench—right, the tide that ramps against the shore;
With a flood or a fall, low lull-off or all roar,
Frequenting there while moon shall wear and wend.
Left hand, off land, I hear the lark ascend,
His rash-fresh re-winded new-skeinèd score
In crisps of curl off wild winch whirl, and pour
And pelt music, till none ’s to spill nor spend.
How these two shame this shallow and frail town!
How ring right out our sordid turbid time,
Being pure! We, life’s pride and cared-for crown,
Have lost that cheer and charm of earth’s past prime:
Our make and making break, are breaking, down
To man’s last dust, drain fast towards man’s first slime.
By Gerard Manley Hopkins
On ear and ear two noises too old to end
Trench—right, the tide that ramps against the shore;
With a flood or a fall, low lull-off or all roar,
Frequenting there while moon shall wear and wend.
Left hand, off land, I hear the lark ascend,
His rash-fresh re-winded new-skeinèd score
In crisps of curl off wild winch whirl, and pour
And pelt music, till none ’s to spill nor spend.
How these two shame this shallow and frail town!
How ring right out our sordid turbid time,
Being pure! We, life’s pride and cared-for crown,
Have lost that cheer and charm of earth’s past prime:
Our make and making break, are breaking, down
To man’s last dust, drain fast towards man’s first slime.
The Sun's Shame (Sonnets XCII and XCIII)
By Dante
Gabriel RossettiI
Beholding youth and hope in mockery caught
From life; and mocking pulses that remain
When the soul’s death of bodily death is fain;
Honour unknown, and honour known unsought;
And penury’s sedulous self-torturing thought
On gold, whose master therewith buys his bane;
And longed-for woman longing all in vain
For lonely man with love’s desire distraught;
And wealth, and strength, and power, and pleasantness,
Given unto bodies of whose souls men say,
None poor and weak, slavish and foul, as they:—
Beholding these things, I behold no less
The blushing morn and blushing eve confess
The shame that loads the intolerable day.
II
As some true chief of men, bowed down with stress
Of life’s disastrous eld, on blossoming youth
May gaze, and murmur with self-pity and ruth,—
“Might I thy fruitless treasure but possess,
Such blessing of mine all coming years should bless;”—
Then sends one sigh forth to the unknown goal,
And bitterly feels breathe against his soul
The hour swift-winged of nearer nothingness:—
Even so the World’s grey Soul to the green World
Perchance one hour must cry: “Woe’s me, for whom
Inveteracy of ill portends the doom,—
Whose heart’s old fire in shadow of shame is furl’d:
While thou even as of yore art journeying,
All soulless now, yet merry with the Spring!”
Theocritus:
A Villanelle
By Oscar Wilde
O singer of Persephone!
In the dim meadows desolate
Dost thou remember Sicily?
Still through the ivy flits the bee
Where Amaryllis lies in state;
O Singer of Persephone!
Simaetha calls on Hecate
And hears the wild dogs at the gate;
Dost thou remember Sicily?
Still by the light and laughing sea
Poor Polypheme bemoans his fate;
O Singer of Persephone!
And still in boyish rivalry
Young Daphnis challenges his mate;
Dost thou remember Sicily?
Slim Lacon keeps a goat for thee,
For thee the jocund shepherds wait;
O Singer of Persephone!
Dost thou remember Sicily?
By Oscar Wilde
O singer of Persephone!
In the dim meadows desolate
Dost thou remember Sicily?
Still through the ivy flits the bee
Where Amaryllis lies in state;
O Singer of Persephone!
Simaetha calls on Hecate
And hears the wild dogs at the gate;
Dost thou remember Sicily?
Still by the light and laughing sea
Poor Polypheme bemoans his fate;
O Singer of Persephone!
And still in boyish rivalry
Young Daphnis challenges his mate;
Dost thou remember Sicily?
Slim Lacon keeps a goat for thee,
For thee the jocund shepherds wait;
O Singer of Persephone!
Dost thou remember Sicily?
The
Owl and the Pussy-Cat
By Edward Lear
I
The Owl and the Pussy-cat went to sea
In a beautiful pea-green boat,
They took some honey, and plenty of money,
Wrapped up in a five-pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
"O lovely Pussy! O Pussy, my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!"
II
Pussy said to the Owl, "You elegant fowl!
How charmingly sweet you sing!
O let us be married! too long we have tarried:
But what shall we do for a ring?"
They sailed away, for a year and a day,
To the land where the Bong-Tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.
III
"Dear Pig, are you willing to sell for one shilling
Your ring?" Said the Piggy, "I will."
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.
By Edward Lear
I
The Owl and the Pussy-cat went to sea
In a beautiful pea-green boat,
They took some honey, and plenty of money,
Wrapped up in a five-pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
"O lovely Pussy! O Pussy, my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!"
II
Pussy said to the Owl, "You elegant fowl!
How charmingly sweet you sing!
O let us be married! too long we have tarried:
But what shall we do for a ring?"
They sailed away, for a year and a day,
To the land where the Bong-Tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.
III
"Dear Pig, are you willing to sell for one shilling
Your ring?" Said the Piggy, "I will."
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.
Sonnet 98: From you have I been absent in the spring
By William Shakespeare
From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leaped with him.
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odour and in hue,
Could make me any summer’s story tell,
Or from their proud lap pluck them where they grew:
Nor did I wonder at the lily’s white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight
Drawn after you, – you pattern of all those.
Yet seem’d it winter still, and, you away,
As with your shadow I with these did play.
By William Shakespeare
From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leaped with him.
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odour and in hue,
Could make me any summer’s story tell,
Or from their proud lap pluck them where they grew:
Nor did I wonder at the lily’s white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight
Drawn after you, – you pattern of all those.
Yet seem’d it winter still, and, you away,
As with your shadow I with these did play.
Old Pardon, the Son of Reprieve
By Banjo Paterson
You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the `Never',
His mother was Mameluke breed.
To the front -- and then stay there -- was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --
As hard as a flint and as fiery
Was Pardon, the son of Reprieve.
We ran him at many a meeting
At crossing and gully and town,
And nothing could give him a beating --
At least when our money was down.
For weight wouldn't stop him, nor distance,
Nor odds, though the others were fast,
He'd race with a dogged persistence,
And wear them all down at the last.
At the Turon the Yattendon filly
Led by lengths at the mile-and-a-half,
And we all began to look silly,
While HER crowd were starting to laugh;
But the old horse came faster and faster,
His pluck told its tale, and his strength,
He gained on her, caught her, and passed her,
And won it, hands-down, by a length.
And then we swooped down on Menindie
To run for the President's Cup --
Oh! that's a sweet township -- a shindy
To them is board, lodging, and sup.
Eye-openers they are, and their system
Is never to suffer defeat;
It's `win, tie, or wrangle' -- to best 'em
You must lose 'em, or else it's `dead heat'.
We strolled down the township and found 'em
At drinking and gaming and play;
If sorrows they had, why they drowned 'em,
And betting was soon under way.
Their horses were good 'uns and fit 'uns,
There was plenty of cash in the town;
They backed their own horses like Britons,
And, Lord! how WE rattled it down!
With gladness we thought of the morrow,
We counted our wagers with glee,
A simile homely to borrow --
`There was plenty of milk in our tea.'
You see we were green; and we never
Had even a thought of foul play,
Though we well might have known that the clever
Division would `put us away'.
Experience `docet', they tell us,
At least so I've frequently heard,
But, `dosing' or `stuffing', those fellows
Were up to each move on the board:
They got to his stall -- it is sinful
To think what such villains would do --
And they gave him a regular skinful
Of barley -- green barley -- to chew.
He munched it all night, and we found him
Next morning as full as a hog --
The girths wouldn't nearly meet round him;
He looked like an overfed frog.
We saw we were done like a dinner --
The odds were a thousand to one
Against Pardon turning up winner,
'Twas cruel to ask him to run.
We got to the course with our troubles,
A crestfallen couple were we;
And we heard the `books' calling the doubles --
A roar like the surf of the sea;
And over the tumult and louder
Rang `Any price Pardon, I lay!'
Says Jimmy, `The children of Judah
Are out on the warpath to-day.'
Three miles in three heats: -- Ah, my sonny,
The horses in those days were stout,
They had to run well to win money;
I don't see such horses about.
Your six-furlong vermin that scamper
Half-a-mile with their feather-weight up;
They wouldn't earn much of their damper
In a race like the President's Cup.
The first heat was soon set a-going;
The Dancer went off to the front;
The Don on his quarters was showing,
With Pardon right out of the hunt.
He rolled and he weltered and wallowed --
You'd kick your hat faster, I'll bet;
They finished all bunched, and he followed
All lathered and dripping with sweat.
But troubles came thicker upon us,
For while we were rubbing him dry
The stewards came over to warn us:
`We hear you are running a bye!
If Pardon don't spiel like tarnation
And win the next heat -- if he can --
He'll earn a disqualification;
Just think over THAT, now, my man!'
Our money all gone and our credit,
Our horse couldn't gallop a yard;
And then people thought that WE did it!
It really was terribly hard.
We were objects of mirth and derision
To folk in the lawn and the stand,
And the yells of the clever division
Of `Any price Pardon!' were grand.
We still had a chance for the money,
Two heats still remained to be run;
If both fell to us -- why, my sonny,
The clever division were done.
And Pardon was better, we reckoned,
His sickness was passing away,
So he went to the post for the second
And principal heat of the day.
They're off and away with a rattle,
Like dogs from the leashes let slip,
And right at the back of the battle
He followed them under the whip.
They gained ten good lengths on him quickly
He dropped right away from the pack;
I tell you it made me feel sickly
To see the blue jacket fall back.
Our very last hope had departed --
We thought the old fellow was done,
When all of a sudden he started
To go like a shot from a gun.
His chances seemed slight to embolden
Our hearts; but, with teeth firmly set,
We thought, `Now or never! The old 'un
May reckon with some of 'em yet.'
Then loud rose the war-cry for Pardon;
He swept like the wind down the dip,
And over the rise by the garden,
The jockey was done with the whip
The field were at sixes and sevens --
The pace at the first had been fast --
And hope seemed to drop from the heavens,
For Pardon was coming at last.
And how he did come! It was splendid;
He gained on them yards every bound,
Stretching out like a greyhound extended,
His girth laid right down on the ground.
A shimmer of silk in the cedars
As into the running they wheeled,
And out flashed the whips on the leaders,
For Pardon had collared the field.
Then right through the ruck he came sailing --
I knew that the battle was won --
The son of Haphazard was failing,
The Yattendon filly was done;
He cut down the Don and the Dancer,
He raced clean away from the mare --
He's in front! Catch him now if you can, sir!
And up went my hat in the air!
Then loud from the lawn and the garden
Rose offers of `Ten to one ON!'
`Who'll bet on the field? I back Pardon!'
No use; all the money was gone.
He came for the third heat light-hearted,
A-jumping and dancing about;
The others were done ere they started
Crestfallen, and tired, and worn out.
He won it, and ran it much faster
Than even the first, I believe
Oh, he was the daddy, the master,
Was Pardon, the son of Reprieve.
He showed 'em the method to travel --
The boy sat as still as a stone --
They never could see him for gravel;
He came in hard-held, and alone.
. . . . .
But he's old -- and his eyes are grown hollow;
Like me, with my thatch of the snow;
When he dies, then I hope I may follow,
And go where the racehorses go.
I don't want no harping nor singing --
Such things with my style don't agree;
Where the hoofs of the horses are ringing
There's music sufficient for me.
And surely the thoroughbred horses
Will rise up again and begin
Fresh races on far-away courses,
And p'raps they might let me slip in.
It would look rather well the race-card on
'Mongst Cherubs and Seraphs and things,
`Angel Harrison's black gelding Pardon,
Blue halo, white body and wings.'
And if they have racing hereafter,
(And who is to say they will not?)
When the cheers and the shouting and laughter
Proclaim that the battle grows hot;
As they come down the racecourse a-steering,
He'll rush to the front, I believe;
And you'll hear the great multitude cheering
For Pardon, the son of Reprieve.
By Banjo Paterson
You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the `Never',
His mother was Mameluke breed.
To the front -- and then stay there -- was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --
As hard as a flint and as fiery
Was Pardon, the son of Reprieve.
We ran him at many a meeting
At crossing and gully and town,
And nothing could give him a beating --
At least when our money was down.
For weight wouldn't stop him, nor distance,
Nor odds, though the others were fast,
He'd race with a dogged persistence,
And wear them all down at the last.
At the Turon the Yattendon filly
Led by lengths at the mile-and-a-half,
And we all began to look silly,
While HER crowd were starting to laugh;
But the old horse came faster and faster,
His pluck told its tale, and his strength,
He gained on her, caught her, and passed her,
And won it, hands-down, by a length.
And then we swooped down on Menindie
To run for the President's Cup --
Oh! that's a sweet township -- a shindy
To them is board, lodging, and sup.
Eye-openers they are, and their system
Is never to suffer defeat;
It's `win, tie, or wrangle' -- to best 'em
You must lose 'em, or else it's `dead heat'.
We strolled down the township and found 'em
At drinking and gaming and play;
If sorrows they had, why they drowned 'em,
And betting was soon under way.
Their horses were good 'uns and fit 'uns,
There was plenty of cash in the town;
They backed their own horses like Britons,
And, Lord! how WE rattled it down!
With gladness we thought of the morrow,
We counted our wagers with glee,
A simile homely to borrow --
`There was plenty of milk in our tea.'
You see we were green; and we never
Had even a thought of foul play,
Though we well might have known that the clever
Division would `put us away'.
Experience `docet', they tell us,
At least so I've frequently heard,
But, `dosing' or `stuffing', those fellows
Were up to each move on the board:
They got to his stall -- it is sinful
To think what such villains would do --
And they gave him a regular skinful
Of barley -- green barley -- to chew.
He munched it all night, and we found him
Next morning as full as a hog --
The girths wouldn't nearly meet round him;
He looked like an overfed frog.
We saw we were done like a dinner --
The odds were a thousand to one
Against Pardon turning up winner,
'Twas cruel to ask him to run.
We got to the course with our troubles,
A crestfallen couple were we;
And we heard the `books' calling the doubles --
A roar like the surf of the sea;
And over the tumult and louder
Rang `Any price Pardon, I lay!'
Says Jimmy, `The children of Judah
Are out on the warpath to-day.'
Three miles in three heats: -- Ah, my sonny,
The horses in those days were stout,
They had to run well to win money;
I don't see such horses about.
Your six-furlong vermin that scamper
Half-a-mile with their feather-weight up;
They wouldn't earn much of their damper
In a race like the President's Cup.
The first heat was soon set a-going;
The Dancer went off to the front;
The Don on his quarters was showing,
With Pardon right out of the hunt.
He rolled and he weltered and wallowed --
You'd kick your hat faster, I'll bet;
They finished all bunched, and he followed
All lathered and dripping with sweat.
But troubles came thicker upon us,
For while we were rubbing him dry
The stewards came over to warn us:
`We hear you are running a bye!
If Pardon don't spiel like tarnation
And win the next heat -- if he can --
He'll earn a disqualification;
Just think over THAT, now, my man!'
Our money all gone and our credit,
Our horse couldn't gallop a yard;
And then people thought that WE did it!
It really was terribly hard.
We were objects of mirth and derision
To folk in the lawn and the stand,
And the yells of the clever division
Of `Any price Pardon!' were grand.
We still had a chance for the money,
Two heats still remained to be run;
If both fell to us -- why, my sonny,
The clever division were done.
And Pardon was better, we reckoned,
His sickness was passing away,
So he went to the post for the second
And principal heat of the day.
They're off and away with a rattle,
Like dogs from the leashes let slip,
And right at the back of the battle
He followed them under the whip.
They gained ten good lengths on him quickly
He dropped right away from the pack;
I tell you it made me feel sickly
To see the blue jacket fall back.
Our very last hope had departed --
We thought the old fellow was done,
When all of a sudden he started
To go like a shot from a gun.
His chances seemed slight to embolden
Our hearts; but, with teeth firmly set,
We thought, `Now or never! The old 'un
May reckon with some of 'em yet.'
Then loud rose the war-cry for Pardon;
He swept like the wind down the dip,
And over the rise by the garden,
The jockey was done with the whip
The field were at sixes and sevens --
The pace at the first had been fast --
And hope seemed to drop from the heavens,
For Pardon was coming at last.
And how he did come! It was splendid;
He gained on them yards every bound,
Stretching out like a greyhound extended,
His girth laid right down on the ground.
A shimmer of silk in the cedars
As into the running they wheeled,
And out flashed the whips on the leaders,
For Pardon had collared the field.
Then right through the ruck he came sailing --
I knew that the battle was won --
The son of Haphazard was failing,
The Yattendon filly was done;
He cut down the Don and the Dancer,
He raced clean away from the mare --
He's in front! Catch him now if you can, sir!
And up went my hat in the air!
Then loud from the lawn and the garden
Rose offers of `Ten to one ON!'
`Who'll bet on the field? I back Pardon!'
No use; all the money was gone.
He came for the third heat light-hearted,
A-jumping and dancing about;
The others were done ere they started
Crestfallen, and tired, and worn out.
He won it, and ran it much faster
Than even the first, I believe
Oh, he was the daddy, the master,
Was Pardon, the son of Reprieve.
He showed 'em the method to travel --
The boy sat as still as a stone --
They never could see him for gravel;
He came in hard-held, and alone.
. . . . .
But he's old -- and his eyes are grown hollow;
Like me, with my thatch of the snow;
When he dies, then I hope I may follow,
And go where the racehorses go.
I don't want no harping nor singing --
Such things with my style don't agree;
Where the hoofs of the horses are ringing
There's music sufficient for me.
And surely the thoroughbred horses
Will rise up again and begin
Fresh races on far-away courses,
And p'raps they might let me slip in.
It would look rather well the race-card on
'Mongst Cherubs and Seraphs and things,
`Angel Harrison's black gelding Pardon,
Blue halo, white body and wings.'
And if they have racing hereafter,
(And who is to say they will not?)
When the cheers and the shouting and laughter
Proclaim that the battle grows hot;
As they come down the racecourse a-steering,
He'll rush to the front, I believe;
And you'll hear the great multitude cheering
For Pardon, the son of Reprieve.
Old
Pardon, the Son of Reprieve
By Banjo Paterson
You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the `Never',
His mother was Mameluke breed.
To the front -- and then stay there -- was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --
As hard as a flint and as fiery
Was Pardon, the son of Reprieve.
We ran him at many a meeting
At crossing and gully and town,
And nothing could give him a beating --
At least when our money was down.
For weight wouldn't stop him, nor distance,
Nor odds, though the others were fast,
He'd race with a dogged persistence,
And wear them all down at the last.
At the Turon the Yattendon filly
Led by lengths at the mile-and-a-half,
And we all began to look silly,
While HER crowd were starting to laugh;
But the old horse came faster and faster,
His pluck told its tale, and his strength,
He gained on her, caught her, and passed her,
And won it, hands-down, by a length.
And then we swooped down on Menindie
To run for the President's Cup --
Oh! that's a sweet township -- a shindy
To them is board, lodging, and sup.
Eye-openers they are, and their system
Is never to suffer defeat;
It's `win, tie, or wrangle' -- to best 'em
You must lose 'em, or else it's `dead heat'.
We strolled down the township and found 'em
At drinking and gaming and play;
If sorrows they had, why they drowned 'em,
And betting was soon under way.
Their horses were good 'uns and fit 'uns,
There was plenty of cash in the town;
They backed their own horses like Britons,
And, Lord! how WE rattled it down!
With gladness we thought of the morrow,
We counted our wagers with glee,
A simile homely to borrow --
`There was plenty of milk in our tea.'
You see we were green; and we never
Had even a thought of foul play,
Though we well might have known that the clever
Division would `put us away'.
Experience `docet', they tell us,
At least so I've frequently heard,
But, `dosing' or `stuffing', those fellows
Were up to each move on the board:
They got to his stall -- it is sinful
To think what such villains would do --
And they gave him a regular skinful
Of barley -- green barley -- to chew.
He munched it all night, and we found him
Next morning as full as a hog --
The girths wouldn't nearly meet round him;
He looked like an overfed frog.
We saw we were done like a dinner --
The odds were a thousand to one
Against Pardon turning up winner,
'Twas cruel to ask him to run.
We got to the course with our troubles,
A crestfallen couple were we;
And we heard the `books' calling the doubles --
A roar like the surf of the sea;
And over the tumult and louder
Rang `Any price Pardon, I lay!'
Says Jimmy, `The children of Judah
Are out on the warpath to-day.'
Three miles in three heats: -- Ah, my sonny,
The horses in those days were stout,
They had to run well to win money;
I don't see such horses about.
Your six-furlong vermin that scamper
Half-a-mile with their feather-weight up;
They wouldn't earn much of their damper
In a race like the President's Cup.
The first heat was soon set a-going;
The Dancer went off to the front;
The Don on his quarters was showing,
With Pardon right out of the hunt.
He rolled and he weltered and wallowed --
You'd kick your hat faster, I'll bet;
They finished all bunched, and he followed
All lathered and dripping with sweat.
But troubles came thicker upon us,
For while we were rubbing him dry
The stewards came over to warn us:
`We hear you are running a bye!
If Pardon don't spiel like tarnation
And win the next heat -- if he can --
He'll earn a disqualification;
Just think over THAT, now, my man!'
Our money all gone and our credit,
Our horse couldn't gallop a yard;
And then people thought that WE did it!
It really was terribly hard.
We were objects of mirth and derision
To folk in the lawn and the stand,
And the yells of the clever division
Of `Any price Pardon!' were grand.
We still had a chance for the money,
Two heats still remained to be run;
If both fell to us -- why, my sonny,
The clever division were done.
And Pardon was better, we reckoned,
His sickness was passing away,
So he went to the post for the second
And principal heat of the day.
They're off and away with a rattle,
Like dogs from the leashes let slip,
And right at the back of the battle
He followed them under the whip.
They gained ten good lengths on him quickly
He dropped right away from the pack;
I tell you it made me feel sickly
To see the blue jacket fall back.
Our very last hope had departed --
We thought the old fellow was done,
When all of a sudden he started
To go like a shot from a gun.
His chances seemed slight to embolden
Our hearts; but, with teeth firmly set,
We thought, `Now or never! The old 'un
May reckon with some of 'em yet.'
Then loud rose the war-cry for Pardon;
He swept like the wind down the dip,
And over the rise by the garden,
The jockey was done with the whip
The field were at sixes and sevens --
The pace at the first had been fast --
And hope seemed to drop from the heavens,
For Pardon was coming at last.
And how he did come! It was splendid;
He gained on them yards every bound,
Stretching out like a greyhound extended,
His girth laid right down on the ground.
A shimmer of silk in the cedars
As into the running they wheeled,
And out flashed the whips on the leaders,
For Pardon had collared the field.
Then right through the ruck he came sailing --
I knew that the battle was won --
The son of Haphazard was failing,
The Yattendon filly was done;
He cut down the Don and the Dancer,
He raced clean away from the mare --
He's in front! Catch him now if you can, sir!
And up went my hat in the air!
Then loud from the lawn and the garden
Rose offers of `Ten to one ON!'
`Who'll bet on the field? I back Pardon!'
No use; all the money was gone.
He came for the third heat light-hearted,
A-jumping and dancing about;
The others were done ere they started
Crestfallen, and tired, and worn out.
He won it, and ran it much faster
Than even the first, I believe
Oh, he was the daddy, the master,
Was Pardon, the son of Reprieve.
He showed 'em the method to travel --
The boy sat as still as a stone --
They never could see him for gravel;
He came in hard-held, and alone.
. . . . .
But he's old -- and his eyes are grown hollow;
Like me, with my thatch of the snow;
When he dies, then I hope I may follow,
And go where the racehorses go.
I don't want no harping nor singing --
Such things with my style don't agree;
Where the hoofs of the horses are ringing
There's music sufficient for me.
And surely the thoroughbred horses
Will rise up again and begin
Fresh races on far-away courses,
And p'raps they might let me slip in.
It would look rather well the race-card on
'Mongst Cherubs and Seraphs and things,
`Angel Harrison's black gelding Pardon,
Blue halo, white body and wings.'
And if they have racing hereafter,
(And who is to say they will not?)
When the cheers and the shouting and laughter
Proclaim that the battle grows hot;
As they come down the racecourse a-steering,
He'll rush to the front, I believe;
And you'll hear the great multitude cheering
For Pardon, the son of Reprieve.
By Banjo Paterson
You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the `Never',
His mother was Mameluke breed.
To the front -- and then stay there -- was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --
As hard as a flint and as fiery
Was Pardon, the son of Reprieve.
We ran him at many a meeting
At crossing and gully and town,
And nothing could give him a beating --
At least when our money was down.
For weight wouldn't stop him, nor distance,
Nor odds, though the others were fast,
He'd race with a dogged persistence,
And wear them all down at the last.
At the Turon the Yattendon filly
Led by lengths at the mile-and-a-half,
And we all began to look silly,
While HER crowd were starting to laugh;
But the old horse came faster and faster,
His pluck told its tale, and his strength,
He gained on her, caught her, and passed her,
And won it, hands-down, by a length.
And then we swooped down on Menindie
To run for the President's Cup --
Oh! that's a sweet township -- a shindy
To them is board, lodging, and sup.
Eye-openers they are, and their system
Is never to suffer defeat;
It's `win, tie, or wrangle' -- to best 'em
You must lose 'em, or else it's `dead heat'.
We strolled down the township and found 'em
At drinking and gaming and play;
If sorrows they had, why they drowned 'em,
And betting was soon under way.
Their horses were good 'uns and fit 'uns,
There was plenty of cash in the town;
They backed their own horses like Britons,
And, Lord! how WE rattled it down!
With gladness we thought of the morrow,
We counted our wagers with glee,
A simile homely to borrow --
`There was plenty of milk in our tea.'
You see we were green; and we never
Had even a thought of foul play,
Though we well might have known that the clever
Division would `put us away'.
Experience `docet', they tell us,
At least so I've frequently heard,
But, `dosing' or `stuffing', those fellows
Were up to each move on the board:
They got to his stall -- it is sinful
To think what such villains would do --
And they gave him a regular skinful
Of barley -- green barley -- to chew.
He munched it all night, and we found him
Next morning as full as a hog --
The girths wouldn't nearly meet round him;
He looked like an overfed frog.
We saw we were done like a dinner --
The odds were a thousand to one
Against Pardon turning up winner,
'Twas cruel to ask him to run.
We got to the course with our troubles,
A crestfallen couple were we;
And we heard the `books' calling the doubles --
A roar like the surf of the sea;
And over the tumult and louder
Rang `Any price Pardon, I lay!'
Says Jimmy, `The children of Judah
Are out on the warpath to-day.'
Three miles in three heats: -- Ah, my sonny,
The horses in those days were stout,
They had to run well to win money;
I don't see such horses about.
Your six-furlong vermin that scamper
Half-a-mile with their feather-weight up;
They wouldn't earn much of their damper
In a race like the President's Cup.
The first heat was soon set a-going;
The Dancer went off to the front;
The Don on his quarters was showing,
With Pardon right out of the hunt.
He rolled and he weltered and wallowed --
You'd kick your hat faster, I'll bet;
They finished all bunched, and he followed
All lathered and dripping with sweat.
But troubles came thicker upon us,
For while we were rubbing him dry
The stewards came over to warn us:
`We hear you are running a bye!
If Pardon don't spiel like tarnation
And win the next heat -- if he can --
He'll earn a disqualification;
Just think over THAT, now, my man!'
Our money all gone and our credit,
Our horse couldn't gallop a yard;
And then people thought that WE did it!
It really was terribly hard.
We were objects of mirth and derision
To folk in the lawn and the stand,
And the yells of the clever division
Of `Any price Pardon!' were grand.
We still had a chance for the money,
Two heats still remained to be run;
If both fell to us -- why, my sonny,
The clever division were done.
And Pardon was better, we reckoned,
His sickness was passing away,
So he went to the post for the second
And principal heat of the day.
They're off and away with a rattle,
Like dogs from the leashes let slip,
And right at the back of the battle
He followed them under the whip.
They gained ten good lengths on him quickly
He dropped right away from the pack;
I tell you it made me feel sickly
To see the blue jacket fall back.
Our very last hope had departed --
We thought the old fellow was done,
When all of a sudden he started
To go like a shot from a gun.
His chances seemed slight to embolden
Our hearts; but, with teeth firmly set,
We thought, `Now or never! The old 'un
May reckon with some of 'em yet.'
Then loud rose the war-cry for Pardon;
He swept like the wind down the dip,
And over the rise by the garden,
The jockey was done with the whip
The field were at sixes and sevens --
The pace at the first had been fast --
And hope seemed to drop from the heavens,
For Pardon was coming at last.
And how he did come! It was splendid;
He gained on them yards every bound,
Stretching out like a greyhound extended,
His girth laid right down on the ground.
A shimmer of silk in the cedars
As into the running they wheeled,
And out flashed the whips on the leaders,
For Pardon had collared the field.
Then right through the ruck he came sailing --
I knew that the battle was won --
The son of Haphazard was failing,
The Yattendon filly was done;
He cut down the Don and the Dancer,
He raced clean away from the mare --
He's in front! Catch him now if you can, sir!
And up went my hat in the air!
Then loud from the lawn and the garden
Rose offers of `Ten to one ON!'
`Who'll bet on the field? I back Pardon!'
No use; all the money was gone.
He came for the third heat light-hearted,
A-jumping and dancing about;
The others were done ere they started
Crestfallen, and tired, and worn out.
He won it, and ran it much faster
Than even the first, I believe
Oh, he was the daddy, the master,
Was Pardon, the son of Reprieve.
He showed 'em the method to travel --
The boy sat as still as a stone --
They never could see him for gravel;
He came in hard-held, and alone.
. . . . .
But he's old -- and his eyes are grown hollow;
Like me, with my thatch of the snow;
When he dies, then I hope I may follow,
And go where the racehorses go.
I don't want no harping nor singing --
Such things with my style don't agree;
Where the hoofs of the horses are ringing
There's music sufficient for me.
And surely the thoroughbred horses
Will rise up again and begin
Fresh races on far-away courses,
And p'raps they might let me slip in.
It would look rather well the race-card on
'Mongst Cherubs and Seraphs and things,
`Angel Harrison's black gelding Pardon,
Blue halo, white body and wings.'
And if they have racing hereafter,
(And who is to say they will not?)
When the cheers and the shouting and laughter
Proclaim that the battle grows hot;
As they come down the racecourse a-steering,
He'll rush to the front, I believe;
And you'll hear the great multitude cheering
For Pardon, the son of Reprieve.
Spirits of the Dead
By Edgar Allan Poe
I
Thy soul shall find itself alone
’Mid dark thoughts of the gray tombstone—
Not one, of all the crowd, to pry
Into thine hour of secrecy.
II
Be silent in that solitude,
Which is not loneliness—for then
The spirits of the dead who stood
In life before thee are again
In death around thee—and their will
Shall overshadow thee: be still.
III
The night, tho’ clear, shall frown—
And the stars shall look not down
From their high thrones in the heaven,
With light like Hope to mortals given—
But their red orbs, without beam,
To thy weariness shall seem
As a burning and a fever
Which would cling to thee for ever.
IV
Now are thoughts thou shalt not banish,
Now are visions ne’er to vanish;
From thy spirit shall they pass
No more—like dew-drop from the grass.
V
The breeze—the breath of God—is still—
And the mist upon the hill,
Shadowy—shadowy—yet unbroken,
Is a symbol and a token—
How it hangs upon the trees,
A mystery of mysteries!
By Edgar Allan Poe
I
Thy soul shall find itself alone
’Mid dark thoughts of the gray tombstone—
Not one, of all the crowd, to pry
Into thine hour of secrecy.
II
Be silent in that solitude,
Which is not loneliness—for then
The spirits of the dead who stood
In life before thee are again
In death around thee—and their will
Shall overshadow thee: be still.
III
The night, tho’ clear, shall frown—
And the stars shall look not down
From their high thrones in the heaven,
With light like Hope to mortals given—
But their red orbs, without beam,
To thy weariness shall seem
As a burning and a fever
Which would cling to thee for ever.
IV
Now are thoughts thou shalt not banish,
Now are visions ne’er to vanish;
From thy spirit shall they pass
No more—like dew-drop from the grass.
V
The breeze—the breath of God—is still—
And the mist upon the hill,
Shadowy—shadowy—yet unbroken,
Is a symbol and a token—
How it hangs upon the trees,
A mystery of mysteries!
The Poppy
By Jane Taylor
High on a bright and sunny bed
A scarlet poppy grew
And up it held its staring head,
And thrust it full in view.
Yet no attention did it win,
By all these efforts made,
And less unwelcome had it been
In some retired shade.
Although within its scarlet breast
No sweet perfume was found,
It seemed to think itself the best
Of all the flowers round,
From this I may a hint obtain
And take great care indeed,
Lest I appear as pert and vain
As does this gaudy weed.
By Jane Taylor
High on a bright and sunny bed
A scarlet poppy grew
And up it held its staring head,
And thrust it full in view.
Yet no attention did it win,
By all these efforts made,
And less unwelcome had it been
In some retired shade.
Although within its scarlet breast
No sweet perfume was found,
It seemed to think itself the best
Of all the flowers round,
From this I may a hint obtain
And take great care indeed,
Lest I appear as pert and vain
As does this gaudy weed.
Scorn not the Sonnet
By William Wordsworth
Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakespeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothed an exile's grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways; and, when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains—alas, too few!
By William Wordsworth
Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakespeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothed an exile's grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways; and, when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains—alas, too few!
Part One: Life LXXIX |
| I YEARS had been from home, |
| And now, before the door, |
| I dared not open, lest a face |
| I never saw before |
| |
| Stare vacant into mine |
| And ask my business there. |
| My business,—just a life I left, |
| Was such still dwelling there? |
| |
| I fumbled at my nerve, |
| I scanned the windows near; |
| The silence like an ocean rolled, |
| And broke against my ear. |
| |
| I laughed a wooden laugh |
| That I could fear a door, |
| Who danger and the dead had faced, |
| But never quaked before. |
| |
| I fitted to the latch |
| My hand, with trembling care, |
| Lest back the awful door should spring, |
| And leave me standing there. |
| |
| I moved my fingers off |
| As cautiously as glass, |
| And held my ears, and like a thief |
| Fled gasping from the house. |
Introduction to the Songs of
Innocence
By William Blake
Piping down the valleys wild
Piping songs of pleasant glee
On a cloud I saw a child.
And he laughing said to me.
Pipe a song about a Lamb;
So I piped with merry chear,
Piper pipe that song again—
So I piped, he wept to hear.
Drop thy pipe thy happy pipe
Sing thy songs of happy chear,
So I sung the same again
While he wept with joy to hear
Piper sit thee down and write
In a book that all may read—
So he vanish'd from my sight.
And I pluck'd a hollow reed.
And I made a rural pen,
And I stain'd the water clear,
And I wrote my happy songs
Every child may joy to hear
By William Blake
Piping down the valleys wild
Piping songs of pleasant glee
On a cloud I saw a child.
And he laughing said to me.
Pipe a song about a Lamb;
So I piped with merry chear,
Piper pipe that song again—
So I piped, he wept to hear.
Drop thy pipe thy happy pipe
Sing thy songs of happy chear,
So I sung the same again
While he wept with joy to hear
Piper sit thee down and write
In a book that all may read—
So he vanish'd from my sight.
And I pluck'd a hollow reed.
And I made a rural pen,
And I stain'd the water clear,
And I wrote my happy songs
Every child may joy to hear
Lines Written in Early Spring
By William Wordsworth
I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And ’tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure:—
But the least motion which they made
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature’s holy plan,
Have I not reason to lament
What man has made of man?
By William Wordsworth
I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And ’tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure:—
But the least motion which they made
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature’s holy plan,
Have I not reason to lament
What man has made of man?
November Night
By Adelaide Crapsey
Listen.
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost - crisp'd, break from the trees
And fall.
By Adelaide Crapsey
Listen.
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost - crisp'd, break from the trees
And fall.
Voices of the Air
By Katherine Mansfield
But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.
The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats
The little throats that sing and rise
Up into the light with lovely ease
And a kind of magical, sweet surprise
To hear and know themselves for these
For these little voices: the bee, the fly,
The leaf that taps, the pod that breaks,
The breeze on the grass-tops bending by,
The shrill quick sound that the insect makes.
By Katherine Mansfield
But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.
The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats
The little throats that sing and rise
Up into the light with lovely ease
And a kind of magical, sweet surprise
To hear and know themselves for these
For these little voices: the bee, the fly,
The leaf that taps, the pod that breaks,
The breeze on the grass-tops bending by,
The shrill quick sound that the insect makes.
Lights
Out
Edward Thomas, 1878 - 1917
I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.
Many a road and track
That, since the dawn’s first crack,
Up to the forest brink,
Deceived the travellers,
Suddenly now blurs,
And in they sink.
Here love ends,
Despair, ambition ends;
All pleasure and all trouble,
Although most sweet or bitter,
Here ends in sleep that is sweeter
Than tasks most noble.
Edward Thomas, 1878 - 1917
I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.
Many a road and track
That, since the dawn’s first crack,
Up to the forest brink,
Deceived the travellers,
Suddenly now blurs,
And in they sink.
Here love ends,
Despair, ambition ends;
All pleasure and all trouble,
Although most sweet or bitter,
Here ends in sleep that is sweeter
Than tasks most noble.
Floating Island
By Dorothy Wordsworth
Harmonious Powers with Nature work
On sky, earth, river, lake, and sea:
Sunshine and storm, whirlwind and breeze
All in one duteous task agree.
Once did I see a slip of earth,
By throbbing waves long undermined,
Loosed from its hold; — how no one knew
But all might see it float, obedient to the wind.
Might see it, from the mossy shore
Dissevered float upon the Lake,
Float, with its crest of trees adorned
On which the warbling birds their pastime take.
Food, shelter, safety there they find
There berries ripen, flowerets bloom;
There insects live their lives — and die:
A peopled world it is; in size a tiny room.
And thus through many seasons’ space
This little Island may survive
But Nature, though we mark her not,
Will take away — may cease to give.
Perchance when you are wandering forth
Upon some vacant sunny day
Without an object, hope, or fear,
Thither your eyes may turn — the Isle is passed away.
Buried beneath the glittering Lake!
Its place no longer to be found,
Yet the lost fragments shall remain,
To fertilize some other ground.
By Dorothy Wordsworth
Harmonious Powers with Nature work
On sky, earth, river, lake, and sea:
Sunshine and storm, whirlwind and breeze
All in one duteous task agree.
Once did I see a slip of earth,
By throbbing waves long undermined,
Loosed from its hold; — how no one knew
But all might see it float, obedient to the wind.
Might see it, from the mossy shore
Dissevered float upon the Lake,
Float, with its crest of trees adorned
On which the warbling birds their pastime take.
Food, shelter, safety there they find
There berries ripen, flowerets bloom;
There insects live their lives — and die:
A peopled world it is; in size a tiny room.
And thus through many seasons’ space
This little Island may survive
But Nature, though we mark her not,
Will take away — may cease to give.
Perchance when you are wandering forth
Upon some vacant sunny day
Without an object, hope, or fear,
Thither your eyes may turn — the Isle is passed away.
Buried beneath the glittering Lake!
Its place no longer to be found,
Yet the lost fragments shall remain,
To fertilize some other ground.
Sonnet 15: When I consider
everything that grows
By William Shakespeare
When I consider everything that grows
Holds in perfection but a little moment,
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase,
Cheered and check'd even by the selfsame sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful Time debateth with Decay
To change your day of youth to sullied night;
And all in war with Time for love of you,
As he takes from you, I engraft you new.
By William Shakespeare
When I consider everything that grows
Holds in perfection but a little moment,
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase,
Cheered and check'd even by the selfsame sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful Time debateth with Decay
To change your day of youth to sullied night;
And all in war with Time for love of you,
As he takes from you, I engraft you new.
A Man Said to the Universe
BY STEPHEN CRANE
A man said to the universe:
“Sir, I exist!”
“However,” replied the universe,
“The fact has not created in me
A sense of obligation.”
BY STEPHEN CRANE
A man said to the universe:
“Sir, I exist!”
“However,” replied the universe,
“The fact has not created in me
A sense of obligation.”
“Blow, blow, thou winter wind”
By William Shakespeare
Blow, blow, thou winter wind,
Thou art not so unkind
As man’s ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho, the holly!
This life is most jolly.
Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remembered not.
Heigh-ho! sing, heigh-ho! unto the green holly...
By William Shakespeare
Blow, blow, thou winter wind,
Thou art not so unkind
As man’s ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho, the holly!
This life is most jolly.
Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remembered not.
Heigh-ho! sing, heigh-ho! unto the green holly...
Piano
by D.H. Lawrence
Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.
In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cosy parlour, the tinkling piano our guide.
So now it is vain for the singer to burst into clamour
With the great black piano appassionato. The glamour
Of childish days is upon me, my manhood is cast
Down in the flood of remembrance, I weep like a child for the past.
by D.H. Lawrence
Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.
In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cosy parlour, the tinkling piano our guide.
So now it is vain for the singer to burst into clamour
With the great black piano appassionato. The glamour
Of childish days is upon me, my manhood is cast
Down in the flood of remembrance, I weep like a child for the past.
Moon in the Morning
By Mary Eleanor Roberts
WHAT dost thou, so ghostly white
In the halls of day?—
Facing the triumphant light,
Reveler astray?
When thy silver court was kept,
Thou and thine were free,
And the sun, while dotards slept,
Did not spy on thee.
Scent of jasmine, voices low,
Dost thou seek them yet—
Lovers of the long ago
Thou canst not forget?
Day’s gay banners all unfurled
Flaunt from sea to sea:
All the work of all the world
Calls the sun and me.
Nay, thou shalt not bid me stand!
Nay, I will not yield!
Strong to-day in my right hand
Is the brand I wield.
Then aroint thee, shadow fly!
Wherefore haunt me so—
Hanging mournful in the sky,
Pale and loath to go?
By Mary Eleanor Roberts
WHAT dost thou, so ghostly white
In the halls of day?—
Facing the triumphant light,
Reveler astray?
When thy silver court was kept,
Thou and thine were free,
And the sun, while dotards slept,
Did not spy on thee.
Scent of jasmine, voices low,
Dost thou seek them yet—
Lovers of the long ago
Thou canst not forget?
Day’s gay banners all unfurled
Flaunt from sea to sea:
All the work of all the world
Calls the sun and me.
Nay, thou shalt not bid me stand!
Nay, I will not yield!
Strong to-day in my right hand
Is the brand I wield.
Then aroint thee, shadow fly!
Wherefore haunt me so—
Hanging mournful in the sky,
Pale and loath to go?
The Flower Boat
By Robert Frost
THE FISHERMAN’S swapping a yarn for a yarn
Under the hand of the village barber,
And here in the angle of house and barn
His deep-sea dory has found a harbor.
At anchor she rides the sunny sod
As full to the gunnel with flowers a-growing
As ever she turned her home with cod
From George’s Bank when winds were blowing.
And I know from that Elysian freight
She will brave but once more the Atlantic weather,
When dory and fisherman sail by fate
To seek for the Happy Isles together.
By Robert Frost
THE FISHERMAN’S swapping a yarn for a yarn
Under the hand of the village barber,
And here in the angle of house and barn
His deep-sea dory has found a harbor.
At anchor she rides the sunny sod
As full to the gunnel with flowers a-growing
As ever she turned her home with cod
From George’s Bank when winds were blowing.
And I know from that Elysian freight
She will brave but once more the Atlantic weather,
When dory and fisherman sail by fate
To seek for the Happy Isles together.
Robin Hood
By John Keats
TO A FRIEND
No! those days are gone away
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.
No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.
On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale
Messenger for spicy ale.
Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grenè shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her—strange! that honey
Can't be got without hard money!
So it is: yet let us sing,
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
And to all the Sherwood-clan!
Though their days have hurried by
Let us two a burden try.
By John Keats
TO A FRIEND
No! those days are gone away
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.
No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.
On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale
Messenger for spicy ale.
Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grenè shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her—strange! that honey
Can't be got without hard money!
So it is: yet let us sing,
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
And to all the Sherwood-clan!
Though their days have hurried by
Let us two a burden try.
A Red, Red Rose by Robert Burns
By Robert Burns
O my Luve’s like a red, red rose,
That’s newly sprung in June:
O my Luve’s like the melodie,
That’s sweetly play’d in tune.
As fair art thou, my bonie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.
Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
And I will luve thee still, my dear,
While the sands o’ life shall run.
And fare-thee-weel, my only Luve!
And fare-thee-weel, a while!
And I will come again, my Luve,
Tho’ ’twere ten thousand mile!
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
By Robert Burns
O my Luve’s like a red, red rose,
That’s newly sprung in June:
O my Luve’s like the melodie,
That’s sweetly play’d in tune.
As fair art thou, my bonie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.
Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
And I will luve thee still, my dear,
While the sands o’ life shall run.
And fare-thee-weel, my only Luve!
And fare-thee-weel, a while!
And I will come again, my Luve,
Tho’ ’twere ten thousand mile!
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
Autumn Leaves
By Yves Montand
The falling leaves drift by the window
The autumn leaves of red and gold
I see your lips, the summer kisses
The sunburned hand I used to hold
Since you went away the days grow long
And soon I'll hear old winter's song
But I miss you most of all, my darling
When autumn leaves start to fall
I see your lips, the summer kisses
The sunburned hand I used to hold
Since you went away the days grow long
And soon I'll hear old winter's song
But I miss you most of all, my darling
When autumn leaves start to fall
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
By Yves Montand
The falling leaves drift by the window
The autumn leaves of red and gold
I see your lips, the summer kisses
The sunburned hand I used to hold
Since you went away the days grow long
And soon I'll hear old winter's song
But I miss you most of all, my darling
When autumn leaves start to fall
I see your lips, the summer kisses
The sunburned hand I used to hold
Since you went away the days grow long
And soon I'll hear old winter's song
But I miss you most of all, my darling
When autumn leaves start to fall
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
An Evening Prayer from Under Milk Wood
by Dylan Thomas
Every morning when I wake,
Dear Lord, a little prayer I make,
O please do keep Thy lovely eye
On all poor creatures born to die.
And every evening at sun-down
I ask a blessing on the town,
For whether we last the night or no
I’m sure is always touch-and-go.
We are not wholly bad or good
Who live our lives under Milk Wood,
And Thou, I know, wilt be the first
To see our best side, not our worst.
O let us see another day!
Bless us all this night, I pray,
And to the sun we all will bow
And say, good-bye – but just for now!
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
by Dylan Thomas
Every morning when I wake,
Dear Lord, a little prayer I make,
O please do keep Thy lovely eye
On all poor creatures born to die.
And every evening at sun-down
I ask a blessing on the town,
For whether we last the night or no
I’m sure is always touch-and-go.
We are not wholly bad or good
Who live our lives under Milk Wood,
And Thou, I know, wilt be the first
To see our best side, not our worst.
O let us see another day!
Bless us all this night, I pray,
And to the sun we all will bow
And say, good-bye – but just for now!
The Sydney Male Choir
The Sydney Male Choir formed in 1913. Each year, since 1930, the Choir has led the singing at the ANZAC Day Dawn Service at the Cenotaph in Martin Place Sydney. In 2013, the choir's Centenary Year, it sung at the ANZAC Day service in Villers-Bretonneux, France and took part in the Cornwall International Male Voice Choral Festival.
www.sydneymalechoir.com.au
Of a Poynted Diamond given by the Author to his Wife, at the Birth of his Eldest Son
John Harington
Deare, I to thee this diamond commend,
In which a modell of thyself I send.
How just unto thy joints this circlet sitteth,
So just thy face and shape my fancy fitteth.
The touch will try this ring of purest gold,
My touch tries thee, as pure though softer mold.
That metal precious is, the stone is true,
As true, and then how much more precious, you.
The gem is cleare, and hath nor needes no foyle,
Thy face, nay more, thy fame is free from soil.
Youle deem this deere, because from me you have it,
I deem your faith more deer, because you gave it.
This pointed Diamond cuts glass and Steele,
Your love’s like force in my firme heart I feele.
But this, as all things else, time wastes with wearing,
Where you my jewels multiply with bearing.
John Harington
John Harington
Deare, I to thee this diamond commend,
In which a modell of thyself I send.
How just unto thy joints this circlet sitteth,
So just thy face and shape my fancy fitteth.
The touch will try this ring of purest gold,
My touch tries thee, as pure though softer mold.
That metal precious is, the stone is true,
As true, and then how much more precious, you.
The gem is cleare, and hath nor needes no foyle,
Thy face, nay more, thy fame is free from soil.
Youle deem this deere, because from me you have it,
I deem your faith more deer, because you gave it.
This pointed Diamond cuts glass and Steele,
Your love’s like force in my firme heart I feele.
But this, as all things else, time wastes with wearing,
Where you my jewels multiply with bearing.
John Harington
The Lover’s Maze
Attributed to Sir Walter Raleigh
Her Face, her Tonge, her Wytte,
So fayre, so sweete, so sharpe,
First bent, then drew, then hytte,
Myne Eye, mine Eare, my Hartt:
Myne eye, mine eare, mine Harte,
To Lyke, to Learne, to Love,
Your face, your Tonge, your Wytt,
Doth Leade, doth teache, doth move:
Her face, her Tongue, her Wytt,
With Beames, with Sound, with Arte,
Doth bynde, doth Charm, doth Rule,
Myne eye, myne eare, my harte.
Myne eye, myne eare, my harte,
With Lyfe, with Hope, with Skill,
Your face, your Tonge, your wytt,
Doth feed, doth feast, doth fill:
Oh face, Oh Tonge, Oh Wytte,
With Frownes, with Checkes, with Smarte,
Wronge not, vex not, wound not,
Mine eye, mine eare, my Harte.
This Eye, This eare, This harte,
Shall joy, shall bynd, shall sweare
Your Face, your Tonge, your Wytt,
To Serve, to Love, to Feare.
Attributed to Sir Walter Raleigh
Attributed to Sir Walter Raleigh
Her Face, her Tonge, her Wytte,
So fayre, so sweete, so sharpe,
First bent, then drew, then hytte,
Myne Eye, mine Eare, my Hartt:
Myne eye, mine eare, mine Harte,
To Lyke, to Learne, to Love,
Your face, your Tonge, your Wytt,
Doth Leade, doth teache, doth move:
Her face, her Tongue, her Wytt,
With Beames, with Sound, with Arte,
Doth bynde, doth Charm, doth Rule,
Myne eye, myne eare, my harte.
Myne eye, myne eare, my harte,
With Lyfe, with Hope, with Skill,
Your face, your Tonge, your wytt,
Doth feed, doth feast, doth fill:
Oh face, Oh Tonge, Oh Wytte,
With Frownes, with Checkes, with Smarte,
Wronge not, vex not, wound not,
Mine eye, mine eare, my Harte.
This Eye, This eare, This harte,
Shall joy, shall bynd, shall sweare
Your Face, your Tonge, your Wytt,
To Serve, to Love, to Feare.
Attributed to Sir Walter Raleigh
The Tides
By Henry Wadsworth Longfellow
I saw the long line of the vacant shore,
The sea-weed and the shells upon the sand,
And the brown rocks left bare on every hand,
As if the ebbing tide would flow no more.
Then heard I, more distinctly than before,
The ocean breathe and its great breast expand,
And hurrying came on the defenceless land
The insurgent waters with tumultuous roar.
All thought and feeling and desire, I said,
Love, laughter, and the exultant joy of song
Have ebbed from me forever! Suddenly o’er me
They swept again from their deep ocean bed,
And in a tumult of delight, and strong
As youth, and beautiful as youth, upbore me.
Henry Wadsworth Longfellow
By Henry Wadsworth Longfellow
I saw the long line of the vacant shore,
The sea-weed and the shells upon the sand,
And the brown rocks left bare on every hand,
As if the ebbing tide would flow no more.
Then heard I, more distinctly than before,
The ocean breathe and its great breast expand,
And hurrying came on the defenceless land
The insurgent waters with tumultuous roar.
All thought and feeling and desire, I said,
Love, laughter, and the exultant joy of song
Have ebbed from me forever! Suddenly o’er me
They swept again from their deep ocean bed,
And in a tumult of delight, and strong
As youth, and beautiful as youth, upbore me.
Henry Wadsworth Longfellow
The Sun’s Shame (Sonnets XCII and XCIII)
by Dante Gabriel Rossetti
I
Beholding youth and hope in mockery caught
From life; and mocking pulses that remain
When the soul’s death of bodily death is fain;
Honour unknown, and honour known unsought;
And penury’s sedulous self-torturing thought
On gold, whose master therewith buys his bane;
And longed-for woman longing all in vain
For lonely man with love’s desire distraught;
And wealth, and strength, and power, and pleasantness,
Given unto bodies of whose souls men say,
None poor and weak, slavish and foul, as they:—
Beholding these things, I behold no less
The blushing morn and blushing eve confess
The shame that loads the intolerable day.
II
As some true chief of men, bowed down with stress
Of life’s disastrous eld, on blossoming youth
May gaze, and murmur with self-pity and ruth,—
“Might I thy fruitless treasure but possess,
Such blessing of mine all coming years should bless;”—
Then sends one sigh forth to the unknown goal,
And bitterly feels breathe against his soul
The hour swift-winged of nearer nothingness:—
Even so the World’s grey Soul to the green World
Perchance one hour must cry: “Woe’s me, for whom
Inveteracy of ill portends the doom,—
Whose heart’s old fire in shadow of shame is furl’d:
While thou even as of yore art journeying,
All soulless now, yet merry with the Spring!”
Dante Gabriel Rossetti
by Dante Gabriel Rossetti
I
Beholding youth and hope in mockery caught
From life; and mocking pulses that remain
When the soul’s death of bodily death is fain;
Honour unknown, and honour known unsought;
And penury’s sedulous self-torturing thought
On gold, whose master therewith buys his bane;
And longed-for woman longing all in vain
For lonely man with love’s desire distraught;
And wealth, and strength, and power, and pleasantness,
Given unto bodies of whose souls men say,
None poor and weak, slavish and foul, as they:—
Beholding these things, I behold no less
The blushing morn and blushing eve confess
The shame that loads the intolerable day.
II
As some true chief of men, bowed down with stress
Of life’s disastrous eld, on blossoming youth
May gaze, and murmur with self-pity and ruth,—
“Might I thy fruitless treasure but possess,
Such blessing of mine all coming years should bless;”—
Then sends one sigh forth to the unknown goal,
And bitterly feels breathe against his soul
The hour swift-winged of nearer nothingness:—
Even so the World’s grey Soul to the green World
Perchance one hour must cry: “Woe’s me, for whom
Inveteracy of ill portends the doom,—
Whose heart’s old fire in shadow of shame is furl’d:
While thou even as of yore art journeying,
All soulless now, yet merry with the Spring!”
Dante Gabriel Rossetti
Sonnet XIII
By William Shakespeare
O! that you were your self; but, love, you are
No longer yours, than you your self here live:
Against this coming end you should prepare,
And your sweet semblance to some other give:
So should that beauty which you hold in lease
Find no determination; then you were
Yourself again, after yourself’s decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold,
Against the stormy gusts of winter’s day
And barren rage of death’s eternal cold?
O! none but unthrifts. Dear my love, you know,
You had a father: let your son say so.
William Shakespeare
By William Shakespeare
O! that you were your self; but, love, you are
No longer yours, than you your self here live:
Against this coming end you should prepare,
And your sweet semblance to some other give:
So should that beauty which you hold in lease
Find no determination; then you were
Yourself again, after yourself’s decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold,
Against the stormy gusts of winter’s day
And barren rage of death’s eternal cold?
O! none but unthrifts. Dear my love, you know,
You had a father: let your son say so.
William Shakespeare
Slow, Slow, Fresh Fount
By Ben Jonson
Slow, slow, fresh fount, keep time with my salt tears;
Yet slower, yet, O faintly, gentle springs:
List to the heavy part the music bears,
Woe weeps out her division, when she sings.
Droop, herbs and flowers,
Fall grief in showers;
Our beauties are not ours:
O, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.
BEN JONSON
By Ben Jonson
Slow, slow, fresh fount, keep time with my salt tears;
Yet slower, yet, O faintly, gentle springs:
List to the heavy part the music bears,
Woe weeps out her division, when she sings.
Droop, herbs and flowers,
Fall grief in showers;
Our beauties are not ours:
O, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.
BEN JONSON
Book 1, Epigram 5: Ad lectorem de subjecto operis sui
BY THOMAS BASTARD
The little world, the subject of my muse,
Is a huge task and labor infinite;
Like to a wilderness or mass confuse,
Or to an endless gulf, or to the night:
How many strange Meanders do I find?
How many paths do turn my straying pen?
How many doubtful twilights make me blind,
Which seek to limb out this strange All of men?
Easy it were the earth to portray out,
Or to draw forth the heavens’ purest frame,
Whose restless course, by order whirls about
Of change and place, and still remains the same.
But how shall man’s, or manner’s, form appear,
Which while I write, do change from what they were?
THOMAS BASTARD
BY THOMAS BASTARD
The little world, the subject of my muse,
Is a huge task and labor infinite;
Like to a wilderness or mass confuse,
Or to an endless gulf, or to the night:
How many strange Meanders do I find?
How many paths do turn my straying pen?
How many doubtful twilights make me blind,
Which seek to limb out this strange All of men?
Easy it were the earth to portray out,
Or to draw forth the heavens’ purest frame,
Whose restless course, by order whirls about
Of change and place, and still remains the same.
But how shall man’s, or manner’s, form appear,
Which while I write, do change from what they were?
THOMAS BASTARD
The Late Worm
By Kay Ryan
The worms
which had been
thick are thin
upon the ground
now that it's gotten
later. They stick
against the path,
their pink chapped
and their inching
labored. It's a
matter of moisture
isn't it? Time, a
measure of wet,
shrinking, the
drier you get.
Kay Ryan
By Kay Ryan
The worms
which had been
thick are thin
upon the ground
now that it's gotten
later. They stick
against the path,
their pink chapped
and their inching
labored. It's a
matter of moisture
isn't it? Time, a
measure of wet,
shrinking, the
drier you get.
Kay Ryan
MULGA BILL'S BICYCLE
by A.B. "Banjo" Paterson
'Twas Mulga Bill, from Eaglehawk, that caught the cycling craze;
He turned away the good old horse that served him many days;
He dressed himself in cycling clothes, resplendent to be seen;
He hurried off to town and bought a shining new machine;
And as he wheeled it through the door, with air of lordly pride,
The grinning shop assistant said, "Excuse me, can you ride?"
"See here, young man," said Mulga Bill, "from Walgett to the sea,
From Conroy's Gap to Castlereagh, there's none can ride like me.
I'm good all round at everything as everybody knows,
Although I'm not the one to talk - I hate a man that blows.
But riding is my special gift, my chiefest, sole delight;
Just ask a wild duck can it swim, a wildcat can it fight.
There's nothing clothed in hair or hide, or built of flesh or steel,
There's nothing walks or jumps, or runs, on axle, hoof, or wheel,
But what I'll sit, while hide will hold and girths and straps are tight:
I'll ride this here two-wheeled concern right straight away at sight."
'Twas Mulga Bill, from Eaglehawk, that sought his own abode,
That perched above Dead Man's Creek, beside the mountain road.
He turned the cycle down the hill and mounted for the fray,
But 'ere he'd gone a dozen yards it bolted clean away.
It left the track, and through the trees, just like a silver steak,
It whistled down the awful slope towards the Dead Man's Creek.
It shaved a stump by half an inch, it dodged a big white-box:
The very wallaroos in fright went scrambling up the rocks,
The wombats hiding in their caves dug deeper underground,
As Mulga Bill, as white as chalk, sat tight to every bound.
It struck a stone and gave a spring that cleared a fallen tree,
It raced beside a precipice as close as close could be;
And then as Mulga Bill let out one last despairing shriek
It made a leap of twenty feet into the Dean Man's Creek.
'Twas Mulga Bill, from Eaglehawk, that slowly swam ashore:
He said, "I've had some narrer shaves and lively rides before;
I've rode a wild bull round a yard to win a five-pound bet,
But this was the most awful ride that I've encountered yet.
I'll give that two-wheeled outlaw best; it's shaken all my nerve
To feel it whistle through the air and plunge and buck and swerve.
It's safe at rest in Dead Man's Creek, we'll leave it lying still;
A horse's back is good enough henceforth for Mulga Bill."
A.B. "Banjo" Paterson
by A.B. "Banjo" Paterson
'Twas Mulga Bill, from Eaglehawk, that caught the cycling craze;
He turned away the good old horse that served him many days;
He dressed himself in cycling clothes, resplendent to be seen;
He hurried off to town and bought a shining new machine;
And as he wheeled it through the door, with air of lordly pride,
The grinning shop assistant said, "Excuse me, can you ride?"
"See here, young man," said Mulga Bill, "from Walgett to the sea,
From Conroy's Gap to Castlereagh, there's none can ride like me.
I'm good all round at everything as everybody knows,
Although I'm not the one to talk - I hate a man that blows.
But riding is my special gift, my chiefest, sole delight;
Just ask a wild duck can it swim, a wildcat can it fight.
There's nothing clothed in hair or hide, or built of flesh or steel,
There's nothing walks or jumps, or runs, on axle, hoof, or wheel,
But what I'll sit, while hide will hold and girths and straps are tight:
I'll ride this here two-wheeled concern right straight away at sight."
'Twas Mulga Bill, from Eaglehawk, that sought his own abode,
That perched above Dead Man's Creek, beside the mountain road.
He turned the cycle down the hill and mounted for the fray,
But 'ere he'd gone a dozen yards it bolted clean away.
It left the track, and through the trees, just like a silver steak,
It whistled down the awful slope towards the Dead Man's Creek.
It shaved a stump by half an inch, it dodged a big white-box:
The very wallaroos in fright went scrambling up the rocks,
The wombats hiding in their caves dug deeper underground,
As Mulga Bill, as white as chalk, sat tight to every bound.
It struck a stone and gave a spring that cleared a fallen tree,
It raced beside a precipice as close as close could be;
And then as Mulga Bill let out one last despairing shriek
It made a leap of twenty feet into the Dean Man's Creek.
'Twas Mulga Bill, from Eaglehawk, that slowly swam ashore:
He said, "I've had some narrer shaves and lively rides before;
I've rode a wild bull round a yard to win a five-pound bet,
But this was the most awful ride that I've encountered yet.
I'll give that two-wheeled outlaw best; it's shaken all my nerve
To feel it whistle through the air and plunge and buck and swerve.
It's safe at rest in Dead Man's Creek, we'll leave it lying still;
A horse's back is good enough henceforth for Mulga Bill."
A.B. "Banjo" Paterson
The Florist Wears Knee-Breeches
Wallace Stevens
My flowers are reflected
In your mind
As you are reflected in your glass.
When you look at them,
There is nothing in your mind
Except the reflections
Of my flowers.
But when I look at them
I see only the reflections
In your mind,
And not my flowers.
It is my desire
To bring roses,
And place them before you
In a white dish.
Wallace Stevens
Wallace Stevens
My flowers are reflected
In your mind
As you are reflected in your glass.
When you look at them,
There is nothing in your mind
Except the reflections
Of my flowers.
But when I look at them
I see only the reflections
In your mind,
And not my flowers.
It is my desire
To bring roses,
And place them before you
In a white dish.
Wallace Stevens
A Shropshire Lad: 52: Far in a western brookland
BY A. E. HOUSMAN
Far in a western brookland
That bred me long ago
The poplars stand and tremble
By pools I used to know.
There, in the windless night-time,
The wanderer, marvelling why,
Halts on the bridge to hearken
How soft the poplars sigh.
He hears: long since forgotten
In fields where I was known,
Here I lie down in London
And turn to rest alone.
There, by the starlit fences,
The wanderer halts and hears
My soul that lingers sighing
About the glimmering weirs.
A. E. HOUSMAN
BY A. E. HOUSMAN
Far in a western brookland
That bred me long ago
The poplars stand and tremble
By pools I used to know.
There, in the windless night-time,
The wanderer, marvelling why,
Halts on the bridge to hearken
How soft the poplars sigh.
He hears: long since forgotten
In fields where I was known,
Here I lie down in London
And turn to rest alone.
There, by the starlit fences,
The wanderer halts and hears
My soul that lingers sighing
About the glimmering weirs.
A. E. HOUSMAN
from Don Juan: Canto 1, Stanzas 217-221
BY LORD BYRON (GEORGE GORDON)
217
Ambition was my idol, which was broken
Before the shrines of Sorrow and of Pleasure;
And the two last have left me many a token
O'er which reflection may be made at leisure:
Now, like Friar Bacon's brazen head, I've spoken,
'Time is, Time was, Time's past', a chymic treasure
Is glittering youth, which I have spent betimes—
My heart in passion, and my head on rhymes.
218
What is the end of Fame? 'tis but to fill
A certain portion of uncertain paper:
Some liken it to climbing up a hill,
Whose summit, like all hills', is lost in vapour;
For this men write, speak, preach, and heroes kill,
And bards burn what they call their 'midnight taper,'
To have, when the original is dust,
A name, a wretched picture, and worse bust.
219
What are the hopes of man? old Egypt's King
Cheops erected the first pyramid
And largest, thinking it was just the thing
To keep his memory whole, and mummy hid;
But somebody or other rummaging,
Burglariously broke his coffin's lid:
Let not a monument give you or me hopes,
Since not a pinch of dust remains of Cheops.
220
But I being fond of true philosophy,
Say very often to myself, 'Alas!
All things that have been born were born to die,
And flesh (which Death mows down to hay) is grass;
You've pass'd your youth not so unpleasantly,
And if you had it o'er again—'twould pass—
So thank your stars that matters are no worse,
And read your Bible, sir, and mind your purse.'
221
But for the present, gentle reader! and
Still gentler purchaser! the bard—that's I—
Must, with permission, shake you by the hand,
And so your humble servant, and good bye!
We meet again, if we should understand
Each other; and if not, I shall not try
Your patience further than by this short sample—
'Twere well if others follow'd my example.
LORD BYRON (GEORGE GORDON)
BY LORD BYRON (GEORGE GORDON)
217
Ambition was my idol, which was broken
Before the shrines of Sorrow and of Pleasure;
And the two last have left me many a token
O'er which reflection may be made at leisure:
Now, like Friar Bacon's brazen head, I've spoken,
'Time is, Time was, Time's past', a chymic treasure
Is glittering youth, which I have spent betimes—
My heart in passion, and my head on rhymes.
218
What is the end of Fame? 'tis but to fill
A certain portion of uncertain paper:
Some liken it to climbing up a hill,
Whose summit, like all hills', is lost in vapour;
For this men write, speak, preach, and heroes kill,
And bards burn what they call their 'midnight taper,'
To have, when the original is dust,
A name, a wretched picture, and worse bust.
219
What are the hopes of man? old Egypt's King
Cheops erected the first pyramid
And largest, thinking it was just the thing
To keep his memory whole, and mummy hid;
But somebody or other rummaging,
Burglariously broke his coffin's lid:
Let not a monument give you or me hopes,
Since not a pinch of dust remains of Cheops.
220
But I being fond of true philosophy,
Say very often to myself, 'Alas!
All things that have been born were born to die,
And flesh (which Death mows down to hay) is grass;
You've pass'd your youth not so unpleasantly,
And if you had it o'er again—'twould pass—
So thank your stars that matters are no worse,
And read your Bible, sir, and mind your purse.'
221
But for the present, gentle reader! and
Still gentler purchaser! the bard—that's I—
Must, with permission, shake you by the hand,
And so your humble servant, and good bye!
We meet again, if we should understand
Each other; and if not, I shall not try
Your patience further than by this short sample—
'Twere well if others follow'd my example.
LORD BYRON (GEORGE GORDON)
I would not paint — a picture — (348)
BY EMILY DICKINSON
I would not paint — a picture —
I'd rather be the One
It's bright impossibility
To dwell — delicious — on —
And wonder how the fingers feel
Whose rare — celestial — stir —
Evokes so sweet a torment —
Such sumptuous — Despair —
I would not talk, like Cornets —
I'd rather be the One
Raised softly to the Ceilings —
And out, and easy on —
Through Villages of Ether —
Myself endued Balloon
By but a lip of Metal —
The pier to my Pontoon —
Nor would I be a Poet —
It's finer — Own the Ear —
Enamored — impotent — content —
The License to revere,
A privilege so awful
What would the Dower be,
Had I the Art to stun myself
With Bolts — of Melody!
EMILY DICKINSON
BY EMILY DICKINSON
I would not paint — a picture —
I'd rather be the One
It's bright impossibility
To dwell — delicious — on —
And wonder how the fingers feel
Whose rare — celestial — stir —
Evokes so sweet a torment —
Such sumptuous — Despair —
I would not talk, like Cornets —
I'd rather be the One
Raised softly to the Ceilings —
And out, and easy on —
Through Villages of Ether —
Myself endued Balloon
By but a lip of Metal —
The pier to my Pontoon —
Nor would I be a Poet —
It's finer — Own the Ear —
Enamored — impotent — content —
The License to revere,
A privilege so awful
What would the Dower be,
Had I the Art to stun myself
With Bolts — of Melody!
EMILY DICKINSON
Aspens
BY EDWARD THOMAS
All day and night, save winter, every weather,
Above the inn, the smithy, and the shop,
The aspens at the cross-roads talk together
Of rain, until their last leaves fall from the top.
Out of the blacksmith's cavern comes the ringing
Of hammer, shoe, and anvil; out of the inn
The clink, the hum, the roar, the random singing—
The sounds that for these fifty years have been.
The whisper of the aspens is not drowned,
And over lightless pane and footless road,
Empty as sky, with every other sound
Not ceasing, calls their ghosts from their abode,
A silent smithy, a silent inn, nor fails
In the bare moonlight or the thick-furred gloom,
In tempest or the night of nightingales,
To turn the cross-roads to a ghostly room.
And it would be the same were no house near.
Over all sorts of weather, men, and times,
Aspens must shake their leaves and men may hear
But need not listen, more than to my rhymes.
Whatever wind blows, while they and I have leaves
We cannot other than an aspen be
That ceaselessly, unreasonably grieves,
Or so men think who like a different tree.
BY EDWARD THOMAS
BY EDWARD THOMAS
All day and night, save winter, every weather,
Above the inn, the smithy, and the shop,
The aspens at the cross-roads talk together
Of rain, until their last leaves fall from the top.
Out of the blacksmith's cavern comes the ringing
Of hammer, shoe, and anvil; out of the inn
The clink, the hum, the roar, the random singing—
The sounds that for these fifty years have been.
The whisper of the aspens is not drowned,
And over lightless pane and footless road,
Empty as sky, with every other sound
Not ceasing, calls their ghosts from their abode,
A silent smithy, a silent inn, nor fails
In the bare moonlight or the thick-furred gloom,
In tempest or the night of nightingales,
To turn the cross-roads to a ghostly room.
And it would be the same were no house near.
Over all sorts of weather, men, and times,
Aspens must shake their leaves and men may hear
But need not listen, more than to my rhymes.
Whatever wind blows, while they and I have leaves
We cannot other than an aspen be
That ceaselessly, unreasonably grieves,
Or so men think who like a different tree.
BY EDWARD THOMAS
Not for That City
BY CHARLOTTE MEW
Not for that city of the level sun,
Its golden streets and glittering gates ablaze—
The shadeless, sleepless city of white days,
White nights, or nights and days that are as one—
We weary, when all is said , all thought, all done.
We strain our eyes beyond this dusk to see
What, from the threshold of eternity
We shall step into. No, I think we shun
The splendour of that everlasting glare,
The clamour of that never-ending song.
And if for anything we greatly long,
It is for some remote and quiet stair
Which winds to silence and a space for sleep
Too sound for waking and for dreams too deep.
BY CHARLOTTE MEW
BY CHARLOTTE MEW
Not for that city of the level sun,
Its golden streets and glittering gates ablaze—
The shadeless, sleepless city of white days,
White nights, or nights and days that are as one—
We weary, when all is said , all thought, all done.
We strain our eyes beyond this dusk to see
What, from the threshold of eternity
We shall step into. No, I think we shun
The splendour of that everlasting glare,
The clamour of that never-ending song.
And if for anything we greatly long,
It is for some remote and quiet stair
Which winds to silence and a space for sleep
Too sound for waking and for dreams too deep.
BY CHARLOTTE MEW
The Plain Sense of Things
BY WALLACE STEVENS
After the leaves have fallen, we return
To a plain sense of things. It is as if
We had come to an end of the imagination,
Inanimate in an inert savoir.
It is difficult even to choose the adjective
For this blank cold, this sadness without cause.
The great structure has become a minor house.
No turban walks across the lessened floors.
The greenhouse never so badly needed paint.
The chimney is fifty years old and slants to one side.
A fantastic effort has failed, a repetition
In a repetitiousness of men and flies.
Yet the absence of the imagination had
Itself to be imagined. The great pond,
The plain sense of it, without reflections, leaves,
Mud, water like dirty glass, expressing silence
Of a sort, silence of a rat come out to see,
The great pond and its waste of the lilies, all this
Had to be imagined as an inevitable knowledge,
Required, as a necessity requires.
BY WALLACE STEVENS
BY WALLACE STEVENS
After the leaves have fallen, we return
To a plain sense of things. It is as if
We had come to an end of the imagination,
Inanimate in an inert savoir.
It is difficult even to choose the adjective
For this blank cold, this sadness without cause.
The great structure has become a minor house.
No turban walks across the lessened floors.
The greenhouse never so badly needed paint.
The chimney is fifty years old and slants to one side.
A fantastic effort has failed, a repetition
In a repetitiousness of men and flies.
Yet the absence of the imagination had
Itself to be imagined. The great pond,
The plain sense of it, without reflections, leaves,
Mud, water like dirty glass, expressing silence
Of a sort, silence of a rat come out to see,
The great pond and its waste of the lilies, all this
Had to be imagined as an inevitable knowledge,
Required, as a necessity requires.
BY WALLACE STEVENS
Songs for the People
BY FRANCES ELLEN WATKINS HARPER
Let me make the songs for the people,
Songs for the old and young;
Songs to stir like a battle-cry
Wherever they are sung.
Not for the clashing of sabres,
For carnage nor for strife;
But songs to thrill the hearts of men
With more abundant life.
Let me make the songs for the weary,
Amid life’s fever and fret,
Till hearts shall relax their tension,
And careworn brows forget.
Let me sing for little children,
Before their footsteps stray,
Sweet anthems of love and duty,
To float o’er life’s highway.
I would sing for the poor and aged,
When shadows dim their sight;
Of the bright and restful mansions,
Where there shall be no night.
Our world, so worn and weary,
Needs music, pure and strong,
To hush the jangle and discords
Of sorrow, pain, and wrong.
Music to soothe all its sorrow,
Till war and crime shall cease;
And the hearts of men grown tender
Girdle the world with peace.
FRANCES ELLEN WATKINS HARPER
BY FRANCES ELLEN WATKINS HARPER
Let me make the songs for the people,
Songs for the old and young;
Songs to stir like a battle-cry
Wherever they are sung.
Not for the clashing of sabres,
For carnage nor for strife;
But songs to thrill the hearts of men
With more abundant life.
Let me make the songs for the weary,
Amid life’s fever and fret,
Till hearts shall relax their tension,
And careworn brows forget.
Let me sing for little children,
Before their footsteps stray,
Sweet anthems of love and duty,
To float o’er life’s highway.
I would sing for the poor and aged,
When shadows dim their sight;
Of the bright and restful mansions,
Where there shall be no night.
Our world, so worn and weary,
Needs music, pure and strong,
To hush the jangle and discords
Of sorrow, pain, and wrong.
Music to soothe all its sorrow,
Till war and crime shall cease;
And the hearts of men grown tender
Girdle the world with peace.
FRANCES ELLEN WATKINS HARPER
Interim
Lola Ridge, 1873
The earth is motionless
And poised in space …
A great bird resting in its flight
Between the alleys of the stars.
It is the wind’s hour off ….
The wind has nestled down among the corn ….
The two speak privately together,
Awaiting the whirr of wings.
Lola Ridge
Lola Ridge, 1873
The earth is motionless
And poised in space …
A great bird resting in its flight
Between the alleys of the stars.
It is the wind’s hour off ….
The wind has nestled down among the corn ….
The two speak privately together,
Awaiting the whirr of wings.
Lola Ridge
The Grasshopper
BY RICHARD LOVELACE
To My Noble Friend, Mr. Charles Cotton
O thou that swing’st upon the waving hair
Of some well-fillèd oaten beard,
Drunk every night with a delicious tear
Dropped thee from heaven, where now th’ art reared;
The joys of earth and air are thine entire,
That with thy feet and wings dost hop and fly;
And, when thy poppy works, thou dost retire
To thy carved acorn-bed to lie.
Up with the day, the sun thou welcom’st then,
Sport’st in the gilt-plats of his beams,
And all these merry days mak’st merry men,
Thyself, and melancholy streams.
But ah, the sickle! Golden ears are cropped;
Ceres and Bacchus bid good night;
Sharp, frosty fingers all your flowers have topped,
And what scythes spared, winds shave off quite.
Poor verdant fool, and now green ice! thy joys,
Large and as lasting as thy perch of grass,
Bid us lay in ’gainst winter rain, and poise
Their floods with an o’erflowing glass.
Thou best of men and friends! we will create
A genuine summer in each other’s breast,
And spite of this cold time and frozen fate,
Thaw us a warm seat to our rest.
Our sacred hearths shall burn eternally,
As vestal flames; the North Wind, he
Shall strike his frost-stretched wings, dissolve, and fly
This Etna in epitome.
Dropping December shall come weeping in,
Bewail th’usurping of his reign:
But when in showers of old Greek we begin,
Shall cry he hath his crown again!
Night, as clear Hesper, shall our tapers whip
From the light casements where we play,
And the dark hag from her black mantle strip,
And stick there everlasting day.
Thus richer than untempted kings are we,
That, asking nothing, nothing need:
Though lords of all what seas embrace, yet he
That wants himself is poor indeed.
RICHARD LOVELACE
BY RICHARD LOVELACE
To My Noble Friend, Mr. Charles Cotton
O thou that swing’st upon the waving hair
Of some well-fillèd oaten beard,
Drunk every night with a delicious tear
Dropped thee from heaven, where now th’ art reared;
The joys of earth and air are thine entire,
That with thy feet and wings dost hop and fly;
And, when thy poppy works, thou dost retire
To thy carved acorn-bed to lie.
Up with the day, the sun thou welcom’st then,
Sport’st in the gilt-plats of his beams,
And all these merry days mak’st merry men,
Thyself, and melancholy streams.
But ah, the sickle! Golden ears are cropped;
Ceres and Bacchus bid good night;
Sharp, frosty fingers all your flowers have topped,
And what scythes spared, winds shave off quite.
Poor verdant fool, and now green ice! thy joys,
Large and as lasting as thy perch of grass,
Bid us lay in ’gainst winter rain, and poise
Their floods with an o’erflowing glass.
Thou best of men and friends! we will create
A genuine summer in each other’s breast,
And spite of this cold time and frozen fate,
Thaw us a warm seat to our rest.
Our sacred hearths shall burn eternally,
As vestal flames; the North Wind, he
Shall strike his frost-stretched wings, dissolve, and fly
This Etna in epitome.
Dropping December shall come weeping in,
Bewail th’usurping of his reign:
But when in showers of old Greek we begin,
Shall cry he hath his crown again!
Night, as clear Hesper, shall our tapers whip
From the light casements where we play,
And the dark hag from her black mantle strip,
And stick there everlasting day.
Thus richer than untempted kings are we,
That, asking nothing, nothing need:
Though lords of all what seas embrace, yet he
That wants himself is poor indeed.
RICHARD LOVELACE
The Ivy Green
By Charles Dickens
Oh, a dainty plant is the Ivy green,
That creepeth o’er ruins old!
Of right choice food are his meals, I ween,
In his cell so lone and cold.
The wall must be crumbled, the stone decayed,
To pleasure his dainty whim:
And the mouldering dust that years have made
Is a merry meal for him.
Creeping where no life is seen,
A rare old plant is the Ivy green.
Fast he stealeth on, though he wears no wings,
And a staunch old heart has he.
How closely he twineth, how tight he clings,
To his friend the huge Oak Tree!
And slily he traileth along the ground,
And his leaves he gently waves,
As he joyously hugs and crawleth round
The rich mould of dead men’s graves.
Creeping where grim death has been,
A rare old plant is the Ivy green.
Whole ages have fled and their works decayed,
And nations have scattered been;
But the stout old Ivy shall never fade,
From its hale and hearty green.
The brave old plant, in its lonely days,
Shall fatten upon the past:
For the stateliest building man can raise,
Is the Ivy’s food at last.
Creeping on, where time has been,
A rare old plant is the Ivy green.
Dickens
By Charles Dickens
Oh, a dainty plant is the Ivy green,
That creepeth o’er ruins old!
Of right choice food are his meals, I ween,
In his cell so lone and cold.
The wall must be crumbled, the stone decayed,
To pleasure his dainty whim:
And the mouldering dust that years have made
Is a merry meal for him.
Creeping where no life is seen,
A rare old plant is the Ivy green.
Fast he stealeth on, though he wears no wings,
And a staunch old heart has he.
How closely he twineth, how tight he clings,
To his friend the huge Oak Tree!
And slily he traileth along the ground,
And his leaves he gently waves,
As he joyously hugs and crawleth round
The rich mould of dead men’s graves.
Creeping where grim death has been,
A rare old plant is the Ivy green.
Whole ages have fled and their works decayed,
And nations have scattered been;
But the stout old Ivy shall never fade,
From its hale and hearty green.
The brave old plant, in its lonely days,
Shall fatten upon the past:
For the stateliest building man can raise,
Is the Ivy’s food at last.
Creeping on, where time has been,
A rare old plant is the Ivy green.
Dickens
Trumpet-man
David Conolly
Walked our streets, he did.
and breathed our air.
No - more than that,
he took our breath
and sent it flying back
into the world,
transformed.
So strong, so pure that sound:
blues for the broken,
rhythm to set feet tapping.
Crowds, as usual,
still hurry past.
What do they care that
it's his birthday?
But some stop -
the homeless,
the misfits -
and smile, and dance.
They recognise the tune.
Happy Birthday, trumpet-man.
Thanks for the melody.
David Conolly
David Conolly
Walked our streets, he did.
and breathed our air.
No - more than that,
he took our breath
and sent it flying back
into the world,
transformed.
So strong, so pure that sound:
blues for the broken,
rhythm to set feet tapping.
Crowds, as usual,
still hurry past.
What do they care that
it's his birthday?
But some stop -
the homeless,
the misfits -
and smile, and dance.
They recognise the tune.
Happy Birthday, trumpet-man.
Thanks for the melody.
David Conolly
To Mrs K____, On Her Sending Me an English Christmas Plum-Cake at Paris
By Helen Maria Williams
What crowding thoughts around me wake,
What marvels in a Christmas-cake!
Ah say, what strange enchantment dwells
Enclosed within its odorous cells?
Is there no small magician bound
Encrusted in its snowy round?
For magic surely lurks in this,
A cake that tells of vanished bliss;
A cake that conjures up to view
The early scenes, when life was new;
When memory knew no sorrows past,
And hope believed in joys that last! —
Mysterious cake, whose folds contain
Life’s calendar of bliss and pain;
That speaks of friends for ever fled,
And wakes the tears I love to shed.
Oft shall I breathe her cherished name
From whose fair hand the offering came:
For she recalls the artless smile
Of nymphs that deck my native isle;
Of beauty that we love to trace,
Allied with tender, modest grace;
Of those who, while abroad they roam,
Retain each charm that gladdens home,
And whose dear friendships can impart
A Christmas banquet for the heart!
Helen Maria Williams
By Helen Maria Williams
What crowding thoughts around me wake,
What marvels in a Christmas-cake!
Ah say, what strange enchantment dwells
Enclosed within its odorous cells?
Is there no small magician bound
Encrusted in its snowy round?
For magic surely lurks in this,
A cake that tells of vanished bliss;
A cake that conjures up to view
The early scenes, when life was new;
When memory knew no sorrows past,
And hope believed in joys that last! —
Mysterious cake, whose folds contain
Life’s calendar of bliss and pain;
That speaks of friends for ever fled,
And wakes the tears I love to shed.
Oft shall I breathe her cherished name
From whose fair hand the offering came:
For she recalls the artless smile
Of nymphs that deck my native isle;
Of beauty that we love to trace,
Allied with tender, modest grace;
Of those who, while abroad they roam,
Retain each charm that gladdens home,
And whose dear friendships can impart
A Christmas banquet for the heart!
Helen Maria Williams
De Profundis
BY CHRISTINA ROSSETTI
Oh why is heaven built so far,
Oh why is earth set so remote?
I cannot reach the nearest star
That hangs afloat.
I would not care to reach the moon,
One round monotonous of change;
Yet even she repeats her tune
Beyond my range.
I never watch the scatter'd fire
Of stars, or sun's far-trailing train,
But all my heart is one desire,
And all in vain:
For I am bound with fleshly bands,
Joy, beauty, lie beyond my scope;
I strain my heart, I stretch my hands,
And catch at hope.
CHRISTINA ROSSETTI
BY CHRISTINA ROSSETTI
Oh why is heaven built so far,
Oh why is earth set so remote?
I cannot reach the nearest star
That hangs afloat.
I would not care to reach the moon,
One round monotonous of change;
Yet even she repeats her tune
Beyond my range.
I never watch the scatter'd fire
Of stars, or sun's far-trailing train,
But all my heart is one desire,
And all in vain:
For I am bound with fleshly bands,
Joy, beauty, lie beyond my scope;
I strain my heart, I stretch my hands,
And catch at hope.
CHRISTINA ROSSETTI
The Mower to the Glow-Worms
BY ANDREW MARVELL
Ye living lamps, by whose dear light
The nightingale does sit so late,
And studying all the summer night,
Her matchless songs does meditate;
Ye country comets, that portend
No war nor prince’s funeral,
Shining unto no higher end
Than to presage the grass’s fall;
Ye glow-worms, whose officious flame
To wand’ring mowers shows the way,
That in the night have lost their aim,
And after foolish fires do stray;
Your courteous lights in vain you waste,
Since Juliana here is come,
For she my mind hath so displac’d
That I shall never find my home.
ANDREW MARVELL
BY ANDREW MARVELL
Ye living lamps, by whose dear light
The nightingale does sit so late,
And studying all the summer night,
Her matchless songs does meditate;
Ye country comets, that portend
No war nor prince’s funeral,
Shining unto no higher end
Than to presage the grass’s fall;
Ye glow-worms, whose officious flame
To wand’ring mowers shows the way,
That in the night have lost their aim,
And after foolish fires do stray;
Your courteous lights in vain you waste,
Since Juliana here is come,
For she my mind hath so displac’d
That I shall never find my home.
ANDREW MARVELL
The Song of the Ungirt Runners
BY CHARLES HAMILTON SORLEY
We swing ungirded hips,
And lightened are our eyes,
The rain is on our lips,
We do not run for prize.
We know not whom we trust
Nor whitherward we fare,
But we run because we must
Through the great wide air.
The waters of the seas
Are troubled as by storm.
The tempest strips the trees
And does not leave them warm.
Does the tearing tempest pause?
Do the tree-tops ask it why?
So we run without a cause
'Neath the big bare sky.
The rain is on our lips,
We do not run for prize.
But the storm the water whips
And the wave howls to the skies.
The winds arise and strike it
And scatter it like sand,
And we run because we like it
Through the broad bright land.
CHARLES HAMILTON SORLEY
BY CHARLES HAMILTON SORLEY
We swing ungirded hips,
And lightened are our eyes,
The rain is on our lips,
We do not run for prize.
We know not whom we trust
Nor whitherward we fare,
But we run because we must
Through the great wide air.
The waters of the seas
Are troubled as by storm.
The tempest strips the trees
And does not leave them warm.
Does the tearing tempest pause?
Do the tree-tops ask it why?
So we run without a cause
'Neath the big bare sky.
The rain is on our lips,
We do not run for prize.
But the storm the water whips
And the wave howls to the skies.
The winds arise and strike it
And scatter it like sand,
And we run because we like it
Through the broad bright land.
CHARLES HAMILTON SORLEY
Modern Love: XXII
BY GEORGE MEREDITH
What may the woman labour to confess?
There is about her mouth a nervous twitch.
'Tis something to be told, or hidden:—which?
I get a glimpse of hell in this mild guess.
She has desires of touch, as if to feel
That all the household things are things she knew.
She stops before the glass. What sight in view?
A face that seems the latest to reveal!
For she turns from it hastily, and tossed
Irresolute, steals shadow-like to where
I stand; and wavering pale before me there,
Her tears fall still as oak-leaves after frost.
She will not speak. I will not ask.
We are League-sundered by the silent gulf between.
Yon burly lovers on the village green,
Yours is a lower, and a happier star!
GEORGE MEREDITH
BY GEORGE MEREDITH
What may the woman labour to confess?
There is about her mouth a nervous twitch.
'Tis something to be told, or hidden:—which?
I get a glimpse of hell in this mild guess.
She has desires of touch, as if to feel
That all the household things are things she knew.
She stops before the glass. What sight in view?
A face that seems the latest to reveal!
For she turns from it hastily, and tossed
Irresolute, steals shadow-like to where
I stand; and wavering pale before me there,
Her tears fall still as oak-leaves after frost.
She will not speak. I will not ask.
We are League-sundered by the silent gulf between.
Yon burly lovers on the village green,
Yours is a lower, and a happier star!
GEORGE MEREDITH
The Enkindled Spring
BY D. H. LAWRENCE
This spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering rushes.
I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.
And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is tossed
About like a shadow buffeted in the throng
Of flames, a shadow that's gone astray, and is lost.
D. H. LAWRENCE
BY D. H. LAWRENCE
This spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering rushes.
I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.
And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is tossed
About like a shadow buffeted in the throng
Of flames, a shadow that's gone astray, and is lost.
D. H. LAWRENCE
The Lake Isle of Innisfree
BY WILLIAM BUTLER YEATS
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.
WILLIAM BUTLER YEATS
BY WILLIAM BUTLER YEATS
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.
WILLIAM BUTLER YEATS
I dwell in Possibility – (466)
By Emily Dickinson
I dwell in Possibility –
A fairer House than Prose –
More numerous of Windows –
Superior – for Doors –
Of Chambers as the Cedars –
Impregnable of eye –
And for an everlasting Roof
The Gambrels of the Sky –
Of Visitors – the fairest –
For Occupation – This –
The spreading wide my narrow Hands
To gather Paradise –
Emily Dickinson
By Emily Dickinson
I dwell in Possibility –
A fairer House than Prose –
More numerous of Windows –
Superior – for Doors –
Of Chambers as the Cedars –
Impregnable of eye –
And for an everlasting Roof
The Gambrels of the Sky –
Of Visitors – the fairest –
For Occupation – This –
The spreading wide my narrow Hands
To gather Paradise –
Emily Dickinson
Sonnet 7: How soon hath Time, the subtle thief of youth
By John Milton
How soon hath Time, the subtle thief of youth,
Stol'n on his wing my three-and-twentieth year!
My hasting days fly on with full career,
But my late spring no bud or blossom shew'th.
Perhaps my semblance might deceive the truth
That I to manhood am arriv'd so near;
And inward ripeness doth much less appear,
That some more timely-happy spirits endu'th.
Yet be it less or more, or soon or slow,
It shall be still in strictest measure ev'n
To that same lot, however mean or high,
Toward which Time leads me, and the will of Heav'n:
All is, if I have grace to use it so
As ever in my great Task-Master's eye.
John Milton
By John Milton
How soon hath Time, the subtle thief of youth,
Stol'n on his wing my three-and-twentieth year!
My hasting days fly on with full career,
But my late spring no bud or blossom shew'th.
Perhaps my semblance might deceive the truth
That I to manhood am arriv'd so near;
And inward ripeness doth much less appear,
That some more timely-happy spirits endu'th.
Yet be it less or more, or soon or slow,
It shall be still in strictest measure ev'n
To that same lot, however mean or high,
Toward which Time leads me, and the will of Heav'n:
All is, if I have grace to use it so
As ever in my great Task-Master's eye.
John Milton
A Complaint
By William Wordsworth
There is a change—and I am poor;
Your love hath been, nor long ago,
A fountain at my fond heart's door,
Whose only business was to flow;
And flow it did; not taking heed
Of its own bounty, or my need.
What happy moments did I count!
Blest was I then all bliss above!
Now, for that consecrated fount
Of murmuring, sparkling, living love,
What have I? shall I dare to tell?
A comfortless and hidden well.
A well of love—it may be deep—
I trust it is,—and never dry:
What matter? if the waters sleep
In silence and obscurity.
—Such change, and at the very door
Of my fond heart, hath made me poor.
William Wordsworth
By William Wordsworth
There is a change—and I am poor;
Your love hath been, nor long ago,
A fountain at my fond heart's door,
Whose only business was to flow;
And flow it did; not taking heed
Of its own bounty, or my need.
What happy moments did I count!
Blest was I then all bliss above!
Now, for that consecrated fount
Of murmuring, sparkling, living love,
What have I? shall I dare to tell?
A comfortless and hidden well.
A well of love—it may be deep—
I trust it is,—and never dry:
What matter? if the waters sleep
In silence and obscurity.
—Such change, and at the very door
Of my fond heart, hath made me poor.
William Wordsworth
La Belle Dame sans Merci: A Ballad
By John Keats
O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
O what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in the meads,
Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.
She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said—
‘I love thee true’.
She took me to her Elfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Thee hath in thrall!’
I saw their starved lips in the gloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
John Keats
By John Keats
O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
O what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in the meads,
Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.
She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said—
‘I love thee true’.
She took me to her Elfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Thee hath in thrall!’
I saw their starved lips in the gloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
John Keats
Speech: “To be, or not to be, that is the question”
By William Shakespeare
(from Hamlet, spoken by Hamlet)
To be, or not to be, that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And by opposing end them. To die—to sleep,
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to: 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep, perchance to dream—ay, there's the rub:
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause—there's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th'oppressor's wrong, the proud man's contumely,
The pangs of dispriz'd love, the law's delay,
The insolence of office, and the spurns
That patient merit of th'unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovere'd country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pitch and moment
With this regard their currents turn awry
And lose the name of action.
William Shakespeare
By William Shakespeare
(from Hamlet, spoken by Hamlet)
To be, or not to be, that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And by opposing end them. To die—to sleep,
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to: 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep, perchance to dream—ay, there's the rub:
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause—there's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th'oppressor's wrong, the proud man's contumely,
The pangs of dispriz'd love, the law's delay,
The insolence of office, and the spurns
That patient merit of th'unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovere'd country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pitch and moment
With this regard their currents turn awry
And lose the name of action.
William Shakespeare
To An Old Mate
By Henry Lawson
Old Mate! In the gusty old weather,
When our hopes and our troubles were new,
In the years spent in wearing out leather,
I found you unselfish and true --
I have gathered these verses together
For the sake of our friendship and you.
You may think for awhile, and with reason,
Though still with a kindly regret,
That I've left it full late in the season
To prove I remember you yet;
But you'll never judge me by their treason
Who profit by friends -- and forget.
I remember, Old Man, I remember --
The tracks that we followed are clear --
The jovial last nights of December,
The solemn first days of the year,
Long tramps through the clearings and timber,
Short partings on platform and pier.
I can still feel the spirit that bore us,
And often the old stars will shine --
I remember the last spree in chorus
For the sake of that other Lang Syne,
When the tracks lay divided before us,
Your path through the future and mine.
Through the frost-wind that cut like whip-lashes,
Through the ever-blind haze of the drought --
And in fancy at times by the flashes
Of light in the darkness of doubt --
I have followed the tent poles and ashes
Of camps that we moved further out.
You will find in these pages a trace of
That side of our past which was bright,
And recognise sometimes the face of
A friend who has dropped out of sight --
I send them along in the place of
The letters I promised to write.
Lawson Henry
By Henry Lawson
Old Mate! In the gusty old weather,
When our hopes and our troubles were new,
In the years spent in wearing out leather,
I found you unselfish and true --
I have gathered these verses together
For the sake of our friendship and you.
You may think for awhile, and with reason,
Though still with a kindly regret,
That I've left it full late in the season
To prove I remember you yet;
But you'll never judge me by their treason
Who profit by friends -- and forget.
I remember, Old Man, I remember --
The tracks that we followed are clear --
The jovial last nights of December,
The solemn first days of the year,
Long tramps through the clearings and timber,
Short partings on platform and pier.
I can still feel the spirit that bore us,
And often the old stars will shine --
I remember the last spree in chorus
For the sake of that other Lang Syne,
When the tracks lay divided before us,
Your path through the future and mine.
Through the frost-wind that cut like whip-lashes,
Through the ever-blind haze of the drought --
And in fancy at times by the flashes
Of light in the darkness of doubt --
I have followed the tent poles and ashes
Of camps that we moved further out.
You will find in these pages a trace of
That side of our past which was bright,
And recognise sometimes the face of
A friend who has dropped out of sight --
I send them along in the place of
The letters I promised to write.
Lawson Henry
Voices of the Air
By Katherine Mansfield
But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.
The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats—
The little throats that sing and rise
Up into the light with lovely ease
And a kind of magical, sweet surprise
To hear and know themselves for these—
For these little voices: the bee, the fly,
The leaf that taps, the pod that breaks,
The breeze on the grass-tops bending by,
The shrill quick sound that the insect makes.
Katherine Mansfield
By Katherine Mansfield
But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.
The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats—
The little throats that sing and rise
Up into the light with lovely ease
And a kind of magical, sweet surprise
To hear and know themselves for these—
For these little voices: the bee, the fly,
The leaf that taps, the pod that breaks,
The breeze on the grass-tops bending by,
The shrill quick sound that the insect makes.
Katherine Mansfield
The Wood-Pile
By Robert Frost
Out walking in the frozen swamp one gray day,
I paused and said, 'I will turn back from here.
No, I will go on farther—and we shall see.'
The hard snow held me, save where now and then
One foot went through. The view was all in lines
Straight up and down of tall slim trees
Too much alike to mark or name a place by
So as to say for certain I was here
Or somewhere else: I was just far from home.
A small bird flew before me. He was careful
To put a tree between us when he lighted,
And say no word to tell me who he was
Who was so foolish as to think what he thought.
He thought that I was after him for a feather—
The white one in his tail; like one who takes
Everything said as personal to himself.
One flight out sideways would have undeceived him.
And then there was a pile of wood for which
I forgot him and let his little fear
Carry him off the way I might have gone,
Without so much as wishing him good-night.
He went behind it to make his last stand.
It was a cord of maple, cut and split
And piled—and measured, four by four by eight.
And not another like it could I see.
No runner tracks in this year's snow looped near it.
And it was older sure than this year's cutting,
Or even last year's or the year's before.
The wood was gray and the bark warping off it
And the pile somewhat sunken. Clematis
Had wound strings round and round it like a bundle.
What held it though on one side was a tree
Still growing, and on one a stake and prop,
These latter about to fall. I thought that only
Someone who lived in turning to fresh tasks
Could so forget his handiwork on which
He spent himself, the labor of his ax,
And leave it there far from a useful fireplace
To warm the frozen swamp as best it could
With the slow smokeless burning of decay.
Robert Frost
By Robert Frost
Out walking in the frozen swamp one gray day,
I paused and said, 'I will turn back from here.
No, I will go on farther—and we shall see.'
The hard snow held me, save where now and then
One foot went through. The view was all in lines
Straight up and down of tall slim trees
Too much alike to mark or name a place by
So as to say for certain I was here
Or somewhere else: I was just far from home.
A small bird flew before me. He was careful
To put a tree between us when he lighted,
And say no word to tell me who he was
Who was so foolish as to think what he thought.
He thought that I was after him for a feather—
The white one in his tail; like one who takes
Everything said as personal to himself.
One flight out sideways would have undeceived him.
And then there was a pile of wood for which
I forgot him and let his little fear
Carry him off the way I might have gone,
Without so much as wishing him good-night.
He went behind it to make his last stand.
It was a cord of maple, cut and split
And piled—and measured, four by four by eight.
And not another like it could I see.
No runner tracks in this year's snow looped near it.
And it was older sure than this year's cutting,
Or even last year's or the year's before.
The wood was gray and the bark warping off it
And the pile somewhat sunken. Clematis
Had wound strings round and round it like a bundle.
What held it though on one side was a tree
Still growing, and on one a stake and prop,
These latter about to fall. I thought that only
Someone who lived in turning to fresh tasks
Could so forget his handiwork on which
He spent himself, the labor of his ax,
And leave it there far from a useful fireplace
To warm the frozen swamp as best it could
With the slow smokeless burning of decay.
Robert Frost
On First Looking into Chapman's Homer
BY John Keats
Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific—and all his men
Look'd at each other with a wild surmise—
Silent, upon a peak in Darien.
Keats
BY John Keats
Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific—and all his men
Look'd at each other with a wild surmise—
Silent, upon a peak in Darien.
Keats
The Road Not Taken
By Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Robert Frost
By Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Robert Frost
I started Early – Took my Dog – (656)
By Emily Dickinson
I started Early – Took my Dog –
And visited the Sea –
The Mermaids in the Basement
Came out to look at me –
And Frigates – in the Upper Floor
Extended Hempen Hands –
Presuming Me to be a Mouse –
Aground – opon the Sands –
But no Man moved Me – till the Tide
Went past my simple Shoe –
And past my Apron – and my Belt
And past my Boddice – too –
And made as He would eat me up –
As wholly as a Dew
Opon a Dandelion's Sleeve –
And then – I started – too –
And He – He followed – close behind –
I felt His Silver Heel
Opon my Ancle – Then My Shoes
Would overflow with Pearl –
Until We met the Solid Town –
No One He seemed to know –
And bowing – with a Mighty look –
At me – The Sea withdrew –
Emily Dickinson
By Emily Dickinson
I started Early – Took my Dog –
And visited the Sea –
The Mermaids in the Basement
Came out to look at me –
And Frigates – in the Upper Floor
Extended Hempen Hands –
Presuming Me to be a Mouse –
Aground – opon the Sands –
But no Man moved Me – till the Tide
Went past my simple Shoe –
And past my Apron – and my Belt
And past my Boddice – too –
And made as He would eat me up –
As wholly as a Dew
Opon a Dandelion's Sleeve –
And then – I started – too –
And He – He followed – close behind –
I felt His Silver Heel
Opon my Ancle – Then My Shoes
Would overflow with Pearl –
Until We met the Solid Town –
No One He seemed to know –
And bowing – with a Mighty look –
At me – The Sea withdrew –
Emily Dickinson
Song: “Where the bee sucks, there suck I”
By William Shakespeare
(from The Tempest)
Where the bee sucks, there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
William Shakespeare
By William Shakespeare
(from The Tempest)
Where the bee sucks, there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
William Shakespeare
A Song of Rain
By C.J. Dennis
Because a little vagrant wind veered south from China Sea;
Or else, because a sun-spot stirred; and yet again, maybe
Because some idle god in play breathed on an errant cloud,
The heads of twice two million folk in gratitude are bowed.
Patter, patter ... Boolconmatta,
Adelaide and Oodnadatta,
Pepegoona, parched and dry
Laugh beneath a dripping sky.
Riverina's thirsting plain
Knows the benison of rain.
Ararat and Arkaroola
Render thanks with Tantanoola
For the blessings they are gaining,
And it's raining -- raining -- raining!
Because a heaven-sent monsoon the mists before it drove;
Because things happened in the moon; or else, because High Jove,
Unbending, played at waterman to please a laughing boy,
The hearts through all a continent are raised in grateful joy.
Weeps the sky at Wipipee
Far Farina's folk are dippy
With sheer joy, while Ballarat
Shouts and flings aloft its hat.
Thirsty Thackaringa yells;
Taltabooka gladly tells
Of a season wet and windy;
Men rejoice on Murrindindie;
Kalioota's ceased complaining;
For it's raining -- raining -- raining!
Because a poor bush parson prayed an altruistic prayer,
Rich with unselfish fellow-love that Heaven counted rare;
And yet, mayhap, because one night a meteor was hurled
Across the everlasting blue, the luck was with our world.
On the wilds of Winininnie
Cattle low and horses whinny,
Frolicking with sheer delight.
From Beltana to The Bight,
In the Mallee's sun-scorched towns,
In the sheds on Darling Downs,
In the huts at Yudnapinna,
Tents on Tidnacoordininna,
To the sky all heads are craning --
For it's raining -- raining -- raining!
Because some strange, cyclonic thing has happened -- God knows where --
Men dream again of easy days, of cash to spend and spare.
The ring fair Clara coveted, Belinda's furs are nigh,
As clerklings watch their increments fall shining from the sky.
Rolls the thunder at Eudunda;
Leongatha, Boort, Kapunda
Send a joyous message down;
Sorrows, flooded, sink and drown.
Ninkerloo and Nerim South
Hail the breaking of the drouth;
From Toolangi's wooded mountains
Sounds the song of plashing fountains;
Sovereign Summer's might is waning;
It is raining -- raining -- raining!
Because the breeze blew sou'-by-east across the China Sea;
Or else, because the thing was willed through all eternity
By gods that rule the rushing stars, or gods long aeons dead,
The earth is made to smile again, and living things are fed.
Mile on mile from Mallacoota
Runs the news, and far Baroota
Speeds it over hill and plain,
Till the slogan of the rain
Rolls afar to Yankalilla;
Wallaroo and Wirrawilla
Shout it o'er the leagues between,
Telling of the dawning green.
Frogs at Cocoroc are croaking,
Booboorowie soil is soaking,
Oodla Wirra, Orroroo
Breathe relief and hope anew.
Wycheproof and Wollongong
Catch the burden of the song
That is rolling, rolling ever
O'er the plains of Never Never,
Sounding in each mountain rill,
Echoing from hill to hill ...
In the lonely, silent places
Men lift up their glad, wet faces,
And their thanks ask no explaining --
It is raining -- raining -- raining!
C.J. Dennis
By C.J. Dennis
Because a little vagrant wind veered south from China Sea;
Or else, because a sun-spot stirred; and yet again, maybe
Because some idle god in play breathed on an errant cloud,
The heads of twice two million folk in gratitude are bowed.
Patter, patter ... Boolconmatta,
Adelaide and Oodnadatta,
Pepegoona, parched and dry
Laugh beneath a dripping sky.
Riverina's thirsting plain
Knows the benison of rain.
Ararat and Arkaroola
Render thanks with Tantanoola
For the blessings they are gaining,
And it's raining -- raining -- raining!
Because a heaven-sent monsoon the mists before it drove;
Because things happened in the moon; or else, because High Jove,
Unbending, played at waterman to please a laughing boy,
The hearts through all a continent are raised in grateful joy.
Weeps the sky at Wipipee
Far Farina's folk are dippy
With sheer joy, while Ballarat
Shouts and flings aloft its hat.
Thirsty Thackaringa yells;
Taltabooka gladly tells
Of a season wet and windy;
Men rejoice on Murrindindie;
Kalioota's ceased complaining;
For it's raining -- raining -- raining!
Because a poor bush parson prayed an altruistic prayer,
Rich with unselfish fellow-love that Heaven counted rare;
And yet, mayhap, because one night a meteor was hurled
Across the everlasting blue, the luck was with our world.
On the wilds of Winininnie
Cattle low and horses whinny,
Frolicking with sheer delight.
From Beltana to The Bight,
In the Mallee's sun-scorched towns,
In the sheds on Darling Downs,
In the huts at Yudnapinna,
Tents on Tidnacoordininna,
To the sky all heads are craning --
For it's raining -- raining -- raining!
Because some strange, cyclonic thing has happened -- God knows where --
Men dream again of easy days, of cash to spend and spare.
The ring fair Clara coveted, Belinda's furs are nigh,
As clerklings watch their increments fall shining from the sky.
Rolls the thunder at Eudunda;
Leongatha, Boort, Kapunda
Send a joyous message down;
Sorrows, flooded, sink and drown.
Ninkerloo and Nerim South
Hail the breaking of the drouth;
From Toolangi's wooded mountains
Sounds the song of plashing fountains;
Sovereign Summer's might is waning;
It is raining -- raining -- raining!
Because the breeze blew sou'-by-east across the China Sea;
Or else, because the thing was willed through all eternity
By gods that rule the rushing stars, or gods long aeons dead,
The earth is made to smile again, and living things are fed.
Mile on mile from Mallacoota
Runs the news, and far Baroota
Speeds it over hill and plain,
Till the slogan of the rain
Rolls afar to Yankalilla;
Wallaroo and Wirrawilla
Shout it o'er the leagues between,
Telling of the dawning green.
Frogs at Cocoroc are croaking,
Booboorowie soil is soaking,
Oodla Wirra, Orroroo
Breathe relief and hope anew.
Wycheproof and Wollongong
Catch the burden of the song
That is rolling, rolling ever
O'er the plains of Never Never,
Sounding in each mountain rill,
Echoing from hill to hill ...
In the lonely, silent places
Men lift up their glad, wet faces,
And their thanks ask no explaining --
It is raining -- raining -- raining!
C.J. Dennis
Snow flakes. (45)
BY EMILY DICKINSON
I counted till they danced so
Their slippers leaped the town –
And then I took a pencil
To note the rebels down –
And then they grew so jolly
I did resign the prig –
And ten of my once stately toes
Are marshalled for a jig!
Emily Dickinson
BY EMILY DICKINSON
I counted till they danced so
Their slippers leaped the town –
And then I took a pencil
To note the rebels down –
And then they grew so jolly
I did resign the prig –
And ten of my once stately toes
Are marshalled for a jig!
Emily Dickinson
Letter from Town: The Almond Tree
By D. H. Lawrence, 1885 - 1930
You promised to send me some violets. Did you forget?
White ones and blue ones from under the orchard hedge?
Sweet dark purple, and white ones mixed for a pledge
Of our early love that hardly has opened yet.
Here there’s an almond tree—you have never seen
Such a one in the north—it flowers on the street, and I stand
Every day by the fence to look up for the flowers that expand
At rest in the blue, and wonder at what they mean.
Under the almond tree, the happy lands
Provence, Japan, and Italy repose,
And passing feet are chatter and clapping of those
Who play around us, country girls clapping their hands.
You, my love, the foremost, in a flowered gown,
All your unbearable tenderness, you with the laughter
Startled upon your eyes now so wide with hereafter,
You with loose hands of abandonment hanging down.
DHLawrence
By D. H. Lawrence, 1885 - 1930
You promised to send me some violets. Did you forget?
White ones and blue ones from under the orchard hedge?
Sweet dark purple, and white ones mixed for a pledge
Of our early love that hardly has opened yet.
Here there’s an almond tree—you have never seen
Such a one in the north—it flowers on the street, and I stand
Every day by the fence to look up for the flowers that expand
At rest in the blue, and wonder at what they mean.
Under the almond tree, the happy lands
Provence, Japan, and Italy repose,
And passing feet are chatter and clapping of those
Who play around us, country girls clapping their hands.
You, my love, the foremost, in a flowered gown,
All your unbearable tenderness, you with the laughter
Startled upon your eyes now so wide with hereafter,
You with loose hands of abandonment hanging down.
DHLawrence
La Belle Dame sans Merci: A Ballad
By John Keats
O what can ail thee, knight-at-arms,
Alone and palely loitering?
Thesedgehas withered from the lake,
And no birds sing.
O what can ail thee, knight-at-arms,
Sohaggardand so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in themeads, Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
Andmade sweet moan
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.
She found me roots of relish sweet,
Andhoney wild, and manna-dew,
And sure in language strange she said—
‘I love thee true’.
She took me to herElfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too, Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Thee hathin thrall!’
I saw their starved lips in thegloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
And this is why Isojournhere,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
John Keats
By John Keats
O what can ail thee, knight-at-arms,
Alone and palely loitering?
Thesedgehas withered from the lake,
And no birds sing.
O what can ail thee, knight-at-arms,
Sohaggardand so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in themeads, Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
Andmade sweet moan
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.
She found me roots of relish sweet,
Andhoney wild, and manna-dew,
And sure in language strange she said—
‘I love thee true’.
She took me to herElfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too, Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Thee hathin thrall!’
I saw their starved lips in thegloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
And this is why Isojournhere,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
John Keats
Winter: A Dirge
By Robert Burns
The wintry west extends his blast,
And hail and rain does blaw;
Or, the stormy north sends driving forth
The blinding sleet and snaw:
While tumbling brown, the burn comes down,
And roars frae bank to brae;
And bird and beast in covert rest,
And pass the heartless day.
The sweeping blast, the sky o’ercast,
The joyless winter-day,
Let others fear, to me more dear
Than all the pride of May:
The tempest’s howl, it soothes my soul,
My griefs it seems to join;
The leafless trees my fancy please,
Their fate resembles mine!
Thou Pow’r Supreme, whose mighty scheme
These woes of mine fulfil,
Here, firm, I rest, they must be best,
Because they are Thy will!
Then all I want (O, do Thou grant
This one request of mine!)
Since to enjoy Thou dost deny,
Assist me to resign.
Robert Burns
By Robert Burns
The wintry west extends his blast,
And hail and rain does blaw;
Or, the stormy north sends driving forth
The blinding sleet and snaw:
While tumbling brown, the burn comes down,
And roars frae bank to brae;
And bird and beast in covert rest,
And pass the heartless day.
The sweeping blast, the sky o’ercast,
The joyless winter-day,
Let others fear, to me more dear
Than all the pride of May:
The tempest’s howl, it soothes my soul,
My griefs it seems to join;
The leafless trees my fancy please,
Their fate resembles mine!
Thou Pow’r Supreme, whose mighty scheme
These woes of mine fulfil,
Here, firm, I rest, they must be best,
Because they are Thy will!
Then all I want (O, do Thou grant
This one request of mine!)
Since to enjoy Thou dost deny,
Assist me to resign.
Robert Burns
From: Auguries of Innocence
By William Blake
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
William Blake
By William Blake
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
William Blake
from Beachy Head
By Charlotte Smith
On thy stupendous summit, rock sublime!
That o’er the channel reared, half way at sea
The mariner at early morning hails,
I would recline; while Fancy should go forth,
And represent the strange and awful hour
Of vast concussion; when the Omnipotent
Stretched forth his arm, and rent the solid hills,
Bidding the impetuous main flood rush between
The rifted shores, and from the continent
Eternally divided this green isle.
Imperial lord of the high southern coast!
From thy projecting head-land I would mark
Far in the east the shades of night disperse,
Melting and thinned, as from the dark blue wave
Emerging, brilliant rays of arrowy light
Dart from the horizon; when the glorious sun
Just lifts above it his resplendent orb.
Advances now, with feathery silver touched,
The rippling tide of flood; glisten the sands,
While, inmates of the chalky clefts that scar
Thy sides precipitous, with shrill harsh cry,
Their white wings glancing in the level beam,
The terns, and gulls, and tarrocks, seek their food,
And thy rough hollows echo to the voice
Of the gray choughs, and ever restless daws,
With clamor, not unlike the chiding hounds,
While the lone shepherd, and his baying dog,
Drive to thy turfy crest his bleating flock.
The high meridian of the day is past,
And Ocean now, reflecting the calm Heaven,
Is of cerulean hue; and murmurs low
The tide of ebb, upon the level sands.
The sloop, her angular canvas shifting still,
Catches the light and variable airs
That but a little crisp the summer sea,
Dimpling its tranquil surface.
Charlotte Smith
By Charlotte Smith
On thy stupendous summit, rock sublime!
That o’er the channel reared, half way at sea
The mariner at early morning hails,
I would recline; while Fancy should go forth,
And represent the strange and awful hour
Of vast concussion; when the Omnipotent
Stretched forth his arm, and rent the solid hills,
Bidding the impetuous main flood rush between
The rifted shores, and from the continent
Eternally divided this green isle.
Imperial lord of the high southern coast!
From thy projecting head-land I would mark
Far in the east the shades of night disperse,
Melting and thinned, as from the dark blue wave
Emerging, brilliant rays of arrowy light
Dart from the horizon; when the glorious sun
Just lifts above it his resplendent orb.
Advances now, with feathery silver touched,
The rippling tide of flood; glisten the sands,
While, inmates of the chalky clefts that scar
Thy sides precipitous, with shrill harsh cry,
Their white wings glancing in the level beam,
The terns, and gulls, and tarrocks, seek their food,
And thy rough hollows echo to the voice
Of the gray choughs, and ever restless daws,
With clamor, not unlike the chiding hounds,
While the lone shepherd, and his baying dog,
Drive to thy turfy crest his bleating flock.
The high meridian of the day is past,
And Ocean now, reflecting the calm Heaven,
Is of cerulean hue; and murmurs low
The tide of ebb, upon the level sands.
The sloop, her angular canvas shifting still,
Catches the light and variable airs
That but a little crisp the summer sea,
Dimpling its tranquil surface.
Charlotte Smith
Fireflies in the Garden
By Robert Frost
Here come real stars to fill the upper skies,
And here on earth come emulating flies,
That though they never equal stars in size,
(And they were never really stars at heart)
Achieve at times a very star-like start.
Only, of course, they can't sustain the part.
Robert Frost
By Robert Frost
Here come real stars to fill the upper skies,
And here on earth come emulating flies,
That though they never equal stars in size,
(And they were never really stars at heart)
Achieve at times a very star-like start.
Only, of course, they can't sustain the part.
Robert Frost
Song
By James Joyce
My love is in a light attire
Among the apple trees,
Where the gay winds do most desire
To run in companies.
There, where the gay winds stay to woo
The young leaves as they pass,
My love goes slowly, bending to
Her shadow on the grass.
And where the sky’s a pale blue cup
Over the laughing land,
My love goes lightly, holding up
Her dress with dainty hand.
James Joyce
By James Joyce
My love is in a light attire
Among the apple trees,
Where the gay winds do most desire
To run in companies.
There, where the gay winds stay to woo
The young leaves as they pass,
My love goes slowly, bending to
Her shadow on the grass.
And where the sky’s a pale blue cup
Over the laughing land,
My love goes lightly, holding up
Her dress with dainty hand.
James Joyce
Doreen
by C.J. Dennis
“I WISH’T yeh meant it, Bill.” Oh, ’ow me ’eart
Went out to ’er that ev’nin’ on the beach.
I knoo she weren’t no ordinary tart,
My little peach!
I tell yeh, square an’ all, me ’eart stood still
To ’ear ’er say, “I wish’t yeh meant it, Bill.”
To ’ear ’er voice! Its gentle sorter tone,
Like soft dream-music of some Dago band.
An’ me all out; an’ ’oldin’ in me own
’Er little ’and.
An’ ’ow she blushed! O, strike! it was divine
The way she raised ’er shinin’ eyes to mine.
’Er eyes! Soft in the moon; such boshter eyes!
An’ when they sight a bloke…O, spare me days!
’E goes all loose inside; such glamour lies
In ’er sweet gaze.
It makes ’im all ashamed uv wot ’e’s been
To look inter the eyes of my Doreen.
The wet sands glistened, an’ the gleamin’ moon
Shone yeller on the sea, all streakin’ down.
A band was playin’ some soft, dreamy choon;
An’ up the town
We ’eard the distant tram-cars whir an’ clash.
An’ there I told ’er ’ow I’d done me dash.
“I wish’t yeh meant it.” ’Struth! And did I, fair?
A bloke ’ud be a dawg to kid a skirt
Like ’er. An’ me well knowin’ she was square.
It ’ud be dirt!
’E’d be no man to point wiv ’er, an’ kid.
I meant it honest; an’ she knoo I did.
She knoo. I’ve done me block in on ’er, straight.
A cove ’as got to think some time in life
An’ get some decent tart, ere it’s too late,
To be ’is wife.
But, Gawd! ’Oo would ‘a’ thort it could ‘a’ been
My luck to strike the likes of ’er?…Doreen!
Aw, I can stand their chuckin’ off, I can.
It’s ’ard; an’ I’d delight to take ’em on.
The dawgs! But it gets that way wiv a man
When ’e’s fair gone.
She’ll sight no stoush; an’ so I ’ave to take
Their mag, an’ do a duck fer ’er sweet sake.
Fer ’er sweet sake I’ve gone and chucked it clean:
The pubs an’ schools an’ all that leery game.
Fer when a bloke ’as come to know Doreen,
It ain’t the same.
There’s ’igher things, she sez, for blokes to do.
An’ I am ’arf believin’ that it’s true.
Yes, ’igher things—that wus the way she spoke;
An’ when she looked at me I sorter felt
That bosker feelin’ that comes o’er a bloke,
An’ makes ’im melt;
Makes ’im all ’ot to maul ’er, an’ to shove
’Is arms about ’er…Bli’me? but it’s love!
That’s wot it is. An’ when a man ’as grown
Like that ’e gets a sorter yearn inside
To be a little ’ero on ’is own;
An’ see the pride
Glow in the eyes of ’er ’e calls ’is queen;
An’ ’ear ’er say ’e is a shine champeen.
“I wish’t yeh meant it,” I can ’ear ’er yet,
My bit o’ fluff! The moon was shinin’ bright,
Turnin’ the waves all yeller where it set—
A bonzer night!
The sparklin’ sea all sorter gold an’ green;
An’ on the pier the band—O, ’Ell!…Doreen!
C. J. Dennis
by C.J. Dennis
“I WISH’T yeh meant it, Bill.” Oh, ’ow me ’eart
Went out to ’er that ev’nin’ on the beach.
I knoo she weren’t no ordinary tart,
My little peach!
I tell yeh, square an’ all, me ’eart stood still
To ’ear ’er say, “I wish’t yeh meant it, Bill.”
To ’ear ’er voice! Its gentle sorter tone,
Like soft dream-music of some Dago band.
An’ me all out; an’ ’oldin’ in me own
’Er little ’and.
An’ ’ow she blushed! O, strike! it was divine
The way she raised ’er shinin’ eyes to mine.
’Er eyes! Soft in the moon; such boshter eyes!
An’ when they sight a bloke…O, spare me days!
’E goes all loose inside; such glamour lies
In ’er sweet gaze.
It makes ’im all ashamed uv wot ’e’s been
To look inter the eyes of my Doreen.
The wet sands glistened, an’ the gleamin’ moon
Shone yeller on the sea, all streakin’ down.
A band was playin’ some soft, dreamy choon;
An’ up the town
We ’eard the distant tram-cars whir an’ clash.
An’ there I told ’er ’ow I’d done me dash.
“I wish’t yeh meant it.” ’Struth! And did I, fair?
A bloke ’ud be a dawg to kid a skirt
Like ’er. An’ me well knowin’ she was square.
It ’ud be dirt!
’E’d be no man to point wiv ’er, an’ kid.
I meant it honest; an’ she knoo I did.
She knoo. I’ve done me block in on ’er, straight.
A cove ’as got to think some time in life
An’ get some decent tart, ere it’s too late,
To be ’is wife.
But, Gawd! ’Oo would ‘a’ thort it could ‘a’ been
My luck to strike the likes of ’er?…Doreen!
Aw, I can stand their chuckin’ off, I can.
It’s ’ard; an’ I’d delight to take ’em on.
The dawgs! But it gets that way wiv a man
When ’e’s fair gone.
She’ll sight no stoush; an’ so I ’ave to take
Their mag, an’ do a duck fer ’er sweet sake.
Fer ’er sweet sake I’ve gone and chucked it clean:
The pubs an’ schools an’ all that leery game.
Fer when a bloke ’as come to know Doreen,
It ain’t the same.
There’s ’igher things, she sez, for blokes to do.
An’ I am ’arf believin’ that it’s true.
Yes, ’igher things—that wus the way she spoke;
An’ when she looked at me I sorter felt
That bosker feelin’ that comes o’er a bloke,
An’ makes ’im melt;
Makes ’im all ’ot to maul ’er, an’ to shove
’Is arms about ’er…Bli’me? but it’s love!
That’s wot it is. An’ when a man ’as grown
Like that ’e gets a sorter yearn inside
To be a little ’ero on ’is own;
An’ see the pride
Glow in the eyes of ’er ’e calls ’is queen;
An’ ’ear ’er say ’e is a shine champeen.
“I wish’t yeh meant it,” I can ’ear ’er yet,
My bit o’ fluff! The moon was shinin’ bright,
Turnin’ the waves all yeller where it set—
A bonzer night!
The sparklin’ sea all sorter gold an’ green;
An’ on the pier the band—O, ’Ell!…Doreen!
C. J. Dennis
Song: “Under the greenwood tree”
BY William Shakespeare
(from As You Like It)
Under the greenwood tree
Who loves to lie with me,
And turn his merry note
Unto the sweet bird’s throat,
Come hither, come hither, come hither:
Here shall he see
No enemy
But winter and rough weather.
Who doth ambition shun
And loves to live i’ the sun,
Seeking the food he eats,
And pleased with what he gets,
Come hither, come hither, come hither:
Here shall he see
No enemy
William Shakespeare
BY William Shakespeare
(from As You Like It)
Under the greenwood tree
Who loves to lie with me,
And turn his merry note
Unto the sweet bird’s throat,
Come hither, come hither, come hither:
Here shall he see
No enemy
But winter and rough weather.
Who doth ambition shun
And loves to live i’ the sun,
Seeking the food he eats,
And pleased with what he gets,
Come hither, come hither, come hither:
Here shall he see
No enemy
William Shakespeare
On Virtue
By Phillis Wheatley
O thou bright jewel in my aim I strive
To comprehend thee. Thine own words declare
Wisdom is higher than a fool can reach.
I cease to wonder, and no more attempt
Thine height t’explore, or fathom thy profound.
But, O my soul, sink not into despair,
Virtue is near thee, and with gentle hand
Would now embrace thee, hovers o’er thine head.
Fain would the heaven-born soul with her converse,
Then seek, then court her for her promised bliss.
Auspicious queen, thine heavenly pinions spread,
And lead celestial Chastity along;
Lo! now her sacred retinue descends,
Arrayed in glory from the orbs above.
Attend me, Virtue, thro’ my youthful years!
O leave me not to the false joys of time!
But guide my steps to endless life and bliss.
Greatness, or Goodness, say what I shall call thee,
To give an higher appellation still,
Teach me a better strain, a nobler lay,
O Thou, enthroned with Cherubs in the realms of day!
Phillis Wheatley
By Phillis Wheatley
O thou bright jewel in my aim I strive
To comprehend thee. Thine own words declare
Wisdom is higher than a fool can reach.
I cease to wonder, and no more attempt
Thine height t’explore, or fathom thy profound.
But, O my soul, sink not into despair,
Virtue is near thee, and with gentle hand
Would now embrace thee, hovers o’er thine head.
Fain would the heaven-born soul with her converse,
Then seek, then court her for her promised bliss.
Auspicious queen, thine heavenly pinions spread,
And lead celestial Chastity along;
Lo! now her sacred retinue descends,
Arrayed in glory from the orbs above.
Attend me, Virtue, thro’ my youthful years!
O leave me not to the false joys of time!
But guide my steps to endless life and bliss.
Greatness, or Goodness, say what I shall call thee,
To give an higher appellation still,
Teach me a better strain, a nobler lay,
O Thou, enthroned with Cherubs in the realms of day!
Phillis Wheatley
Among the Rocks
By Robert Browning
Oh, good gigantic smile o’ the brown old earth,
This autumn morning! How he sets his bones
To bask i’ the sun, and thrusts out knees and feet
For the ripple to run over in its mirth;
Listening the while, where on the heap of stones
The white breast of the sea-lark twitters sweet.
That is the doctrine, simple, ancient, true;
Such is life’s trial, as old earth smiles and knows.
If you loved only what were worth your love,
Love were clear gain, and wholly well for you:
Make the low nature better by your throes!
Give earth yourself, go up for gain above!
Robert Browning
By Robert Browning
Oh, good gigantic smile o’ the brown old earth,
This autumn morning! How he sets his bones
To bask i’ the sun, and thrusts out knees and feet
For the ripple to run over in its mirth;
Listening the while, where on the heap of stones
The white breast of the sea-lark twitters sweet.
That is the doctrine, simple, ancient, true;
Such is life’s trial, as old earth smiles and knows.
If you loved only what were worth your love,
Love were clear gain, and wholly well for you:
Make the low nature better by your throes!
Give earth yourself, go up for gain above!
Robert Browning
Serenity
By Edward Rowland Sill
Brook,
Be still,—be still!
Midnight’s arch is broken
In thy ceaseless ripples.
Dark and cold below them
Runs the troubled water,—
Only on its bosom,
Shimmering and trembling,
Doth the glinted star-shine
Sparkle and cease.
Life,
Be still,—be still!
Boundless truth is shattered
On thy hurrying current.
Rest, with face uplifted,
Calm, serenely quiet;
Drink the deathless beauty—
Thrills of love and wonder
Sinking, shining, star-like;
Till the mirrored heaven
Hollow down within thee
Holy deeps unfathomed,
Where far thoughts go floating,
And low voices wander
Whispering peace.
Edward_Roland_Sill
By Edward Rowland Sill
Brook,
Be still,—be still!
Midnight’s arch is broken
In thy ceaseless ripples.
Dark and cold below them
Runs the troubled water,—
Only on its bosom,
Shimmering and trembling,
Doth the glinted star-shine
Sparkle and cease.
Life,
Be still,—be still!
Boundless truth is shattered
On thy hurrying current.
Rest, with face uplifted,
Calm, serenely quiet;
Drink the deathless beauty—
Thrills of love and wonder
Sinking, shining, star-like;
Till the mirrored heaven
Hollow down within thee
Holy deeps unfathomed,
Where far thoughts go floating,
And low voices wander
Whispering peace.
Edward_Roland_Sill
Interim
By Lola Ridge
The earth is motionless
And poised in space …
A great bird resting in its flight
Between the alleys of the stars.
It is the wind’s hour off ….
The wind has nestled down among the corn ….
The two speak privately together,
Awaiting the whirr of wing
Lola Ridge
By Lola Ridge
The earth is motionless
And poised in space …
A great bird resting in its flight
Between the alleys of the stars.
It is the wind’s hour off ….
The wind has nestled down among the corn ….
The two speak privately together,
Awaiting the whirr of wing
Lola Ridge
Constancy
By George Herbert
Who is the honest man?
He that doth still and strongly good pursue,
To God, his neighbour, and himself most true:
Whom neither force nor fawning can
Unpin, or wrench from giving all their due.
Whose honesty is not
So loose or easy, that a ruffling wind
Can blow away, or glittering look it blind:
Who rides his sure and even trot,
While the world now rides by, now lags behind.
Who, when great trials come,
Nor seeks, nor shuns them; but doth calmly stay,
Till he the thing and the example weigh:
All being brought into a sum,
What place or person calls for, he doth pay.
Whom none can work or woo
To use in any thing a trick or sleight;
For above all things he abhors deceit:
His words and works and fashion too
All of a piece, and all are clear and straight.
Who never melts or thaws
At close temptations: when the day is done,
His goodness sets not, but in dark can run:
The sun to others writeth laws,
And is their virtue; Virtue is his Sun.
Who, when he is to treat
With sick folks, women, those whom passions sway,
Allows for that, and keeps his constant way:
Whom others’ faults do not defeat;
But though men fail him, yet his part doth play.
Whom nothing can procure,
When the wide world runs bias from his will,
To writhe his limbs, and share, not mend the ill.
This is the Marksman, safe and sure,
Who still is right, and prays to be so still.
George Herbert
By George Herbert
Who is the honest man?
He that doth still and strongly good pursue,
To God, his neighbour, and himself most true:
Whom neither force nor fawning can
Unpin, or wrench from giving all their due.
Whose honesty is not
So loose or easy, that a ruffling wind
Can blow away, or glittering look it blind:
Who rides his sure and even trot,
While the world now rides by, now lags behind.
Who, when great trials come,
Nor seeks, nor shuns them; but doth calmly stay,
Till he the thing and the example weigh:
All being brought into a sum,
What place or person calls for, he doth pay.
Whom none can work or woo
To use in any thing a trick or sleight;
For above all things he abhors deceit:
His words and works and fashion too
All of a piece, and all are clear and straight.
Who never melts or thaws
At close temptations: when the day is done,
His goodness sets not, but in dark can run:
The sun to others writeth laws,
And is their virtue; Virtue is his Sun.
Who, when he is to treat
With sick folks, women, those whom passions sway,
Allows for that, and keeps his constant way:
Whom others’ faults do not defeat;
But though men fail him, yet his part doth play.
Whom nothing can procure,
When the wide world runs bias from his will,
To writhe his limbs, and share, not mend the ill.
This is the Marksman, safe and sure,
Who still is right, and prays to be so still.
George Herbert
Swallows
By Leonora Speyer
They dip their wings in the sunset,
They dash against the air
As if to break themselves upon its stillness:
In every movement, too swift to count,
Is a revelry of indecision,
A furtive delight in trees they do not desire And in grasses that shall not know their weight.
They hover and lean toward the meadow
With little edged cries;
And then,
As if frightened at the earth’s nearness, They seek the high austerity of evening sky And swirl into its depth.
Leonora Speyer
By Leonora Speyer
They dip their wings in the sunset,
They dash against the air
As if to break themselves upon its stillness:
In every movement, too swift to count,
Is a revelry of indecision,
A furtive delight in trees they do not desire And in grasses that shall not know their weight.
They hover and lean toward the meadow
With little edged cries;
And then,
As if frightened at the earth’s nearness, They seek the high austerity of evening sky And swirl into its depth.
Leonora Speyer
Tall
Nettles
By Edward Thomas
TALL nettles cover up, as they have done
These many springs, the rusty harrow, the plough
Long worn out, and the roller made of stone:
Only the elm butt tops the nettles now.
This corner of the farmyard I like most:
As well as any bloom upon a flower
I like the dust on the nettles, never lost
Except to prove the sweetness of a shower.
Edward Thomas
By Edward Thomas
TALL nettles cover up, as they have done
These many springs, the rusty harrow, the plough
Long worn out, and the roller made of stone:
Only the elm butt tops the nettles now.
This corner of the farmyard I like most:
As well as any bloom upon a flower
I like the dust on the nettles, never lost
Except to prove the sweetness of a shower.
Edward Thomas
A Gift
by Leonora Speyer
I Woke: —
Night, lingering, poured upon the world
Of drowsy hill and wood and lake
Her moon-song,
And the breeze accompanied with hushed fingers
On the birches.
Gently the dawn held out to me
A golden handful of bird’s-notes.
Leonora Speyer
by Leonora Speyer
I Woke: —
Night, lingering, poured upon the world
Of drowsy hill and wood and lake
Her moon-song,
And the breeze accompanied with hushed fingers
On the birches.
Gently the dawn held out to me
A golden handful of bird’s-notes.
Leonora Speyer
Old
Wine
by Margaret Widdemer
If I could lift
My heart but high enough
My heart could fill with love:
But ah, my heart
Too still and heavy stays
Too brimming with old days.
Margaret Widdemer
by Margaret Widdemer
If I could lift
My heart but high enough
My heart could fill with love:
But ah, my heart
Too still and heavy stays
Too brimming with old days.
Margaret Widdemer
From: A Dream of the Unknown
by P. B. Shelley
I DREAM’D that as I wander’d by the way
Bare winter suddenly was changed to spring,
And gentle odours led my steps astray,
Mix’d with a sound of waters murmuring
Along a shelving bank of turf, which lay
Under a copse, and hardly dared to fling
Its green arms round the bosom of the stream,
But kiss’d it and then fled, as thou mightest in dream.
There grew pied wind-flowers and violets,
Daisies, those pearl’d Arcturi of the earth,
The constellated flower that never sets;
Faint oxlips; tender bluebells, at whose birth
The sod scarce heaved; and that tall flower that wets—
Like a child, half in tenderness and mirth—
Its mother’s face with heaven-collected tears,
When the low wind, its playmate’s voice, it hears.
And in the warm hedge grew lush eglantine,
Green cow-bind and the moonlight-colour’d may,
And cherry-blossoms, and white cups, whose wine
Was the bright dew yet drain’d not by the day;
And wild roses, and ivy serpentine
With its dark buds and leaves, wandering astray;
And flowers azure, black, and streak’d with gold,
Fairer than any waken’d eyes behold.
P. B. Shelley
by P. B. Shelley
I DREAM’D that as I wander’d by the way
Bare winter suddenly was changed to spring,
And gentle odours led my steps astray,
Mix’d with a sound of waters murmuring
Along a shelving bank of turf, which lay
Under a copse, and hardly dared to fling
Its green arms round the bosom of the stream,
But kiss’d it and then fled, as thou mightest in dream.
There grew pied wind-flowers and violets,
Daisies, those pearl’d Arcturi of the earth,
The constellated flower that never sets;
Faint oxlips; tender bluebells, at whose birth
The sod scarce heaved; and that tall flower that wets—
Like a child, half in tenderness and mirth—
Its mother’s face with heaven-collected tears,
When the low wind, its playmate’s voice, it hears.
And in the warm hedge grew lush eglantine,
Green cow-bind and the moonlight-colour’d may,
And cherry-blossoms, and white cups, whose wine
Was the bright dew yet drain’d not by the day;
And wild roses, and ivy serpentine
With its dark buds and leaves, wandering astray;
And flowers azure, black, and streak’d with gold,
Fairer than any waken’d eyes behold.
P. B. Shelley
Passers-by
by Carl Sandburg
Passers-by,
Out of your many faces
Flash memories to me
Now at the day end
Away from the sidewalks
Where your shoe soles traveled
And your voices rose and blent
To form the city’s afternoon roar
Hindering an old silence.
Passers-by,
I remember lean ones among you,
Throats in the clutch of a hope,
Lips written over with strivings,
Mouths that kiss only for love,
Records of great wishes slept with,
Held long
And prayed and toiled for:
Yes,
Written on
Your mouths
And your throats
I read them
When you passed by.
Carl Sandburg
by Carl Sandburg
Passers-by,
Out of your many faces
Flash memories to me
Now at the day end
Away from the sidewalks
Where your shoe soles traveled
And your voices rose and blent
To form the city’s afternoon roar
Hindering an old silence.
Passers-by,
I remember lean ones among you,
Throats in the clutch of a hope,
Lips written over with strivings,
Mouths that kiss only for love,
Records of great wishes slept with,
Held long
And prayed and toiled for:
Yes,
Written on
Your mouths
And your throats
I read them
When you passed by.
Carl Sandburg
Sunday
Evening in the Common
By John Hall Wheelock
LOOK—on the topmost branches of the world
The blossoms of the myriad stars are thick;
Over the huddled rows of stone and brick,
A few, sad wisps of empty smoke are curled
Like ghosts, languid and sick.
One breathless moment now the city’s moaning
Fades, and the endless streets seem vague and dim;
There is no sound around the whole world’s rim,
Save in the distance a small band is droning
Some desolate old hymn.
Van Wyck, how often have we been together
When this same moment made all mysteries clear;
—The infinite stars that brood above us here,
And the gray city in the soft June weather,
So tawdry and so dear!
John Hall Wheelock
By John Hall Wheelock
LOOK—on the topmost branches of the world
The blossoms of the myriad stars are thick;
Over the huddled rows of stone and brick,
A few, sad wisps of empty smoke are curled
Like ghosts, languid and sick.
One breathless moment now the city’s moaning
Fades, and the endless streets seem vague and dim;
There is no sound around the whole world’s rim,
Save in the distance a small band is droning
Some desolate old hymn.
Van Wyck, how often have we been together
When this same moment made all mysteries clear;
—The infinite stars that brood above us here,
And the gray city in the soft June weather,
So tawdry and so dear!
John Hall Wheelock
Where
They Lived
By Thomas Hardy
Dishevelled leaves creep down
Upon that bank to-day,
Some green, some yellow, and some pale brown;
The wet bents bob and sway;
The once warm slippery turf is sodden
Where we laughingly sat or lay.
The summerhouse is gone,
Leaving a weedy space;
The bushes that veiled it once have grown
Gaunt trees that interlace,
Through whose lank limbs I see too clearly
The nakedness of the place.
And where were hills of blue,
Blind drifts of vapour blow,
And the names of former dwellers few,
If any, people know,
And instead of a voice that called, “Come in, Dears,”
Time calls, “Pass below!”
Thomas Hardy
By Thomas Hardy
Dishevelled leaves creep down
Upon that bank to-day,
Some green, some yellow, and some pale brown;
The wet bents bob and sway;
The once warm slippery turf is sodden
Where we laughingly sat or lay.
The summerhouse is gone,
Leaving a weedy space;
The bushes that veiled it once have grown
Gaunt trees that interlace,
Through whose lank limbs I see too clearly
The nakedness of the place.
And where were hills of blue,
Blind drifts of vapour blow,
And the names of former dwellers few,
If any, people know,
And instead of a voice that called, “Come in, Dears,”
Time calls, “Pass below!”
Thomas Hardy
A
narrow fellow in the grass
By Emily Dickinson
A narrow fellow in the grass
Occasionally rides;
You may have met him-did you not
His notice sudden is,
The grass divides as with a comb,
A spotted shaft is seen,
And then it closes at your feet,
And opens further on.
He likes a boggy acre,
A floor too cool for corn,
But when a boy and barefoot,
I more than once at noon
Have passed, I thought, a whip lash,
Unbraiding in the sun,
When stooping to secure it,
It wrinkled and was gone.
Several of nature’s people
I know, and they know me;
I feel for them a transport
Of cordiality.
But never met this fellow,
Attended or alone,
Without a tighter breathing,
And zero at the bone.
Emily Dickinson
By Emily Dickinson
A narrow fellow in the grass
Occasionally rides;
You may have met him-did you not
His notice sudden is,
The grass divides as with a comb,
A spotted shaft is seen,
And then it closes at your feet,
And opens further on.
He likes a boggy acre,
A floor too cool for corn,
But when a boy and barefoot,
I more than once at noon
Have passed, I thought, a whip lash,
Unbraiding in the sun,
When stooping to secure it,
It wrinkled and was gone.
Several of nature’s people
I know, and they know me;
I feel for them a transport
Of cordiality.
But never met this fellow,
Attended or alone,
Without a tighter breathing,
And zero at the bone.
Emily Dickinson
Song
of the Witches: “Double, double toil and trouble”
By William Shakespeare
(from Macbeth)
Double, double toil and trouble;
Fire burn and caldron bubble.
Fillet of a fenny snake,
In the caldron boil and bake;
Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder’s fork and blind-worm’s sting,
Lizard’s leg and howlet’s wing,
For a charm of powerful trouble,
Like a hell-broth boil and bubble.
Double, double toil and trouble;
Fire burn and caldron bubble.
Cool it with a baboon’s blood,
Then the charm is firm and good.
William Shakespeare
By William Shakespeare
(from Macbeth)
Double, double toil and trouble;
Fire burn and caldron bubble.
Fillet of a fenny snake,
In the caldron boil and bake;
Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder’s fork and blind-worm’s sting,
Lizard’s leg and howlet’s wing,
For a charm of powerful trouble,
Like a hell-broth boil and bubble.
Double, double toil and trouble;
Fire burn and caldron bubble.
Cool it with a baboon’s blood,
Then the charm is firm and good.
William Shakespeare
Willow
Poem
by William Carlos Williams
It is a willow when summer is over,
a willow by the river
from which no leaf has fallen nor
bitten by the sun
turned orange or crimson.
The leaves cling and grow paler,
swing and grow paler
over the swirling waters of the river
as if loath to let go,
they are so cool, so drunk with
the swirl of the wind and of the river-
oblivious to winter,
the last to let go and fall
into the water and on the ground.
William Carlos Williams
by William Carlos Williams
It is a willow when summer is over,
a willow by the river
from which no leaf has fallen nor
bitten by the sun
turned orange or crimson.
The leaves cling and grow paler,
swing and grow paler
over the swirling waters of the river
as if loath to let go,
they are so cool, so drunk with
the swirl of the wind and of the river-
oblivious to winter,
the last to let go and fall
into the water and on the ground.
William Carlos Williams
A Hymn to the Moon
(Written in an Arbour)
By Lady Mary Wortley Montagu
Thou silver deity of secret night,
Direct my footsteps through the woodland shade;
Thou conscious witness of unknown delight,
The Lover’s guardian, and the Muse’s aid!
By thy pale beams I solitary rove,
To thee my tender grief confide;
Serenely sweet you gild the silent grove,
My friend, my goddess, and my guide.
E’en thee, fair queen, from thy amazing height,
The charms of young Endymion drew;
Veil’d with the mantle of concealing night;
With all thy greatness and thy coldness too.
Lady Mary Wortley Montagu
(Written in an Arbour)
By Lady Mary Wortley Montagu
Thou silver deity of secret night,
Direct my footsteps through the woodland shade;
Thou conscious witness of unknown delight,
The Lover’s guardian, and the Muse’s aid!
By thy pale beams I solitary rove,
To thee my tender grief confide;
Serenely sweet you gild the silent grove,
My friend, my goddess, and my guide.
E’en thee, fair queen, from thy amazing height,
The charms of young Endymion drew;
Veil’d with the mantle of concealing night;
With all thy greatness and thy coldness too.
Lady Mary Wortley Montagu
The Cliffside Path
(from A Midsummer Holiday and Other Poems, 1884)
By Algernon Charles Swimburne
Seaward goes the sun, and homeward by the down
We, before the night upon his grave be sealed.
Low behind us lies the bright steep murmuring town,
High before us heaves the steep rough silent field.
Breach by ghastlier breach, the cliffs collapsing yield:
Half the path is broken, half the banks divide;
Flawed and crumbled, riven and rent, they cleave and slide
Toward the ridged and wrinkled waste of girdling sand
Deep beneath, whose furrows tell how far and wide
Wind is lord and change is sovereign of the strand.
Star by star on the unsunned waters twiring down,
Golden spear-points glance against a silver shield.
Over banks and bents, across the headland’s crown,
As by pulse of gradual plumes through twilight wheeled,
Soft as sleep, the waking wind awakes the weald.
Moor and copse and fallow, near or far descried.
Feel the mild wings move, and gladden where they glide:
Silence, uttering love that all things understand,
Bids the quiet fields forget that hard beside
Wind is lord and change is sovereign of the strand.
Yet may sight, ere all the hoar soft shade grow brown,
Hardly reckon half the rifts and rents unhealed
Where the scarred cliffs downward sundering drive and drown,
Hewn as if with stroke of swords in tempest steeled,
Wielded as the night’s will and the wind’s may wield.
Crowned and zoned in vain with flowers of autumn-tide,
Soon the blasts shall break them, soon the waters hide,
Soon, where late we stood, shall no man ever stand.
Life and love seek harbourage on the landward side:
Wind is lord and change is sovereign of the strand.
Friend, though man be less than these, for all his pride,
Yet, for all his weakness, shall not hope abide?
Wind and change can wreck but life and waste but land:
Truth and trust are sure, though here till all subside
Wind is lord and change is sovereign of the strand.
Algernon Charles Swimburne
(from A Midsummer Holiday and Other Poems, 1884)
By Algernon Charles Swimburne
Seaward goes the sun, and homeward by the down
We, before the night upon his grave be sealed.
Low behind us lies the bright steep murmuring town,
High before us heaves the steep rough silent field.
Breach by ghastlier breach, the cliffs collapsing yield:
Half the path is broken, half the banks divide;
Flawed and crumbled, riven and rent, they cleave and slide
Toward the ridged and wrinkled waste of girdling sand
Deep beneath, whose furrows tell how far and wide
Wind is lord and change is sovereign of the strand.
Star by star on the unsunned waters twiring down,
Golden spear-points glance against a silver shield.
Over banks and bents, across the headland’s crown,
As by pulse of gradual plumes through twilight wheeled,
Soft as sleep, the waking wind awakes the weald.
Moor and copse and fallow, near or far descried.
Feel the mild wings move, and gladden where they glide:
Silence, uttering love that all things understand,
Bids the quiet fields forget that hard beside
Wind is lord and change is sovereign of the strand.
Yet may sight, ere all the hoar soft shade grow brown,
Hardly reckon half the rifts and rents unhealed
Where the scarred cliffs downward sundering drive and drown,
Hewn as if with stroke of swords in tempest steeled,
Wielded as the night’s will and the wind’s may wield.
Crowned and zoned in vain with flowers of autumn-tide,
Soon the blasts shall break them, soon the waters hide,
Soon, where late we stood, shall no man ever stand.
Life and love seek harbourage on the landward side:
Wind is lord and change is sovereign of the strand.
Friend, though man be less than these, for all his pride,
Yet, for all his weakness, shall not hope abide?
Wind and change can wreck but life and waste but land:
Truth and trust are sure, though here till all subside
Wind is lord and change is sovereign of the strand.
Algernon Charles Swimburne
The Candle
by Katherine Mansfield
By my bed, on a little round table,
The Grandmother placed a candle.
She gave me three kisses telling me they were three dreams
And tucked me in just where I loved being tucked.
Then she went out of the room and the door was shut.
I lay still, waiting for my three dreams to talk;
But they were silent.
Suddenly I remembered giving her three kisses back.
Perhaps, by mistake, I had given my three little dreams.
I sat up in bed.
The room grew big, oh, bigger far than a church.
The wardrobe, quite by itself, as big as a house.
And the jug on the washstand smiled at me:
It was not a friendly smile.
I looked at the basket-chair where my clothes lay folded:
The chair gave a creak as though it were listening for something.
Perhaps it was coming alive and going to dress in my clothes.
But the awful thing was the window:
I could not think what was outside.
No tree to be seen, I was sure,
No nice little plant or friendly pebbly path.
Why did she pull the blind down every night?
It was better to know.
I crunched my teeth and crept out of bed.
I peeped through a slit of blind.
There was nothing at all to be seen
But hundreds of friendly candles all over the sky
In remembrance of frightened children.
I went back to bed …
The three dreams started singing a little song.
Katherine Mansfield
by Katherine Mansfield
By my bed, on a little round table,
The Grandmother placed a candle.
She gave me three kisses telling me they were three dreams
And tucked me in just where I loved being tucked.
Then she went out of the room and the door was shut.
I lay still, waiting for my three dreams to talk;
But they were silent.
Suddenly I remembered giving her three kisses back.
Perhaps, by mistake, I had given my three little dreams.
I sat up in bed.
The room grew big, oh, bigger far than a church.
The wardrobe, quite by itself, as big as a house.
And the jug on the washstand smiled at me:
It was not a friendly smile.
I looked at the basket-chair where my clothes lay folded:
The chair gave a creak as though it were listening for something.
Perhaps it was coming alive and going to dress in my clothes.
But the awful thing was the window:
I could not think what was outside.
No tree to be seen, I was sure,
No nice little plant or friendly pebbly path.
Why did she pull the blind down every night?
It was better to know.
I crunched my teeth and crept out of bed.
I peeped through a slit of blind.
There was nothing at all to be seen
But hundreds of friendly candles all over the sky
In remembrance of frightened children.
I went back to bed …
The three dreams started singing a little song.
Katherine Mansfield
A Palinode
By Edmund Bolton
As withereth the primrose by the river,
As fadeth summer’s sun from gliding fountains,
As vanisheth the light-blown bubble ever,
As melteth snow upon the mossy mountains:
So melts, so vanishes, so fades, so withers
The rose, the shine, the bubble and the snow
Of praise, pomp, glory, joy - which short life gathers -
Fair praise, vain pomp, sweet glory, brittle joy.
The withered primrose by the mourning river,
The faded summer’s sun from weeping fountains,
The light-blown bubble, vanishéd for ever,
The molten snow upon the naked mountains,
Are emblems that the treasures we up-lay
Soon wither, vanish, fade and melt away.
For as the snow, whose lawn did overspread
The ambitious hills, which giant-like did threat
To pierce the heaven with their aspiring head,
Naked and bare doth leave their craggy seat;
Whenas the bubble, which did empty fly
The dalliance of the undiscernéd wind,
On whose calm rolling waves it did rely,
Hath shipwreck made, where it did dalliance find;
And when the sunshine, which dissolved the snow,
Coloured the bubble with a pleasant vary,
And made the rathe and timely primrose grow,
Swarth clouds withdrawn (which longer time do tarry) -
Oh, what is praise, pomp, glory, joy, but so
As shine by fountains, bubbles, flowers or snow?
Edmund Bolton
By Edmund Bolton
As withereth the primrose by the river,
As fadeth summer’s sun from gliding fountains,
As vanisheth the light-blown bubble ever,
As melteth snow upon the mossy mountains:
So melts, so vanishes, so fades, so withers
The rose, the shine, the bubble and the snow
Of praise, pomp, glory, joy - which short life gathers -
Fair praise, vain pomp, sweet glory, brittle joy.
The withered primrose by the mourning river,
The faded summer’s sun from weeping fountains,
The light-blown bubble, vanishéd for ever,
The molten snow upon the naked mountains,
Are emblems that the treasures we up-lay
Soon wither, vanish, fade and melt away.
For as the snow, whose lawn did overspread
The ambitious hills, which giant-like did threat
To pierce the heaven with their aspiring head,
Naked and bare doth leave their craggy seat;
Whenas the bubble, which did empty fly
The dalliance of the undiscernéd wind,
On whose calm rolling waves it did rely,
Hath shipwreck made, where it did dalliance find;
And when the sunshine, which dissolved the snow,
Coloured the bubble with a pleasant vary,
And made the rathe and timely primrose grow,
Swarth clouds withdrawn (which longer time do tarry) -
Oh, what is praise, pomp, glory, joy, but so
As shine by fountains, bubbles, flowers or snow?
Edmund Bolton
III (from Mont Blanc)
By Percy Bysshe Shelley
Some say that gleams of a remoter world
Visit the soul in sleep, that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live. I look on high;
Has some unknown omnipotence unfurl’d
The veil of life and death? or do I lie
In dream, and does the mightier world of sleep
Spread far around and inaccessibly
Its circles? For the very spirit fails,
Driven like a homeless cloud from steep to steep
That vanishes among the viewless gales!
Far, far above, piercing the infinite sky,
Mont Blanc appears - still, snowy, and serene;
Its subject mountains their unearthly forms
Pile around it, ice and rock; broad vales between
Of frozen floods, unfathomable deeps,
Blue as the overhanging heaven, that spread
And wind among the accumulated steeps;
A desert peopled by the storms alone,
Save when the eagle brings some hunter’s bone,
And the wolf tracks her there - how hideously
Its shapes are heap’d around! rude, bare, and high,
Ghastly, and scarr’d, and riven. Is this the scene
Where the old Earthquake-daemon taught her young
Ruin? Were these their toys? or did a sea
Of fire envelop once this silent snow?
None can reply - all seems eternal now.
The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so serene, that man may be,
But for such faith, with Nature reconcil’d;
Thou hast a voice, great Mountain, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.
Percy Bysshe Shelley
By Percy Bysshe Shelley
Some say that gleams of a remoter world
Visit the soul in sleep, that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live. I look on high;
Has some unknown omnipotence unfurl’d
The veil of life and death? or do I lie
In dream, and does the mightier world of sleep
Spread far around and inaccessibly
Its circles? For the very spirit fails,
Driven like a homeless cloud from steep to steep
That vanishes among the viewless gales!
Far, far above, piercing the infinite sky,
Mont Blanc appears - still, snowy, and serene;
Its subject mountains their unearthly forms
Pile around it, ice and rock; broad vales between
Of frozen floods, unfathomable deeps,
Blue as the overhanging heaven, that spread
And wind among the accumulated steeps;
A desert peopled by the storms alone,
Save when the eagle brings some hunter’s bone,
And the wolf tracks her there - how hideously
Its shapes are heap’d around! rude, bare, and high,
Ghastly, and scarr’d, and riven. Is this the scene
Where the old Earthquake-daemon taught her young
Ruin? Were these their toys? or did a sea
Of fire envelop once this silent snow?
None can reply - all seems eternal now.
The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so serene, that man may be,
But for such faith, with Nature reconcil’d;
Thou hast a voice, great Mountain, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.
Percy Bysshe Shelley
Redbirds
By Sara Teasdale
Redbirds, redbirds,
Long and long ago,
What a honey-call you had
In hills I used to know;
Redbud, buckberry,
Wild plum-tree
And proud river sweeping
Southward to the sea,
Brown and gold in the sun
Sparkling far below,
Trailing stately round her bluffs
Where the poplars grow -
Redbirds, redbirds,
Are you singing still
As you sang one May day
On Saxton’s Hill?
Sara Teasdale
By Sara Teasdale
Redbirds, redbirds,
Long and long ago,
What a honey-call you had
In hills I used to know;
Redbud, buckberry,
Wild plum-tree
And proud river sweeping
Southward to the sea,
Brown and gold in the sun
Sparkling far below,
Trailing stately round her bluffs
Where the poplars grow -
Redbirds, redbirds,
Are you singing still
As you sang one May day
On Saxton’s Hill?
Sara Teasdale
From "The Princess"
By Lord Alfred Tennyson
Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang),
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying thro’ the lawn,
The moan of doves is immemorial elms,
And murmuring of innumerable bees.
Lord Alfred Tennyson
By Lord Alfred Tennyson
Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang),
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying thro’ the lawn,
The moan of doves is immemorial elms,
And murmuring of innumerable bees.
Lord Alfred Tennyson
Love and Friendship
Emily Brontë
Love is like the wild rose-briar,
Friendship like the holly-tree-
The holly is dark when the rose-briar blooms
But which will bloom most constantly?
The wild rose-briar is sweet in spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who will call the wild-briar fair?
Then scorn the silly rose-wreath now
And deck thee with the holly’s sheen,
That when December blights thy brow
He still may leave thy garland green.
Emily Brontë
Emily Brontë
Love is like the wild rose-briar,
Friendship like the holly-tree-
The holly is dark when the rose-briar blooms
But which will bloom most constantly?
The wild rose-briar is sweet in spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who will call the wild-briar fair?
Then scorn the silly rose-wreath now
And deck thee with the holly’s sheen,
That when December blights thy brow
He still may leave thy garland green.
Emily Brontë
The Wind Sleepers
By H. D.
Whiter
than the crust
left by the tide,
we are stung by the hurled sand
and the broken shells.
We no longer sleep
in the wind-
we awoke and fled
through the city gate.
Tear-
tear us an altar,
tug at the cliff-boulders,
pile them with the rough stones-
we no longer
sleep in the wind,
propitiate us.
Chant in a wail
that never halts,
pace a circle and pay tribute
with a song.
When the roar of a dropped wave
breaks into it,
pour meted words
of sea-hawks and gull
sand sea-birds that cry
discords.
H. D.
By H. D.
Whiter
than the crust
left by the tide,
we are stung by the hurled sand
and the broken shells.
We no longer sleep
in the wind-
we awoke and fled
through the city gate.
Tear-
tear us an altar,
tug at the cliff-boulders,
pile them with the rough stones-
we no longer
sleep in the wind,
propitiate us.
Chant in a wail
that never halts,
pace a circle and pay tribute
with a song.
When the roar of a dropped wave
breaks into it,
pour meted words
of sea-hawks and gull
sand sea-birds that cry
discords.
H. D.
Sonnet 23
By William Shakespeare
As an unperfect actor on the stage,
Who with his fear is put beside his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart;
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’ercharg’d with burthen of mine own love’s might.
O! let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love, and look for recompense,
More than that tongue that more hath more express’d.
O! learn to read what silent love hath writ:
To hear with eyes belongs to love’s fine wit.
William Shakespeare
By William Shakespeare
As an unperfect actor on the stage,
Who with his fear is put beside his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart;
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’ercharg’d with burthen of mine own love’s might.
O! let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love, and look for recompense,
More than that tongue that more hath more express’d.
O! learn to read what silent love hath writ:
To hear with eyes belongs to love’s fine wit.
William Shakespeare
Rondeau
by Jessie Redmon Fauset
When April’s here and meadows wide
Once more with spring’s sweet growths are pied
I close each book, drop each pursuit,
And past the brook, no longer mute,
I joyous roam the countryside.
Look, here the violets shy abide
And there the mating robins hide -
How keen my sense, how acute,
When April’s here!
And list! down where the shimmering tide
Hard by that farthest hill doth glide,
Rise faint strains from shepherd’s flute,
Pan’s pipes and Berecyntian lute.
Each sight, each sound fresh joys provide
When April’s here.
Jessie Redmon Fauset
by Jessie Redmon Fauset
When April’s here and meadows wide
Once more with spring’s sweet growths are pied
I close each book, drop each pursuit,
And past the brook, no longer mute,
I joyous roam the countryside.
Look, here the violets shy abide
And there the mating robins hide -
How keen my sense, how acute,
When April’s here!
And list! down where the shimmering tide
Hard by that farthest hill doth glide,
Rise faint strains from shepherd’s flute,
Pan’s pipes and Berecyntian lute.
Each sight, each sound fresh joys provide
When April’s here.
Jessie Redmon Fauset
Hours
By Hazel Hall
I have known hours built like cities,
House on grey house, with streets between
That lead to straggling roads and trail off,
Forgotten in a field of green;
Hours made like mountains lifting
White crests out of the fog and rain,
And woven of forbidden music-
Hours eternal in their pain.
Life is a tapestry of hours
Forever mellowing in tone,
Where all things blend, even the longing
For hours I have never known.
Hazel Hall
By Hazel Hall
I have known hours built like cities,
House on grey house, with streets between
That lead to straggling roads and trail off,
Forgotten in a field of green;
Hours made like mountains lifting
White crests out of the fog and rain,
And woven of forbidden music-
Hours eternal in their pain.
Life is a tapestry of hours
Forever mellowing in tone,
Where all things blend, even the longing
For hours I have never known.
Hazel Hall
Long
Island Sound
By Emma Lazarus
I see it as it looked one afternoon
In August,- by a fresh soft breeze o’erblown.
The swiftness of the tide, the light thereon,
A far-off sail, white as a crescent moon.
The shining waters with pale currents strewn,
The quiet fishing-smacks, the Eastern cove,
The semi-circle of its dark, green grove.
The luminous grasses, and the merry sun
In the grave sky; the sparkle far and wide,
Laughter of unseen children, cheerful chirp
Of crickets, and low lisp of rippling tide,
Light summer clouds fantastical as sleep
Changing unnoted while I gazed thereon.
All these fair sounds and sights I made my own.
Emma Lazarus
By Emma Lazarus
I see it as it looked one afternoon
In August,- by a fresh soft breeze o’erblown.
The swiftness of the tide, the light thereon,
A far-off sail, white as a crescent moon.
The shining waters with pale currents strewn,
The quiet fishing-smacks, the Eastern cove,
The semi-circle of its dark, green grove.
The luminous grasses, and the merry sun
In the grave sky; the sparkle far and wide,
Laughter of unseen children, cheerful chirp
Of crickets, and low lisp of rippling tide,
Light summer clouds fantastical as sleep
Changing unnoted while I gazed thereon.
All these fair sounds and sights I made my own.
Emma Lazarus
A
Bird Song
By Christina Rossetti
It’s a year almost that I have not seen her:
Oh, last summer green things were greener,
Brambles fewer, the blue sky bluer.
It’s surely summer, for there’s a swallow:
Come one swallow, his mate will follow,
The bird race quicken and wheel and thicken.
Oh happy swallow whose mate will follow
O’er height, o’er hollow! I’d be a swallow,
To build this weather one nest together.
Christina Rossetti
By Christina Rossetti
It’s a year almost that I have not seen her:
Oh, last summer green things were greener,
Brambles fewer, the blue sky bluer.
It’s surely summer, for there’s a swallow:
Come one swallow, his mate will follow,
The bird race quicken and wheel and thicken.
Oh happy swallow whose mate will follow
O’er height, o’er hollow! I’d be a swallow,
To build this weather one nest together.
Christina Rossetti
There
may be chaos still around the world
by George Santayana
There may be chaos still around the world,
This little world that in my thinking lies;
For mine own bosom is the paradise
Where all my life’s fair visions are unfurled.
Within my nature’s shell I slumber curled,
Unmindful of the changing outer skies,
Where now, perchance, some new-born Eros flies,
Or some old Cronos from his throne is hurled.
I heed them not; or if the subtle night
Haunt me with deities I never saw,
I soon mine eyelid’s drowsy curtain draw
To hide their myriad faces from my sight.
They threat in vain; the whirlwind cannot awe
A happy snow-flake dancing in the flaw.
George Santayana
by George Santayana
There may be chaos still around the world,
This little world that in my thinking lies;
For mine own bosom is the paradise
Where all my life’s fair visions are unfurled.
Within my nature’s shell I slumber curled,
Unmindful of the changing outer skies,
Where now, perchance, some new-born Eros flies,
Or some old Cronos from his throne is hurled.
I heed them not; or if the subtle night
Haunt me with deities I never saw,
I soon mine eyelid’s drowsy curtain draw
To hide their myriad faces from my sight.
They threat in vain; the whirlwind cannot awe
A happy snow-flake dancing in the flaw.
George Santayana
The
Prairie Town
By Helen Santmyer
Lovers of beauty laugh at this grey town,
Where dust lies thick on ragged curb-side trees,
And compass-needle streets lead up and down
And lose themselves in empty prairie seas.
Here is no winding scented lane, no hill
Crowned with a steepled church, no garden wall
Of old grey stone where lilacs bloom, and fill
The air with fragrance when the May rains fall.
But here is the unsoftened majesty
Of the wide earth where all the wide streets end,
And from the dusty corner one may see
The full moon rise, and flaming sun descend.
The long main street, whence farmers’ teams go forth,
Lies like an old sea road, star-pointed north.
Helen Santmyer
By Helen Santmyer
Lovers of beauty laugh at this grey town,
Where dust lies thick on ragged curb-side trees,
And compass-needle streets lead up and down
And lose themselves in empty prairie seas.
Here is no winding scented lane, no hill
Crowned with a steepled church, no garden wall
Of old grey stone where lilacs bloom, and fill
The air with fragrance when the May rains fall.
But here is the unsoftened majesty
Of the wide earth where all the wide streets end,
And from the dusty corner one may see
The full moon rise, and flaming sun descend.
The long main street, whence farmers’ teams go forth,
Lies like an old sea road, star-pointed north.
Helen Santmyer
To
Shakespeare
by Frances Anne Kemble
Oft, when my lips I open to rehearse
Thy wondrous spell of wisdom, and of power,
And that my voice, and thy immortal verse,
On listening ears, and hearts, I mingled pour,
I shrink dismayed – and awful doth appear
The vain presumption of my own weak deed;
Thy glorious spirit seems to mine so near,
That suddenly I tremble as I read –
Thee an invisible auditor I fear:
Oh, if it might be so, my master dear!
With what beseeching would I pray to thee,
To make me equal to my noble task,
Succor from thee, how humbly would I ask,
Thy worthiest works to utter worthily.
Frances Anne Kemble
by Frances Anne Kemble
Oft, when my lips I open to rehearse
Thy wondrous spell of wisdom, and of power,
And that my voice, and thy immortal verse,
On listening ears, and hearts, I mingled pour,
I shrink dismayed – and awful doth appear
The vain presumption of my own weak deed;
Thy glorious spirit seems to mine so near,
That suddenly I tremble as I read –
Thee an invisible auditor I fear:
Oh, if it might be so, my master dear!
With what beseeching would I pray to thee,
To make me equal to my noble task,
Succor from thee, how humbly would I ask,
Thy worthiest works to utter worthily.
Frances Anne Kemble
From
the Telephone
by Florence Ripley Mastin
Out of the dark cup
Your voice broke like a flower.
It trembled, swaying on its taut stem.
The caress in its touch
Made my eyes close.
Florence Ripley Mastin
by Florence Ripley Mastin
Out of the dark cup
Your voice broke like a flower.
It trembled, swaying on its taut stem.
The caress in its touch
Made my eyes close.
Florence Ripley Mastin
Habit
by Hazel Hall
Last night when my work was done,
And my estranged hands
Were becoming mutually interested
In such forgotten things as pulses,
I looked out of a window
Into a glittering night sky.
And instantly
I began to feather-stitch a ring around the moon.
Hazel Hall
by Hazel Hall
Last night when my work was done,
And my estranged hands
Were becoming mutually interested
In such forgotten things as pulses,
I looked out of a window
Into a glittering night sky.
And instantly
I began to feather-stitch a ring around the moon.
Hazel Hall
Looks
By Peter Kirkpatrick
A photo album shows us half a life
ago, bliss kittens of the night, bowtied,
in drag, in tight jeans and tee-shirts — half a life
before we kissed and breakfasted: an age.
These are the slim acquaintances we were,
these leaner, lesser bodies that we led
through thumping pubs and on to garbled parties,
and in and out of other people’s lives,
until they steadied in each other’s gaze.
Tonight we’re flirting with the past again,
and with each other, old and new. But which
is which? These recent, ageing beings or
those faded, younger frames, dressed in the past?
And should we even care? For as you turn
another page that shows the ways we’ve changed
I see no doubts, no hesitations, no
false steps in this long practised dance of ours,
only the Then and Now. The many stumbles
in between, when we were making do, making
it up, losing the plot, ignoring prompts
(unstaged scenarios as surely ours
as these more studied moves): those likenesses,
exposed to memory, lack this fixity,
or rest, unedited, beneath other beds.
Now as you pass the book and trade a glance
I try to catch a stranger in a kiss.
Only you’re there before me, knowing the look.
Peter Kirkpatrick
Peter Kirkpatrick is a poet and academic, and teaches Australian Literature in the Department of English at the University of Sydney. He has published two collections, Wish You Were Here (Five Islands, 1996) and Westering (Puncher & Wattmann, 2006), and the chapbook Australian Gothic and Other Poems (Picaro, 2012).
By Peter Kirkpatrick
A photo album shows us half a life
ago, bliss kittens of the night, bowtied,
in drag, in tight jeans and tee-shirts — half a life
before we kissed and breakfasted: an age.
These are the slim acquaintances we were,
these leaner, lesser bodies that we led
through thumping pubs and on to garbled parties,
and in and out of other people’s lives,
until they steadied in each other’s gaze.
Tonight we’re flirting with the past again,
and with each other, old and new. But which
is which? These recent, ageing beings or
those faded, younger frames, dressed in the past?
And should we even care? For as you turn
another page that shows the ways we’ve changed
I see no doubts, no hesitations, no
false steps in this long practised dance of ours,
only the Then and Now. The many stumbles
in between, when we were making do, making
it up, losing the plot, ignoring prompts
(unstaged scenarios as surely ours
as these more studied moves): those likenesses,
exposed to memory, lack this fixity,
or rest, unedited, beneath other beds.
Now as you pass the book and trade a glance
I try to catch a stranger in a kiss.
Only you’re there before me, knowing the look.
Peter Kirkpatrick
Peter Kirkpatrick is a poet and academic, and teaches Australian Literature in the Department of English at the University of Sydney. He has published two collections, Wish You Were Here (Five Islands, 1996) and Westering (Puncher & Wattmann, 2006), and the chapbook Australian Gothic and Other Poems (Picaro, 2012).
The Juggler
By Todd Turner
Beneath the perpetual orbit
of spinning worlds, haphazardly
balanced upon the east-west
axis of a rocking plank,
a man juggles a quintet
of earth’s most principal form.
Five glittering orbs go up,
willing the onlookers awake
as the spun trajectory arcs
and cascades in a formula fit
for the confines of geometry,
or the mute notation of plotted
notes graphed in the minds
of those who map them out
across the horizontal lines of a stave.
Todd Turner
Todd Turner’s first collection of poetry Woodsmoke was recently published by Black Pepper Publishing.
By Todd Turner
Beneath the perpetual orbit
of spinning worlds, haphazardly
balanced upon the east-west
axis of a rocking plank,
a man juggles a quintet
of earth’s most principal form.
Five glittering orbs go up,
willing the onlookers awake
as the spun trajectory arcs
and cascades in a formula fit
for the confines of geometry,
or the mute notation of plotted
notes graphed in the minds
of those who map them out
across the horizontal lines of a stave.
Todd Turner
Todd Turner’s first collection of poetry Woodsmoke was recently published by Black Pepper Publishing.
A
Crossing
By Paul Kane
What is it about
form that lets the life within
find its expression
without even uttering
a word or marking a page?
Winter’s frozen stream
affords us a step across
to the other side,
while in spring, a flowing stream
corrugates in the shallows.
Questions of crossing
cross the mind like shadows or
scorings on a wall.
Every face is emphatic
with the form that life has led.
This is what woke me
in the pale light this morning,
a mere strand of words
chasing after a form to
give them life, and life a form.
Paul Kane
Paul Kane has published five collections of poems, including Work Life (Turtle Point Press, 2007), and a poetry and music CD with sound artist Katie O’Looney, Seven Catastrophes in Four Movements (Farpoint Recordings, 2013). His awards include fellowships from the NEH, the Guggenheim Foundation, and the Bogliasco Foundation. He is poetry editor of Antipodes and general editor of the Braziller Series of Australian Poets. He teaches at Vassar College.
By Paul Kane
What is it about
form that lets the life within
find its expression
without even uttering
a word or marking a page?
Winter’s frozen stream
affords us a step across
to the other side,
while in spring, a flowing stream
corrugates in the shallows.
Questions of crossing
cross the mind like shadows or
scorings on a wall.
Every face is emphatic
with the form that life has led.
This is what woke me
in the pale light this morning,
a mere strand of words
chasing after a form to
give them life, and life a form.
Paul Kane
Paul Kane has published five collections of poems, including Work Life (Turtle Point Press, 2007), and a poetry and music CD with sound artist Katie O’Looney, Seven Catastrophes in Four Movements (Farpoint Recordings, 2013). His awards include fellowships from the NEH, the Guggenheim Foundation, and the Bogliasco Foundation. He is poetry editor of Antipodes and general editor of the Braziller Series of Australian Poets. He teaches at Vassar College.
Binsey Poplars
felled 1879
By Gerard Manley Hopkins
My aspens dear, whose airy cages quelled,
Quelled or quenched in leaves the leaping sun,
All felled, felled, are all felled;
Of a fresh and following folded rank
Not spared, not one
That dandled a sandalled
Shadow that swam or sank
On meadow & river & wind-wandering weed-winding bank.
O if we but knew what we do
When we delve or hew —
Hack and rack the growing green!
Since country is so tender
To touch, her being só slender,
That, like this sleek and seeing ball
But a prick will make no eye at all,
Where we, even where we mean
To mend her we end her,
When we hew or delve:
After-comers cannot guess the beauty been.
Ten or twelve, only ten or twelve
Strokes of havoc unselve
The sweet especial scene,
Rural scene, a rural scene,
Sweet especial rural scene.
Binsey Poplars
felled 1879
By Gerard Manley Hopkins
My aspens dear, whose airy cages quelled,
Quelled or quenched in leaves the leaping sun,
All felled, felled, are all felled;
Of a fresh and following folded rank
Not spared, not one
That dandled a sandalled
Shadow that swam or sank
On meadow & river & wind-wandering weed-winding bank.
O if we but knew what we do
When we delve or hew —
Hack and rack the growing green!
Since country is so tender
To touch, her being só slender,
That, like this sleek and seeing ball
But a prick will make no eye at all,
Where we, even where we mean
To mend her we end her,
When we hew or delve:
After-comers cannot guess the beauty been.
Ten or twelve, only ten or twelve
Strokes of havoc unselve
The sweet especial scene,
Rural scene, a rural scene,
Sweet especial rural scene.
Binsey Poplars
I Have a Rendezvous With Life
by Countee Cullen
I have a rendezvous with Life,
In days I hope will come,
Ere youth has sped, and strength of mind,
Ere voices sweet grow dumb.
I have a rendezvous with Life,
When Spring’s first heralds hum.
Sure some would cry it’s better far
To crown their days with sleep
Than face the road, the wind and rain,
To heed the calling deep.
Though wet nor blow nor space I fear,
Yet fear I deeply, too,
Lest Death should meet and claim me ere
I keep Life’s rendezvous.
Countee Cullen
by Countee Cullen
I have a rendezvous with Life,
In days I hope will come,
Ere youth has sped, and strength of mind,
Ere voices sweet grow dumb.
I have a rendezvous with Life,
When Spring’s first heralds hum.
Sure some would cry it’s better far
To crown their days with sleep
Than face the road, the wind and rain,
To heed the calling deep.
Though wet nor blow nor space I fear,
Yet fear I deeply, too,
Lest Death should meet and claim me ere
I keep Life’s rendezvous.
Countee Cullen
Meeting at Night
By Robert Browning
The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through joys and fears,
Than the two hearts beating each to each!
Robert Browning
By Robert Browning
The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through joys and fears,
Than the two hearts beating each to each!
Robert Browning
To
the Cuckoo
By William Wordsworth
O blithe New-comer! I have heard,
I hear thee and rejoice.
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice?
While I am lying on the grass
Thy twofold shout I hear;
From hill to hill it seems to pass,
At once far off, and near.
Though babbling only to the Vale
Of sunshine and of flowers,
Thou bringest unto me a tale
Of visionary hours.
Thrice welcome, darling of the Spring!
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery;
The same whom in my school-boy days
I listened to; that Cry
Which made me look a thousand ways
In bush, and tree, and sky.
To seek thee did I often rove
Through woods and on the green;
And thou wert still a hope, a love;
Still longed for, never seen.
And I can listen to thee yet;
Can lie upon the plain
And listen, till I do beget
That golden time again.
O blessèd Bird! the earth we pace
Again appears to be
An unsubstantial, faery place;
That is fit home for Thee!
William Wordsworth
By William Wordsworth
O blithe New-comer! I have heard,
I hear thee and rejoice.
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice?
While I am lying on the grass
Thy twofold shout I hear;
From hill to hill it seems to pass,
At once far off, and near.
Though babbling only to the Vale
Of sunshine and of flowers,
Thou bringest unto me a tale
Of visionary hours.
Thrice welcome, darling of the Spring!
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery;
The same whom in my school-boy days
I listened to; that Cry
Which made me look a thousand ways
In bush, and tree, and sky.
To seek thee did I often rove
Through woods and on the green;
And thou wert still a hope, a love;
Still longed for, never seen.
And I can listen to thee yet;
Can lie upon the plain
And listen, till I do beget
That golden time again.
O blessèd Bird! the earth we pace
Again appears to be
An unsubstantial, faery place;
That is fit home for Thee!
William Wordsworth
Places (III. Winter
Sun)
by Sara Teasdale
(Lenox)
There was a bush with scarlet berries,
And there were hemlocks heaped with snow,
With a sound like surf on long sea-beaches
They took the wind and let it go.
The hills were shining in their samite,
Fold after fold they flowed away;
"Let come what may," your eyes were saying,
"At least we two have had to-day."
Sara Teasdale
by Sara Teasdale
(Lenox)
There was a bush with scarlet berries,
And there were hemlocks heaped with snow,
With a sound like surf on long sea-beaches
They took the wind and let it go.
The hills were shining in their samite,
Fold after fold they flowed away;
"Let come what may," your eyes were saying,
"At least we two have had to-day."
Sara Teasdale
Travel
By Edna St. Vincent Millay
The railroad track is miles away,
And the day is loud with voices speaking,
Yet there isn’t a train goes by all day
But I hear its whistle shrieking.
All night there isn’t a train goes by,
Though the night is still for sleep and dreaming,
But I see its cinders red on the sky,
And hear its engine steaming.
My heart is warm with friends I make,
And better friends I’ll not be knowing;
Yet there isn’t a train I wouldn’t take,
No matter where it’s going.
Edna St. Vincent Millay
By Edna St. Vincent Millay
The railroad track is miles away,
And the day is loud with voices speaking,
Yet there isn’t a train goes by all day
But I hear its whistle shrieking.
All night there isn’t a train goes by,
Though the night is still for sleep and dreaming,
But I see its cinders red on the sky,
And hear its engine steaming.
My heart is warm with friends I make,
And better friends I’ll not be knowing;
Yet there isn’t a train I wouldn’t take,
No matter where it’s going.
Edna St. Vincent Millay
Summer in the South
by Paul Laurence Dunbar
The oriole sings in the greening grove
As if he were half-way waiting,
The rosebuds peep from their hoods of green,
Timid and hesitating.
The rain comes down in a torrent sweep
And the nights smell warm and piney,
The garden thrives, but the tender shoots
Are yellow-green and tiny.
Then a flash of sun on a waiting hill,
Streams laugh that erst were quiet,
The sky smiles down with a dazzling blue
And the woods run mad with riot.
Paul Laurence Dunbar
by Paul Laurence Dunbar
The oriole sings in the greening grove
As if he were half-way waiting,
The rosebuds peep from their hoods of green,
Timid and hesitating.
The rain comes down in a torrent sweep
And the nights smell warm and piney,
The garden thrives, but the tender shoots
Are yellow-green and tiny.
Then a flash of sun on a waiting hill,
Streams laugh that erst were quiet,
The sky smiles down with a dazzling blue
And the woods run mad with riot.
Paul Laurence Dunbar
On Viewing the Skull
and Bones of a Wolf
by Alexander Posey
How savage, fierce and grim!
His bones are bleached and white.
But what is death to him?
He grins as if to bite.
He mocks the fate
That bade, ’’Begone.’’
There’s fierceness stamped
In ev’ry bone.
Let silence settle from the midnight sky
Such silence as you’ve broken with your cry;
The bleak wind howl, unto the ut’most verge
Of this mighty waste, thy fitting dirge.
Alexander Posey
by Alexander Posey
How savage, fierce and grim!
His bones are bleached and white.
But what is death to him?
He grins as if to bite.
He mocks the fate
That bade, ’’Begone.’’
There’s fierceness stamped
In ev’ry bone.
Let silence settle from the midnight sky
Such silence as you’ve broken with your cry;
The bleak wind howl, unto the ut’most verge
Of this mighty waste, thy fitting dirge.
Alexander Posey
Tanka
by Sadakichi Hartmann
I.
Winter? Spring? Who knows?
White buds from the plumtrees wing
And mingle with the snows.
No blue skies these flowers bring,
Yet their fragrance augurs Spring.
II.
Oh, were the white waves,
Far on the glimmering sea
That the moonshine laves,
Dream flowers drifting to me,
I would cull them, love, for thee.
III.
Moon, somnolent, white,
Mirrored in a waveless sea,
What fickle mood of night
Urged thee from heaven to flee
And live in the dawnlit sea?
IV.
Like mist on the leas,
Fall gently, oh rain of Spring
On the orange trees
That to Ume’s casement cling--
Perchance, she’ll hear the love-bird sing.
V.
Though love has grown cold
The woods are bright with flowers,
Why not as of old
Go to the wildwood bowers
And dream of--bygone hours!
VI.
Tell, what name beseems
These vain and wandering days!
Like the bark of dreams
That from souls at daybreak strays
They are lost on trackless ways.
Sadakichi Hartmann
by Sadakichi Hartmann
I.
Winter? Spring? Who knows?
White buds from the plumtrees wing
And mingle with the snows.
No blue skies these flowers bring,
Yet their fragrance augurs Spring.
II.
Oh, were the white waves,
Far on the glimmering sea
That the moonshine laves,
Dream flowers drifting to me,
I would cull them, love, for thee.
III.
Moon, somnolent, white,
Mirrored in a waveless sea,
What fickle mood of night
Urged thee from heaven to flee
And live in the dawnlit sea?
IV.
Like mist on the leas,
Fall gently, oh rain of Spring
On the orange trees
That to Ume’s casement cling--
Perchance, she’ll hear the love-bird sing.
V.
Though love has grown cold
The woods are bright with flowers,
Why not as of old
Go to the wildwood bowers
And dream of--bygone hours!
VI.
Tell, what name beseems
These vain and wandering days!
Like the bark of dreams
That from souls at daybreak strays
They are lost on trackless ways.
Sadakichi Hartmann
The Fall
By William Barnes
The length o’ days ageän do shrink
An’ flowers be thin in meäd, among
The eegrass a-sheenèn bright, along
Brook upon brook, an’ brink by brink.
Noo starlèns do rise in vlock on wing—
Noo goocoo in nest-green leaves do sound—
Noo swallows be now a-wheelèn round—
Dip after dip, an’ swing by swing.
The wheat that did leätely rustle thick
Is now up in mows that still be new,
An’ yollow bevore the sky o’ blue—
Tip after tip, an’ rick by rick.
While now I can walk a dusty mile
I’ll teäke me a day, while days be clear,
To vind a vew friends that still be dear,
Feäce after feäce, an’ smile by smile.
William Barnes
By William Barnes
The length o’ days ageän do shrink
An’ flowers be thin in meäd, among
The eegrass a-sheenèn bright, along
Brook upon brook, an’ brink by brink.
Noo starlèns do rise in vlock on wing—
Noo goocoo in nest-green leaves do sound—
Noo swallows be now a-wheelèn round—
Dip after dip, an’ swing by swing.
The wheat that did leätely rustle thick
Is now up in mows that still be new,
An’ yollow bevore the sky o’ blue—
Tip after tip, an’ rick by rick.
While now I can walk a dusty mile
I’ll teäke me a day, while days be clear,
To vind a vew friends that still be dear,
Feäce after feäce, an’ smile by smile.
William Barnes
The Sound of Trees
By Robert Frost
I wonder about the trees.
Why do we wish to bear
Forever the noise of these
More than another noise
So close to our dwelling place?
We suffer them by the day
Till we lose all measure of pace,
And fixity in our joys,
And acquire a listening air.
They are that that talks of going
But never gets away;
And that talks no less for knowing,
As it grows wiser and older,
That now it means to stay.
My feet tug at the floor
And my head sways to my shoulder
Sometimes when I watch trees sway,
From the window or the door.
I shall set forth for somewhere,
I shall make the reckless choice
Some day when they are in voice
And tossing so as to scare
The white clouds over them on.
I shall have less to say,
But I shall be gone.
Robert Frost
By Robert Frost
I wonder about the trees.
Why do we wish to bear
Forever the noise of these
More than another noise
So close to our dwelling place?
We suffer them by the day
Till we lose all measure of pace,
And fixity in our joys,
And acquire a listening air.
They are that that talks of going
But never gets away;
And that talks no less for knowing,
As it grows wiser and older,
That now it means to stay.
My feet tug at the floor
And my head sways to my shoulder
Sometimes when I watch trees sway,
From the window or the door.
I shall set forth for somewhere,
I shall make the reckless choice
Some day when they are in voice
And tossing so as to scare
The white clouds over them on.
I shall have less to say,
But I shall be gone.
Robert Frost
My Childhood Home I See Again
by Abraham Lincoln
My childhood home I see again,
And sadden with the view;
And still, as memory crowds my brain,
There's pleasure in it too.
O Memory! thou midway world
'Twixt earth and paradise,
Where things decayed and loved ones lost
In dreamy shadows rise,
And, freed from all that's earthly vile,
Seem hallowed, pure, and bright,
Like scenes in some enchanted isle
All bathed in liquid light.
As dusky mountains please the eye
When twilight chases day;
As bugle-notes that, passing by,
In distance die away;
As leaving some grand waterfall,
We, lingering, list its roar--
So memory will hallow all
We've known, but know no more.
Near twenty years have passed away
Since here I bid farewell
To woods and fields, and scenes of play,
And playmates loved so well.
Where many were, but few remain
Of old familiar things;
But seeing them, to mind again
The lost and absent brings.
The friends I left that parting day,
How changed, as time has sped!
Young childhood grown, strong manhood gray,
And half of all are dead.
I hear the loved survivors tell
How nought from death could save,
Till every sound appears a knell,
And every spot a grave.
I range the fields with pensive tread,
And pace the hollow rooms,
And feel (companion of the dead)
I'm living in the tombs.
Abraham Lincoln
by Abraham Lincoln
My childhood home I see again,
And sadden with the view;
And still, as memory crowds my brain,
There's pleasure in it too.
O Memory! thou midway world
'Twixt earth and paradise,
Where things decayed and loved ones lost
In dreamy shadows rise,
And, freed from all that's earthly vile,
Seem hallowed, pure, and bright,
Like scenes in some enchanted isle
All bathed in liquid light.
As dusky mountains please the eye
When twilight chases day;
As bugle-notes that, passing by,
In distance die away;
As leaving some grand waterfall,
We, lingering, list its roar--
So memory will hallow all
We've known, but know no more.
Near twenty years have passed away
Since here I bid farewell
To woods and fields, and scenes of play,
And playmates loved so well.
Where many were, but few remain
Of old familiar things;
But seeing them, to mind again
The lost and absent brings.
The friends I left that parting day,
How changed, as time has sped!
Young childhood grown, strong manhood gray,
And half of all are dead.
I hear the loved survivors tell
How nought from death could save,
Till every sound appears a knell,
And every spot a grave.
I range the fields with pensive tread,
And pace the hollow rooms,
And feel (companion of the dead)
I'm living in the tombs.
Abraham Lincoln
Sonnet XL: Take all my loves, my love, yea, take them all
By William Shakespeare
Take all my loves, my love, yea, take them all:
What hast thou then more than thou hadst before?
No love, my love, that thou mayst true love call—
All mine was thine before thou hadst this more.
Then if for my love thou my love receivest,
I cannot blame thee for my love thou usest;
But yet be blamed if thou this self deceivest
By wilful taste of what thyself refusest.
I do forgive thy robb’ry, gentle thief,
Although thou steal thee all my poverty;
And yet love knows it is a greater grief
To bear love’s wrong than hate’s known injury.
Lascivious grace, in whom all ill well shows,
Kill me with spites, yet we must not be foes.
William Shakespeare
By William Shakespeare
Take all my loves, my love, yea, take them all:
What hast thou then more than thou hadst before?
No love, my love, that thou mayst true love call—
All mine was thine before thou hadst this more.
Then if for my love thou my love receivest,
I cannot blame thee for my love thou usest;
But yet be blamed if thou this self deceivest
By wilful taste of what thyself refusest.
I do forgive thy robb’ry, gentle thief,
Although thou steal thee all my poverty;
And yet love knows it is a greater grief
To bear love’s wrong than hate’s known injury.
Lascivious grace, in whom all ill well shows,
Kill me with spites, yet we must not be foes.
William Shakespeare
Deep mists of longing blur the land
By Christopher Brennan
Deep mists of longing blur the land
as in your late October eve:
almost I think your hand might leave
its old caress upon my hand —
for sure this floating world of dream
hath touch'd that far reality
of memory's heaven; nor would I deem
the chance a strange one, if to thee
my feet should stray ere fall the night,
or, reaching to that lucent shore,
these eyes should wake on tenderer light
to greet the spring and thee once more.
Christopher Brennan
By Christopher Brennan
Deep mists of longing blur the land
as in your late October eve:
almost I think your hand might leave
its old caress upon my hand —
for sure this floating world of dream
hath touch'd that far reality
of memory's heaven; nor would I deem
the chance a strange one, if to thee
my feet should stray ere fall the night,
or, reaching to that lucent shore,
these eyes should wake on tenderer light
to greet the spring and thee once more.
Christopher Brennan
Santa Claus
By Andrew Barton (‘Banjo’) Paterson
"Halt! Who goes there?" The sentry's call
Rose on the midnight air
Above the noises of the camp,
The roll of wheels, the horses' tramp.
The challenge echoed over all --
"Halt! Who goes there?"
A quaint old figure clothed in white,
He bore a staff of pine,
And ivy-wreath was on his head.
"Advance, O friend," the sentry said,
"Advance, for this is Christmas Night,
And give the countersign."
"No sign or countersign have I.
Through many lands I roam
The whole world over far and wide.
To exiles all at Christmastide
From those who love them tenderly
I bring a thought of home.
"From English brook and Scottish burn,
From cold Canadian snows,
From those far lands ye hold most dear
I bring you all a greeting here,
A frond of a New Zealand fern,
A bloom of English rose.
"From faithful wife and loving lass
I bring a wish divine,
For Christmas blessings on your head."
"I wish you well," the sentry said,
"But here, alas! you may not pass
Without the countersign."
He vanished -- and the sentry's tramp
Re-echoed down the line.
It was not till the morning light
The soldiers knew that in the night
Old Santa Claus had come to camp
Without the countersign.
Andrew Barton (‘Banjo’) Paterson
By Andrew Barton (‘Banjo’) Paterson
"Halt! Who goes there?" The sentry's call
Rose on the midnight air
Above the noises of the camp,
The roll of wheels, the horses' tramp.
The challenge echoed over all --
"Halt! Who goes there?"
A quaint old figure clothed in white,
He bore a staff of pine,
And ivy-wreath was on his head.
"Advance, O friend," the sentry said,
"Advance, for this is Christmas Night,
And give the countersign."
"No sign or countersign have I.
Through many lands I roam
The whole world over far and wide.
To exiles all at Christmastide
From those who love them tenderly
I bring a thought of home.
"From English brook and Scottish burn,
From cold Canadian snows,
From those far lands ye hold most dear
I bring you all a greeting here,
A frond of a New Zealand fern,
A bloom of English rose.
"From faithful wife and loving lass
I bring a wish divine,
For Christmas blessings on your head."
"I wish you well," the sentry said,
"But here, alas! you may not pass
Without the countersign."
He vanished -- and the sentry's tramp
Re-echoed down the line.
It was not till the morning light
The soldiers knew that in the night
Old Santa Claus had come to camp
Without the countersign.
Andrew Barton (‘Banjo’) Paterson
An Ocean Musing
By Henrietta Cordelia Ray
Far, far out lie the white sails all at rest;
Like spectral arms they seem to touch and cling
Unto the wide horizon. Not a wing
Of truant bird glides down the purpling west;
No breeze dares to intrude, e’en on a quest
To fan a lover’s brow; the waves to sing
Have quite forgotten till the deep shall fling
A bow across its vibrant chords. Then, lest
One moment of the sea’s repose we lose,
Nor furnish Fancy with a thousand themes
Of unimagined sweetness, let us gaze
On this serenity, for as we muse,
Lo! all is restless motion: life’s best dreams
Give changing moods to even halcyon days.
Henrietta Cordelia Ray
By Henrietta Cordelia Ray
Far, far out lie the white sails all at rest;
Like spectral arms they seem to touch and cling
Unto the wide horizon. Not a wing
Of truant bird glides down the purpling west;
No breeze dares to intrude, e’en on a quest
To fan a lover’s brow; the waves to sing
Have quite forgotten till the deep shall fling
A bow across its vibrant chords. Then, lest
One moment of the sea’s repose we lose,
Nor furnish Fancy with a thousand themes
Of unimagined sweetness, let us gaze
On this serenity, for as we muse,
Lo! all is restless motion: life’s best dreams
Give changing moods to even halcyon days.
Henrietta Cordelia Ray
The morns are meeker than they were - (32)
By Emily Dickinson
The morns are meeker than they were -
The nuts are getting brown -
The berry’s cheek is plumper -
The rose is out of town.
The maple wears a gayer scarf -
The field a scarlet gown -
Lest I sh'd be old-fashioned
I’ll put a trinket on.
Emily Dickinson
By Emily Dickinson
The morns are meeker than they were -
The nuts are getting brown -
The berry’s cheek is plumper -
The rose is out of town.
The maple wears a gayer scarf -
The field a scarlet gown -
Lest I sh'd be old-fashioned
I’ll put a trinket on.
Emily Dickinson
Ode
By Arthur O'Shaughnessy
We are the music-makers,
And we are the dreamers of dreams,
Wandering by lone sea-breakers
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams:
Yet we are the movers and shakers
Of the world for ever, it seems.
With wonderful deathless ditties
We build up the world’s great cities.
And out of a fabulous story
We fashion an empire’s glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song’s measure
Can trample an empire down.
We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And o’erthrew them with prophesying
To the old of the new world’s worth;
For each age is a dream that is dying,
Or one that is coming to birth.
Arthur O'Shaughnessy
By Arthur O'Shaughnessy
We are the music-makers,
And we are the dreamers of dreams,
Wandering by lone sea-breakers
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams:
Yet we are the movers and shakers
Of the world for ever, it seems.
With wonderful deathless ditties
We build up the world’s great cities.
And out of a fabulous story
We fashion an empire’s glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song’s measure
Can trample an empire down.
We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And o’erthrew them with prophesying
To the old of the new world’s worth;
For each age is a dream that is dying,
Or one that is coming to birth.
Arthur O'Shaughnessy
Mutability ["We are as clouds that veil the midnight moon"]
By Percy Bysshe Shelley
I.
We are as clouds that veil the midnight moon;
How restlessly they speed and gleam and quiver,
Streaking the darkness radiantly! yet soon
Night closes round, and they are lost for ever:—
II.
Or like forgotten lyres whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
III.
We rest—a dream has power to poison sleep;
We rise—one wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep,
Embrace fond woe, or cast our cares away:—
IV.
It is the same!—For, be it joy or sorrow,
The path of its departure still is free;
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability.
Percy Bysshe Shelley
By Percy Bysshe Shelley
I.
We are as clouds that veil the midnight moon;
How restlessly they speed and gleam and quiver,
Streaking the darkness radiantly! yet soon
Night closes round, and they are lost for ever:—
II.
Or like forgotten lyres whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
III.
We rest—a dream has power to poison sleep;
We rise—one wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep,
Embrace fond woe, or cast our cares away:—
IV.
It is the same!—For, be it joy or sorrow,
The path of its departure still is free;
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability.
Percy Bysshe Shelley
Inscription for a Fountain on a Heath
By Samuel Taylor Coleridge
This Sycamore, oft musical with bees,—
Such tents the Patriarchs loved! O long unharmed
May all its agèd boughs o'er-canopy
The small round basin, which this jutting stone
Keeps pure from falling leaves! Long may the Spring,
Quietly as a sleeping infant's breath,
Send up cold waters to the traveller
With soft and even pulse! Nor ever cease
Yon tiny cone of sand its soundless dance,
Which at the bottom, like a Fairy's Page,
As merry and no taller, dances still,
Nor wrinkles the smooth surface of the Fount.
Here Twilight is and Coolness: here is moss,
A soft seat, and a deep and ample shade.
Thou may'st toil far and find no second tree.
Drink, Pilgrim, here; Here rest! and if thy heart
Be innocent, here too shalt thou refresh
Thy spirit, listening to some gentle sound,
Or passing gale or hum of murmuring bees!
Samuel Taylor Coleridge
By Samuel Taylor Coleridge
This Sycamore, oft musical with bees,—
Such tents the Patriarchs loved! O long unharmed
May all its agèd boughs o'er-canopy
The small round basin, which this jutting stone
Keeps pure from falling leaves! Long may the Spring,
Quietly as a sleeping infant's breath,
Send up cold waters to the traveller
With soft and even pulse! Nor ever cease
Yon tiny cone of sand its soundless dance,
Which at the bottom, like a Fairy's Page,
As merry and no taller, dances still,
Nor wrinkles the smooth surface of the Fount.
Here Twilight is and Coolness: here is moss,
A soft seat, and a deep and ample shade.
Thou may'st toil far and find no second tree.
Drink, Pilgrim, here; Here rest! and if thy heart
Be innocent, here too shalt thou refresh
Thy spirit, listening to some gentle sound,
Or passing gale or hum of murmuring bees!
Samuel Taylor Coleridge
Autumn at Taos
By D. H. Lawrence
Over the rounded sides of the Rockies, the aspens of autumn,
The aspens of autumn,
Like yellow hair of a tigress brindled with pines.
Down on my hearth-rug of desert, sage of the mesa,
An ash-grey pelt
Of wolf all hairy and level, a wolf's wild pelt.
Trot-trot to the mottled foot-hills, cedar-mottled and pinion;
Did you ever see an otter?
Silvery-sided, fish-fanged, fierce-faced, whiskered, mottled.
When I trot my little pony through the aspen-trees of the canyon,
Behold me trotting at ease betwixt the slopes of the golden
Great and glistening-feathered legs of the hawk of Horus;
The golden hawk of Horus
Astride above me.
But under the pines
I go slowly
As under the hairy belly of a great black bear.
Glad to emerge and look back
On the yellow, pointed aspen-trees laid one on another like feathers,
Feather over feather on the breast of the great and golden
Hawk as I say of Horus.
Pleased to be out in the sage and the pine fish-dotted foothills,
Past the otter's whiskers,
On to the fur of the wolf-pelt that strews the plain.
And then to look back to the rounded sides of the squatting Rockies.
Tigress brindled with aspen,
Jaguar-splashed, puma-yellow, leopard-livid slopes of America.
Make big eyes, little pony,
At all these skins of wild beasts;
They won't hurt you.
Fangs and claws and talons and beaks and hawk-eyes
Are nerveless just now.
So be easy.
D.H. Lawrence
By D. H. Lawrence
Over the rounded sides of the Rockies, the aspens of autumn,
The aspens of autumn,
Like yellow hair of a tigress brindled with pines.
Down on my hearth-rug of desert, sage of the mesa,
An ash-grey pelt
Of wolf all hairy and level, a wolf's wild pelt.
Trot-trot to the mottled foot-hills, cedar-mottled and pinion;
Did you ever see an otter?
Silvery-sided, fish-fanged, fierce-faced, whiskered, mottled.
When I trot my little pony through the aspen-trees of the canyon,
Behold me trotting at ease betwixt the slopes of the golden
Great and glistening-feathered legs of the hawk of Horus;
The golden hawk of Horus
Astride above me.
But under the pines
I go slowly
As under the hairy belly of a great black bear.
Glad to emerge and look back
On the yellow, pointed aspen-trees laid one on another like feathers,
Feather over feather on the breast of the great and golden
Hawk as I say of Horus.
Pleased to be out in the sage and the pine fish-dotted foothills,
Past the otter's whiskers,
On to the fur of the wolf-pelt that strews the plain.
And then to look back to the rounded sides of the squatting Rockies.
Tigress brindled with aspen,
Jaguar-splashed, puma-yellow, leopard-livid slopes of America.
Make big eyes, little pony,
At all these skins of wild beasts;
They won't hurt you.
Fangs and claws and talons and beaks and hawk-eyes
Are nerveless just now.
So be easy.
D.H. Lawrence
The Ecchoing Green
By William Blake
The sun does arise,
And make happy the skies.
The merry bells ring
To welcome the Spring.
The sky-lark and thrush,
The birds of the bush,
Sing louder around,
To the bells’ cheerful sound.
While our sports shall be seen
On the Ecchoing Green.
Old John, with white hair
Does laugh away care,
Sitting under the oak,
Among the old folk,
They laugh at our play,
And soon they all say.
‘Such, such were the joys.
When we all girls & boys,
In our youth-time were seen,
On the Ecchoing Green.’
Till the little ones weary
No more can be merry
The sun does descend,
And our sports have an end:
Round the laps of their mothers,
Many sisters and brothers,
Like birds in their nest,
Are ready for rest;
And sport no more seen,
On the darkening Green.
William Blake
By William Blake
The sun does arise,
And make happy the skies.
The merry bells ring
To welcome the Spring.
The sky-lark and thrush,
The birds of the bush,
Sing louder around,
To the bells’ cheerful sound.
While our sports shall be seen
On the Ecchoing Green.
Old John, with white hair
Does laugh away care,
Sitting under the oak,
Among the old folk,
They laugh at our play,
And soon they all say.
‘Such, such were the joys.
When we all girls & boys,
In our youth-time were seen,
On the Ecchoing Green.’
Till the little ones weary
No more can be merry
The sun does descend,
And our sports have an end:
Round the laps of their mothers,
Many sisters and brothers,
Like birds in their nest,
Are ready for rest;
And sport no more seen,
On the darkening Green.
William Blake
On a Drop of Dew
By Andrew Marvell
See how the orient dew,
Shed from the bosom of the morn
Into the blowing roses,
Yet careless of its mansion new,
For the clear region where ’twas born
Round in itself incloses:
And in its little globe’s extent,
Frames as it can its native element.
How it the purple flow’r does slight,
Scarce touching where it lies,
But gazing back upon the skies,
Shines with a mournful light,
Like its own tear,
Because so long divided from the sphere.
Restless it rolls and unsecure,
Trembling lest it grow impure,
Till the warm sun pity its pain,
And to the skies exhale it back again.
So the soul, that drop, that ray
Of the clear fountain of eternal day,
Could it within the human flow’r be seen,
Remembering still its former height,
Shuns the sweet leaves and blossoms green,
And recollecting its own light,
Does, in its pure and circling thoughts, express
The greater heaven in an heaven less.
In how coy a figure wound,
Every way it turns away:
So the world excluding round,
Yet receiving in the day,
Dark beneath, but bright above,
Here disdaining, there in love.
How loose and easy hence to go,
How girt and ready to ascend,
Moving but on a point below,
It all about does upwards bend.
Such did the manna’s sacred dew distill,
White and entire, though congealed and chill,
Congealed on earth : but does, dissolving, run
Into the glories of th’ almighty sun.
Andrew Marvell
By Andrew Marvell
See how the orient dew,
Shed from the bosom of the morn
Into the blowing roses,
Yet careless of its mansion new,
For the clear region where ’twas born
Round in itself incloses:
And in its little globe’s extent,
Frames as it can its native element.
How it the purple flow’r does slight,
Scarce touching where it lies,
But gazing back upon the skies,
Shines with a mournful light,
Like its own tear,
Because so long divided from the sphere.
Restless it rolls and unsecure,
Trembling lest it grow impure,
Till the warm sun pity its pain,
And to the skies exhale it back again.
So the soul, that drop, that ray
Of the clear fountain of eternal day,
Could it within the human flow’r be seen,
Remembering still its former height,
Shuns the sweet leaves and blossoms green,
And recollecting its own light,
Does, in its pure and circling thoughts, express
The greater heaven in an heaven less.
In how coy a figure wound,
Every way it turns away:
So the world excluding round,
Yet receiving in the day,
Dark beneath, but bright above,
Here disdaining, there in love.
How loose and easy hence to go,
How girt and ready to ascend,
Moving but on a point below,
It all about does upwards bend.
Such did the manna’s sacred dew distill,
White and entire, though congealed and chill,
Congealed on earth : but does, dissolving, run
Into the glories of th’ almighty sun.
Andrew Marvell
Ode on a Grecian Urn
By John Keats
Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know."
John Keats
By John Keats
Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know."
John Keats
A Time to Talk
By Robert Frost
When a friend calls to me from the road
And slows his horse to a meaning walk,
I don't stand still and look around
On all the hills I haven't hoed,
And shout from where I am, 'What is it?'
No, not as there is a time talk.
I thrust my hoe in the mellow ground,
Blade-end up and five feet tall,
And plod: I go up to the stone wall
For a friendly visit.
Robert Frost
By Robert Frost
When a friend calls to me from the road
And slows his horse to a meaning walk,
I don't stand still and look around
On all the hills I haven't hoed,
And shout from where I am, 'What is it?'
No, not as there is a time talk.
I thrust my hoe in the mellow ground,
Blade-end up and five feet tall,
And plod: I go up to the stone wall
For a friendly visit.
Robert Frost
Sonnet LXV: Since brass, nor stone, nor earth, nor boundless sea
By William Shakespeare
Since brass, nor stone, nor earth, nor boundless sea
But sad mortality o’er-sways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O, how shall summer’s honey breath hold out
Against the wrackful siege of batt’ring days,
When rocks impregnable are not so stout,
Nor gates of steel so strong, but time decays?
O fearful meditation! where, alack,
Shall time’s best jewel from time’s chest lie hid?
Or what strong hand can hold his swift foot back?
Or who his spoil of beauty can forbid?
O, none, unless this miracle have might,
That in black ink my love may still shine bright.
William Shakespeare
By William Shakespeare
Since brass, nor stone, nor earth, nor boundless sea
But sad mortality o’er-sways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O, how shall summer’s honey breath hold out
Against the wrackful siege of batt’ring days,
When rocks impregnable are not so stout,
Nor gates of steel so strong, but time decays?
O fearful meditation! where, alack,
Shall time’s best jewel from time’s chest lie hid?
Or what strong hand can hold his swift foot back?
Or who his spoil of beauty can forbid?
O, none, unless this miracle have might,
That in black ink my love may still shine bright.
William Shakespeare
Strings in the Earth and Air
By James Joyce
Strings in the earth and air
Make music sweet;
Strings by the river where
The willows meet.
There's music along the river
For Love wanders there,
Pale flowers on his mantle,
Dark leaves on his hair.
All softly playing,
With head to the music bent,
And fingers straying
Upon an instrument.
James Joyce
By James Joyce
Strings in the earth and air
Make music sweet;
Strings by the river where
The willows meet.
There's music along the river
For Love wanders there,
Pale flowers on his mantle,
Dark leaves on his hair.
All softly playing,
With head to the music bent,
And fingers straying
Upon an instrument.
James Joyce
The Sign-Post
By Edward Thomas
The dim sea glints chill. The white sun is shy,
And the skeleton weeds and the never-dry,
Rough, long grasses keep white with frost
At the hilltop by the finger-post;
The smoke of the traveller’s-joy is puffed
Over hawthorn berry and hazel tuft.
I read the sign. Which way shall I go?
A voice says: You would not have doubted so
At twenty. Another voice gentle with scorn
Says: At twenty you wished you had never been born.
One hazel lost a leaf of gold
From a tuft at the tip, when the first voice told
The other he wished to know what ’twould be
To be sixty by this same post. “You shall see,”
He laughed—and I had to join his laughter—
“You shall see; but either before or after,
Whatever happens, it must befall,
A mouthful of earth to remedy all
Regrets and wishes shall freely be given;
And if there be a flaw in that heaven
’Twill be freedom to wish, and your wish may be
To be here or anywhere talking to me,
No matter what the weather, on earth,
At any age between death and birth,
To see what day or night can be,
The sun and the frost, the land and the sea,
Summer, Autumn, Winter, Spring,—
With a poor man of any sort, down to a king,
Standing upright out in the air
Wondering where he shall journey, O where?”
Edward Thomas
By Edward Thomas
The dim sea glints chill. The white sun is shy,
And the skeleton weeds and the never-dry,
Rough, long grasses keep white with frost
At the hilltop by the finger-post;
The smoke of the traveller’s-joy is puffed
Over hawthorn berry and hazel tuft.
I read the sign. Which way shall I go?
A voice says: You would not have doubted so
At twenty. Another voice gentle with scorn
Says: At twenty you wished you had never been born.
One hazel lost a leaf of gold
From a tuft at the tip, when the first voice told
The other he wished to know what ’twould be
To be sixty by this same post. “You shall see,”
He laughed—and I had to join his laughter—
“You shall see; but either before or after,
Whatever happens, it must befall,
A mouthful of earth to remedy all
Regrets and wishes shall freely be given;
And if there be a flaw in that heaven
’Twill be freedom to wish, and your wish may be
To be here or anywhere talking to me,
No matter what the weather, on earth,
At any age between death and birth,
To see what day or night can be,
The sun and the frost, the land and the sea,
Summer, Autumn, Winter, Spring,—
With a poor man of any sort, down to a king,
Standing upright out in the air
Wondering where he shall journey, O where?”
Edward Thomas
Old Man Platypus
By A.B. ‘Banjo’ Paterson
Far from the trouble and toil of town,
Where the reed beds sweep and shiver,
Look at a fragment of velvet brown -
Old Man Platypus drifting down,
Drifting along the river.
And he plays and dives in the river bends
In a style that is most elusive;
With few relations and fewer friends,
For Old Man Platypus descends
From a family most exclusive.
He shares his burrow beneath the bank
With his wife and his son and daughter
At the roots of the reeds and the grasses rank;
And the bubbles show where our hero sank
To its entrance under water.
Safe in their burrow below the falls
They live in a world of wonder,
Where no one visits and no one calls,
They sleep like little brown billiard balls
With their beaks tucked neatly under.
And he talks in a deep unfriendly growl
As he goes on his journey lonely;
For he's no relation to fish nor fowl,
Nor to bird nor beast, nor to horned owl;
In fact, he's the one and only!
A.B. ‘Banjo’ Paterson
By A.B. ‘Banjo’ Paterson
Far from the trouble and toil of town,
Where the reed beds sweep and shiver,
Look at a fragment of velvet brown -
Old Man Platypus drifting down,
Drifting along the river.
And he plays and dives in the river bends
In a style that is most elusive;
With few relations and fewer friends,
For Old Man Platypus descends
From a family most exclusive.
He shares his burrow beneath the bank
With his wife and his son and daughter
At the roots of the reeds and the grasses rank;
And the bubbles show where our hero sank
To its entrance under water.
Safe in their burrow below the falls
They live in a world of wonder,
Where no one visits and no one calls,
They sleep like little brown billiard balls
With their beaks tucked neatly under.
And he talks in a deep unfriendly growl
As he goes on his journey lonely;
For he's no relation to fish nor fowl,
Nor to bird nor beast, nor to horned owl;
In fact, he's the one and only!
A.B. ‘Banjo’ Paterson
A Red, Red Rose
By Robert Burns
O my Luve is like a red, red rose
That’s newly sprung in June;
O my Luve is like the melody
That’s sweetly played in tune.
So fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.
Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
I will love thee still, my dear,
While the sands o’ life shall run.
And fare thee weel, my only luve!
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.
Robert Burns
By Robert Burns
O my Luve is like a red, red rose
That’s newly sprung in June;
O my Luve is like the melody
That’s sweetly played in tune.
So fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.
Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
I will love thee still, my dear,
While the sands o’ life shall run.
And fare thee weel, my only luve!
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.
Robert Burns
I Wandered Lonely as a Cloud
By William Wordsworth
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
William Wordsworth
By William Wordsworth
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
William Wordsworth
Gathering Leaves
By Robert Frost
Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.
I make a great noise
Of rustling all day
Like rabbit and deer
Running away.
But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.
I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?
Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.
Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?
Robert Frost
By Robert Frost
Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.
I make a great noise
Of rustling all day
Like rabbit and deer
Running away.
But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.
I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?
Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.
Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?
Robert Frost
Summer Moods
by John Clare
I love at eventide to walk alone
Down narrow lanes o’erhung with dewy thorn
Where from the long grass underneath, the snail,
Jet black, creeps out and sprouts his timid horn.
I love to muse o’er meadows newly mown
Where withering grass perfumes the sultry air;
Where bees search round, with sad and weary drone
In vain for flowers that bloomed but newly there;
While in the juicy corn the hidden quail
Cries “wet my foot!” and hid as thoughts unborn;
The fairy-like and seldom-seen landrail
Utters “craik, craik” like voices underground,
Right glad to meet the evening’s dewy veil
And see the light fade into gloom around.
John Clare
by John Clare
I love at eventide to walk alone
Down narrow lanes o’erhung with dewy thorn
Where from the long grass underneath, the snail,
Jet black, creeps out and sprouts his timid horn.
I love to muse o’er meadows newly mown
Where withering grass perfumes the sultry air;
Where bees search round, with sad and weary drone
In vain for flowers that bloomed but newly there;
While in the juicy corn the hidden quail
Cries “wet my foot!” and hid as thoughts unborn;
The fairy-like and seldom-seen landrail
Utters “craik, craik” like voices underground,
Right glad to meet the evening’s dewy veil
And see the light fade into gloom around.
John Clare
You are now entering
By Ashleigh Young
It must be nearly empty,
it must begin at a one-way railway station.
A carriage rolls through the construction sites
past the moth-coloured buildings with the half-
hearted mural of men hacking trees.
The carriage climbs the long slope to the bridge.
Here passengers may turn their heads to the left
to view the river stuck in the ground like an IV line.
It must be the past or the future
because the Northerner no longer runs at this time,
beaming through paddocks of headstones
past houses left out like milk tokens
towards a light that isn’t day, only an older, frailer night.
The town rolls on its back.
Its eyes open, one by one,
unconvinced of light’s relevance
or why anyone should wait for it.
Ashleigh Young is a writer and editor who lives in Wellington, New Zealand. “You Are Now Entering” is from her first collection of poetry, Magnificent Moon (Victoria University Press, 2012).
Ashleigh Young
By Ashleigh Young
It must be nearly empty,
it must begin at a one-way railway station.
A carriage rolls through the construction sites
past the moth-coloured buildings with the half-
hearted mural of men hacking trees.
The carriage climbs the long slope to the bridge.
Here passengers may turn their heads to the left
to view the river stuck in the ground like an IV line.
It must be the past or the future
because the Northerner no longer runs at this time,
beaming through paddocks of headstones
past houses left out like milk tokens
towards a light that isn’t day, only an older, frailer night.
The town rolls on its back.
Its eyes open, one by one,
unconvinced of light’s relevance
or why anyone should wait for it.
Ashleigh Young is a writer and editor who lives in Wellington, New Zealand. “You Are Now Entering” is from her first collection of poetry, Magnificent Moon (Victoria University Press, 2012).
Ashleigh Young
Trees in the Garden
by D. H. Lawrence
Ah in the thunder air
how still the trees are!
And the lime-tree, lovely and tall, every leaf silent
hardly looses even a last breath of perfume.
And the ghostly, creamy coloured little tree of leaves
white, ivory white among the rambling greens
how evanescent, variegated elder, she hesitates on the green grass
as if, in another moment, she would disappear
with all her grace of foam!
And the larch that is only a column, it goes up too tall to see:
and the balsam-pines that are blue with the grey-blue blueness of
things from the sea,
and the young copper beech, its leaves red-rosy at the ends
how still they are together, they stand so still
in the thunder air, all strangers to one another
as the green grass glows upwards, strangers in the silent garden.
D H Lawrence
by D. H. Lawrence
Ah in the thunder air
how still the trees are!
And the lime-tree, lovely and tall, every leaf silent
hardly looses even a last breath of perfume.
And the ghostly, creamy coloured little tree of leaves
white, ivory white among the rambling greens
how evanescent, variegated elder, she hesitates on the green grass
as if, in another moment, she would disappear
with all her grace of foam!
And the larch that is only a column, it goes up too tall to see:
and the balsam-pines that are blue with the grey-blue blueness of
things from the sea,
and the young copper beech, its leaves red-rosy at the ends
how still they are together, they stand so still
in the thunder air, all strangers to one another
as the green grass glows upwards, strangers in the silent garden.
D H Lawrence
Fragment 1: Sea-ward, white gleaming thro' the busy scud
By Samuel Taylor Coleridge
Sea-ward, white gleaming thro' the busy scud
With arching Wings, the sea-mew o'er my head
Posts on, as bent on speed, now passaging
Edges the stiffer Breeze, now, yielding, drifts,
Now floats upon the air, and sends from far
A wildly-wailing Note.
Samuel Taylor Coleridge
By Samuel Taylor Coleridge
Sea-ward, white gleaming thro' the busy scud
With arching Wings, the sea-mew o'er my head
Posts on, as bent on speed, now passaging
Edges the stiffer Breeze, now, yielding, drifts,
Now floats upon the air, and sends from far
A wildly-wailing Note.
Samuel Taylor Coleridge
Flowers
Morandi, 1924
By Luke Fischer
Apparition
on the threshold
quivering
like a muslin veil
Around the bouquet
hints of evening purple
little more than scents
of iris
The poppies
diaphanous wings
of butterflies
poised
Out of muted foliage
ray reed-like stems
lines which levitate
vanish reappear
The vase overcast teal
of a cloak ‘round
a herdsman
merging with the moors
All bathed in sun
ambient dust of an endless wheatfield
imprinted with dreams of the wind’s tread
perduring nap
Luke Fischer won the 2012 Overland Judith Wright Poetry Prize. His book of poems Paths of Flight (Black Pepper Publishing) is forthcoming later this year.
Luke Fischer
Morandi, 1924
By Luke Fischer
Apparition
on the threshold
quivering
like a muslin veil
Around the bouquet
hints of evening purple
little more than scents
of iris
The poppies
diaphanous wings
of butterflies
poised
Out of muted foliage
ray reed-like stems
lines which levitate
vanish reappear
The vase overcast teal
of a cloak ‘round
a herdsman
merging with the moors
All bathed in sun
ambient dust of an endless wheatfield
imprinted with dreams of the wind’s tread
perduring nap
Luke Fischer won the 2012 Overland Judith Wright Poetry Prize. His book of poems Paths of Flight (Black Pepper Publishing) is forthcoming later this year.
Luke Fischer
The Cat and the Moon
By William Butler Yeats
THE CAT went here and there
And the moon spun round like a top,
And the nearest kin of the moon
The creeping cat looked up.
Black Minnaloushe stared at the moon,
For wander and wail as he would
The pure cold light in the sky
Troubled his animal blood.
Minnaloushe runs in the grass,
Lifting his delicate feet.
Do you dance, Minnaloushe, do you dance?
When two close kindred meet
What better than call a dance?
Maybe the moon may learn,
Tired of that courtly fashion,
A new dance turn.
Minnaloushe creeps through the grass
From moonlit place to place,
The sacred moon overhead
Has taken a new phase.
Does Minnaloushe know that his pupils
Will pass from change to change,
And that from round to crescent,
From crescent to round they range?
Minnaloushe creeps through the grass
Alone, important and wise,
And lifts to the changing moon
His changing eyes.
William Butler Yeats
By William Butler Yeats
THE CAT went here and there
And the moon spun round like a top,
And the nearest kin of the moon
The creeping cat looked up.
Black Minnaloushe stared at the moon,
For wander and wail as he would
The pure cold light in the sky
Troubled his animal blood.
Minnaloushe runs in the grass,
Lifting his delicate feet.
Do you dance, Minnaloushe, do you dance?
When two close kindred meet
What better than call a dance?
Maybe the moon may learn,
Tired of that courtly fashion,
A new dance turn.
Minnaloushe creeps through the grass
From moonlit place to place,
The sacred moon overhead
Has taken a new phase.
Does Minnaloushe know that his pupils
Will pass from change to change,
And that from round to crescent,
From crescent to round they range?
Minnaloushe creeps through the grass
Alone, important and wise,
And lifts to the changing moon
His changing eyes.
William Butler Yeats
Poppies on the Wheat
by Helen Hunt Jackson
Along Ancona's hills the shimmering heat,
A tropic tide of air with ebb and flow
Bathes all the fields of wheat until they glow
Like flashing seas of green, which toss and beat
Around the vines. The poppies lithe and fleet
Seem running, fiery torchmen, to and fro
To mark the shore.
The farmer does not know
That they are there. He walks with heavy feet,
Counting the bread and wine by autumn's gain,
But I,--I smile to think that days remain
Perhaps to me in which, though bread be sweet
No more, and red wine warm my blood in vain,
I shall be glad remembering how the fleet,
Lithe poppies ran like torchmen with the wheat.
Helen Hunt Jackson
by Helen Hunt Jackson
Along Ancona's hills the shimmering heat,
A tropic tide of air with ebb and flow
Bathes all the fields of wheat until they glow
Like flashing seas of green, which toss and beat
Around the vines. The poppies lithe and fleet
Seem running, fiery torchmen, to and fro
To mark the shore.
The farmer does not know
That they are there. He walks with heavy feet,
Counting the bread and wine by autumn's gain,
But I,--I smile to think that days remain
Perhaps to me in which, though bread be sweet
No more, and red wine warm my blood in vain,
I shall be glad remembering how the fleet,
Lithe poppies ran like torchmen with the wheat.
Helen Hunt Jackson
On the Beach at Night Alone
By Walt Whitman
On the beach at night alone,
As the old mother sways her to and fro singing her husky song,
As I watch the bright stars shining, I think a thought of the clef of the universes and of the future.
A vast similitude interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets,
All distances of place however wide,
All distances of time, all inanimate forms,
All souls, all living bodies though they be ever so different, or in different worlds,
All gaseous, watery, vegetable, mineral processes, the fishes, the brutes,
All nations, colors, barbarisms, civilizations, languages,
All identities that have existed or may exist on this globe, or any globe,
All lives and deaths, all of the past, present, future,
This vast similitude spans them, and always has spann’d,
And shall forever span them and compactly hold and enclose them.
Walt Whitman
By Walt Whitman
On the beach at night alone,
As the old mother sways her to and fro singing her husky song,
As I watch the bright stars shining, I think a thought of the clef of the universes and of the future.
A vast similitude interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets,
All distances of place however wide,
All distances of time, all inanimate forms,
All souls, all living bodies though they be ever so different, or in different worlds,
All gaseous, watery, vegetable, mineral processes, the fishes, the brutes,
All nations, colors, barbarisms, civilizations, languages,
All identities that have existed or may exist on this globe, or any globe,
All lives and deaths, all of the past, present, future,
This vast similitude spans them, and always has spann’d,
And shall forever span them and compactly hold and enclose them.
Walt Whitman
A Glass of Water
by David Musgrave
Un seul verre d’eau éclaire le monde Cocteau
Behind the wedding couple, a mirror harbours
their reception.
Outside, from the verandah, the harbour mirrors
the exception
of city from sky, hills snug with houses
and a glass of water standing on the railing,
half empty or half full. In the failing
afternoon light
brightening buildings counterpoint the darkness,
glinting upside-
down inside the glass, and the newly-weds,
seen from outside
joining hand to hand for the wedding reel,
glide under its meniscus, head over heels.
David Musgrave
by David Musgrave
Un seul verre d’eau éclaire le monde Cocteau
Behind the wedding couple, a mirror harbours
their reception.
Outside, from the verandah, the harbour mirrors
the exception
of city from sky, hills snug with houses
and a glass of water standing on the railing,
half empty or half full. In the failing
afternoon light
brightening buildings counterpoint the darkness,
glinting upside-
down inside the glass, and the newly-weds,
seen from outside
joining hand to hand for the wedding reel,
glide under its meniscus, head over heels.
David Musgrave
“Hope” is the thing with feathers
By Emily Dickinson
“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -
And sweetest - in the Gale - is heard -
And sore must be the storm -
That could abash the little Bird
That kept so many warm -
I’ve heard it in the chillest land -
And on the strangest Sea -
Yet - never - in Extremity,
It asked a crumb - of me.
Emily Dickinson
By Emily Dickinson
“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -
And sweetest - in the Gale - is heard -
And sore must be the storm -
That could abash the little Bird
That kept so many warm -
I’ve heard it in the chillest land -
And on the strangest Sea -
Yet - never - in Extremity,
It asked a crumb - of me.
Emily Dickinson
Blue Hyacinths
By Adelaide Crapsey
In your
Curled petals what ghosts
Of blue headlands and seas,
What perfumed immortal breath sighing
Of Greece.
Adelaide Crapsey
By Adelaide Crapsey
In your
Curled petals what ghosts
Of blue headlands and seas,
What perfumed immortal breath sighing
Of Greece.
Adelaide Crapsey
From ‘Bell Birds’
By Thomas Henry Kendall
By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling;
It lives in the mountain where moss and the sedges
Touch with their beauty the banks and the ledges.
Through brakes of the cedar and sycamore bowers
Struggles the light that is love to the flowers.
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.
The silver-voiced bell-birds, the darlings of day-time,
They sing in September their songs of the May-time;
When shadows wax strong and the thunder-bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together,
They start up like fairies that follow fair weather;
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden
Bell Birds
By Thomas Henry Kendall
By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling;
It lives in the mountain where moss and the sedges
Touch with their beauty the banks and the ledges.
Through brakes of the cedar and sycamore bowers
Struggles the light that is love to the flowers.
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.
The silver-voiced bell-birds, the darlings of day-time,
They sing in September their songs of the May-time;
When shadows wax strong and the thunder-bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together,
They start up like fairies that follow fair weather;
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden
Bell Birds
The Kraken
By Alfred, Lord Tennyson
Below the thunders of the upper deep;
Far, far beneath in the abysmal sea,
His ancient, dreamless, uninvaded sleep
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides: above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumber'd and enormous polypi
Winnow with giant arms the slumbering green.
There hath he lain for ages and will lie
Battening upon huge seaworms in his sleep,
Until the latter fire shall heat the deep;
Then once by man and angels to be seen,
In roaring he shall rise and on the surface die.
Alfred, Lord Tennyson
By Alfred, Lord Tennyson
Below the thunders of the upper deep;
Far, far beneath in the abysmal sea,
His ancient, dreamless, uninvaded sleep
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides: above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumber'd and enormous polypi
Winnow with giant arms the slumbering green.
There hath he lain for ages and will lie
Battening upon huge seaworms in his sleep,
Until the latter fire shall heat the deep;
Then once by man and angels to be seen,
In roaring he shall rise and on the surface die.
Alfred, Lord Tennyson
After Apple-Picking
By Robert Frost
My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.
Robert Frost
By Robert Frost
My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.
Robert Frost
The Simplon Pass
By William Wordsworth
—Brook and road
Were fellow-travellers in this gloomy Pass,
And with them did we journey several hours
At a slow step. The immeasurable height
Of woods decaying, never to be decayed,
The stationary blasts of waterfalls,
And in the narrow rent, at every turn,
Winds thwarting winds bewildered and forlorn,
The torrents shooting from the clear blue sky,
The rocks that muttered close upon our ears,
Black drizzling crags that spake by the wayside
As if a voice were in them, the sick sight
And giddy prospect of the raving stream,
The unfettered clouds and region of the heavens,
Tumult and peace, the darkness and the light—
Were all like workings of one mind, the features
Of the same face, blossoms upon one tree,
Characters of the great Apocalypse,
The types and symbols of Eternity,
Of first and last, and midst, and without end.
The Simplon Pass
By William Wordsworth
—Brook and road
Were fellow-travellers in this gloomy Pass,
And with them did we journey several hours
At a slow step. The immeasurable height
Of woods decaying, never to be decayed,
The stationary blasts of waterfalls,
And in the narrow rent, at every turn,
Winds thwarting winds bewildered and forlorn,
The torrents shooting from the clear blue sky,
The rocks that muttered close upon our ears,
Black drizzling crags that spake by the wayside
As if a voice were in them, the sick sight
And giddy prospect of the raving stream,
The unfettered clouds and region of the heavens,
Tumult and peace, the darkness and the light—
Were all like workings of one mind, the features
Of the same face, blossoms upon one tree,
Characters of the great Apocalypse,
The types and symbols of Eternity,
Of first and last, and midst, and without end.
The Simplon Pass
The Argument of his Book
By Robert Herrick
I sing of brooks, of blossoms, birds, and bowers,
Of April, May, of June, and July flowers.
I sing of May-poles, hock-carts, wassails, wakes,
Of bridegrooms, brides, and of their bridal-cakes.
I write of youth, of love, and have access
By these to sing of cleanly wantonness.
I sing of dews, of rains, and piece by piece
Of balm, of oil, of spice, and ambergris.
I sing of Time's trans-shifting; and I write
How roses first came red, and lilies white.
I write of groves, of twilights, and I sing
The court of Mab, and of the fairy king.
I write of Hell; I sing (and ever shall)
Of Heaven, and hope to have it after all.
Robert Herrick
By Robert Herrick
I sing of brooks, of blossoms, birds, and bowers,
Of April, May, of June, and July flowers.
I sing of May-poles, hock-carts, wassails, wakes,
Of bridegrooms, brides, and of their bridal-cakes.
I write of youth, of love, and have access
By these to sing of cleanly wantonness.
I sing of dews, of rains, and piece by piece
Of balm, of oil, of spice, and ambergris.
I sing of Time's trans-shifting; and I write
How roses first came red, and lilies white.
I write of groves, of twilights, and I sing
The court of Mab, and of the fairy king.
I write of Hell; I sing (and ever shall)
Of Heaven, and hope to have it after all.
Robert Herrick
Fragment 9: The Netherlands
By Samuel Taylor Coleridge
Water and windmills, greenness, Islets green;
Willows whose Trunks beside the shadows stood
Of their own higher half, and willowy swamp:
Farmhouses that at anchor seem'd—in the inland sky
The fog-transfixing Spires— Water, wide water, greenness and green banks,
And water seen—
Samuel Taylor Coleridge
By Samuel Taylor Coleridge
Water and windmills, greenness, Islets green;
Willows whose Trunks beside the shadows stood
Of their own higher half, and willowy swamp:
Farmhouses that at anchor seem'd—in the inland sky
The fog-transfixing Spires— Water, wide water, greenness and green banks,
And water seen—
Samuel Taylor Coleridge
Windy Nights
By Robert Louis Stevenson
Whenever the moon and stars are set,
Whenever the wind is high,
All night long in the dark and wet,
A man goes riding by.
Late in the night when the fires are out,
Why does he gallop and gallop about?
Whenever the trees are crying aloud,
And ships are tossed at sea,
By, on the highway, low and loud,
By at the gallop goes he.
By at the gallop he goes, and then
By he comes back at the gallop again.
Robert Louis Stevenson
By Robert Louis Stevenson
Whenever the moon and stars are set,
Whenever the wind is high,
All night long in the dark and wet,
A man goes riding by.
Late in the night when the fires are out,
Why does he gallop and gallop about?
Whenever the trees are crying aloud,
And ships are tossed at sea,
By, on the highway, low and loud,
By at the gallop goes he.
By at the gallop he goes, and then
By he comes back at the gallop again.
Robert Louis Stevenson
Autumn
By Amy Lowell
All day I have watched the purple vine leaves
Fall into the water.
And now in the moonlight they still fall,
But each leaf is fringed with silver.
Amy Lowell
By Amy Lowell
All day I have watched the purple vine leaves
Fall into the water.
And now in the moonlight they still fall,
But each leaf is fringed with silver.
Amy Lowell
Acquainted with the Night
By Robert Frost
I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
Robert Frost
By Robert Frost
I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
Robert Frost
Apex
By Mary Cresswell
We climbed ungloved, hand over hand,
the sour-needle pines
expecting to see the glacier from here.
We heard the clock strike (several times),
and the red-coated oompah band
belted out brass on the miniature pier.
Cold, cold, it was cold. The air was clear
as the sharp, untouchable snowline
at the next country over, that sealed-off land
which last week officially abolished time
in favour of space: It’s easier
to get a grip on - and, they said, to understand.
Mary Cresswell is a Wellington poet from Los Angeles; she lives on the Kapiti Coast. Her third book, Trace Fossils, was published by Steele Roberts in 2011.
Mary Cresswell
By Mary Cresswell
We climbed ungloved, hand over hand,
the sour-needle pines
expecting to see the glacier from here.
We heard the clock strike (several times),
and the red-coated oompah band
belted out brass on the miniature pier.
Cold, cold, it was cold. The air was clear
as the sharp, untouchable snowline
at the next country over, that sealed-off land
which last week officially abolished time
in favour of space: It’s easier
to get a grip on - and, they said, to understand.
Mary Cresswell is a Wellington poet from Los Angeles; she lives on the Kapiti Coast. Her third book, Trace Fossils, was published by Steele Roberts in 2011.
Mary Cresswell
Book 2, Epigram 8
By Thomas Bastard
Walking the fields a wantcatcher I spied,
To him I went, desirous of his game:
Sir, have you taken wants? Yes, he replied,
Here are a dozen, which were lately ta’en.
Then you have left no more. No more? quoth he.
Sir I can show you more: the more the worse;
And to his work he went, but 'twould not be,
For all the wants were crept into my purse.
Farewell friend wantcatcher, since 'twill not be,
Thou cannot catch the wants, but they catch me.
Thomas Bastard
By Thomas Bastard
Walking the fields a wantcatcher I spied,
To him I went, desirous of his game:
Sir, have you taken wants? Yes, he replied,
Here are a dozen, which were lately ta’en.
Then you have left no more. No more? quoth he.
Sir I can show you more: the more the worse;
And to his work he went, but 'twould not be,
For all the wants were crept into my purse.
Farewell friend wantcatcher, since 'twill not be,
Thou cannot catch the wants, but they catch me.
Thomas Bastard
New Corn
By T’ao Ch’ien (a.d. 365-427)
Translated by Arthur Waley
Swiftly the years, beyond recall.
Solemn the stillness of this fair morning.
I will clothe myself in spring-clothing
And visit the slopes of the Eastern Hill.
By the mountain-stream a mist hovers,
Hovers a moment, then scatters.
There comes a wind blowing from the south
That brushes the fields of new corn.
T’ao Ch’ien
By T’ao Ch’ien (a.d. 365-427)
Translated by Arthur Waley
Swiftly the years, beyond recall.
Solemn the stillness of this fair morning.
I will clothe myself in spring-clothing
And visit the slopes of the Eastern Hill.
By the mountain-stream a mist hovers,
Hovers a moment, then scatters.
There comes a wind blowing from the south
That brushes the fields of new corn.
T’ao Ch’ien
Beginning My Studies
By Walt Whitman
Beginning my studies the first step pleas'd me so much,
The mere fact consciousness, these forms, the power of motion,
The least insect or animal, the senses, eyesight, love,
The first step I say awed me and pleas'd me so much,
I have hardly gone and hardly wish'd to go any farther,
But stop and loiter all the time to sing it in ecstatic songs.
Walt Whitman
By Walt Whitman
Beginning my studies the first step pleas'd me so much,
The mere fact consciousness, these forms, the power of motion,
The least insect or animal, the senses, eyesight, love,
The first step I say awed me and pleas'd me so much,
I have hardly gone and hardly wish'd to go any farther,
But stop and loiter all the time to sing it in ecstatic songs.
Walt Whitman
Fragment 6: The Moon, how definite its orb!
By Samuel Taylor Coleridge
The Moon, how definite its orb!
Yet gaze again, and with a steady gaze—
'Tis there indeed,—but where is it not?—
It is suffused o'er all the sapphire Heaven,
Trees, herbage, snake-like stream, unwrinkled Lake,
Whose very murmur does of it partake
And low and close the broad smooth mountain
Is more a thing of Heaven than when
Distinct by one dim shade and yet undivided from the universal cloud
In which it towers, finite in height.
Samuel Taylor Coleridge
By Samuel Taylor Coleridge
The Moon, how definite its orb!
Yet gaze again, and with a steady gaze—
'Tis there indeed,—but where is it not?—
It is suffused o'er all the sapphire Heaven,
Trees, herbage, snake-like stream, unwrinkled Lake,
Whose very murmur does of it partake
And low and close the broad smooth mountain
Is more a thing of Heaven than when
Distinct by one dim shade and yet undivided from the universal cloud
In which it towers, finite in height.
Samuel Taylor Coleridge
A Crocodile
by Thomas Lovell Beddoes
Hard by the lilied Nile I saw
A duskish river-dragon stretched along,
The brown habergeon of his limbs enamelled
With sanguine almandines and rainy pearl:
And on his back there lay a young one sleeping,
No bigger than a mouse; with eyes like beads,
And a small fragment of its speckled egg
Remaining on its harmless, pulpy snout;
A thing to laugh at, as it gaped to catch
The baulking merry flies. In the iron jaws
Of the great devil-beast, like a pale soul
Fluttering in rocky hell, lightsomely flew
A snowy trochilus, with roseate beak
Tearing the hairy leeches from his throat.
Thomas Lovell Beddoes
by Thomas Lovell Beddoes
Hard by the lilied Nile I saw
A duskish river-dragon stretched along,
The brown habergeon of his limbs enamelled
With sanguine almandines and rainy pearl:
And on his back there lay a young one sleeping,
No bigger than a mouse; with eyes like beads,
And a small fragment of its speckled egg
Remaining on its harmless, pulpy snout;
A thing to laugh at, as it gaped to catch
The baulking merry flies. In the iron jaws
Of the great devil-beast, like a pale soul
Fluttering in rocky hell, lightsomely flew
A snowy trochilus, with roseate beak
Tearing the hairy leeches from his throat.
Thomas Lovell Beddoes
The Old Year
by John Clare
The Old Year's gone away
To nothingness and night:
We cannot find him all the day
Nor hear him in the night:
He left no footstep, mark or place
In either shade or sun:
The last year he'd a neighbour's face,
In this he's known by none.
All nothing everywhere:
Mists we on mornings see
Have more of substance when they're here
And more of form than he.
He was a friend by every fire,
In every cot and hall-
A guest to every heart's desire,
And now he's nought at all.
Old papers thrown away,
Old garments cast aside,
The talk of yesterday,
Are things identified;
But time once torn away
No voices can recall:
The eve of New Year's Day
Left the Old Year lost to all.
John Clare
by John Clare
The Old Year's gone away
To nothingness and night:
We cannot find him all the day
Nor hear him in the night:
He left no footstep, mark or place
In either shade or sun:
The last year he'd a neighbour's face,
In this he's known by none.
All nothing everywhere:
Mists we on mornings see
Have more of substance when they're here
And more of form than he.
He was a friend by every fire,
In every cot and hall-
A guest to every heart's desire,
And now he's nought at all.
Old papers thrown away,
Old garments cast aside,
The talk of yesterday,
Are things identified;
But time once torn away
No voices can recall:
The eve of New Year's Day
Left the Old Year lost to all.
John Clare
XXXII
By Emily Dickinson
From Complete Poems 1924
Part One: Life
HOPE is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I’ve heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
Emily Dickinson
By Emily Dickinson
From Complete Poems 1924
Part One: Life
HOPE is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I’ve heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
Emily Dickinson
Adlestrop
By Edward Thomas
Yes. I remember Adlestrop—
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.
The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop—only the name
And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.
And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.
Edward Thomas
By Edward Thomas
Yes. I remember Adlestrop—
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.
The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop—only the name
And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.
And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.
Edward Thomas
At the Zoo
by William Makepeace Thackeray
First I saw the white bear, then I saw the black;
Then I saw the camel with a hump upon his back;
Then I saw the grey wolf, with mutton in his maw;
Then I saw the wombat waddle in the straw;
Then I saw the elephant a-waving of his trunk;
Then I saw the monkeys—mercy, how unpleasantly they smelt!
William Makepeace Thackeray
by William Makepeace Thackeray
First I saw the white bear, then I saw the black;
Then I saw the camel with a hump upon his back;
Then I saw the grey wolf, with mutton in his maw;
Then I saw the wombat waddle in the straw;
Then I saw the elephant a-waving of his trunk;
Then I saw the monkeys—mercy, how unpleasantly they smelt!
William Makepeace Thackeray
The Darkling Thrush
By Thomas Hardy
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
Thomas Hardy
By Thomas Hardy
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
Thomas Hardy
On the Grasshopper and Cricket
By John Keats
The Poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper’s—he takes the lead
In summer luxury,—he has never done
With his delights; for when tired out with fun
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there shrills
The Cricket’s song, in warmth increasing ever,
And seems to one in drowsiness half lost,
The Grasshopper’s among some grassy hills.
John Keats
By John Keats
The Poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper’s—he takes the lead
In summer luxury,—he has never done
With his delights; for when tired out with fun
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there shrills
The Cricket’s song, in warmth increasing ever,
And seems to one in drowsiness half lost,
The Grasshopper’s among some grassy hills.
John Keats
To the Roaring Wind
by Wallace Stevens
What syllable are you seeking,
Vocalissimus,
In the distances of sleep?
Speak it.
Wallace Stevens
by Wallace Stevens
What syllable are you seeking,
Vocalissimus,
In the distances of sleep?
Speak it.
Wallace Stevens
The Tyger
by William Blake
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water'd heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
William Blake
by William Blake
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water'd heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
William Blake
A Slumber did my Spirit Seal
By William Wordsworth
A slumber did my spirit seal;
I had no human fears:
She seemed a thing that could not feel
The touch of earthly years.
No motion has she now, no force;
She neither hears nor sees;
Rolled round in earth's diurnal course,
With rocks, and stones, and trees.
William Wordsworth
By William Wordsworth
A slumber did my spirit seal;
I had no human fears:
She seemed a thing that could not feel
The touch of earthly years.
No motion has she now, no force;
She neither hears nor sees;
Rolled round in earth's diurnal course,
With rocks, and stones, and trees.
William Wordsworth
The Ship Starting
By Walt Whitman
Lo, the unbounded sea,
On its breast a ship starting, spreading all sails, carrying even
her moonsails.
The pennant is flying aloft as she speeds she speeds so stately—
below emulous waves press forward,
They surround the ship with shining curving motions and foam.
Walt Whitman
By Walt Whitman
Lo, the unbounded sea,
On its breast a ship starting, spreading all sails, carrying even
her moonsails.
The pennant is flying aloft as she speeds she speeds so stately—
below emulous waves press forward,
They surround the ship with shining curving motions and foam.
Walt Whitman
One am, First January, 2006
By Carol Jenkins
Each boat’s white light, paired with red,
glides towards The Spit,
some have high lamps so their decks
are magnified in a frail wash of white.
The voices and engines vibrating,
carry clear across Middle Harbour.
Returning after midnight fireworks,
they add themselves together, like days,
until a chain of light plots the stillness
of dark water from Wyargine Point to where
they are, again, nothing behind the trees.
Carol Jenkins is an Australian poet. Her first book of poetry Fishing in the Devonian (Puncher & Wattmann, 2008) was short listed for the 2009 Victorian Premier’s Literary Awards.
Carol Jenkins
By Carol Jenkins
Each boat’s white light, paired with red,
glides towards The Spit,
some have high lamps so their decks
are magnified in a frail wash of white.
The voices and engines vibrating,
carry clear across Middle Harbour.
Returning after midnight fireworks,
they add themselves together, like days,
until a chain of light plots the stillness
of dark water from Wyargine Point to where
they are, again, nothing behind the trees.
Carol Jenkins is an Australian poet. Her first book of poetry Fishing in the Devonian (Puncher & Wattmann, 2008) was short listed for the 2009 Victorian Premier’s Literary Awards.
Carol Jenkins
Flowers by the Sea
By William Carlos Williams
When over the flowery, sharp pasture’s
edge, unseen, the salt ocean
lifts its form—chicory and daisies
tied, released, seem hardly flowers alone
but color and the movement—or the shape
perhaps—of relentlessness, whereas
the sea is circled and sways
peacefully upon its plantlike stem
William Carlos Williams
By William Carlos Williams
When over the flowery, sharp pasture’s
edge, unseen, the salt ocean
lifts its form—chicory and daisies
tied, released, seem hardly flowers alone
but color and the movement—or the shape
perhaps—of relentlessness, whereas
the sea is circled and sways
peacefully upon its plantlike stem
William Carlos Williams
My Star
By Robert Browning 1812–1889
All that I know
Of a certain star,
Is, it can throw
(Like the angled spar)
Now a dart of red,
Now a dart of blue,
Till my friends have said
They would fain see, too,
My star that dartles the red and the blue!
Then it stops like a bird; like a flower, hangs furled:
They must solace themselves with the Saturn above it.
What matter to me if their star is a world?
Mine has opened its soul to me; therefore I love it.
Robert Browning
By Robert Browning 1812–1889
All that I know
Of a certain star,
Is, it can throw
(Like the angled spar)
Now a dart of red,
Now a dart of blue,
Till my friends have said
They would fain see, too,
My star that dartles the red and the blue!
Then it stops like a bird; like a flower, hangs furled:
They must solace themselves with the Saturn above it.
What matter to me if their star is a world?
Mine has opened its soul to me; therefore I love it.
Robert Browning
Ozymandias
By Percy Bysshe Shelley
I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”
Percy Bysshe Shelley
By Percy Bysshe Shelley
I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”
Percy Bysshe Shelley
The Eagle
By Alfred, Lord Tennyson
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.
Alfred, Lord Tennyson
By Alfred, Lord Tennyson
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.
Alfred, Lord Tennyson
XCVII
By Emily Dickinson
TO make a prairie it takes a clover and one bee,—
One clover, and a bee,
And revery.
The revery alone will do
If bees are few.
(from Part Two: Nature, Complete Poems, 1924)
Emily Dickinson
By Emily Dickinson
TO make a prairie it takes a clover and one bee,—
One clover, and a bee,
And revery.
The revery alone will do
If bees are few.
(from Part Two: Nature, Complete Poems, 1924)
Emily Dickinson
Bloom
By Elizabeth Allen
All day they have been drawing me back
to the kitchen table: a crossword question
I keep returning to, the answer just beyond
my tongue. I have been trying to find
their meaning: what they hold & signify,
what they expect & tell. What they can
know of me & what they can’t. Only
now that evening is coming in have I
tired of this frenzy & decided to let them
be flowers: cream lilies, red carnations,
white daisies, purple orchids & others
I do not know the names for, so cannot
show you. An odd jarring of colour in
a basket, like seeing yourself reflected
from many angles at once; the constancy
of body temperature, dry humour, wit,
gathered in together like friendships;
some about to open & some, almost:
Elizabeth Allen is a contemporary Australian poet. Her book of poems Body Language is published by Vagabond Press (Sydney, 2012).
Elizabeth Allen
By Elizabeth Allen
All day they have been drawing me back
to the kitchen table: a crossword question
I keep returning to, the answer just beyond
my tongue. I have been trying to find
their meaning: what they hold & signify,
what they expect & tell. What they can
know of me & what they can’t. Only
now that evening is coming in have I
tired of this frenzy & decided to let them
be flowers: cream lilies, red carnations,
white daisies, purple orchids & others
I do not know the names for, so cannot
show you. An odd jarring of colour in
a basket, like seeing yourself reflected
from many angles at once; the constancy
of body temperature, dry humour, wit,
gathered in together like friendships;
some about to open & some, almost:
Elizabeth Allen is a contemporary Australian poet. Her book of poems Body Language is published by Vagabond Press (Sydney, 2012).
Elizabeth Allen
Neither Out Far Nor In Deep
By Robert Frost
The people along the sand
All turn and look one way.
They turn their back on the land.
They look at the sea all day.
As long as it takes to pass
A ship keeps raising its hull;
The wetter ground like glass
Reflects a standing gull.
The land may vary more;
But wherever the truth may be -
The water comes ashore,
And the people look at the sea.
They cannot look out far.
They cannot look in deep.
But when was that ever a bar
To any watch they keep?
Robert Frost
By Robert Frost
The people along the sand
All turn and look one way.
They turn their back on the land.
They look at the sea all day.
As long as it takes to pass
A ship keeps raising its hull;
The wetter ground like glass
Reflects a standing gull.
The land may vary more;
But wherever the truth may be -
The water comes ashore,
And the people look at the sea.
They cannot look out far.
They cannot look in deep.
But when was that ever a bar
To any watch they keep?
Robert Frost
Sonnet 116
By William Shakespeare
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.
William Shakespeare
By William Shakespeare
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.
William Shakespeare
The Pike
By Amy Lowell
In the brown water,
Thick and silver-sheened in the sunshine,
Liquid and cool in the shade of the reeds,
A pike dozed.
Lost among the shadows of stems
He lay unnoticed.
Suddenly he flicked his tail,
And a green-and-copper brightness
Ran under the water.
Out from under the reeds
Came the olive-green light,
And orange flashed up
Through the sun-thickened water.
So the fish passed across the pool,
Green and copper,
A darkness and a gleam,
And the blurred reflections of the willows on the opposite bank
Received it.
Amy Lowell
By Amy Lowell
In the brown water,
Thick and silver-sheened in the sunshine,
Liquid and cool in the shade of the reeds,
A pike dozed.
Lost among the shadows of stems
He lay unnoticed.
Suddenly he flicked his tail,
And a green-and-copper brightness
Ran under the water.
Out from under the reeds
Came the olive-green light,
And orange flashed up
Through the sun-thickened water.
So the fish passed across the pool,
Green and copper,
A darkness and a gleam,
And the blurred reflections of the willows on the opposite bank
Received it.
Amy Lowell
Frogs in Chorus
by AB ‘Banjo’ Paterson
The chorus frogs in the big lagoon
Would sing their songs to the silvery moon.
Tenor singers were out of place,
For every frog was a double bass.
But never a human chorus yet
Could beat the accurate time they set.
The solo singer began the joke;
He sang, "As long as I live I'll croak,
Croak, I'll croak,"
And the chorus followed him: "Croak, croak, croak!"
The poet frog, in his plaintive tone,
Sang of a sorrow was all his own;
"How shall I win to my heart's desire?
How shall I feel my spirit's fire?"
And the solo frog in his deepest croak,
"To fire your spirit," he sang, "eat coke,
Coke, eat coke,"
And the chorus followed him: "Coke, coke, coke!"
The green frog sat in a swampy spot
And he sang the song of he knew not what.
"The world is rotten, oh cursed plight,
That I am the frog that must set it right.
How shall I scatter the shades that lurk?"
And the old man bullfrog sang, "Get work,
Work, get work,"
And the chorus followed him: "Work, work, work!"
The soaring spirits that fain would fly
On wings of hope to the starry sky
Must face the snarls of the jealous dogs,
For the world is ruled by its chorus frogs.
AB ‘Banjo’ Paterson
by AB ‘Banjo’ Paterson
The chorus frogs in the big lagoon
Would sing their songs to the silvery moon.
Tenor singers were out of place,
For every frog was a double bass.
But never a human chorus yet
Could beat the accurate time they set.
The solo singer began the joke;
He sang, "As long as I live I'll croak,
Croak, I'll croak,"
And the chorus followed him: "Croak, croak, croak!"
The poet frog, in his plaintive tone,
Sang of a sorrow was all his own;
"How shall I win to my heart's desire?
How shall I feel my spirit's fire?"
And the solo frog in his deepest croak,
"To fire your spirit," he sang, "eat coke,
Coke, eat coke,"
And the chorus followed him: "Coke, coke, coke!"
The green frog sat in a swampy spot
And he sang the song of he knew not what.
"The world is rotten, oh cursed plight,
That I am the frog that must set it right.
How shall I scatter the shades that lurk?"
And the old man bullfrog sang, "Get work,
Work, get work,"
And the chorus followed him: "Work, work, work!"
The soaring spirits that fain would fly
On wings of hope to the starry sky
Must face the snarls of the jealous dogs,
For the world is ruled by its chorus frogs.
AB ‘Banjo’ Paterson
The Ladder
by Bill Manhire
Too short to reach the roof,
too short to threaten important windows,
the ladder lies on its side
behind the house, out of sight.
The ladder lies in the grass,
a different grain in each of its rungs
(and wings on each rung
so where can you place your feet?).
And, as you can see, it is rotten.
Nevertheless, it longs to be lifted.
Bill Manhire is an award-winning New Zealand poet. He was New Zealand's inaugural Poet Laureate and his most recent book isThe Victims of Lightning(Victoria University Press, Wellington, 2010).
Bill Manhire
by Bill Manhire
Too short to reach the roof,
too short to threaten important windows,
the ladder lies on its side
behind the house, out of sight.
The ladder lies in the grass,
a different grain in each of its rungs
(and wings on each rung
so where can you place your feet?).
And, as you can see, it is rotten.
Nevertheless, it longs to be lifted.
Bill Manhire is an award-winning New Zealand poet. He was New Zealand's inaugural Poet Laureate and his most recent book isThe Victims of Lightning(Victoria University Press, Wellington, 2010).
Bill Manhire
Early Arrival Sydney
by Vivian Smith
Red cockatoo crests caught on coral trees:
my Sydney emblems. Dragging the land in view
our ship hauls glass and concrete to its side
as gulls fly up and snatch and scream and glide
away on a sea smeared with a trace of blue.
The neons flicker and the skyline wakes.
The orange suburbs float through miles of calm:
a pastel-coloured terrace shades its slope.
While five gulls fight for nothing on a rope,
the breeze picks out a single listless palm.
The city's like a room far undersea
with locked arcades where shadow-waves subside.
Grey windows bend great cloud-shapes as they pass.
Beyond these tiles, tunnels, iron, glass,
the flat waters of green inlets ride
where all the folded yachts are chained away.
But here the huge hotels still sway in space
with the exactness of a foreign place.
Vivian Smith is a widely published Australian poet. His most recent book is Here, There and Elsewhere (Giramondo, Sydney, 2012)
Vivian Smith
by Vivian Smith
Red cockatoo crests caught on coral trees:
my Sydney emblems. Dragging the land in view
our ship hauls glass and concrete to its side
as gulls fly up and snatch and scream and glide
away on a sea smeared with a trace of blue.
The neons flicker and the skyline wakes.
The orange suburbs float through miles of calm:
a pastel-coloured terrace shades its slope.
While five gulls fight for nothing on a rope,
the breeze picks out a single listless palm.
The city's like a room far undersea
with locked arcades where shadow-waves subside.
Grey windows bend great cloud-shapes as they pass.
Beyond these tiles, tunnels, iron, glass,
the flat waters of green inlets ride
where all the folded yachts are chained away.
But here the huge hotels still sway in space
with the exactness of a foreign place.
Vivian Smith is a widely published Australian poet. His most recent book is Here, There and Elsewhere (Giramondo, Sydney, 2012)
Vivian Smith
Summer Farm
by Norman MacCaig
Straws like tame lightnings lie about the grass
And hang zigzag on hedges. Green as glass
The water in the horse-trough shines.
Nine ducks go wobbling by in two straight lines.
A hen stares at nothing with one eye,
Then picks it up. Out of an empty sky
A swallow falls and, flickering through
The barn, dives up again into the dizzy blue.
I lie, not thinking, in the cool, soft grass,
Afraid of where a thought might take me - as
This grasshopper with plated face
Unfolds his legs and finds himself in space.
Self under self, a pile of selves I stand
Threaded on time, and with metaphysic hand
Lift the farm like a lid and see
Farm within farm, and in the centre, me.
Norman MacCaig
by Norman MacCaig
Straws like tame lightnings lie about the grass
And hang zigzag on hedges. Green as glass
The water in the horse-trough shines.
Nine ducks go wobbling by in two straight lines.
A hen stares at nothing with one eye,
Then picks it up. Out of an empty sky
A swallow falls and, flickering through
The barn, dives up again into the dizzy blue.
I lie, not thinking, in the cool, soft grass,
Afraid of where a thought might take me - as
This grasshopper with plated face
Unfolds his legs and finds himself in space.
Self under self, a pile of selves I stand
Threaded on time, and with metaphysic hand
Lift the farm like a lid and see
Farm within farm, and in the centre, me.
Norman MacCaig
The Last To Leave
By Leon Gellert
The guns were silent, and the silent hills
had bowed their grasses to a gentle breeze
I gazed upon the vales and on the rills,
And whispered, "What of these?' and "What of these?
These long forgotten dead with sunken graves,
Some crossless, with unwritten memories
Their only mourners are the moaning waves,
Their only minstrels are the singing trees
And thus I mused and sorrowed wistfully
I watched the place where they had scaled the height,
The height whereon they bled so bitterly
Throughout each day and through each blistered night
I sat there long, and listened - all things listened too
I heard the epics of a thousand trees,
A thousand waves I heard; and then I knew
The waves were very old, the trees were wise:
The dead would be remembered evermore-
The valiant dead that gazed upon the skies,
And slept in great battalions by the shore.
Leon Gellert
By Leon Gellert
The guns were silent, and the silent hills
had bowed their grasses to a gentle breeze
I gazed upon the vales and on the rills,
And whispered, "What of these?' and "What of these?
These long forgotten dead with sunken graves,
Some crossless, with unwritten memories
Their only mourners are the moaning waves,
Their only minstrels are the singing trees
And thus I mused and sorrowed wistfully
I watched the place where they had scaled the height,
The height whereon they bled so bitterly
Throughout each day and through each blistered night
I sat there long, and listened - all things listened too
I heard the epics of a thousand trees,
A thousand waves I heard; and then I knew
The waves were very old, the trees were wise:
The dead would be remembered evermore-
The valiant dead that gazed upon the skies,
And slept in great battalions by the shore.
Leon Gellert
The Australian
By William Henry Ogilvie
The bravest thing God ever made!
(A British Officer’s Opinion)
The skies that arched his land were blue,
His bush-born winds were warm and sweet,
And yet from earliest hours he knew
The tides of victory and defeat:
From fierce floods thundering at his birth,
From red droughts ravening while he played,
He learned no fear no foes on earth -
The bravest thing God ever made!
The bugles of the Motherland
Rang ceaselessly across the sea,
To call him and his lean brown band
To shape Imperial destiny.,
He went by youth’s grave purpose willed,
The goal unknown, the cost unweighed,
The promise of his blood fulfilled -
The bravest thing God ever made!
We know - it is our deathless pride! -
The splendour of his first fierce blow;
How, reckless, glorious, undenied,
He stormed those steel-lined cliffs we know!
And none who saw him scale the height
Behind his reeking bayonet blade
Would rob him of his title right -
The bravest thing God ever made!
Bravest, where half a world of men
Are brave beyond all earth’s rewards,
So stoutly none shall charge again
Till the last breaking of the swords;
Wounded or hale, won home from war,
Or yonder by the Lone Pine laid,
Give him his due for evermore -
The bravest thing God ever made!
William Henry Ogilvie
By William Henry Ogilvie
The bravest thing God ever made!
(A British Officer’s Opinion)
The skies that arched his land were blue,
His bush-born winds were warm and sweet,
And yet from earliest hours he knew
The tides of victory and defeat:
From fierce floods thundering at his birth,
From red droughts ravening while he played,
He learned no fear no foes on earth -
The bravest thing God ever made!
The bugles of the Motherland
Rang ceaselessly across the sea,
To call him and his lean brown band
To shape Imperial destiny.,
He went by youth’s grave purpose willed,
The goal unknown, the cost unweighed,
The promise of his blood fulfilled -
The bravest thing God ever made!
We know - it is our deathless pride! -
The splendour of his first fierce blow;
How, reckless, glorious, undenied,
He stormed those steel-lined cliffs we know!
And none who saw him scale the height
Behind his reeking bayonet blade
Would rob him of his title right -
The bravest thing God ever made!
Bravest, where half a world of men
Are brave beyond all earth’s rewards,
So stoutly none shall charge again
Till the last breaking of the swords;
Wounded or hale, won home from war,
Or yonder by the Lone Pine laid,
Give him his due for evermore -
The bravest thing God ever made!
William Henry Ogilvie
To a Mouse
BY ROBERT BURNS
On Turning up in Her Nest with the Plough, November, 1785
(the poem has eight verses ; these are verses 2, 7 & 8)
....
I’m truly sorry Man’s dominion
Has broken Nature’s social union,
An’ justifies that ill opinion,
Which makes thee startle,
At me, thy poor, earth-born companion,
An’ fellow-mortal!
....
But Mousie, thou art no thy-lane,
In proving foresight may be vain:
The best laid schemes o’ Mice an’ Men
Gang aft agley,
An’ lea’e us nought but grief an’ pain,
For promis’d joy!
Still, thou art blest, compar’d wi’ me!
The present only toucheth thee:
But Och! I backward cast my e’e,
On prospects drear!
An’ forward tho’ I canna see,
I guess an’ fear!
BY ROBERT BURNS
BY ROBERT BURNS
On Turning up in Her Nest with the Plough, November, 1785
(the poem has eight verses ; these are verses 2, 7 & 8)
....
I’m truly sorry Man’s dominion
Has broken Nature’s social union,
An’ justifies that ill opinion,
Which makes thee startle,
At me, thy poor, earth-born companion,
An’ fellow-mortal!
....
But Mousie, thou art no thy-lane,
In proving foresight may be vain:
The best laid schemes o’ Mice an’ Men
Gang aft agley,
An’ lea’e us nought but grief an’ pain,
For promis’d joy!
Still, thou art blest, compar’d wi’ me!
The present only toucheth thee:
But Och! I backward cast my e’e,
On prospects drear!
An’ forward tho’ I canna see,
I guess an’ fear!
BY ROBERT BURNS
The Australian Sunrise
By James Lister Cuthbertson
The Morning Star paled slowly, the Cross hung low to the sea,
And down the shadowy reaches the tide came swirling free,
The lustrous purple blackness of the soft Australian night
Waned in the grey awakening that heralded the light;
Still in the dying darkness, still in the forest dim
The pearly dew of the dawning clung to each giant limb,
Till the sun came up from ocean, red with the cold sea mist,
And smote on the limestone ridges, and the shining tree-tops kissed
Then the fiery Scorpion vanished, the magpie’s note was heard,
And the wind in the she-oak wavered and the honeysuckles stirred;
The airy golden vapour rose from the river breast,
The kingfisher came darting out of his crannied nest,
And the bullrushes and reed-beds put off their sallow grey
And burnt with cloudy crimson at the dawning of the day.
James Lister Cuthbertson
By James Lister Cuthbertson
The Morning Star paled slowly, the Cross hung low to the sea,
And down the shadowy reaches the tide came swirling free,
The lustrous purple blackness of the soft Australian night
Waned in the grey awakening that heralded the light;
Still in the dying darkness, still in the forest dim
The pearly dew of the dawning clung to each giant limb,
Till the sun came up from ocean, red with the cold sea mist,
And smote on the limestone ridges, and the shining tree-tops kissed
Then the fiery Scorpion vanished, the magpie’s note was heard,
And the wind in the she-oak wavered and the honeysuckles stirred;
The airy golden vapour rose from the river breast,
The kingfisher came darting out of his crannied nest,
And the bullrushes and reed-beds put off their sallow grey
And burnt with cloudy crimson at the dawning of the day.
James Lister Cuthbertson